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Eating-In-Delhi
S No. Premises Name Premises Address District 1 DOMINOS PIZZA INDIA LTD GF, 18/27-E, EAST PATEL NAGAR, ND CENTRAL DISTRICT 2 STANDARD DHABA X-69 WEST PATEL NAGAR NEW DELHI CENTRAL DISTRICT 3 KALA DA TEA & SNACKS 26/140, WEST PATEL NAGAR, NEW DELHI CENTRAL DISTRICT 4 SHARON DI HATTI SHOP NO- 29, MALA MKT. WEST PATEL NAGAR NEW CENTRAL DISTRICT DELHI 5 MAA BHAGWATI RESTAURANT 3504, DARIBA PAN, DBG ROAD, DELHI CENTRAL DISTRICT 6 MITRA DA DHABA X-57, WEST PATEL NAGAR NEW DELHI CENTRAL DISTRICT 7 CHICKEN HUT 3181, SANGTRASHAN STREET PAHAR GANJ, NEW CENTRAL DISTRICT DELHI 8 DIMPLE RESTAURANT 2105,D.B.GUPTA ROAD KAROL BAGH NEW DELHI CENTRAL DISTRICT 9 MIGLANI DHABA 4240 GALI KRISHNA PAHAR GANJ, NEW DELHI CENTRAL DISTRICT 10 DURGA SNACKS 813,G.F. KAMRA BANGASH DARYA GANJ NEW DELHI- CENTRAL DISTRICT 10002 11 M/S SHRI SHYAM CATERERS GF, SHOP NO 74-76A, MARUTI JAGGANATH NEAR CENTRAL DISTRICT KOTWALI, NEAR POLICE STATION, OPPOSITE TRAFFIC SIGNAL, DAR 12 AROMA SPICE 15A/61, WEA KAROL BAGH, NEW DELHI CENTRAL DISTRICT 13 REPUBLIC OF CHICKEN 25/6, SHOP NO-4, GF, EAST PATEL NAGAR,DELHI CENTRAL DISTRICT 14 REHMATULLA DHABA 105/106/107/110 BAZAR MATIYA MAHAL, JAMA CENTRAL DISTRICT MASJID, DELHI 15 M/S LOCHIS CHIC BITES GF, SHOP NO 7724, PLOT NO 1, NEW MARKET KAROL CENTRAL DISTRICT BAGH, NEW DELHI 16 NEW MADHUR RESTAURANT 26/25-26 OLD RAJENDER NAGAR NEW DELHI CENTRAL DISTRICT 17 A B ENTERPRISES( 40 SEATS) 57/13,GF,OLD RAJINDER,NAGAR,DELHI CENTRAL DISTRICT 18 GRAND MADRAS CAFE GF,8301,GALI NO-4,MULTANI DHANDA PAHAR CENTRAL DISTRICT GANJ,DELHI-55 19 STANDARD SWEETS 3510,CHAWRI BAZAR,DELHI CENTRAL DISTRICT 20 M/S CAFE COFFEE DAY 3631, GROUND FLOOR, NETAJI SUBASH MARG, CENTRAL DISTRICT DARYAGANJ, NEW DELHI 21 CHANGEGI EATING HOUSE 3A EAST PARK RD KAROL BAGH ND DELHI 110055 CENTRAL DISTRICT 22 KAKE DA DHABA SHOP NO.47,OLD RAJINDER NAGAR,MARKET,NEW CENTRAL DISTRICT DELHI 23 CHOPRA DHABA 7A/5 WEA CHANNA MKT. -
Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
School of Journalism and Mass Communication
SCHOOL OF JOURNALISM AND MASS COMMUNICATION L.N.C.T UNIVERSITY BHOPAL MJMC- IV Semester Syllabus/Scheme S. No SUBJECTS THEORY PRACTICAL INTERNAL Film Studies 1. 80 20 (MJMC 401) Environment Journalism 2. 80 20 (MJMC 402) New Media & Digital 3. Journalism 80 20 (MJMC 403) Research Methodology 4. 80 20 (MJMC 404) Project-Viva 5. 100 (MJMC 405) L NCT UNIVERSITY, BHOPAL Programme: MJMC Semester – IV Session – Name of Paper Paper Code Theory FILM STUDIES MJMC 401 L T EST CAT Total 3 1 80 20 100 S. No Units / Topic Hours/Week Introduction to Film Journalism History of Film Journalism 1 Development of Film Journalism in India 4 hrs/week Major/Prominent Critiques Relationship between Cinema & Society Various forms of Cinema Development of Cinema Brief History of World Cinema-Pre Cinema Machines,Silent