Tom Wesselmann Selected Catalogues Bibliography 2019 'Tom Wesselmann', Susan Davidson, Almine Rech Editions

2016 'Tom Wesselmann - A Different Kind of Woman', Almine Rech, Brenda Schmahmann and Anne Pasternak, Almine Rech Editions

2015 Alexander, Darsie, ‘International Pop Art’, Walker Art Center, Minneapolis Germano Celant (Ed.), ‘Arts & Foods, Expo Milano and Mondadori Electa’, Verona, Italy

2014 ‘Art or Sound’, (exhibition catalogue) Fondazione Prada, Venice, Italy ‘Pop to Popism’, (exhibition catalogue), Art Gallery of New South Wales, Sydney, Australia ‘Ludwig Goes Pop’, (exhibition catalogue), Museum Ludwig, Cologne, Germany ‘The Shaped Canvas’, Revisited, (exhibition catalogue) Luxembourg & Dayan, New York

2013 John Wilmerding, ‘The Pop Object: The Still Life Tradition in Pop Art’ (exhibition catalogue), New York, Acquavella Galleries & Rizzoli ‘Tom Wesselmann, Works on Paper – Steel Drawings – Screenprints – Paintings’, (exhibition catalogue), Samuel Vanhoegaerden Gallery, Knokke, Belgium ‘Ileana Sonnabend; Ambassador for the New’, The Museum of Modern Art, New York, (exhibition catalogue)

2012 Stéphane Aquin, ‘Beyond Pop Art, Tom Wesselmann’ (exhibition catalogue), Montreal Museum of Fine Arts, Montreal, Quebec and Delmonico Books, New York Mildred Glimcher, ‘Happenings’, New York, 1958-1963, Monacelli Press, New York

2011 ‘Tom Wesselmann Draws’ (exhibition catalogue), The Kreeger Museum, Washington, DC

2010 ‘Tom Wesselmann, Plastic Works’, Maxwell Davidson Gallery, New York, (exhibition catalogue) Judith Goldman, Robert & Ethel Scull, ‘Portrait of a Collection’, New York, Acquavella Galleries ‘Tom Wesselman, Flowers’, Galerie Klaus Benden, Cologne (exhibition catalogue)

2009

64 rue de Turenne, 75003 Paris ‘Tom Wesselmann, Journey into the Landscape –Steelcuts’, Galerie Thomas, Munich, 18 avenue de Matignon, 75008 Paris Germany, (exhibition catalogue) [email protected] ‘The Figure and Dr. Freud’, Haunch of Venison Gallery, New York, (exhibition catalogue) - ‘Tom Wesselmann Draws’, Haunch of Venison Gallery, New York, (exhibition catalogue) Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles contact.brussels@alminerech.com 2008 - Stefanie Kummerle, ‘Tom Wesselmann Faces 1963-1993’, (exhibition catalogue), Bonn; Grosvenor Hill, Broadbent House W1K 3JH London Weidle Publishing, for Galerie Benden & Klimczak, Cologne and Viersen, Germany [email protected] John Wilmerding, ‘Tom Wesselmann, His Voice and Vision’, New York: Rizzoli - Samuel VanHoegaerden, ‘Tom Wesselmann, Works on Paper, Laser-Cut Steels and 39 East 78th Street Screenprints’, Knokke Belgium, VanHoegaerden Gallery (exhibition catalogue) New York, NY 10075 [email protected] Ben Wiedel-Kaufman, ‘Tom Wesselmann Journeys into the Landscape’, (exhibition - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com catalogue), London; Bernard Jacobson Gallery ‘Tom Wesselmann’, Honor Fraser Gallery, Los Angeles, (exhibition catalogue)

2007 John Wilmerding, ‘Wesselmann, Drop-Out’ (exhibition catalogue), New York; Maxwell Davidson Gallery & Yvon Lambert Gallery

2006 ‘Tom Wesselmann: The Sixties’ (exhibition catalogue). New York: L&M Arts Judd Tully, ‘Tom Wesselmann, Sunset Nudes’ (exhibition catalogue), New York, Robert Miller Gallery ‘Tom Wesselmann’ (exhibition catalogue), Munich: Galerie Thomas

2005 Danilo Eccher, Achille Bonito Oliva, Marco Livingstone, and Constance Glenn, ‘Tom Wesselmann’ (exhibition catalogue). Milan; Mondadori Electa S.p.A. Maxwell Davidson Ill and Maxwell Davidson IV, ‘Tom Wesselmann, Works on Paper: Retrospective’ (exhibition catalogue), New York: Maxwell Davidson Gallery ‘Tom Wesselmann’, (exhibition catalogue). Ljubljana, Slovenia: Visconti Fine Art Kolizej

2003 Robert Rosenblum, ‘Tom Wesselmann’, (exhibition catalogue). New York: Robert Miller Gallery. Constance Glenn and Mary-Kay Lombino, ‘Tom Wesselmann, The Intimate Images’ (exhibition catalogue), University Art Museum, CSU, Longbeach Danilo Eccher and Slim Stealingworth, ‘Tom Wesselmann’ (exhibition catalogue), Venice: Flora Bigai Arte Moderna e Contemporanea

2000 ‘Tom Wesselmann: Abstract Maquettes’ (exhibition catalogue), Cologne: Galerie Benden & Klimczak.

