DOCSLIB.ORG

Mariano Vivanco Pinaider: the Art of Handwriting Balenciaga Gucci Alps Resorts Baby Sumo Superwatches Shopping Off-Planfrom €190,000Starting

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mariano Vivanco Pinaider: the Art of Handwriting Balenciaga Gucci Alps Resorts Baby Sumo Superwatches Shopping Off-Planfrom €190,000Starting © Mariano Vivanco 28 EXCLUSIVE INTERVIEW: MARIANO VIVANCO PINAIDER: THE ART OF HANDWRITING BALENCIAGA GUCCI ALPS RESORTS BABY SUMO SUPERWATCHES SHOPPING OFF-PLANFROM €190,000STARTING PORTO MONTENEGRO’S NEWEST NEIGHBOURHOOD CONTEMPORARY URBAN-INSPIRED RESIDENCES SIRO - A FITNESS-INFUSED HOTEL AND WELLNESS HUB MONTENEGRIN CITIZENSHIP BY INVESTMENT AVAILABLE [email protected] www.bokaplace.com OFF-PLANFROM €190,000STARTING PORTO MONTENEGRO’S NEWEST NEIGHBOURHOOD CONTEMPORARY URBAN-INSPIRED RESIDENCES SIRO - A FITNESS-INFUSED HOTEL AND WELLNESS HUB MONTENEGRIN CITIZENSHIP BY INVESTMENT AVAILABLE [email protected] www.bokaplace.com CULLINAN DIAMONDS The storm is passing, and the ship is starting to sail again in the magnificent sea that has always welcomed us with love and beauty. And at Force One we are happy to confirm our EDITO role as skipper of exclusivity, luxury and joie de vivre. This is also a somewhat special edition, with a slightly FORCE ONE reduced number of pages, but with the quality of content that has always been our North Star. The journey begins on the most iconic yacht of the past thirty years: Lady Moura who welcomes us for the last cocktail before #28 the lockdown, an incredible Force One Night. It then continues by stopping by two giants of style: Balenciaga and Gucci. The correspondence with our loved ones is made with the elegant paper (and not only) creations of Pinaider. With a lot of imagination ;-)) we take our boat to the French Alps for the usual partnership with the best hotels and private chalets in Megève and Couchevel. And since this period is so special, and has made us understand even more the importance of time and how we use it, then a stop on our cruise is dedicated to the discovery of the most amazing watches of these months. And if you want a photographic souvenir of this magnificent trip, we may ask our personal photographer Mariano Vivanco... ;-) Have a good trip... Luca Marotta Publisher and Creative Director CULLINAN DIAMONDS Publisher and Creative Director 6 Luca Marotta Editorial Director Andrea Dini Art Director INDEX Florent Sammut Cover photo © Mariano Vivanco Red Rose 001 (detail) Fashion Editor Alberto Corrado Jewelry and Watches Editor 08 Laura Canepa Senior Contributor 12 Alice Gardner Editorial Contributors - A special moment with the Lady of Monaco 16 Keith Francis Event Vicky Morris Manuela Schinaia Yachting - OceanoScientific Expedition 2020 Photographers 22 Interview - Mariano Vivanco/ Taschen Andrea Cabiale 24 Karin Creuzet Book - Baby Newton Bruno De Marquis Valentina de Gaspari Art - Pave Contemporary 26 Fresh Influence Francis Hammond Photography - International Monaco Mothers Mesi 28 Daniele Oberrauch Fashion - Balenciaga Jean-François Romero 32 Luca Rotondo Fashion - Gucci: Culture of the time Jean-Michel Sordello Alex Stephen Teuscher Luxury - Pineider, the art of handwriting 36 Pierre Thiaville Anne-Emmanuelle Thion Venues - L'Apogée Robert Yager / Courchevel 40 Venues - Flocons de Sel Translations / Megève Marsglobus Venues - Zannier Hotels Le Chalet 42 open to translation Ltd. Venues - M de Megève / Megève Video 44 Lukasz Cholewiak Venues - Mademoiselle Gray Web Watches - The watch amateurs digital fanzine 45 Force One / Cannes 46 Watches - It's time to enjoy time! Advertising & Development [email protected] Special - Shopping +33 (0)6 40 61 02 05 47 Colour Separation Thomas Bourgoin 48 ISSN 2271-4111 52 www.force-one.net Life in Blue...! sapphire Cachemire 10.817 cts SOLD 660 000 € necklace sapphire Cachemire Monte-Carlo SOLD 1 850 000 € Auction house upcoming auctions free appraisals sapphire Cachemire 18.42 cts Contact Expert : Cabinet Arnaud Beauvois - Paris SOLD 1 110 000 € Tél : 00 33(0)1 53 04 90 74 [email protected] 10-12 QUAI ANTOINE 1ER - 98000 MONACO - Tél : 00 377 93 25 88 89 - email : [email protected] 8 A SPECIAL MOMENT WITH THE LADY OF MONACO By Manuela Schinaia On the 22nd of September 2020, “Force One Night” private cocktail took place on yachting icon M/Y Lady Moura, in the harbour of Monaco. It’s been a very special occasion: for the first time in her 30 years’ history, the prestigious boat has been the site of an event not organized by the owner. During all these years in fact, the yacht has always had the reputation to be somehow “inaccessible”: only those invited by the family have had the chance to visit her. Launched in 1990 by Blohm & Voss, Lady Moura was, at the time, the most expensive and innovative yacht in the world. The 104.85-metre yacht comprises of a hefty beam of 19 metres with a total gross tonnage of 6,359 GT, 20 cabins for 17 guests and 72 crews. 