Era to 4 hrs/week 2 Early Talkies,Big Studios(Paramount,Disney,Warnes Bros,2Oth Century Fox), Changes occurred in Cinema Early Indian Cinema-Heeralal Sen, Dhundi Ji Phalke, Ardeshi Irani, Silent, Primitive & Pioneers, Reference Film-Raja Harishchandra & Alam Ara Emergence of Film Studio-New Theatres, Bombay Talkies, Imperial Theatre, R. K Studio Art Cinema of India-Bhuvan Shome, Uski Roti, Mirch Masala, Neecha Nagar, Mother India, Pather Panchali, Do Bigha Zameen Cinema in Digital Era-Changes of theme in Cinema, Reference Film, Raavan, Krish 3 & Baahubali Understanding Cinema Understanding Cinema/Genres of Film, Cultural Significance in relation to 3 4 hrs/week Film, Film Screening Story Telling Techniques of Cinema-Elements of Story -
Smita Patil: Fiercely Feminine
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2017 Smita Patil: Fiercely Feminine Lakshmi Ramanathan The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2227 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] SMITA PATIL: FIERCELY FEMININE BY LAKSHMI RAMANATHAN A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2017 i © 2017 LAKSHMI RAMANATHAN All Rights Reserved ii SMITA PATIL: FIERCELY FEMININE by Lakshmi Ramanathan This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Masters of Arts. _________________ ____________________________ Date Giancarlo Lombardi Thesis Advisor __________________ _____________________________ Date Elizabeth Macaulay-Lewis Acting Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT SMITA PATIL: FIERCELY FEMININE by Lakshmi Ramanathan Advisor: Giancarlo Lombardi Smita Patil is an Indian actress who worked in films for a twelve year period between 1974 and 1986, during which time she established herself as one of the powerhouses of the Parallel Cinema movement in the country. She was discovered by none other than Shyam Benegal, a pioneering film-maker himself. She started with a supporting role in Nishant, and never looked back, growing into her own from one remarkable performance to the next. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
E-Register: July, 2020
E-Register: July, 2020 S. No. Diary No. RoC No. Date Title of Work Category Applicant 1 5578/2020-CO/L L-92490/2020 01-07-2020 Shat-Pratishat Bhartiya Literary/ Geeta Atrish Dramatic 2 5580/2020-CO/L L-92491/2020 01-07-2020 Cost effective Experimental Literary/ SRI BALAJI VIDYAPEETH Setup in providing Aeration Dramatic for Zebrafish Research Studies 3 5581/2020-CO/L L-92492/2020 01-07-2020 Universal theory for the Literary/ Jitendra Sethi viruses containment Dramatic 4 5582/2020-CO/L L-92493/2020 01-07-2020 Containment tomorrow for Literary/ Jitendra Sethi Covid19 Dramatic 5 6018/2020-CO/L L-92494/2020 01-07-2020 The Right Hand to Eat Literary/ Safiya Mustafa Jariwala Dramatic 6 6019/2020-CO/L L-92495/2020 01-07-2020 D TUNNEL - THE CONCEPT Literary/ ABHISHEK RABINDER