Madison Police Department 2020 Annual Report Overview of the Mpd
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Downey Police Department
DOWNEY POLICE DEPARTMENT COMMUNICATIONS TRAINING MANUAL 1 TABLE OF CONTENTS WELCOME 1 CHAPTER ONE - INTRODUCTION 2 Use of the training manual 4 Your training program 5 Performance standards 6 Required skills and knowledge 7 City history 9 Police Department organization 10 Introduction self-test 11 CHAPTER TWO - GENERAL INFORMATION 12 Downey arterial streets 13 Beats and reporting districts 14 Patrol shift/radio call signs 15 Radio call signs 15 Codes 16 Phonetic Alphabet 16 Radio codes 17 Color codes 18 Days/Directions/States 20 Common location abbreviations 21 Abbreviations and acronyms 21 Call types 26 Criminal law 28 Crime elements 33 Penal Code 33 Business & Professions Code 42 Health & Safety Code 43 Welfare & Institutions Code 45 Vehicle Code 46 Downey Municipal Code 50 Local law enforcement agencies 53 SEAACA 54 Downey Fire Department 54 Book resources 55 Other resources 58 2 Blotter Reports 59 E-Mail 59 CAD emergency procedures 59 CAD crash/catch-up 59 CAD commands 60 CHAPTER THREE - CALL-TAKER 63 Telephone mechanics 63 Call Screening 71 Call Prioritization 71 Telephone Operations 75 9-1-1 PSAP 77 Calls-For-Service Procedures 80 General Questions (CFS) 83 CLETS/NCIC Info 106 Call-Taker self-test 108 CHAPTER FOUR - DISPATCHER POSITION 111 Radio console 111 Radio control panel 112 Headsets 115 CAD terminals 116 24 Hour recorder 116 Alarm Panel 116 Electronic Tracking System (ETS) 116 Station/City Hall Security Alarms 117 Fire Alarm Panel 118 Security Cameras/Gates 118 Intercom 119 Jail Alarm 119 Electronic Doors 120 Department Access 120 Dispatching a call 121 Officer safety 123 Dispatch Protocol 123 Primary self-test 126 CHAPTER FIVE - RIDE-ALONG 126 3 WELCOME! Welcome to the Downey Police Department's Communications Team. -
Amigos Playtext.P65 1 2/06/04, 12:53 PM 2 AMIGOS
INTRODUCTION i DAVID WILLIAMSON’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002) and Birthrights (2003) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. David Williamson has won the Australian Film Institute film script award for Petersen (1974), Don’s Party (1976), Gallipoli (1981) and Travelling North (1987) and has won eleven Australian Writers’ Guild AWGIE Awards. -
Tale of the Tape
Thursday, Oct. 31, 2019 Vol. 18 No. 30 NEWS WILDFIRES ENTERTAINMENT EDUCATION Mario Trujillo earns Firefighters Zombieland comes eSports tourney award for advoacy deployed to Netflix returns SEE PAGE 2 SEE PAGE 4 SEE PAGE 9 SEE PAGE 11 Downey Rancho restaurant grades project Stinkin’ Crawfish 8240 Firestone Blvd. Date Inspected: 10/29/19 criticized Grade: A FridayWeekend83˚ Mimi’s Cafe at a Glance at open 8455 Firestone Blvd. Date Inspected: 10/29/19 Saturday 6883˚⁰ Grade: A Friday house Taqueria Zavala 11907 Lakewood Blvd. Sunday 78˚70⁰ By Alex Dominguez Date Inspected: 10/29/19 Saturday Staff Writer Grade: A DOWNEY - With Lucky Guys #2 potentially 100 buildings set 12801 Bellflower Blvd. THINGS TO DO for demolishment, Los Angeles Date Inspected: 10/29/19 County Public Works Department staff got a little more than Grade: A they bargained for during their presentation of the Rancho Los Porto’s Bakery Amigos South Campus Project to 8233 Firestone Blvd.. residents. Date Inspected: 10/29/19 PHOTOS BY ALEX DOMINGUEZ - GRAPHIC BY ALEX DOMINGUEZ AND JONATHAN FOX Grade: A Residents were invited to join county staff at the Barbara J. Pupuseria El Carrisal Reilly Senior Center on Monday to Festival of Flight receive updates and information 11851 Paramount Blvd. Saturday - Long Beach Airport, on a multimillion-dollar project Tale of the Tape Date Inspected: 10/28/19 10 am to 4 pm set for the former south campus Grade: A A free celebration featuring aircraft of Rancho Los Amigos National DOWNEY - The cross-town displays, food trucks, beer trucks, and Rehabilitation Center. -
The Living Daylights 2(11) 19 March 1974 Richard Neville Editor