9 © Bruno De Marquis De Bruno © But today a new story is going to be written in her diary: she’s now for sale. That’s why it was time to mark this change with a proper celebration. The prestigious Monegasque agency Force One had the privilege to be the co-host of this historical moment, in close partnership with business related B2C event specialist Investor Media Monaco, organizer of an exceptional three-days event, “Private Rendez-vous”, which included a B2C business lunch at Hermitage Hotel, and a business networking dinner at Club39 Montecarlo. About one hundred selected guests have participated to the opening night onboard Lady Moura, of course respecting social distancing and current coronavirus regulation. 10 Luca Marotta - CEO of Force One said: “dream big” and to prove that, by respecting all the sanitary “A cocktail is not just an occasion to drink champagne and to measures, it is possible to organize a cocktail and to create show our latest outfit. During a cocktail people gather, share memories, business deals and to live even more than before.” thoughts, ideas and experiences; different individuals with different paths exchange their visions. Investor Media Monaco CEO Andrea Dini and Luca Marotta In these difficult times, life can’t be frozen, and ambitions welcomed, among others, Formula 1 driver Valtteri Bottas, can’t be thrown away. as well as the former prime minister of Spain José Maria Force One and Investor Media Monaco decided to continue to Aznar, and other VIP coming from Monaco and abroad: live, to socialize, and to develop business. It is a choice to still London, Madrid and even the United States. This event 11 © Andrea Cabiale was so worth it, and once in a lifetime moment, that some potential client. Every element played a role in this success: guests planned uncomfortable trips in order to make it. whether is the hosts, the sponsors, the guests, the crew, the food, the music, and the photographs. The soirée has been made possible thanks to the amazing support of prestigious yacht broker Camper & Nicholsons But more than everything, the real star of the night has International, and the sponsorship of green energy been Lady Moura herself, with her beautiful silhouette, investment platform Assetly Investment Partners. They stylish interiors, decks and of course her timeless and had the occasion to share their values and to deliver their elegant vibes. message to an audience representing exactly their target 12 OCEANOSCIENTIFIC MEDITERRANEAN CONTAMINANTS EXPEDITION 2020 By Andrea Dini The OceanoScientific Mediterranean Contaminants Expedition 2020 ended on Thursday 29 October at the honorary pontoon of the Yacht Club de Monaco, from which the AMAALA EXPLORER maxi-catamaran set sail on Thursday 15 October thanks to partnerships with AMAALA and Biologique Recherche, as well as to the sponsors of the OceanoScientific France and Monaco associations. That same evening, Yvan Griboval, the initiator and director of the CO2-free oceanographic campaign by sail under the scientific direction of the Institut Français de Recherche pour l'Exploitation de la Mer (Ifremer), took stock of this sailing expedition from Monaco to Porto Cervo (Sardinia), Barcelona (Spain) and La Seyne-sur-Mer (France), during a dinner conference at the Yacht Club de Monaco. At this occasion, the naviator - explorer specified his future objectives as president of the OceanoScientific associations and the OceanoScientific Expeditions director. "When I returned from the OceanoScientific Expedition of the Ocean which became LOVE THE OCEAN® written, 2016-2017, I was convinced of the need to adopt a composed and performed by the young Monegasque common denominator of Humankind as a means of artist Olivia Dorato," Yvan Griboval explained during the raising the awareness of the public at large about the dinner conference. LOVE THE OCEAN® was broadcast for imperative need to better understand the Ocean in order the first time and presented to the Sovereign Prince at to better preserve it. I thought music would be the perfect the arrival of the AMAALA EXPLORER maxi-catamaran in medium. That was how we first thought of an Anthem Monaco on 28 October. 