1999 James Mayor Gallery, London (catalogue)

1998 H.H. Arnason and Marla F. Prather, ‘History of Modern Art’, 4th Edition, New York: Abrams, pp. 540.-542. ‘Tom Wesselmann New Abstract Paintings’ (exhibition catalogue), New York: Sidney Janis Gallery. Anne Umland, ‘Pop Art: Selections From the Museum of Modem Art’, pp.120-125

1997 Galerie Hans Mayer, Dusseldorf

64 rue de Turenne, 75003 Paris Constance W. Glenn, ‘The Great American Pop Art Store, Multiples of the Sixties’ 18 avenue de Matignon, 75008 Paris (exhibition catalogue), University Art Museum, California State University. Long Beach. [email protected] - 1996 Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles ‘Tom Wesselmann A Survey: 1959-1995’ (exhibition catalogue), Fred Hoffmann, Santa [email protected] Monica, CA, - Waterline Teo Ltd., Singapore Grosvenor Hill, Broadbent House W1K 3JH London Townsend Wolfe and Ruth Pasquine, ‘Large Drawings and Objects: Structural Foundations [email protected] of Clarity – Expressive Voices of the Meaningful’, Little Rock, AR: Arkansas Arts Center. - 39 East 78th Street 1995 New York, NY 10075 [email protected] ‘Tom Wesselmann’, (exhibition catalogue). New York: Sidney Janis Gallery York, Gallery - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com Camino Real, Boca Raton, FL (catalogue)

1993 Laurie S. Adams, ‘A History of Western Art’, p. 465. ‘Contemporary Great Masters, Tom Wesselmann’, Kodansha, Ltd.. vol.17. ‘Tom Wesselmann: A Retrospective Survey 1959-1992’ (exhibition catalogue), Tokyo: Shimbun, Isetan Museum of Art.

1992 ‘Tom Wesselmann. New Metal Paintings’, (exhibition catalogue), New York: Sidney Janis Gallery Sam Hunter, ‘Tom Wesselmann’, Miami: Miami International Art Exposition, catalogue, January 8 – 12, pp. 44-45

1991 ‘Tom Wesselmann Steel Cutouts’, (exhibition catalogue). La Jolla: Tasende Gallery.

1990 ‘Tom Wesselmann, Steel Landscapes’ (exhibition catalogue), New York: Sidney Janis Gallery Mario Livingstone, ‘Pop Art. A Continuing History’, London: Thames & Hudson, pp. 19, 23, 63, 82, 88- 91, 122-128, 155, 156, 175. 198-199, 216-218, 253, 254, 256 259; 78. 127-128,171, 173-174, 285-287, 315 Taman Osterwold, ‘Pop-Art’, Cologne: Benedikt Taschen Verlag

1988 ‘Wesselmann Recent Works ‘(exhibition catalogue),Tokyo: Selene Tokoro. ‘Tom Wesselmann, New Work’ (exhibition catalogue), New York: Sidney Janis Gallery

1987 Ileen Sheppard, ‘Tom Wesselmann/A New Approach to Drawing’ (exhibition catalogue), The Queens Museum. ‘Exhibition of Cut-Out Metal Paintings by Wesselmann’, (exhibition catalogue), New York: Sidney Janis Gallery

1988 Andrew Tilly, ‘Erotic Drawings’, New York: Rizzoli, p. 68.

1984 Paul Cummings, ‘Twentieth Century American Drawings. The Figure in Context’, Maryland: Schneidereith & Sons. p. 141

1983 ‘New Work by Tom Wesselmann’ (exhibition catalogue)’, New York: Sidney Janis Gallery

64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris 1980 [email protected] ‘New Sculpture & Paintings by Tom Wesselmann’ (exhibition catalogue), New York: - Abdijstraat 20 rue de l’Abbaye Sidney Janis Gallery Brussel 1050 Bruxelles Bradley Smith, ‘20th Century Masters of Erotic Art’, New York: Crown Publishers, Inc., [email protected] pp. 16, 160-161 - Tom Wesselmann (as Slim Stealingworth), ‘Tom Wesselmann’. New York: Abbeville Press. Grosvenor Hill, Broadbent House W1K 3JH London [email protected] 1979 - ‘An Exhibition of Recent Paintings by Tom Wesselmann’, (exhibition catalogue), New 39 East 78th Street New York, NY 10075 York: Sidney Janis Gallery [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com 1974 ‘Tom Wesselmann’, Milan: Studio Marconi via Tadino

1972 ‘Tom Wesselmann’, New York: Sidney Janis Gallery

1969 Constance M. Perkins et al. ‘La nouvelle figuration americaine, peinture, sculpture, film. 1963-1968/Neue Figuration USA, Malerei, Plastic, Film. 1963-1968’ (exhibition catalogue), Brussels: Palais des Beaux-Arts and Cologne: Kölnischer Kunstverein.

