Duke Riley - the Smugglers & the Filmmakers
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
SEQUENCE 1.2 (2014) an Allegory of a 'Therapeutic' Reading of a Film
SEQUENCE 1.2 (2014) An Allegory of a ‘Therapeutic’ Reading of a Film: Of MELANCHOLIA Rupert Read SEQUENCE 1.2 (2014) Rupert Read Wittgenstein, Tractatus Logico-Philosophicus: 6.43 If good or bad willing changes the world, it can only change the limits of the world, not the facts; not the things that can be expressed in language. // In brief, the world must thereby become quite another, it must so to speak wax or wane as a whole. // The world of the happy is quite another than that of the unhappy. 6.431 As in death, too, the world does not change, but ceases. 6.4311 Death is not an event of life. Death is not lived through. // If by eternity is understood not endless temporal duration but timelessness, then he lives eternally who lives in the present. // Our life is endless in the way that our visual field is without limit. Heidegger, Being and Time: If I take death into my life, acknowledge it, and face it squarely, I will free myself from the anxiety of death and the pettiness of life - and only then will I be free to become myself. Wittgenstein, Remarks on the philosophy of psychology I: 20: [A]n interpretation becomes an expression of experience. And the interpretation is not an indirect description; no, it is the primary expression of the experience. 2 SEQUENCE 1.2 (2014) Rupert Read 1. This essay is a (more or less philosophical) i. Throughout this paper, I dance in a account or allegory of my viewing(s) of Lars von ‘dialogue’ with – am in ‘conversation’ Trier’s remarkable film, Melancholia (2011).1 It is with – Steven Shaviro’s fascinating personal, and philosophical. -
Members Only Screenings 2006
Films Screened at MFS ‘Members Only’ Nights, Masonic Hall Maleny February ’06 to Dec ’16 ’10 84 Charing Cross Road US drama 1986 ’12 100 Nails ITALY drama 2007 ’14 400 Blows FR drama 1959 ’09 The Archive Project AUS doc 2005 ’07 The Back of Beyond AUS drama 1954 ’08 Babakiueria AUS com 1986 ’14 Barbara GER psych.thriller 2012 ’15 My Beautiful Country GER drama 2012 (Die Brücke am Ibar) ’07 Bedazzled UK comedy 1967 ’11 Black Orpheus BRAZIL/FR drama 1958 ’11 Blow Up UK drama 1966 ’10 Bootmen US/AUS drama 2000 ’16 Bornholmer Street Germany drama 2014 ’16 Breaker Morant AUS drama 1980 ’06 Breaking the Waves US dr/rom 1996 ’12 Breathless (A Bout de Souffle) FR drama 1959 ’09 Brothers Denmark drama 2004 ’13 Bunny Lake is Missing UK mystery/dr 1965 ’07 Cane Toads AUS doc 1987 ’16 Casablanca US drama 1942 ’12 Cherry Blossoms Germany drama 2008 ’06 The Chess Players India drama 1977 ’12 Children of the Revolution AUS drama 1996 ’08 The Company of Strangers Canada drama 1990 ’13 Cul de Sac UK mystery/com 1966 ’06 Cunnamulla AUS doc 2000 ’06 Dance of the Wind INDIA drama 1997 ’09 Dancer in the Dark Denmark musical 2000 ’10 Day for Night FR comedy 1973 ’09 Days of Heaven USA drama 1978 ’16 Dead Poet’s Society USA com/dr 1989 ’11 Dingo AUS jazz/dr ama 1991 ’11 The Discreet Charm of the Bourgeoisie FR satire 1972 ’13 Distant Lights GER immigrant dr 2003 ’11 Il Divo ITALY political dr 2008 ’08 Don’s Party AUS com/drama 1976 ’15 The Dunera Boys AUS doc 1985 ’07 East of Eden US drama 1954 ’07 The Edge of the World/ Scotland doco 1937/ Return to the Edge -
Sans Titre-2
A l’Espace Audiovisuel: Les Palmes d’Or du festival de Cannes Année Titre Réalisateur Pays Cote 2010 Oncle Boonmee Weerasethakul Apichatpong Thaïlande 3344DVD 2009 Le ruban blanc Haneke Michael Autriche 2720DVD 2008 Entre les murs Cantet Laurent France 1727DVD 2007 4 mois, 3 semaines, 2 jours Mungiu Cristian Roumanie 1403DVD 2006 Le vent se lève Loach Ken Royaume-Uni 1161DVD Jean-Pierre et 2005 L'enfant Dardenne Luc Belgique 1284DVD 2004 Fahrenheit 9 / 11 Moore Michael Etats-Unis 2692DVD 2003 Elephant Van Sant Gus Etats-Unis 496DVD 2002 Le pianiste Polanski Roman Pologne 649DVD 2001 La chambre du fils Moretti Nanni Italie 1892DVD 2000 Dancer in the dark Trier Lars von Danemark 269DVD Jean-Pierre et 1999 Rosetta Dardenne Luc Belgique 57DVD 1998 L'éternité et un jour Angelopoulos Theo Grèce 1503DVD Le goût de la cerise Kiarostami Abbas Iran 1929AVV 1997 L'anguille Imamura Shohei Japon 1921AVV 1996 Secrets et mensonges Leigh Mike Royaume-Uni 1028DVD 1995 Underground Kusturica Emir Yougoslavie 1994 Pulp fiction Tarantino Quentin Etats-Unis 1203DVD Nouvelle- 1993 La leçon de piano Campîon Jane Zélande 1032DVD Adieu ma concubine Kaige Chen Chine 1086DVD 1992 Les meilleures intentions August Bille Danemark 1991 Barton Fink Coen Ethan et Joel Etats-Unis 1505DVD 1990 Sailor et Lula Lynch David Etats-Unis 1218DVD 1989 Sexe, mensonge et vidéo Soderbergh Steven Etats-Unis 1068AVV 1988 Pelle le conquérant August Bille Danemark 288DVD 1987 Sous le soleil de Satan Pialat Maurice France 11DVD 1986 Mission Joffé Roland Royaume-Uni 1985 Papa est en voyage -