13 © Mesi © "However, since last spring's lockdown and even more at "It is too personal an act, even selfish considering the time the end of these two weeks of sailing, I am now convinced required for the preparation (over two years), and then thatthe best way to make the world population aware of sailing (four to six months). Three years and a lot of money the importance of the Ocean is to help oceanographic and to attempt a personal "feat", seems somewhat pointless. It scientific research focusing on the well-being of human beings would be three years lost for our oceanographic activities and their health. We shall continue to collect physico-chemical for the benefit of Health, also lost for our thirteen-year-old data at the Ocean - Atmosphere interface, in particular triplets. They need their father's presence too much at this thanks to the new version of the OSC System. But we shall time of life when their adolescent dreams form the future..." now go much further in the scientific approach during our next OceanoScientific Expeditions by sail without any CO2 Drawing from the lessons learnt during the emissions or waste.
Load more

Recommended publications
  • 100 Years of Helmut Newton: the Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON the BABY SUMO Edition
    100 Years of Helmut Newton: The Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON The BABY SUMO Edition The Making of Helmut Newton’s Helmut Newton checks a printing sheet during Frankfurt Book Fair, 1999. SUMO _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 180 01.10.20 15:17 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 181 01.10.20 15:17 Over a period of two years, Helmut Newton and Benedikt Taschen exchanged letters, faxes, and phone calls to define details of the SUMO pro duc tion. At some point, not amused by the prospect of having to sign the entire print run of 10,000 copies, Newton tried to wrestle out of the agreement, Helmut Newton signing the pages which were suggesting to “maybe sign a few dozen” printing sheets. subsequently bound into SUMO. Monte Carlo, 1999. Photo by Photo: © Alice Springs / Maconochie Photography Photography Maconochie Maconochie / / Springs Springs Alice Alice © © Photo: Photo: Alice Springs. _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 182 01.10.20 15:17 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 183 01.10.20 15:17 Benedikt Taschen with suite at the Sunset Helmut Newton, the book. At 620,000 the handmade dummy Marquis Hotel, Benedikt Taschen and deutschmarks it made of SUMO when first Hollywood, 1997. Photo auctioneer Simon de the world record price present ing his idea of by Helmut Newton. Pury after the auction of for a book published in producing a gigantic SUMO copy number the 20th century, Berlin, book to stunned Helmut one, signed by over 100 2000. Photo by Alice and June Newton in his celebrities portrayed in Springs.
    [Show full text]
  • 100 Years of Helmut Newton: the Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON the BABY SUMO Edition
    100 Years of Helmut Newton: The Making of SUMO and the Birth of BABY SUMO HELMUT NEWTON The BABY SUMO Edition The Making of Helmut Newton’s Helmut Newton checks a printing sheet during Frankfurt Book Fair, 1999. SUMO _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 180 01.10.20 14:57 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 181 01.10.20 14:57 Over a period of two years, Helmut Newton and Benedikt Taschen exchanged letters, faxes, and phone calls to define details of the SUMO pro­duc­tion. At some point, not amused by the prospect of having to sign the entire print run of 10,000 copies, Newton tried to wrestle out of the agreement, Helmut Newton signing the pages which were suggesting to “maybe sign a few dozen” printing sheets. subsequently bound into SUMO. Monte Carlo, 1999. Photo by Photo: © Alice Springs / Maconochie Photography Photography Maconochie Maconochie / / Springs Springs Alice Alice © © Photo: Photo: Alice Springs. _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 182 01.10.20 14:57 _065-240_TASCHEN_MAGAZIN_2020-1_GB_EU_37454.indb 183 01.10.20 14:57 Benedikt Taschen with suite at the Sunset Helmut Newton, the book. At 620,000 the handmade dummy Marquis Hotel, Benedikt Taschen and deutschmarks it made of SUMO when first Hollywood, 1997. Photo auctioneer Simon de the world record price present­ing his idea of by Helmut Newton. Pury after the auction of for a book published in producing a gigantic SUMO copy number the 20th century, Berlin, book to stunned Helmut one, signed by over 100 2000. Photo by Alice and June Newton in his celebrities portrayed in Springs.
