Tom Wesselmann Programs and Statewide Offerings
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Hans Ulrich Obrist a Brief History of Curating
Hans Ulrich Obrist A Brief History of Curating JRP | RINGIER & LES PRESSES DU REEL 2 To the memory of Anne d’Harnoncourt, Walter Hopps, Pontus Hultén, Jean Leering, Franz Meyer, and Harald Szeemann 3 Christophe Cherix When Hans Ulrich Obrist asked the former director of the Philadelphia Museum of Art, Anne d’Harnoncourt, what advice she would give to a young curator entering the world of today’s more popular but less experimental museums, in her response she recalled with admiration Gilbert & George’s famous ode to art: “I think my advice would probably not change very much; it is to look and look and look, and then to look again, because nothing replaces looking … I am not being in Duchamp’s words ‘only retinal,’ I don’t mean that. I mean to be with art—I always thought that was a wonderful phrase of Gilbert & George’s, ‘to be with art is all we ask.’” How can one be fully with art? In other words, can art be experienced directly in a society that has produced so much discourse and built so many structures to guide the spectator? Gilbert & George’s answer is to consider art as a deity: “Oh Art where did you come from, who mothered such a strange being. For what kind of people are you: are you for the feeble-of-mind, are you for the poor-at-heart, art for those with no soul. Are you a branch of nature’s fantastic network or are you an invention of some ambitious man? Do you come from a long line of arts? For every artist is born in the usual way and we have never seen a young artist. -
Annual Report 2019-2020
Chicano Studies Research Center Annual Report 2019-20 Submitted by Director Chon A. Noriega 1 TABLE OF CONTENTS I. DIRECTOR’S MESSAGE 3 II. DEVELOPMENT REPORT 8 III. ADMINISTRATION, STAFF, FACULTY, AND ASSOCIATES 10 IV. ACADEMIC AND COMMUNITY RELATIONS 13 V. LIBRARY AND ARCHIVE 22 VI. PRESS 37 VII. RESEARCH 51 VIII. FACILITIES 65 APPENDICES 67 2 I. DIRECTOR’S MESSAGE The UCLA Chicano Studies Research Center (CSRC) was founded in 1969 with a commitment to foster multi-disciplinary research as part of the overall mission of the university. It is one of four ethnic studies centers within the Institute of American Cultures (IAC), which reports to the UCLA Office of the Chancellor. The CSRC is also a co-founder and serves as the official archive of the Inter-University Program for Latino Research (IUPLR, est. 1983), a consortium of Latino research centers that now includes twenty-four institutions dedicated to increasing the number of scholars and intellectual leaders conducting Latino-focused research. The CSRC houses a library and special collections archive, an academic press, externally-funded research projects, community-based partnerships, competitive grant and fellowship programs, and several gift funds. It maintains a public programs calendar on campus; at local, national, and international venues; and online. The CSRC also maintains strategic research partnerships with UCLA schools, departments, and research centers, as well as with major museums across the U.S. The CSRC holds six (6) positions for faculty that are appointed in academic departments. These appointments expand the CSRC’s research capacity as well as the curriculum in Chicana/o and Latina/o studies across UCLA. -
Tom Wesselmann Selected Catalogues Bibliography 2019 'Tom Wesselmann', Susan Davidson, Almine Rech Editions