1968 ‘An Exhibition of New York by Tom Wesselmann’ (exhibition catalogue),. New York: Sidney Janis Gallery Lucy Lippard, ‘Eros Presumptive. Minimal Art: A Critical Anthology’, Gregory Battock, Ed. New York

1966 ‘Tom Wesselmann (exhibition catalogue), Ileana Sonnabend Galen. ‘New Paintings by Tom Wesselmann, (exhibition catalogue). New York: Sidney Janis Gallery

Selected Press

2016 John Dorfman, ‘The Body electric’, Art & Antiques, September 1st 2016 Kevin Conley, ‘The Most Famous Pop Artist You Don’t Know’, The New York Times Style Magazine, August 22nd 2016 Meredith Mendelsohn, ‘Art + Auctions. 8 Must-See Spring Art Exhibitions in New York’, Architectural Digest, May 9th 2016 Gabriella Angeleti, ‘From magazine cut-outs to brand-name billboards, gallery show offers a peek into Tom Wesselmann’s estate’, The Art Newspaper, April 19th 2016 Coline Milliard, Art World. Pop Legend Tom Wesselmann Like You’ve Never Seen Him Before’, artnet news, February 9th 2016 Wessie du Toit, ‘More sensual than a Campbell’s soup can: the collages of Tom Wesselmann’, Apollo Magazine, February 3rd 2016 David Joselit, “’International Pop’ and ‘The World Goes Pop’”, Artforum, January 2016, p. 230

2014 Julie Engebrecht, ‘CAM exhibit reviews native son Wesselmann’s career’, cincinnati.com, October 25th, 2014 Ray Mark Rinaldi, ‘Pop! Goes the world of Tom Wesselmann’, The Denver Post, July 31st, 2014

64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris 2013 [email protected] Philip Kennicott, ‘Museums. Exhibits on Oldenburg, Wesselmann offer deeper glimpse of - Pop Art sensibility’, The Wahisngton Post, June 20th, 2013 Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles [email protected] 2012 - Brian Boucher, ‘American Beauty: Q+A With Co-Curator of Tom Wesselmann Show’, Art Grosvenor Hill, Broadbent House W1K 3JH London in America, April 12th, 2012 [email protected] - 2011 39 East 78th Street Jessica Dawson, ‘Wesselmann Pops up at Kreeger Museum’, The Washington Post, April New York, NY 10075 [email protected] 22nd, 2011 - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com 2010 Doug McClemont, ‘Tom Wesselmann, at David Janis and Maxwell Davidson’, ARTnews, Summer 2010, p. 126 Fred Kaplan, ‘Showing a Couple’s Eye for Art (and Money)’, The New York Times, April 9th, Weekend Arts, p.1

2009 Aimee Walleston, ‘Art in America/Claire Wesselmann. WIFE AND MUSE: CLAIRE WESSELMANN ON TOM WESSELMANN’, aimeewalleston.blogspot.fr, December 8th 2009 Karen Rosenberg, ‘The Figure and Dr. Freud, at Haunch of Venison’, The New York Times, August 13th, 2009 David Galloway, ‘Art Cologne Hangs On’,The New York Times, May 1st, 2009

2008 Carol Vogel, ‘Bacon Triptych Auctioned for for Record $86 Million’, The New York Times, May 15th, 2006 Carol Vogel, ‘A couple of Highlights in a Tepid Sotheby’s Sale’, The New York Times, November 12th, 2008

2007 Roberta Smith, ‘Tom Wesselmann, Drop-Out.’, The New York Times December 28th, 2007 Carol Vogel, ‘The Art Market Continues to Boom as Records are Broken…’, The New York Times, May 16th, 2007

2006 £ Richard Kalina, ‘Pop’s High Modernist’, Art in America, December 2006, p. 124-129 Ann Landi, ‘Tom Wesselmann, L&M Ms and Robert Miller Gallery’, Artnews, Summer, 2006, p.176 Grace Glueck, ‘Tom Wesselmann’, The New York Times, March 31st 2006 David Cohen, ‘Pop Plus Past’, The Sun, March 30th, p.26 ‘Tom Wesselmann: Sunset Nudes’, Antiques and the Arts Weekly, March 3rd, 2006, p.23 ‘Tom Wesselmann; Artist Tom Sachs Zooms in on the Most Enigmatic Pop-Art Figure of All’, Interview Magazine, March 2006