NATH OF DISINFECTANT TUNNEL Dramatic 7 6071/2020-CO/L L-92496/2020 01-07-2020 KHALI HATH Literary/ Niraj Sharma Dramatic 8 5860/2020-CO/L L-92497/2020 01-07-2020 Preservation Efficiency and Literary/ Shabda Dongaonkar interactive Connectivity Dramatic (PEAIC) 9 4530/2020-CO/A A-134197/2020 01-07-2020 PURODIL Artistic Aimil Pharmaceuticals India Ltd. 10 20554/2019-CO/L L-92498/2020 01-07-2020 icarekid watch your child Literary/ Datta Meghe Institute of Medical grow Dramatic Sciences ,Positive Parenting iCareKid Academy LLP 11 18947/2019-CO/L L-92499/2020 01-07-2020 Abhipsa- Agyat ki ek anuthi Literary/ Anurag Omprasad Sharma bhent Dramatic 12 18937/2019-CO/L L-92500/2020 01-07-2020 Vagh Literary/ Hina Desai Dramatic 13 18917/2019-CO/L L-92501/2020 01-07-2020 Write Feelings Literary/ Suresh Pattali Krishnan Dramatic 14 16114/2019-CO/L L-92502/2020 01-07-2020 STATISTICAL Literary/ Dr. -
Madhya Pradesh.Xlsx
Madhya Pradesh S.No. District Name of the Address Major Activity Broad NIC Owner Emplo Code Establishment Description Activity ship yment Code Code Class Interval 130MPPGCL (POWER SARNI DISTT POWER 07 351 4 >=500 HOUSE) BETUL(M.P.) DISTT GENERATION PLANT BETUL (M.P.) 460447 222FORCE MOTORS ARCADY, PUNE VEHICAL 10 453 2 >=500 LTD. MAHARASHTRA PRODUCTION 340MOIL BALAGHAT OFFICER COLONEY MAINING WORK 05 089 4 >=500 481102 423MARAL YARN KHALBUJURG A.B. CLOTH 06 131 2 >=500 FACTORY ROAD MANUFACTRING 522SHRI AOVRBINDO BHOURASALA HOSPITAL 21 861 3 >=500 MEDICAL HOSPITAL SANWER ROAD 453551 630Tawa mines pathakheda sarni COOL MINING WORK 05 051 1 >=500 DISTT BETUL (M.P.) 460447 725BHARAT MATA HIGH BAJRANG THREAD 06 131 1 >=500 SCHOOL MANDAWAR MOHHALLA 465685 PRODUCTION WORK 822S.T.I INDIA LTD. PITHAMPUR RING MAKING OF 06 141 2 >=500 ROAD 453332 READYMADE CLOTHS 921rosi blue india pvt.ltd sector no.1 454775 DAYMAND 06 239 3 >=500 COTIND&POLISING 10 30 SHOBHAPUR MINSE PATHAKERA DISTT COL MININING 05 051 4 >=500 BETUL (M.P.) 440001 11 38 LAND COLMINCE LINE 0 480442 KOLMINCE LAND 05 089 1 >=500 OFFICE,MOARI INK SCAPE WORK 12 44 OFFICE COAL MINES Bijuri OFFICE COAL COAL MINES 05 051 1 >=500 SECL BILASPUR MINES SECL BILASPUR Korja Coliery Bijuri 484440 13 38 W.C.L. Dist. Chhindwara COL MINING 05 051 4 >=500 480559 14 22 SHIWALIK BETRIES PANCHDERIYA TARCH FACTORY 06 259 2 >=500 PVT. LTD. 453551 15 33 S.S.E.C.N. WEST Katni S.S.E.C.N. RIPERING OF 10 454 1 >=500 RAILWAY KATNI WEST RAILWAY MALGADI DEEBBE KATNI Nill 483501 16 44 Jhiriya U.G.Koyla Dumarkachar Jhiriya CAOL SUPPLY WORK 06 239 4 >=500 khadan U.G.Koyla khadan Dumarkachar 484446 17 23 CENTURY YARN SATRATI 451228 CENTURY YARN 06 141 4 >=500 18 21 ret spean pithampur 454775 DHAGA PRODUCTS 06 131 4 >=500 19 21 hdfe FEBRICATION PITHAMPUR 454775 FEBRICATION 06 141 2 >=500 20 29 INSUTATOR ILE. -
LIST of HINDI CINEMA AS on 17.10.2017 1 Title : 100 Days