Tom Wesselmann Selected Catalogues Bibliography 2019 'Tom Wesselmann', Susan Davidson, Almine Rech Editions 2016 'Tom Wesselmann - A Different Kind of Woman', Almine Rech, Brenda Schmahmann and Anne Pasternak, Almine Rech Editions 2015 Alexander, Darsie, ‘International Pop Art’, Walker Art Center, Minneapolis Germano Celant (Ed.), ‘Arts & Foods, Expo Milano and Mondadori Electa’, Verona, Italy 2014 ‘Art or Sound’, (exhibition catalogue) Fondazione Prada, Venice, Italy ‘Pop to Popism’, (exhibition catalogue), Art Gallery of New South Wales, Sydney, Australia ‘Ludwig Goes Pop’, (exhibition catalogue), Museum Ludwig, Cologne, Germany ‘The Shaped Canvas’, Revisited, (exhibition catalogue) Luxembourg & Dayan, New York 2013 John Wilmerding, ‘The Pop Object: The Still Life Tradition in Pop Art’ (exhibition catalogue), New York, Acquavella Galleries & Rizzoli ‘Tom Wesselmann, Works on Paper – Steel Drawings – Screenprints – Paintings’, (exhibition catalogue), Samuel Vanhoegaerden Gallery, Knokke, Belgium ‘Ileana Sonnabend; Ambassador for the New’, The Museum of Modern Art, New York, (exhibition catalogue) 2012 Stéphane Aquin, ‘Beyond Pop Art, Tom Wesselmann’ (exhibition catalogue), Montreal Museum of Fine Arts, Montreal, Quebec and Delmonico Books, New York Mildred Glimcher, ‘Happenings’, New York, 1958-1963, Monacelli Press, New York 2011 ‘Tom Wesselmann Draws’ (exhibition catalogue), The Kreeger Museum, Washington, DC 2010 ‘Tom Wesselmann, Plastic Works’, Maxwell Davidson Gallery, New York, (exhibition catalogue) Judith Goldman, Robert & Ethel -
Marcel Broodthaers 1969 Galerie Gerda Bassenge
Antiquariat Querido – Frank Hermann Kunst nach 1945 Roßstraße 13 · 40476 Düsseldorf · Tel. +49 2 11 / 15 96 96 01 Fotografi e · Architektur · Design · Kunst bis 1945 Blücherstraße 7 · 40477 Düsseldorf · Tel. +49 2 11 / 51 50 23 34 Mo bis 17.00 Uhr / Di + Fr bis 15.00 Uhr, Mi + Do bis 19.00 Uhr und nach Vereinbarung Live in your head [email protected] www.antiquariat-querido.de Stadtsparkasse Düsseldorf SWIFT-BIC: DUSSDEDDXXX Antiquariat Querido · Roßstraße 13 · 40476 Düsseldorf IBAN: DE 38 3005 0110 0010 1833 66 Kunst nach 1945 USt-ID-Nr. DE 171/397705 StNr. 105/5108/1390 Künstlerbücher · Galeriekataloge · Künstlermonografi en Werkverzeichnisse · Einladungskarten · Plakate Editionen · Multiple · Grafi ken Die angebotenen Titel sind in guter bis sehr guter Erhaltung. Etwaige Mängel sind möglichst detailliert beschrieben. Alle Bücher können in unserem Ladenlokal Roßstraße 13 angesehen werden. Das Angebot ist freibleibend, Lieferzwang besteht nicht. Die Bestellungen werden in der Reihenfolge des Eingangs ausgeführt. Alle Preise verstehen sich in Euro. Der Versand erfolgt zu Lasten und Risiko des Bestellers, telefonisch erfolgte Bestellung bitten wir per E-Mail oder Fax zu bestätigen. Bei begründeter Beanstandung wird jede Lieferung innerhalb 14 Tagen zurückgenommen. Eigentumsvorbehalte nach § 455 BGB. Erfüllungsort und Gerichtsstand ist Düsseldorf. Rechnungen sind zahlbar innerhalb 14 Tagen ohne Abzüge. Wir sind stets am Erwerb von Büchern unserer Fachgebiete interessiert und kaufen Einzelstücke wie auch ganze Bibliotheken. Wir freuen uns über Ihre Angebote. Antiquariat Querido · Blücherstraße 7 · 40477 Düsseldorf Fotografi e · ArchitekturKatalog 10 · Design · Kunst bis 1945 All items are in fi ne condition, unless otherwise stated. Please ask for specifi c description by e-mail Monografi en und Kataloge zu: Fotografi e im 20. -
Pop Culture and Art
Colorado Teacher-Authored Instructional Unit Sample Visual Arts 6th Grade Unit Title: Pop Culture and Art INSTRUCTIONAL UNIT AUTHORS Pueblo County School District Amie Holmberg Brenna Reedy Colorado State University Patrick Fahey, PhD BASED ON A CURRICULUM OVERVIEW SAMPLE AUTHORED BY Denver School District Capucine Chapman Fountain School District Sean Norman Colorado’s District Sample Curriculum Project This unit was authored by a team of Colorado educators. The template provided one example of unit design that enabled teacher- authors to organize possible learning experiences, resources, differentiation, and assessments. The unit is intended to support teachers, schools, and districts as they make their