Phoenix Films 1999-2019/20 Sorted by Film Title 10
Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73 -
THE MYTH of 'TERRIBLE TURK' and 'LUSTFUL TURK' Nevs
THE WESTERN IMAGE OF TURKS FROM THE MIDDLE AGES TO THE 21ST CENTURY: THE MYTH OF ‘TERRIBLE TURK’ AND ‘LUSTFUL TURK’ Nevsal Olcen Tiryakioglu A thesis submitted in partial fulfillment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy December 2015 Copyright Statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed in the owner(s) of the Intellectual Property Rights. i Abstract The Western image of Turks is identified with two distinctive stereotypes: ‘Terrible Turk’ and ‘Lustful Turk.’ These stereotypical images are deeply rooted in the history of the Ottoman Empire and its encounters with Christian Europe. Because of their fear of being dominated by Islam, European Christians defined the Turks as the wicked ‘Other’ against their perfect ‘Self.’ Since the beginning of Crusades, the Western image of Turks is associated with cruelty, barbarity, murderousness, immorality, and sexual perversion. These characteristics still appear in cinematic representations of Turks. In Western films such as Lawrence of Arabia and Midnight Express, the portrayals of Turks echo the stereotypes of ‘terrible Turk’ and ‘lustful Turk.’ This thesis argues that these stereotypes have transformed into a myth and continued to exist uniformly in Western contemporary cinema. The thesis attempts to ascertain the uniformity and consistency of the cinematic image of Turks and determine the associations between this image and the myths of ‘terrible Turk’ and ‘lustful Turk.’ To achieve this goal, this thesis examines the trajectory of the Turkish image in Western discourse between the 11th and 21st centuries. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Emoticons All Over Your Essay? It ● Which Ones Do You Like the Most / Least? Why? Looks Ridiculous
StarterStStatarrttteerr A LISTENINGLISTENING 1 Work in pairs.p ai rs. LookLo ok ata t theth e peoplepe op le ini n the picturespi ct ur es and discussdis cuss whatwh at youy ou thinkt hink theirt he ir attitudesa tt it ud es tot o the followingfo ll ow in g mightmigh t be:be : ● personalpe rs on al appearancea pp eara nce ● clothescl ot he s ● cosmeticco sm et ic surgerys ur ge ry Hannah, UK Hiro, Japan Marielena, Venezuela 2 Listen to the interviews from a radio programme. 4 Work in pairs. Discuss the questions. Were you right? ● How would you describe young people’s attitudes to appearance, dress and cosmetic surgery in your country? 3 Listen again and answer the following questions. ● How do you think your generation’s attitudes are 1 What does the presenter say about the effect of different from your parents’ or your grandparents’ globalisation on young people around the world? attitudes? 2 What two things does Chris say still influence young ● Would you ever have cosmetic surgery? people’s attitudes to dress and appearance? 3 What does Chris say that young people in the UK have traditionally been? 4 According to Chris, what type of cosmetic surgery has become more popular in Venezuela in recent years? 5 In Japanese working environments, what is expected of employers in terms of dress and appearance? Grammar VOCABULARY People / Travel and GRAMMAR Present perfect presentation adventure simple and continuous 5 Match the words in the box with the definitions. We use the present perfect simple for: events or situations within an unfinished or competitor economist employee unspecified time period. -
The 2019 IFCU Forum Biographies