LIST OF HINDI CINEMA AS ON 17.10.2017 1 Title : 100 Days/ Directed by- Partho Ghosh Class No : 100 HFC Accn No. : FC003137 Location : gsl 2 Title : 15 Park Avenue Class No : FIF HFC Accn No. : FC001288 Location : gsl 3 Title : 1947 Earth Class No : EAR HFC Accn No. : FC001859 Location : gsl 4 Title : 27 Down Class No : TWD HFC Accn No. : FC003381 Location : gsl 5 Title : 3 Bachelors Class No : THR(3) HFC Accn No. : FC003337 Location : gsl 6 Title : 3 Idiots Class No : THR HFC Accn No. : FC001999 Location : gsl 7 Title : 36 China Town Mn.Entr. : Mustan, Abbas Class No : THI HFC Accn No. : FC001100 Location : gsl 8 Title : 36 Chowringhee Lane Class No : THI HFC Accn No. : FC001264 Location : gsl 9 Title : 3G ( three G):a killer connection Class No : THR HFC Accn No. : FC003469 Location : gsl 10 Title : 7 khoon maaf/ Vishal Bharadwaj Film Class No : SAA HFC Accn No. : FC002198 Location : gsl 11 Title : 8 x 10 Tasveer / a film by Nagesh Kukunoor: Eight into ten tasveer Class No : EIG HFC Accn No. : FC002638 Location : gsl 12 Title : Aadmi aur Insaan / .R. Chopra film Class No : AAD HFC Accn No. : FC002409 Location : gsl 13 Title : Aadmi / Dir. A. Bhimsingh Class No : AAD HFC Accn No. : FC002640 Location : gsl 14 Title : Aag Class No : AAG HFC Accn No. : FC001678 Location : gsl 15 Title : Aag Mn.Entr. : Raj Kapoor Class No : AAG HFC Accn No. : FC000105 Location : MSR 16 Title : Aaj aur kal / Dir. by Vasant Jogalekar Class No : AAJ HFC Accn No. : FC002641 Location : gsl 17 Title : Aaja Nachle Class No : AAJ HFC Accn No. -
Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02
Code Date Description Channel TV001 30-07-2017 & JARA HATKE STAR Pravah TV002 07-05-2015 10 ML LOVE STAR Gold HD TV003 05-02-2018 108 TEERTH YATRA Sony Wah TV004 07-05-2017 1234 Zee Talkies HD TV005 18-06-2017 13 NO TARACHAND LANE Zee Bangla HD TV006 27-09-2015 13 NUMBER TARACHAND LANE Zee Bangla Cinema TV007 25-08-2016 2012 RETURNS Zee Action TV008 02-07-2015 22 SE SHRAVAN Jalsha Movies TV009 04-04-2017 22 SE SRABON Jalsha Movies HD TV010 24-09-2016 27 DOWN Zee Classic TV011 26-12-2018 27 MAVALLI CIRCLE Star Suvarna Plus TV012 28-08-2016 3 AM THE HOUR OF THE DEAD Zee Cinema HD TV013 04-01-2016 3 BAYAKA FAJITI AIKA Zee Talkies TV014 22-06-2017 3 BAYAKA FAJITI AIYKA Zee Talkies TV015 21-02-2016 3 GUTTU ONDHU SULLU ONDHU Star Suvarna TV016 12-05-2017 3 GUTTU ONDU SULLU ONDU NIJA Star Suvarna Plus TV017 26-08-2017 31ST OCTOBER STAR Gold Select HD TV018 25-07-2015 3G Sony MIX TV019 01-04-2016 3NE CLASS MANJA B COM BHAGYA Star Suvarna TV020 03-12-2015 4 STUDENTS STAR Vijay TV021 04-08-2018 400 Star Suvarna Plus TV022 05-11-2015 5 IDIOTS Star Suvarna Plus TV023 27-02-2017 50 LAKH Sony Wah TV024 13-03-2017 6 CANDLES Zee Tamil TV025 02-01-2016 6 MELUGUVATHIGAL Zee Tamil TV026 05-12-2016 6 TA NAGAD Jalsha Movies TV027 10-01-2016 6-5=2 Star Suvarna TV028 27-08-2015 7 O CLOCK Zee Kannada TV029 02-03-2016 7 SAAL BAAD Sony Pal TV030 01-04-2017 73 SHAANTHI NIVAASA Zee Kannada TV031 04-01-2016 73 SHANTI NIVASA Zee Kannada TV032 09-06-2018 8 THOTAKKAL STAR Gold HD TV033 28-01-2016 9 MAHINE 9 DIWAS Zee Talkies TV034 10-02-2018 A Zee Kannada TV035 20-08-2017 -