    [Show full text]
  • I Had Found out Earlier That I Did Not Function Well in the Studio, That My Imagination Needed the Reality of the Outdoors.” Helmut Hemut Newton
    “I had found out earlier that I did not function well in the studio, that my imagination needed the reality of the outdoors.” Helmut Hemut Newton Forty-five photographs, three boxes, one portfolio: the selection of images entitled Private Property forms an anthology of works by the famous fashion and portrait photographer Hemut Newton. The works brought together under this title were shot between 1972 and Newton 1983 and reflect a sense of style distinctive to the development of fashion photography in the decades to follow. The three boxes contain fifteen photographs each and the Suites are numbered I, II, and III. Newton’s emphasis in this portfolio lies on his areas of interest during his most productive years, a rich assortment of fashion and portrait photography Private Property addressing eroticism, elegance, luxury and—most elementarily—his legendarily fierce and hard-edged women. Helmut Newton, born in 1920 as Helmut Neustädter, the son of a Jewish factory owner, Maude Joanna Hürlimann grew up in the Schöneberg district of Berlin. After an apprenticeship in the studio of the German portrait and fashion photographer Else Simon, also known as Yva, Newton had to leave Germany in 1938 and fled from emerging National Socialism and the extensive powers of the Nazi regime.1 Newton reached Singapore via China, with little money and only two cameras in his luggage. After a two years’ stay, he emigrated to Australia, where he stayed for several years and met his future wife June Browne, professionally known as June Brunell and later—as a photographer—as Alice Springs.
    [Show full text]
  • Helmut Newton the Bad and the Beautiful
    HELMUT NEWTON THE BAD AND THE BEAUTIFUL Directed and written by GERO VON BOEHM HELMUT and JUNE NEWTON, NADJA AUERMANN, MARIANNE FAITHFULL, SYLVIA GOBBEL, GRACE JONES, CHARLOTTE RAMPLING, ISABELLA ROSSELLINI, CLAUDIA SCHIFFER, HANNA SCHYGULLA, CARLA SOZZANI, ARJA TOYRYLA, ANNA WINTOUR **Official Selection: Tribeca Film Festival 2020** 2020 / Running Time: 89 / Color / 1.78:1 / Germany Language: English, French, German TABLE OF CONTENTS Cast ........................................................................................................................ Crew ....................................................................................................................... Short Synopsis ....................................................................................................... About the Production ............................................................................................. Long Synopsis ....................................................................................................... Interview with the Author and Director .................................................................. Fetish, Fashion and Freedom – Helmut Newton’s life’s work ............................... Helmut Newton – The Man Behind The Camera.................................................... Newton’s Women – Interview Subjects.................................................................. The Director............................................................................................................ The Production
    [Show full text]
  • Pressrelease
    P R E S S R E L E A S E HELMUT NEWTON SUMO MARK ARBEIT. GEORGE HOLZ. JUST LOOMIS THREE BOYS FROM PASADENA PHOTO COLLECTION OF HELMUT AND JUNE Press conference: Thursday, 6 June 2019, 12 noon Opening: Thursday, 6 June 2019, 8 p.m. Duration: 7 June – 10 November 2019 Helmut Newton, Fashion Yves Saint Laurent, Père Helmut Newton, Elizabeth Taylor, Vanity Fair, Los Angeles, Helmut Newton, Fashion Yves Saint Laurent, French Lachaise, Paris 1977, copyright Helmut Newton Estate 1989, copyright Helmut Newton Estate Vogue, Paris 1979, copyright Helmut Newton Estate A legendary photo book, a private photo collection, and three former assistants – these are the ingredients for the new exhibition at the Helmut Newton Foundation opening on 6 June 2019. Twenty years ago in 1999, TASCHEN published its first monumental art book: Helmut Newton’s SUMO. It came out on the market in the exceptionally large format of 70 x 50 cm, with a large print run, all personally signed by the photographer, and was delivered with a metal stand designed by Philippe Starck. Later, a copy of SUMO that had been signed by numerous celebrities at a charity auction would become the most expensive book of the 20th century. Ten years ago in 2009, the Helmut Newton Foundation staged an unusual yet compelling exhibition dedicated to this legendary publication: all 464 pages of the book hung framed on the wall, side by side, in three rows one above the other. Exhibition visitors were literally able to see everything at once. This made it possible for them to draw immediate comparisons between more than 400 iconic images by Helmut Newton, from the genres of fashion, portraiture, and nudes in black-and-white and colour.