own local decisions around the best instructional plans and practices for all students. DATE POSTED: MARCH 31, 2014 Colorado Teacher-Authored Sample Instructional Unit Content Area Visual Arts Grade Level 6th Grade Course Name/Course Code Sixth Grade Visual Arts Standard Grade Level Expectations (GLE) GLE Code 1. Observe and Learn to 1. The characteristics and expressive features of art and design are used in unique ways to respond to two- and VA09-GR.6-S.1-GLE.1 Comprehend three-dimensional art 2. Art created across time and cultures can exhibit stylistic differences and commonalities VA09-GR.6-S.1-GLE.2 3. Specific art vocabulary is used to describe, analyze, and interpret works of art VA09-GR.6-S.1-GLE.3 2. Envision and Critique to 1. Visual symbols and metaphors can be used to create visual expression VA09-GR.6-S.2-GLE.1 Reflect 2. Key concepts, issues, and themes connect the visual arts to other disciplines such as the humanities, sciences, VA09-GR.6-S.2-GLE.1 mathematics, social studies, and technology 3. -
Harold Stevenson
Harold Stevenson Harold Moncreau Stevenson Jr. (March 11, 1929 – October 21, 2018) was an Harold Stevenson American painter known for his paintings of the male nude.[1] He was a friend, a mentor, and an associate of Andy Warhol, and appeared in the Warhol film, Heat Born March 11, 1929 (credited as "Harold Childe").[2] Idabel, Oklahoma, U.S. Died October 21, 2018 Biography (aged 89) Idabel, Oklahoma, U.S. [3] Stevenson was born in Idabel, Oklahoma in 1929 and attended the University Nationality American of Oklahoma before moving to New York City in 1949.[3] He moved to Paris in Known for Painting 1952 and exhibited at European galleries for the next 20 years. Movement Pop art Stevenson's most well-known works were painted in the 1960s, including his Patron(s) Peggy Guggenheim, most famous works, Eye of Lightning Billy and The New Adam. Eye of Lightning Iris Clert, Andy Warhol, Billy was exhibited at the Sidney Janis Gallery in 1962 as part of the "New Alexander Iolas Realists" exhibit, which included works by Warhol (including his 200 Campbell’s Soup Cans), Claes Oldenburg, Roy Lichtenstein, Robert Moskowitz, Robert Indiana, George Segal, Jim Dine, Peter Agostini, James Rosenquist, Wayne Thiebaud and Tom Wesselmann. The Eye of Lightning Billy was acquired by the Museum of Modern Art in 2008.[2] In 1963, Stevenson's massive mural, The New Adam, was displayed at the Iris Clert Gallery in Paris. The mural is an 8-foot by 39-foot reclining nude man. The model was young actor Sal Mineo, and the painting was dedicated to Stevenson's lover at the time, Lord Timothy Willoughby de Eresby, the heir to the Earl of Ancaster. -
Tom Wesselmann
TOM WESSELMANN Born in 1931, Cincinnati, OH. Died in 2004, New York City, NY. EDUCATION The Cooper Union, New York, NY. Art Academy of Cincinnati, OH. BA in PsychoLogy, University of Cincinnati, OH. Hiram CoLLege, OH. RECENT SOLO EXHIBITIONS 2018 Gagosian, New York, Tom WesseLmann, Standing StiLL Lifes, January 18 to February 24 Le Nouveau Musée NationaL de Monaco (NMNM), Monaco, Tom WesseLmann: La Promesse du Bonheur, June 29 to January 2019 Gagosian, BeverLy HiLLs, WesseLmann:1963-1983, JuLy 12 to August 24 2017 Vedovi GaLLery, BrusseLs, Tom WesseLmann – TeLLing It Like It Is, ApriL 18 to June 20 Almine Rech GaLLery, London, Tom WesseLmann, October 3, 2017 to January 13, 2018 Gagosian, London, Tom WesseLmann, Bedroom Paintings, October 4 to December 16, 2017 2016 David Zwirner GaLLery, London, Tom Wessemann CoLLages 1959-1964 Van de Weghe GaLLery, New York, Tom WesseLmann, EarLy Works MitcheLL-Innes and Nash GaLLery, New York, Tom WesseLmann Almine Rech GaLLery, Paris, A Different Kind of Woman RECENT GROUP EXHIBITIONS 2017 The Grey Art GaLLery, NYU, New York, Inventing Downtown: Artist-Run GaLLeries in New York City, January 