History of Indian Cinema.Pdf
CHAPTER – 2 A BRIEF HISTORY OF INDIAN CINEMA Indian films are unquestionably the most –seen movies in the world. Not just talking about the billion- strong audiences in India itself, where 12 million people are said to go to the cinema every day, but of large audiences well beyond the Indian subcontinent and the Diaspora, in such unlikely places as Russia, China, the Middle East, the Far East Egypt, Turkey and Africa. People from very different cultural and social worlds have a great love for Indian popular cinema, and many have been Hindi Films fans for over fifty years. Indian cinema is world – famous for the staggering amount of films it produces: the number is constantly on the increase, and recent sources estimate that a total output of some 800 films a year are made in different cities including Madrass , Bangalore , Calcutta and Hyderabad . Of this astonishing number, those films made in Bombay, in a seamless blend of Hindi and Urdu, have the widest distribution within India and Internationally. The two sister languages are spoken in six northern states and understood by over 500 million people on the Indian sub – continent alone – reason enough for Hindi and Urdu to be chosen above the fourteen official Indian languages to become the languages of Indian Popular cinema when sound came to the Indian Silver screen in 1931 . Silent Era – The cinematographe (from where we have the name cinema) invented by the Lumiere brothers functioned better the Kinetoscope of Edison and Dickson. The Lumiere brothers who invented the cinematographe started projection of short (very short, one to two minutes long) films for the Parsian public on November 28, 1895. -
Situating Dalits in Indian Cinema
Pramana Research Journal ISSN NO: 2249-2976 Unconventional Resonance: Situating Dalits in Indian Cinema Dr Indrani Singh Rai Associate Professor, Amity School of Languages Amity University Chhattisgarh, Raipur Abstract: Tribal/dalit literature is actually a search for identity, an exposure of the unrecorded exploitation by the social stratification and the confrontation of tribal folk with societal norms. It traces the history of tribal movements in India and focuses on the demands and issues that remained unheard, unnoticed and unsettled by the established conjectural and opinionated idiom. Over past decades, Indian cinema has witnessed a momentous metamorphosis in the way women are depicted through films. The silver screen portrays the tribal folk especially tribal women as the most subjugated people in the caste hierarchy, resulting in numerous forms of cultural, societal and political elimination, chiefly