2005 Grace Glueck, ‘Tom Wesselmann, Works on Paper, Retrospective 1960-2004’, The New York Times, November 11th, 2005 Gabriele Simongini, ‘Tom Wesselmann, l’Essenza della Pop Art’, Tempo, June 8th, 2005, p. 42 Ludovico Pratesi, ‘MACRO, Nudi e Pop Art 01 Wesselmann’, La Repubblica-Roma, June 6th,2005, p. 35 Sam Hunter, ‘Remembering Tom Wesselmann (1931-2004)’, American Art, Summer 2005, Vol.19 No. 2, pp. 108-111 64 rue de Turenne, 75003 Paris Dave Hickey, ‘Tom Wesselmann Museo d’Arte Contemporanea Roma’, Artforum, May 18 avenue de Matignon, 75008 Paris [email protected] 2005, p. 136 - Robert Rosenblum, ‘His Girl Friday’, Artforum, April 2005, p.45 Abdijstraat 20 rue de l’Abbaye Meir Ronnen, ‘Looking Back, Looking Ahead’, The International Jerusalem Post, March Brussel 1050 Bruxelles [email protected] 11th, 2005, p. 28 - Rachel Somerstein, ‘Pop Provocateur’, Artnews, March 2005, p. 56 Grosvenor Hill, Broadbent House W1K 3JH London 2004 [email protected] - ‘Liega a galleria Abstraccion del Pop’, El Norte, Vida, December 14th, 2004 39 East 78th Street ‘Augenschmaus and Kunst-Genuss in der Region’, Neue Westfalalische, January 3rd-4th, New York, NY 10075 2004 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com 2003 Edward Leifingwell, ‘Tom Wesselmann at Maxwell Davidson and Robert Miller’, Art in America, November 2003, pp. 165-167 David Pagel, ‘The Wesselmann Season’, Los Angeles Times, September 22nd, 2003 AJ Nadel, ‘An Interview with Tom Wesselmann’, NY Arts, Berliner Kunst, Summer issue

2001 ‘Tom Wesselmann, Nude with Picasso’, Art on Paper, September/October 2001, p. 77. ‘Richard Serra / Tom Wesselmann’, The New Yorker, September 3rd, 2001, p. 20 Ken Johnson, ‘John Baldessari, Jeff Koons, Tom Wesselmann’, The New York Times, July 6th, 2001 ‘John Baldessari, Jeff Koons, and Tom Wesselmann’, The New York Times, June 22nd, 2001 Grace Glueck, ‘A Collector’s Collector Whose Works Went Pop’, The New York Times, May 4th, 2001 ‘Blue Nudes, Tom Wesselmann, Galerie JGM’, The Art Newspaper, no. 123, March 2001

2000 ‘A Postwar Survey, Semi-Wild at Heart’, The New York Times, September 29th, 2006 ‘Tom Wesselmann’ The New Yorker, November 20th, 2000 ‘Tom Wesselmann: ‘Blue Nudes’, The New York Times, November 17th, 20001999 ‘Tom Wesselmann, Les ‘Monica’ ‘, L’Echo, May 7th, 1999 J.D., ‘Tom Wesselmann, Galerie Artiscope’, M.A.D., April 28th, 1999 ‘Tom Wesselmann- Small Survey, Small Scale, 1960-98’, The New Yorker, March 8th, 1999, p.13

1998 ‘Tom Wesselmann’, The New Yorker, June 15th, 1998, p 19 Andrew Decker, ‘Pop Goes the Easel’, Cigar Aficionado, March/April 1998, pp 286-297 Isabel Carlos, ‘Pop 60’s.’, Flash Art, p.92

1997 Marion Stuckstatte, ‘Ausflug in eine pralle Freiheit’, Rheinische Post, June 24, 1997 Von Heinz-Norbert Jocks, ‘Unertragliche Leichtigkeit der Frohlichen Ironie’, Westdeutsche Zeitung/Dusseldorfer, June 15th, 1997 Vincent Katz, ‘Tom Wesselmann Sidney Janis’, Art In America, January, 1997, p. 107