    [Show full text]
  • Intimate Portrait
    intimate portrait Actress and photographer June Newton, 81, who works under the pseudonym Alice Springs, with mutual portraits of herself and her late husband, the controversial photographer Helmut Newton, at the opening of the Museum for Photography in Berlin, Germany, last June. His death in January 2004 left his wife as the guardian of his artistic legacy. The reluctant muse IMAGES. GETTY JUNE NEWTON was an actress and a painter, who became famed portrait photographer Alice Springs. She was also the muse and wife of provocative photographer Helmut Newton. Now, some 16 months after his death, June talks to DAVID LESER about love, sex and her life after Helmut. THE AUSTRALIAN WOMEN’S WEEKLY – JUNE 2005 71 “He left magnificently,” says June Newton of her husband, Helmut, the internationally celebrated – and controversial – photographer who died in January last year after crashing his car into a retaining wall outside the landmark Hollywood hotel, Chateau Marmont. “He lived a marvellous life and he went out magnificently ... he didn’t hit anybody, he didn’t take me with him, he just went out all alone – in usual Newton style.” We are standing in the driveway of this impossibly Spanish boyfriend, Ricardo, and Helmut had asked romantic replica French chateau and June is recreating June what byline she intended adopting. Ricardo, the scene of her husband’s death. sensing she was not going to use her own name, asked “His last words were, ‘Follow me, Junie’,” she says, June for an atlas, which he opened at a map of pointing to the garage and the driveway leading down Australia.
    [Show full text]
  • Helmut Newton Exhibit Announcement Press Release
    FOR IMMEDIATE RELEASE Annenberg Space for Photography Presents Helmut Newton: White Women・Sleepless Nights・Big Nudes June 29 – September 8, 2013 Exhibit Includes Two Documentary Films with Interviews of the Photographer LOS ANGELES, CA (Updated June 14, 2013)—The Annenberg Space for Photography today announced its next installation, Helmut Newton: White Women・Sleepless Nights・Big Nudes, featuring the work of the revolutionary fashion photographer. Opening on Saturday, June 29, 2013, this is the first exhibition of Helmut Newton’s work outside of gallery shows in Los Angeles, his long-time winter residence. Images from Newton’s first three books – White Women, Sleepless Nights and Big Nudes – will be on view through September 8, 2013. The exhibition was originally organized by Manfred Heiting for the Museum of Fine Arts, Houston. “Helmut Newton is one of the most powerful and influential photographers of the past century – the place where art and fashion and subversion and aspiration all collide. If Newton’s work was controversial, I believe it’s because he expressed the contradictions within all of us, and particularly within the women he photographed so beautifully: empowerment mixed with vulnerability, sensuality tempered by depravity. Newton deepened our understanding of changing gender roles, of the ways in which beauty creates its own kind of power and corruption. On top of that, his compositions were brilliantly precise, cinematic in their scope and in their storytelling,” says Wallis Annenberg, Chairman of the Board, President and CEO of the Annenberg Foundation. The 100-plus photographs were made specifically for the exhibition and are large-scale— some reaching six feet in size.
    [Show full text]
  • Foreign Influences in Australian Photography 1930-80
    FOREIGN INFLUENCES IN AUSTRALIAN PHOTOGRAPHY 1930-80 A lecture delivered at APSCON, Canberra Robert Deane, Honorary Researcher Department of Photography National Gallery of Australia 10TH OCTOBER 2000 Given the time at our disposal it is possible only to skim the surface of this challenging topic, looking at a selected range of areas and trying to assess their impact on Australian photography at its widest ambit. Film, photographic publications, exhibitions, photographers both immigrant and emigrant, and world politics all have their part to play in this examination. It is perhaps useful to set out some caveats before commencing on this topic. As an undergraduate student of Cypriot archaeology many years ago, I learned, through the none- too quiet insistence of Professor James Stewart, that the inhabitants of Cyprus did not go to bed one night in Early Bronze I and awake the next morning to find it was Early Bronze II. Indeed he insisted that, apart from the odd cataclysmic earthquake, artistic styles have never changed abruptly in either place or time anywhere. I was, and remain, a dutiful student and thus do not subscribe to any notion that there was any orderly progression in photography from Pre-Raphaelites through Pictorialists etc to whatever post-modern “ism” is the “in” thing with critics today. Photographers, it seems to me, are not only constantly seeking to break new ground in the way they perceive and present the world but they are constantly revisiting the styles, techniques and processes of the past to assist them in that challenge. If one sought a simple example for this, those of you who visit the National Gallery will be able to compare Dupain’s superb Madonna-like portrait from New Guinea made during the war with the great iconic Sunbather made some years earlier.