from social space, property rights and knowledge sources. Indian cinema with its regional opulence makes a staid effort to interpret the socio-economic and political aspects of the utilization of the tribal women and strives to give them voice. The paper is an unrest attempt to trace the tribal women’s plight and seek the measures through which a shift from ‘sympathy to empathy’ can be made to reinforce them. Key Words: Dalit, womenfolk, resilience, resistance, emancipation Motivation is one of the most imperative causes in determining successful second- language acquisition as well as to comprehend and experience the correct core of literature. Silver screen is an integral part of students’ lives and it makes perfect sense to bring them into the language and literature classroom. -
29DLTDC COL 04R1.Qxd
DLD‹‰‰†‰KDLD‹‰‰†‰DLD‹‰‰†‰MDLD‹‰‰†‰C 4 LEISURE DELHI TIMES, THE TIMES OF INDIA SUNDAY 29 JUNE 2003 TELEVISION tvguide.indiatimes.com CINEMA DD I 1930 Meri Biwi Wonderful 1030 Back to Back 1930 Encounter ENGLISH FILMS Kavita (Loni),Westend, Kalamandir; KHANJAR: 2000 Kya Hadsaa Kya 1100 Zabardast Hits 2000 News at 8 0700 Samachar BRUCE ALMIGHTY: DT Cinemas (11.05 a.m. & Moti, Aakash, Gagan, Urvashi(G.Bad); 0715 Rangoli Haqeeqat 1130 Sunday Stack 2030 Metro News 4.45 p.m.), Stayam (11 a.m. & 8.25 p.m.); JHANKAAR BEATS: DT Cinemas (2.55 & 10.45 0830 Children Programme SAHARA TV 1230 Ticket 2100 News at 9 NATIONAL SECURITY: PVR Gurgaon, PVR p.m.), Regal, PVR Gurgaon, PVR Saket, PVR 0900 Mukhya Samachar 1300 Goddess 2130 Inside Story Naraina, PVR Saket; JOHNNY ENGLISH: PVR Naraina, PVR Vikaspuri, M2K (10.30 a.m.), 0830 Manpasand Sangam (12.15 & 6.30 p.m.), Satyam C’plexes 0902 Vishnu Puran 1330 Sunday Stack 2200 Din Bhar Naraina, PVR Saket; MATRIX RELOADED (A): 0900 Sitare Sunday Spl. 1600 Zabardast Hits M4U (1 p.m., 4, 7 & (12.55 & 10.20 p.m.); SUPARI: (Uday Chopra) 0930 Do Khiladi 0930 Just Kids STAR NEWS DT Cinemas (8 p.m.), Odeon, Golcha, PVR 1000 News in Sanskrit 1630 Sunday Stack 10 p.m.), DT Cinemas 1030 Chacha Chaudhary 1700 Weekends 0600 - 1000 Star Savera (2.10 & 11.10 p.m.), Saket, PVR Naraina, PVR Vikaspuri, Filmistan, 1005 Bhakti Katha: Serial 1100 Mission Fateh 1000 Khabar Din Bhar Alpna, Movie Palace, Vasant (G’bad); ANDAAZ: On Lord Jaganath 1730 Back to Back M2K (11 a.m., 4.30 & 1200 Haqeeqat 1800 Sunday Stack 1030 Business Reporter 10.25 p.m.), PVR Gur- (Akshay Kumar, Priyanka Chopra, Lara Dutta) 1100 Samachar 1230 Star Ek Gaane Anek 1130 Masand Ki Pasand Golcha, Suraj, Satyam (Loni);BHOOT (A): 1102 The Paintings of India 1900 PO [V] gaon, PVR Naraina, 1300 Sansani 2000 Coke [V] Popstar 2 1200 - 1630 Khabar PVR Saket, PVR Vikaspuri, Priya, Satyam C’- (Rekha, Ajay Devgan, Urmila, Nana Patekar, 1130 School School 1330 Kadam Din Bhar Fardeen Khan, Tanuja, Seema Biswas) DT Cin- 1200 News Headlines 2030 Sunday Stack plexes (11.20 a.m.