University of Wollongong Research Online The Living Daylights Historical & Cultural Collections 3-19-1974 The Living Daylights 2(11) 19 March 1974 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/livingdaylights Recommended Citation Neville, Richard, (1974), The Living Daylights 2(11) 19 March 1974, Incorporated Newsagencies Company, Melbourne, vol.2 no.11, March 19 - 25, 28p. http://ro.uow.edu.au/livingdaylights/21 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Living Daylights 2(11) 19 March 1974 Publisher Incorporated Newsagencies Company, Melbourne, vol.2 no.11, March 19 - 25, 28p This serial is available at Research Online: http://ro.uow.edu.au/livingdaylights/21 Arthur Clarke & the future — spaceships for hardships Truckin’ on bowel power The Guide Vol.2 No.11 I Marchl9-25 to 1974 30^ Successful uggling By a former customs officer Son of garbology UR LETTERS pages this week Richard Beckett O carry cries o f shock and dismay from readers over last issue’s garbology story. beats up The reception to Morris’ romp through the week’s news the rubbish o f the famed met with mixed response: Paul Slicky, arts writer for T ’S A MAN’S LIFE WITH BHP: Melbourne’s Sunday observer, hailed gar IThose members of the army who bology as a new art form, a more honest jjjxj moaned that their chances o f promotion and more authentic portrayal o f modern jjjjjjj: flew out of the window with the end of times than some o f “ works o f art” jjjjjjj: the Vietnam war, may shortly be able to ensconced in our art galleries. -
PACIFIC LINGUISTICS Research School of Pacific and Asian Studies
PACIFIC LINGUISTICS Research School of Pacific and Asian Studies THE AUSTRALIAN NATIONAL UNIVERSITY PDF copy This .pdf (portable document file) document is an image file produced from a scan of an original copy of the book. It may not be reproduced without the permission of Pacific Linguistics. Pacific Linguistics Home Page: http://www.pacling.com Encountering Aboriginal languages: Studies in the history of Australian linguistics edited by William B. McGregor PL 591 2008 ISBN 9780858835832 540 pp. Prices: Australia AUD $121.00 (incl. GST) Overseas AUD $110.00 This edited volume represents the first book- length study of the history of research on Australian Aboriginal languages, and collects together 18 original papers on a wide variety of topics, spanning the period from first settlement to the present day. The introduction sets the scene for the book by presenting an overview of the history of histories of research on the languages of Australia, and identifying some of the major issues in Aboriginal linguistic historiography as well as directions for future investigations. Part 1 presents three detailed investigations of the history of work on particular languages and regions. The eight papers of Part 2 study and re- evaluate the contributions of particular individuals, most of who are somewhat marginal or have been marginalised in Aboriginal linguistics. Part 3 consists of six studies specific linguistic topics: sign language research, language revival, pidgins and creoles, fieldwork, Fr. Schmidt’s work on personal pronouns, and the discovery that Australia was a multilingual continent. Overall, the volume presents two major challenges to Australianist orthodoxy. First, the papers challenge the typically anachronistic approaches to the history of Aboriginal linguistics, and reveal the need to examine previous research in the context of their times — and the advantages of doing so to contemporary understanding and language documentation. -
The Effects of Satire and Farce in the Plays of David Williamson
i “Sugared Placebos”? The effects of satire and farce in the plays of David Williamson Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Education Faculty of Human Development Victoria University By Elvira Sammut DipTeach(WASTC), BEd(ECU), MEd(ECU), LTCL(Drama) 2008 ii Declaration This Thesis contains no material which has been submitted for examination in any other course or accepted for any degree or diploma in any University. To the best of my knowledge and belief, it contains no material previously published or written by another person, except where due reference is made in the text Signed …………………………………………………………………………… Elvira Sammut. July 2008 iii This Thesis is dedicated to the memory of my Mother, Elena Suarez Gallagher Corbett, whose passion and vision instilled in me her love of reading and her deep belief in education. She travels with me. iv Acknowledgements I would like to express my thanks to Dr. Tarquam McKenna and Dr. Mary Weaven at Victoria University for supervising this thesis. I am very grateful for their generous support, constructive criticism, and many kindnesses. And for the sheer niceness of their manner. This thesis was commenced at Curtin University, Perth, Western Australia. Mention must be made of Dr. Donald Pulford and Dr. Paul Genoni who supervised the drafts of the early chapters. Thank you both. I am grateful to Dr. Felicity Haynes of University of Western Australia for her expertise, help and encouragement in enabling me to complete this project. I am also deeply indebted to Victoria University, Footscray, Victoria, for giving me the opportunity to complete this work. -
The Influence of Maria Irene Fornes's Teaching