1996 Deidre Stein Greben, ‘Tom Wesselmann’, ARTnews, December 1996, vol. 95, no. 11, pp. 120 – 121. Grace Glueck, ‘Tom Wesselmann, ‘Abstract Metal Paintings’ ‘, The New York Times, October 4th, 1996 David Pagel, ‘Tom Wesselmann’, Art Issues, Summer 1996, no. 43, p. 47 Peter Clothier, ‘Tom Wesselmann’, ARTnews, May 1996 Susan Kandel, ‘Surveying Phases of Wesselmann’s Work’, Los Angeles Times, February 24, 64 rue de Turenne, 75003 Paris 1996. 18 avenue de Matignon, 75008 Paris [email protected] Susie Wong, ‘Spontaneous Scribbles Lined with Steel’, The Straits Times, April 13th, 1996 - Michael Darling, ‘Pop Tart; Tom Wesselmann’s Tacky Erotica.” L.A. Reader, March 8th, Abdijstraat 20 rue de l’Abbaye 1996, vol. 18, no. 22, p. 14 Brussel 1050 Bruxelles [email protected] - 1995 Grosvenor Hill, Broadbent House Owen Findsen, ‘Nudes No More’, The Cincinnati Enquirer, July 11th, 1995 W1K 3JH London Jerry Stein, ‘New Book Profiles Cincinnati Artist’, The Cincinnati Post, May 26th, 1995 [email protected] - Pepe Karmel, ‘Tom Wesselmann’, The New York Times, May 1995 39 East 78th Street New York, NY 10075 1994 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com Peter Sager, ‘Schone Linien der Lust’, Zeitmagazine, Hamburg, April 8th 1994, Nr. 15 Marcia, ‘Representational art in a big way’, Detroit Free Press, February 23rd, 1994, Section C, p.1, p. 6 Elisa Turner, ‘Tom Wesselmann’, Review, ARTnews, vol. 93, no. 1, January 1994, pp. 169-70

1993 Joy Hakanson Colby, ‘A revealing look at Tom Wesselmann’s nudes’, The Detroit News, Friday, February 12th, 1993

1992 Anja Losel, ‘Pop Art: Die Alten Meister’, Stern, March 1992, no. 13, pp. 64-65, 71, 79. Cecile Whiting, ’Pop Art Domesticated: Class and Taste in Tom Wesselmann’s Collages’, Genders no. 13 (University of Texas Press), Spring 1992, pp. 43-72

1991 Donald Kuspit, ‘On Being Boxed In’, Sculpture, vol. 10, no. 6, November/December 1991, pp. 30-37 Andrew Renton, ‘The Pop Art Show’, Flash Art, vol. 24, no. 161, November/December 1991, p. 137 Peter Bellars, ‘Wesselmann’s New Line Up’, Asami Evening News, November 2nd, 1991, p. 9 Dave Hickey, ‘La Jolla; Tom Wesselmann; Tasende’, ARTnews vol. 90, no. 8, October 1991, p. 144 Souren Melikian, ‘Pop Art: Resurecting an Old Joke’, International Herald Tribune, September 14th -15th, 1991, p. 7 Richard Dorment, ‘Painting that jumps off the gallery wall’ The Daily Telegraph/The Arts, September 13th, 1991, p. 12. ‘What and Who was Pop – A Questionnaire’, Modern Painters, vol. 4, no. 2, Autumn 1991, p. 56-57 Jonathan Saville, ‘Popping Off’, San Diego Reader, vol. 20, no. 30, August 1st, 1991, pp. 26-28 Leah Ollman, ‘Exchange Yields Another Effective Show’, Los Angeles Times, July 17th, 1991 Robert L. Pincus, ‘Wesselmann’s Art Loses Sly Playfulness As It Takes a New Twist’, San Diego Union, July 5th, 1991 Owen Findsen, ‘Wesselmann masters female nude form’, The Cincinnati Enquirer, January 8th,

1990 Gino Grassi, ‘Adamo contra Eva, Terza Pagina, December 14th, 1990 Vitiliano Corbi, ‘A Bapoli dieci opere di Tom Wesselmann padre della pop art, I laser nudes della rivolta, Storie di donne metalliche’, La Republica, December 8th, 1990 Lise Holst, ‘Tom Wesselmann at Janis’, Art In America, November 1990, p. 202 Donald McCarthy, ‘Tom Wesselmann and the Americanization of the Nude’, The Smithsonian 64 rue de Turenne, 75003 Paris Studies in American Art – National Museum of American Art vol. 4 no. 3-4, Summer – 18 avenue de Matignon, 75008 Paris [email protected] Fall 1990, pp.103-127 - ‘Tom Wesselmann at Sidney Janis and O.K. Harris’, Gallery Guide, New York Preview, Abdijstraat 20 rue de l’Abbaye May 1990, p. 3 Brussel 1050 Bruxelles Helen-Louise Seggerman, ‘The New York Letter’, Tableau, April 1990, p. 73 [email protected] - Grosvenor Hill, Broadbent House 1988 W1K 3JH London Tom Lubbock, ‘Great American Pop Show’, The Independent, August 9th, 1988 [email protected] - Lucy Ellman, ‘Art Two-Dimensional’, New Statesman & Society, August 5th, 1988 39 East 78th Street Tony Godfrey, ‘Exhibition Reviews’, The Burlington Magazine, August 1988 New York, NY 10075 Giles Auty, ‘Arts Exhibitions: Poporific’, The Spectator, July 30th, 1988 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com Sarah Kent, ‘On Flesh as Fast Food’, Tower House, July 27th, 1988 William Feaver, ‘Arts’, The Observer, July 17th, 1988 ‘Tom Wesselmann’, Blueprint, July 1988