IFCU’s New Frontiers Forum : Speakers’ Biographies Monday, November 4. 2019 Fr. Friedrich BECHINA, F.S.O. Born in Vienna in 1966. After training and service as an officer in the Austrian army, he studied Economics, Philosophy and Theology in Vienna. He was awarded the "Bellarmino Award" for his PhD in “The Church as the Family of God” at the Pontificia Università Gregoriana in 1997. After years of pastoral service in the Diocese of Feldkirch and various positions in the Spiritual Family The Opera, he was appointed to the Congregation for Catholic Education and in February 2013 he became Undersecretary of the Congregation itself. Since 2005, he has managed the Congregation’s international activities in the area of higher education and represented the Holy See in relevant organizations and international initiatives. He is a former elected member of the Bologna Process Follow Up Group (BFUG, 2008/2009) and is currently elected member of the Bureau of the Steering Committee for Higher Education and Research (CDESR) at the Council of Europe H. E. Archbishop Vincenzo Paglia Vincenzo Paglia was born in Italy, and obtained the degree in theology and philosophy from the Lateran University and another one in pedagogy from the University of Urbino. He was ordained as priest and from 1981 to 2000 served as parish priest in Rome; he was also the ecclesiastical assistant of the Community of Sant’Egidio and was the postulator of the cause of beatification of the Archbishop of San Salvador, Oscar Arnulfo Romero. On 2 April 2000 he was ordained as Bishop of Terni Narni Amelia in the Cathedral of St. -
Four Decades of Social Change by Alison Park, Director, CLOSER, UCL Institute of Education He SRA Began 40 Years Ago, in 1978
DECEMBER:2018 research matters Four decades of social change By Alison Park, director, CLOSER, UCL Institute of Education he SRA began 40 years ago, in 1978. The UK’s population TJames Callaghan was Prime Minister of a Labour government entering its final year The UK’s population has grown by some ten million since 1978, in power. That year, the first IVF baby, Louise from 56 million to 66 million. We’re getting older too – the Brown, was born and Viv Anderson became proportion of the population aged 65 and over has increased England’s first black international footballer. from 14% in 1976 to 18% in 2016 (ONS, 2017). We are also The year before had seen the launch of the more ethnically diverse. In the 1991 census (the first one to Apple 2, the first easy-to-use ‘microcomputer’, include a question about ethnicity), 94% identified themselves selling for $1,298 (a mere $4,650 in today’s money). as ‘white’, compared with 86% in 2011 (ONS, 2012). These examples give a sense of some of the many ways in Employment which the UK has changed over the 40 years since the SRA The decline of manufacturing, and the rise of the service sector, began. But what can we learn from more systematic sources began a long time before 1978, but the last 40 years have seen of data? This is the challenge tackled by this article, which this seemingly inexorable trend continue. In 1981, 23% of the uses as evidence some of the key surveys and other datasets labour force in England and Wales worked in the manufacturing that so many SRA members have helped produce and analyse sector; now it’s 9%. -
Prison Escapes 2
PRISON ESCAPES 2 17th century • In 1621 Dutch author Hugo Grotius escaped from Loevestein where he was held captive by hiding himself inside a book coffin. He was then smuggled outside. 18th century • Jack Sheppard took to theft and burglary in 1723, and was arrested and imprisoned five times in 1724 but escaped four times, making him a notorious public figure and wildly popular with the poorer classes. • The Italian author and adventurer Giacomo Casanova escaped from prison in 1757. 19th century • Napoleon Bonaparte escaped from his prison on the island Elba in 1815 and returned to Europe in an attempt to restore his Empire. • The notorious outlaw Billy The Kid managed to escape from prison in 1881, but was captured and shot by Pat Garrett only a few months later. 1900-1950 • German Naval Air Service Kapitänleutnant Gunther Plüschow escaped from the Donington Hall prisoner of war camp in 1915. • John Dillinger served time at the Indiana State Penitentiary at Michigan City, until 1933, when he was paroled. Within four months, he was back in jail in Lima, Ohio , but his gang sprang him, killing the jailer, Sheriff Jessie Sarber. Most of the gang was captured again by the end of the year in Tucson, Arizona , due to a fire at the Historic Hotel Congress. Dillinger alone was sent to the Lake County jail in Crown Point, Indiana . He was to face trial for the suspected killing of police officer William O'Malley during a bank shootout in East Chicago, Indiana , some time after his escape from jail. During this time on trial, a famous photograph was taken of Dillinger putting his arm on prosecutor Robert Estill's shoulder when suggested to him by reporters.