CONDUCTING A PEDAGOGY: THE INFLUENCE OF MARIA IRENE FORNES’S TEACHING AND THE PADUA HILLS PLAYWRIGHTS WORKSHOP AND FESTIVAL ON THREE CONTEMPORARY WOMEN PLAYWRIGHTS ________________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy _______________________________________________________ by ANDRÉA J. ONSTAD Dr. M. Heather Carver, Dissertation Supervisor DECEMBER 2009 © Copyright by Andréa J. Onstad 2009 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled CONDUCTING A PEDAGOGY: THE INFLUENCE OF MARIA IRENE FORNES’S TEACHING AND THE PADUA HILLS PLAYWRIGHTS WORKSHOP AND FESTIVAL ON THREE CONTEMPORARY WOMEN PLAYWRIGHTS presented by Andréa J. Onstad a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ________________________________________ Associate Professor M. Heather Carver ________________________________________ Associate Professor Cheryl Black ________________________________________ Professor Suzanne Burgoyne ________________________________________ Professor Elaine J. Lawless ________________________________________ Assistant Professor Maureen Stanton To the memory of my brother. ACKNOWLEDGEMENTS Thank you to all the members of my dissertation committee: ––Dr. Heather Carver for being there -
STUDY GUIDE: Don's Party
CurrenCy Press STUDY GUIDE The performing arts publisher www.currency.com.au DAVID WILLIAMSON’S DON’s PARTY by John McCallum . Introducing the play 1 2. The critics’ views 1 3. Questions for discussion 1 4. Further reading 1. Introducing the play detail which gives a ‘shock of recognition’ to audiences. All the trappings of an Australian Don’s Party arrived on the theatre scene in middle-class, trendy party are there: the beer, the Australia in 1972 with the same sort of impact Twisties, the home-made pizzas, the bawdy jokes that the character Cooley has when he arrives at and cracking-on by the men, the women talking the party in the play. It was energetic and fun; about their husbands in the corner (although it was exhilaratingly frank and, in the process, the details of their conversation were shocking gloriously obscene; and it deflated a lot of the to some in 1972) and the gradual decline into pretensions of the new young professionals who drunken argument. The play caused a national came to the theatres and who are represented in wave of confession by people who said that they’d the play. Above all, for the critics and audiences been to parties just like that. at the time at least, it was Australian. As the The characters are, or were, a perfect selection critic H.G. Kippax said, ‘There isn’t a line, and not a of types of a certain class of Australians. They character, that hasn’t the ring—just off-key—of represent the new professional class of teachers, one part of Australia, larger than life.’ psychologists, lawyers and others whom one This accurate social observation of Australian social commentator has called ‘sons of ocker’. -
Canids: Status Survey and Conservation Action Plan
IUCN/Species Survival Commission Foxes, Wolves, Jackals and Dogs Canids: Status Survey and Conservation Action Plan The Species Survival Commission (SSC) is one of six volunteer commissions of IUCN – The World Conservation Union, a union of sovereign states, government agencies and non- governmental organisations. IUCN has three basic conservation objectives: to secure the conservation of nature, and especially of biological diversity, as an essential foundation for the future; to ensure that where the Earth’s natural resources are used this is done in a wise, Canids: Foxes, Wolves, equitable and sustainable way; and to guide the development of human communities towards ways of life that are both of good quality and in enduring harmony with other components of the biosphere. Jackals and Dogs A volunteer network comprised of some 8,000 scientists, field researchers, government officials and conservation leaders from nearly every country of the world, the SSC membership is an unmatched source of information about biological diversity and its conservation. As such, SSC Edited by Claudio Sillero-Zubiri, Michael Hoffmann members provide technical and scientific counsel for conservation projects throughout the world and serve as resources to governments, international conventions and conservation and David W. Macdonald organisations. IUCN/SSC Action Plans assess the conservation status of species and their habitats, and specifies conservation priorities. The series is one of the world’s most authoritative sources of Survey and Conservation Action -
José Rizal and the Spanish Novel by Aaron C. Castroverde Department