1987 Bill Jones, Tom Wesselmann’, Flash Art, October 1987 ‘Les femmes en métal de Wesselmann’, Le Monde, May 23rd, 1987. p. 22 Karin Lipson, ‘Lively Variations of an Artist’s Themes’, Newsday, May 1st, 1987 Philippe-Evans Clark, ‘Tom Wesselmann dans la tradition de l’expressionisme abstrait’, Art Press, no. 114, May 1987, pp. 4-9. Vivien Raynor, ‘Art: Show of Works by Tom Wesselmann’, The New York Times, April 24th, 1987

1986 ‘Del Pop al Op’, Semana, March 1986, p 66 Ana Maria Escallon, ‘Arte de Hoy’, March 1986 ‘Pop en Bogota’, Gujon, March 1986, pp. 57-58 ‘Tom Wesselmann at Sidney Janis and Jeffery Hoffield’, Art in America, March 1986, p. 150 ‘Tom Wesselmann en Galeria Quintana’, Fin de Semana, February 28th, 1986

1985 John Russell, ‘Tom Wesselmann’, The New York Times, December 13th, 1985 Douglas C. McGill, ‘Tom Wesselmann in a New Medium’, The New York Times, November 22nd, 1985 ‘Tom Wesselmann: Art People’, ARTnews, November 1985

1982 Ruth Meyer, ‘Women, Object & Image’, Dialogue, November – December 1982 David Bourdon, ‘Contemporary Still Life Painting’, American Illustrated, no. 312, November 1982, pp. 20.27. William Wilson, ‘The Real Wesselmann Stands Up’, Los Angeles Times, November 13th, 1982, section V, pp. 1 & 8 Wilfried Wiegand, ‘Tom Wesselmann’, Frankfurter Allegemine Magazin, November 1982 Liz Liebman, ‘Review of Wesselmann Exhibition at Sidney Janis’, Artforum, September 1982 Trevor Fairbrother, ‘An Interview with Tom Wesselmann/Slim Stealingworth’, Arts Magazine, May 1982 ’Nel Nude Di Donna lo Batto Tiziano e Manet’, Sommario, March 1982 Paul Gardner, ‘Tom Wesselmann’, ARTnews, January 1982

1980 David Bourdon, ‘Made in the U.S.A.” Portfolio, vol II, no. 5, November – December 1980, pp. 42-49 Slim Stealingworth, ’Review of Tom Wesselmann’, National Arts Guide, 64 rue de Turenne, 75003 Paris November/December 1980 18 avenue de Matignon, 75008 Paris [email protected] ‘Tom Wesselmann’, Basler Magazine, no. 39, November 27th, 1980 - John Russel, ‘Art Shopping Around in Wesselmann’s Mind’, The New York Times, Abdijstraat 20 rue de l’Abbaye November 21st, 1980 Brussel 1050 Bruxelles [email protected] Grace Glueck, ‘Art People’, The New York Times, November 14th, 1980 - Tony Whitfield, ‘Pop Went The Wesselmann’, The Village Voice, November 12th, 1980 Grosvenor Hill, Broadbent House 1979 W1K 3JH London Jean Suacet, ‘L’Art C’est aussi un Produit’, Paris Match, October 26th, 1979 [email protected] - ‘Art Scene’, Canal, October 1979 39 East 78th Street ‘F.I.A.C.’, L’Aurore, October 1979 New York, NY 10075 Michael Florescu, ‘Tom Wesselmann at Janis’, Art in America, October 1979, p. 126 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com ‘La Pagina Dell’Arte’, Bolafiarte, October 1979 Judith Helfer, ‘Virtuase Technik in Neuen Arbeiten’, Aufbau, May 18th, 1979 ‘Tom Wesselmann’, Art/World, April 20 – May 15th 1979 Jerry Tallmer, ‘Women Bursting Out All Over’, The New York Post, May 12th 1979, p. 16 John Russell, ‘Art: Tom Wesselmann Sticks to the Same Last’, The New York Times, May 11th, 1979

1978 Michal Goodson, ‘Wesselmann: All the Nudes Fit to Print’, Red Paper, June 4th, 1978 Harriet Sennie, ‘Moodscapes’, The New York Post, February 11th, 1978, p.17