10 – ApriL 1, traveLing to NYU Abu Dhabi, September – January, 2018 Montclair Art Museum, Montclair, NJ, Matisse and American Art, February 5 to June 18 PaLais de Tokyo, Paris, Dioramas, June 16 to September 10, traveLing to Schirn KunsthaLLe, Frankfurt, October 6 – January 21, 2018 Peter Freeman GaLLery, New York, Deadeye Dick: Richard BeLLamy & His CircLe, September 12 to October 28 2016 Dominique Levy GaLLery, New York, Drawing Then, Innovation and Influence in American Drawing of the Sixties, January 27 to March 26 The SerraLves Museum of Contemporary Art, Porto, PortugaL, The Sonnabend CoLLection: HaLf a Century of European and American Art. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
A Centennial Exhibition of Will Barnet&
A centennial exhibition of Will Barnet’s work The Arkansas Arts Center will display more than 75 drawings given to them by the artist in honor of his long-time friendship with former director Townsend Wolfe. Will Barnet As a student Barnet studied at the School of the Museum of Fine Arts, Boston. In 1930 Barnet continued his studies at the Art Students League of New York, beginning his long association with the school where he concentrated on painting as well as printmaking, In 1936 he became the official printer for the Art Students League. There, he later instructed students in the graphic arts at the school. Barnet continued his love of teaching with positions at the Cooper Union, at Yale University, and at the Pennsylvania Academy of Fine Arts. He has taught artists including Cy Twombly, Tom Wesselmann, Eva Hesse, James Rosenquist, Mark Rothko and Donald Judd. A devoted printmaker, and with a technical expertise encompassing lithograph, woodcut, serigraph, and intaglio, Barnet has treated printmaking as a serious undertaking in its own right. His work has entered virtually every major museum in the United States including: The Metropolitan Museum of Art, The National Gallery of Art, The Museum of Modern Art, New York, The Whitney Museum of American Art, and The Museum of Fine Arts, Boston. Portrait of Sully De Vito 1928 E.D. Poem 1989 Whiplash 1958 A Peaceable Kingdom 1946 Art by Will Barnet © Will Barnet, courtesy Alexandre Gallery, New York. Photography, Cindy Momchilov, Camera Work, Inc. Arkansas Arts Center The Arkansas Arts Center was created in 1960. -
Tom Wesselmann BORN
Tom Wesselmann BORN: February 23, 1931, Cincinnati, OH DIED: December 17, 2004, New York, NY EDUCATION: Hiram College Ohio BA University of Cincinnati Cincinnati, OH Art Academy of Cincinnati Cincinnati, OH The Cooper Union New York EXHIBITIONS: 2010 Tom Wesselmann: Plastic Works, Maxwell Davidson Gallery, NY 2007 Tom Wesselmann, Drop-Out, Maxwell Davidson Gallery, New York 2005 Tom Wesselmann, Drawing Retrospective, Maxwell Davidson Gallery, New York 2003 Tom Wesselmann, The Great American 60s, Maxwell Davidson Gallery, New York 2000 Tom Wesselmann, JGM Galerie Paris, France Galerie Hans Mayer, Berlin, Germany Galerie Benden Klimczak, Viersen, Germany Galerie Guy Pieters, Knokke-Heist, Belgium Heland Wetterling Gallery, Stockholm, Sweden Joseph Helman Gallery, New York Gallery Camino Real, Boca Raton, FL 1999 Tom Wesselmann: Small Survey: Small Scale, Maxwell Davidson Gallery New York, NY 1998 Wetterling Gallery Stockholm, Sweden 1997 Tom Wesselmann, Galerie Benden Klimczak Viersen, Germany 1995 Tom Wesselmann Lasers and Lithos, Maxwell Davidson Gallery New York, NY 1994 Tom Wesselmann, Sidney Janis Gallery New York, NY Tom Wesselmann: Recent Works, Galerie Beatrice Wassermann Munich, Germany 1993 Tom Wesselmann: New Cut Outs and Drawings, Wassermann Galerie Munich, Germany 1992 Tom Wesselmann, Sidney Janis Gallery New York, NY 1991 Galerie Tokoro Tokyo, Japan 1986 Sidney Janis Gallery New York, NY 1985 Modernism San Francisco, CA 1984 Sidney Janis Gallery New York, NY 1983 Recent Work by Tom Wesselmann, Sidney Janis Gallery New York 1982 Hokin Gallery Miami, FL 1981 New Sculpture & Paintings by Tom Wesselmann, Sidney Janis Gallery New York 1980 Galerie Serge di Bloe Brussels 1979 Ehrlich Gallery New York 1978 Tom Wesselmann: Graphics 1964-77, Institute of Contemporary Art Boston, MA 1976 Sidney Janis Gallery New York . -