    [Show full text]
  • The Terry Richardson Show
    Draft accepted for publication by Cultural Politics (Duke University Press), Volume 13, Number 1, March 2017. Accepted for publication on 25 August 2016. Modelling Affective Labour: On Terry Richardson’s Photography Benjamin Halligan Abstract: Photographer Terry Richardson works in a digital aesthetic vernacular that looks more to underground hardcore pornography of yesteryear than traditions associated with the institutionalisation of erotica, as associated with Playboy. And yet his images, in Kibosh and Terryworld, anticipate the contemporary public recalibration of ideas of intimacy as associated with Social Media, tally with contested ideas of the sexualisation of female empowerment as associated with contested elements of Third Wave Feminism, and can be read as a contemporary phase of Antonio Negri’s theory of art and immaterial labour in their evidencing of the affective labour on the part of the photographer himself. This critical commentary, the first such academic writing on Richardson, explores his work in these contexts, and considers Richardson’s return to the figure (over abstraction) as evidencing and exploring of the nature of work, and the nascent eroticisation of working relations, under Western neoliberal regimes. Keywords: Terry Richardson, digital photography, pornography, neoliberalism, Antonio Negri 1 The Terry Look An antique “porn chic” unifies, seemingly, the majority of photographer Terry Richardson’s output – work which covers straight portraiture (for magazines, as collected in books, and via his website, as linked across numerous social media platforms), reportage, in-studio videos (often of shoots with models), music promos, architectural photography (the Hollywood sex industry locales of the 2012 collection Terrywood), and even, revealingly and unapologetically, elements of Richardson merchandise.
    [Show full text]
  • Australian Photography from 1858 to 2009
    Australian Photography from 1858 to 2009 Josef Lebovic Gallery 34 Paddington Street (PO Box 453) Paddington (Sydney) NSW 2021 Australia Ph: (02) 9332 1840 Fax: (02) 9331 7431 Email: [email protected] www.joseflebovicgallery.com JOSEF LEBOVIC GALLERY Nineteenth Century 34 Paddington Street (PO Box 453), Paddington, 1. Anon. [Building The Railway In The Blue Mountains], c1860s. Albumen Sydney, NSW 2021, Australia • Established 1977 paper photograph, partial blind stamp Tel: (02) 9332 1840 • Fax: (02) 9331 7431 • Intl: (+61-2) “…fax” to upper right corner, annotated in ink verso, 19.4 x 28.1cm. Slight paper Email: [email protected] • Web: joseflebovicgallery.com loss to upper left corner, minor stains to Open Tues to Fri by appointment, Sat 11-5pm • ABN 15 800 737 094 upper right corner and crinkles overall. $2,900 Member of • Association of International Photography Art Dealers Inc. Annotation reads “Making Blue Hill [Blue International Fine Print Dealers Assoc. • Australian Art & Antique Dealers Assoc. Mountains] Railway.” 2. Anon. Temperance Hall, Pitt Street, Sydney, COLLECTORS’ LIST No. 136, 2009 1870. Albumen paper photograph, titled and dated in negative lower left, 27.6 x 23cm. Minor tears to lower right corner. $2,200 The temperance societies flourished in Australia after two Quakers, Australian Photography James Backhouse and George Washington Walker, arrived in Ho- bart in 1832, to persuade people to take the “pledge.” To encour- from 1858 to 2009 age people to stay away from pubs, recreational facilities were established, including coffee houses, temperance hotels, debating clubs, reading rooms, youth organisations and festivals. Compiled by Josef & Jeanne Lebovic, Lenka Miklos, Mariela Brozky On exhibition from Saturday, 8 August to Saturday, 19 September and on our website from 15 August.
    [Show full text]