1976 N.F. Karlins, ‘The Smoker as Sex Object’, East Side Express, May 26th, 1976 David Bourdon, ‘Eroticism Comes in Many Colors’, The Village Voice, May 10th, 1976 Dorothy Seiberling, ‘Real Big: An Escalation of Still Lifes’, New York Magazine, April 26th, 1976 Pierre Restany, ‘L’Ecole de L’Erotisme’, Arts Loisirs, no. 74, February 28th, 1976, pp. 34-28

1975 ‘Corcoran Makes History’, The Eagle, The American University, April 1st, 1975 David Bourdon, ‘American Painting Regains Its VItal Signs’, The Village Voice, vol. 20, no. 11, March 17th 1975, p.88 John Russell, ‘Corcoran American Art Biennale Opens’, The New York Times, March 5th, 1975 Robert A. Galano, ‘Corcoran Biennial: A Crowd Pleaser’, The Washington Post, February 22nd, 1975 Benjamin Forgey, ‘Corcoran Show is Mostly Big’, The Washington Star, February 21st, 1975

1974 William Wilson, ‘Wesselmann – Portrait of an Artist’s Blue Period’, The Los Angeles Times, December 2nd, 1974 Sandy Ballatore, ‘Tom Wesselmann: The Early Years’, Artweek vol. 5, no. 41, November 30th, 1974 Tom Hess, ‘Art Wesselmann’, New York Magazine, May 16th, 1974 Vivien Raynor, ‘Wesselmann: The Mockery Has Disappeared’, The New York Times, May 12th, 1974 John Perreault, ‘Art: Reading a Monumental Still Life’, The Village Voice, May 2nd, 1974 Joanna Ress, ‘Rusticating with Tom Wesselmann’, Gallery Guide, May 1974 Hayden Herrera, ‘25th Anniversary Exhibition – Part II’, ARTnews, vol. 72. no. 5, April 1974

1973 Tom Burgering, ‘De Kinderen Kunner er in Joutje Van’, Rotterdam Nieuwsblad, June 64 rue de Turenne, 75003 Paris 1973 18 avenue de Matignon, 75008 Paris [email protected] Robert Hughes, ‘Art: The Last Salon’, Time Magazine, February 12th, 1973 - Carter Ratcliff, ‘Reviews: Tom Wesselmann’, Artforum, January 1973, p. 82 Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles [email protected] 1972 - Emily Grenauer, ‘Arts and Artists’, The New York Post, November 18th, 1972 Grosvenor Hill, Broadbent House Hilton Kramer, ‘Tom Wesselmann’, The New York Times, Novermber 11th 1972, p. 29 W1K 3JH London Carla de Benedetti, ‘The New Roman Way’, Vogue, April 15th, 1972, p. 120 [email protected] - David L. Shirey, ‘Former Avant-Grade Gallery Remembered in Hofstra Show’, The New 39 East 78th Street York Times, February 27th, 1972 New York, NY 10075 John Canaday, ‘Only Half Bad -And That’s Half Good.’, The New York Times, February [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com 6th, 1972, p. 23 Carter Ratcliff, ‘New York Letter’, Art International, vol. 17, no. 2, February 1972 Louise Burton, ‘ROSC: Ireland’s Autumn Art Show’, The Orange Disc, vol. 20, no. 3, January-February 1972 Sonya Rodikoff, ‘New Realists in New York’, Art International, January 1972 Barbara Rose, ‘Dada Then and Now’, Art International, January 1972 Pierre Restany, ‘Le Nouveau Realisme à la Coquette de New York’, Art International, January 1972 ‘Reviews: Tom Wesselmann’, Arts Magazine, December-January 1972

1971 David L. Shirey, ‘Woman Part I’, Life Magazine, August 18th 1971, p. 45 Henri Coulanges, ‘Beaute Suave’, Connaisance des Arts, no. 229, March 1971, pp. 76-83 Bernard Denvir, ‘London Letter’, Art International, vol. 15/1, January 1971, p.21

1970 ‘Tom Wesselmann’, Mizue Magazine, no.786, September 1970, pp. 60-75. G. Px., ‘L’Art Americain à Genève: Richesse Créatice et Éclatement de Tendances’, Feuille d’Avis de Lausanne, July 25th, 1970 Carter Ratcliff, ‘Tom Wesselmann’, Art International, Special Summer Issue, 1970, pp. 131-140 Lawrence Campbell, ‘Reviews and Previews: Tom Wesselmann’, ARTnews, vol 69,no 3, May 1970, p.75 John Gruen, ‘Galleries and Museums: Tom Wesselmann’, New York Magazine, vol. 3 no. 15, April 13th, 1970, p. 58 Peter Schjeldahl, ‘Pop Goes the Playmates Sister’, The New York Times, April 19th, 1970 Noel Frackman, ‘In the Galleries: Tom Wesselmann at Janis’, Arts Magazine, April 1970 ‘Arte Americano d’Oggi’, Gazzetta di Parma, January 30th, 1970 Giorgi Marscherpa, ‘Avangardusti.” Auvenire, January 27th, 1970