Tom Wesselmann (1931 - 2004)
Cristea Roberts Gallery Artist Biography 43 Pall Mall, London SW1Y 5JG +44 (0)20 7439 1866 [email protected] www.cristearoberts.com Tom Wesselmann (1931 - 2004) Tom Wesselmann is widely considered to be one of the leading 1997 Tom Wesselmann, Galerie Benden Klimczak Viersen, American Pop artists, rejecting Abstract Expressionism in favour Germany of representation. His work focuses on subjects such as the nude, 1996 Tom Wesselmann Lasers and Lithos, Maxwell Davidson still life and landscape using intense colour and flat forms. He Gallery New York, USA studied at the Cooper Union School for Arts and Architecture in 1995 Tom Wesselmann, Sidney Janis Gallery New York, USA New York during the mid 1950s, dramatically shifting his attention 1992 Tom Wesselmann, Sidney Janis Gallery New York, USA from cartoons to painting. In 1961, he began his Great American 1991 Galerie Tokoro Tokyo, Japan Nude series which incorporated patriotic symbols such as stars 1983 Sidney Janis Gallery New York, USA and stripes with the great art historical image of the nude. Later on 1982 Recent Work by Tom Wesselmann, Sidney Janis Gallery in his life, he explored the medium of metal making ‘steel drawings’ New York, USA which redeveloped his themes of nude and composition. 1980 New Sculpture & Paintings by Tom Wesselmann, Sidney Janis Gallery New York, USA SELECTED EXHIBITIONS 1979 Galerie Serge di Bloe Brussels, Belgium 1978 Tom Wesselmann: Graphics 1964 -77, Institute of 2018 Print Project Space: Pop Prints, Alan Cristea Gallery, Contemporary Art Boston, USA London, UK 1976 Sidney Janis Gallery New York, USA Tom Wesselmann: La Promesse du Bonheur, Le 1967 Ileana Sonnabend Gallery, Paris, France Nouveau Musée National de Monaco (NMNM), 1966 Sidney Janis Gallery, New York. -
Axell, Pauline Boty and Rosalyn Drexler
Downloaded from Pop’s Ladies and Bad Girls: Axell, Pauline Boty andkall Rosalyn Drexler ioaj.oxfordjournals.org Kalliopi Minioudaki daki at University of California, Irvine on October 3, 2010 Downloaded from oaj.oxfordjournals.org at University of California, Irvine on October 3, 2010 Pop’s Ladies and Bad Girls: Axell, Pauline Boty and Rosalyn Drexler Kalliopi Minioudaki Dada must have something to do with Pop ... the names are really synonyms. (Andy Warhol1) In entertainment slang, bad girls ... describes female performers, musicians, actors and 1. G.R. Swenson, ‘What Is Pop Art’, Art News, comedians ... who challenge audiences to see women as they have been, as they are and as November 1963, pp. 24–7. they want to be ... In the visual arts, increasing numbers of women artists ... are defying the 2. Marcia Tucker, Bad Girls (New Museum of Downloaded from conventions and proprieties of traditional femininity to define themselves according ... to Contemporary Art: New York, 1994), pp. 4–6. their own pleasures ... by using a delicious and outrageous sense of humor. (Marcia Tucker2) 3. Aside from the hybrid yet still understudied case of Warhol’s Superstars. See for instance The accepted story of Pop Art, as in many modernist tales, is one of male Leanne Gilbertson, ‘Andy Warhol’s Beauty #2: 3 subjects and female objects. Its canon has relied exclusively on male Demystifying and Reabstracting the Feminine Mystique, Obliquely’, Art Journal, Spring 2003, artists whose iconography has often objectified women. Yet there were oaj.oxfordjournals.org women who were initially, or can be retroactively, associated with Pop pp. 25–33.