José Rizal and the Spanish Novel by Aaron C. Castroverde Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Stephanie Sieburth, Co-Supervisor ___________________________ Walter Mignolo, Co-Supervisor ___________________________ Fredric Jameson ___________________________ Richard Rosa Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2013 ABSTRACT José Rizal and the Spanish Novel by Aaron C. Castroverde Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Stephanie Sieburth, Co-Supervisor ___________________________ Walter Mignolo, Co-Supervisor ___________________________ Fredric Jameson ___________________________ Richard Rosa An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2013 Copyright by Aaron C. Castroverde 2013 Abstract This dissertation is a preliminary attempt to define and theorize Spanish literature of the late nineteenth century from the perspective of the colonized. I take as my starting point the novels of the Filipino writer José Rizal: Noli me tángere and El filibusterismo. Although these novels are considered to be the foundational texts of the Philippine nation, I will instead focus on their relationship to Spain and the literature produced there around the same period. This analysis will be contrasted with a reading of Benito Pérez Galdós’s novel Doña Perfecta, which, as many critics have claimed, bears a resemblance to Rizal’s first novel. I will show how Galdós’s novel demonstrates a colonizing mentality despite being nominally about an internal Spanish conflict. -
A Parish Far from Hopeless
Vol. LXVIll No. 28 ^Colorado|^arges^Weol^ 35 Cents St. Jude Catholic Community A parish far from hopeless By Colleen Smith Mason St. Jude is the patron saint of desperate situations; his namesake parish in Lakewood is anything but. St. Jude Catholic Community will celebrate its 25th anniversary and dedicate its recently renovated church Sunday, July 19, with the Liturgy of the Word at 2 p.m. The parish holds up much to celebrate. Under the warm and good humored pastoral embrace of Father Robert J. Kinkel, pastor for the past 11 years, St. Jude Catholic Community has blossomed into one of metro Denver’s most prominent parishes. St. Jude was founded at 9405 West Florida Avenue by the late Archbishop James V. Casey Aug. 22,1967. In subsequent years, the community grew to include the current approximately 2,300 families, a sizable pastoral team and a host of in-parish ministries. St. Jude’s most recent milestone, the church renova tion, began when the parish purchased a new pipe organ. “It’s funny to think this all began when we bought the organ, and said, 'W ell, where do we put it?’’’ Father Kinkel said. With that question in mind, the parish underwent a discernment process during Lent of 1990. “We were asking 'W here do we go from here? And what do we want to feel and look like as we enter the Church’s third millennium?’’’ said St. Jude liturgist Helen Marie Hurt. The resounding answers revolved around two parish priorities: Liturgy and music. “Good litiirgy builds faith, and bad liturgy destroys faith,’’ said Father Kinkel, who also serves as chairman of the archdiocesan Liturgical Calendar Committee. -
The Effect of Love Styles on the Motives for and Perceptions Of
“What’s Love Got to Do with It?” The Effect of Love Styles on the Motives for and Perceptions of Online Romantic Relationships A thesis submitted to the College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Molly B. Taggart December, 2011 Thesis written by Molly B. Taggart B.A., Ohio University, 2004 M.A., Kent State University, 2011 Approved by _____________________________________ Janet R. Meyer, Ph.D., Advisor _____________________________________ Paul Haridakis, Ph.D., Interim Director, School of Communication Studies ______________________________________ Stanley T. Wearden, Ph.D., Dean, College of Communication and Information ii Table of Contents Page Table of Contents ............................................................................................................................ iii List of Tables ................................................................................................................................... v Acknowledgments........................................................................................................................... vi Chapter I. Introduction ............................................................................................................................ 1 Online Dating .................................................................................................................. 1 Uses and Gratifications Theory ......................................................................................