1969 Leo Bruggeman, ‘Terugkier can ket beeld – in de Amerikaanse Kunst’, Die Nieve Gids, October 25th, 1969 Jean-Luc Daval, ‘La Nouvelle Figuration Americaine’, Tribune de Geneve, August 22nd, 1969 ‘7 At Janis’, Arts Magazine, June 1969

1968 ‘The Great American Nude’, Time Magazine, June 14th, 1968, p. 60 James R. Mellow, ‘New York Letter’, Art International, April 1968, p.64 Hilton Kramer, ‘Form, Fantasy, and the Nude’, The New York Times, February 11th, 1968 ‘Images: Tom Wesselmann at Janis’, Arts Magazine, February 1968 ‘Tom Wesselmann: The Pleasure Painter’, Avant Garde, no.5, pp. 24-28

64 rue de Turenne, 75003 Paris 1966 18 avenue de Matignon, 75008 Paris [email protected] Jean-Louis Ferrier, ‘Paris: Wesselmann et le Nu Americain’, La Quinzaine, no. 15, - November 1-15th, 1966 Abdijstraat 20 rue de l’Abbaye Marina Warner, ‘Tom Wesselmann: Art into Media – Media into Art’, Isis, no. 1552, Brussel 1050 Bruxelles [email protected] November 2nd, 1966, pp. 17-18 - Peter Schjeldahl, ‘Erotic And/Or Art’, The Village Voice, October 13th, 1966 Grosvenor Hill, Broadbent House John Canay, ‘This Way to the Big Erotic Art Show’, The New York Times, October 9th, W1K 3JH London 1966 [email protected] - Douglas M. Davis, ‘In a Surfacing of Erotic Art, Fun and Parody’, The National Observer, 39 East 78th Street October 3rd, 1966 New York, NY 10075 Michael Benedikt, ‘New York Letter’, Art International, June 1966 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com David Margolis, ‘Wesselmann’s Fancy Footwork’, Art Voices, Summer 1966, pp.46-49 Charlotte Willard, ‘In the Galleries’, The New York Post, May 21st, 1966, p.14 ‘Tom Wesselmann’, The New York Times, May 14th, 1966 Gene R. Swenson, ‘The Honest Nude – Wesselmann’, Art and Artist, vol. 1, no. 2, May 1966, pp. 54-57 J.A. Abramson, ‘Tom Wesselmann and the Gates of Horn’, Arts Magazine, vol. 40. no. 7, May 1966, pp. 54-57 ‘Tom Wesselmann: Artists Say’, Art Voices, Spring 1966, p. 34

1965 Gordon Brown, ‘Art of the Underground House: A Rebuttal’, Art Voices, March 1965, pp. 92-95 J.B., ‘Wesselmann’, Arts Magazine, March 1965, pp. 36-37 S.C., ‘Wesselmann’, ARTnews, March 1965, p. 17.

1964 Jill Johnston, ‘Tom Wesselmann at Green Gallery’, ARTnews, April 1964, p.13 Max Kozloff, ‘New York Letter’, Art International, vol. 8, no. 3, April 1964, pp.60-61 ‘Tom Wesselmann at Green Gallery’, The Village Voice, February 29th, 1964 ‘Tom Wesselmann’, Time, February 28th, 1964

1963 ‘Tom Wesselmann at Green’, ARTnews, November 1963 ‘Editor’s Letter. Tom Wesselmann’, ARTnews, vol. 62, no.4, Summer 1963 Henry Geldzahler, ‘Symposium on Pop Art-Special Supplement’, Arts Magazine, April 1963 Jill Johnston, ‘The Artist on a Coca-Cola World’, The Village Voice, January 31st, 1963, pp 7-24 V.R., ‘Tom Wesselmann at Green’, Arts Magazine, January 1963

1962 Brian O’Doherty, ‘Art: ‘Pop’ Show by Tom Wesselmann is Revisited’, The New York Times, November 28th, 1962, p. 36 Jill Johnston, ‘Tom Wesselmann at Green Gallery’, ARTnews, November 1962, p. 47 V.R., ‘Tom Wesselmann at Tanager’; Arts Magazine, February 1962, p.47

64 rue de Turenne, 75003 Paris 18 avenue de Matignon, 75008 Paris [email protected] - Abdijstraat 20 rue de l’Abbaye Brussel 1050 Bruxelles [email protected] - Grosvenor Hill, Broadbent House W1K 3JH London [email protected] - 39 East 78th Street New York, NY 10075 [email protected] - 27 Huqiu Road, 2nd Floor 200002 Shanghai China [email protected] - www.alminerech.com