Library Lists G General - Contains More Than One Type of Lace B Beginner H History C Crochet K Knitting + Advanced Bed Bedfordshire

Total Page:16

File Type:pdf, Size:1020Kb

Library Lists G General - Contains More Than One Type of Lace B Beginner H History C Crochet K Knitting + Advanced Bed Bedfordshire FOR THE BENEFIT OF ALL MEMBERS LIBRARY BORROWING, PRIVILAGES AND RULES BORROWING: Request by mail or phone to the Librarian Mr John Lowther, 14 Green Street, LOWOOD, Q 4311 Phone (07) 54262133 after dark or leave message on answering machine Email address - [email protected] Remember to include/leave your name, postal address and ALG Membership Number along with Book Title and catalogue number and/or phone number Three items maximum may be borrowed / on loan at any one time LENDING: The borrower can keep the books for 3 months providing no other member requests them during that time. When requested by another member, the Librarian can recall the book/s, but not before the borrower has had them for a minimum of 1 month. If recalled they should be returned as soon as possible. Videos/DVDs and Newsletters may be borrowed for 1 month only RETURNING: Books and/or Videos/DVDs should be returned in the same packaging as they were sent or another Jiffy pack, cardboard or solid package material to avoid damage. It is the borrower's responsibility to do so as she (he) can be asked to pay replacement cost of book or video. NOTES: There is a $2.00 charge per item borrowed. The borrower pays return postage only. Cost of damage or loss of book/s (video/s, DVD) is met by the borrower. Failure to return items within the due time will result in the member being unable to borrow again. Should you have any queries as to the contents of a book, or where to find particular requirements, re assessment material etc., your librarian is only too happy to help with advice. NEWSLETTERS; The Librarian holds copies of all Interstate Newsletters, which you may borrow, on application. Legend To describe type and/or level, retained from previous library lists G General - contains more than one type of lace B Beginner H History C Crochet K Knitting + Advanced Bed Bedfordshire NOTE: The books in the library have been grouped according to the information they contain and as such the same book can appear in several lace groups e.g. Book 3 Bobbin Lace Making by Doris Southard is in the Lace groups Brussels, Bucks, Honiton, Tonder, Torchon because it contained chapters on each of these lace types If you borrow a book which you believe should be grouped differently please advise the librarian Lace Group Cat No. Title Bedfordshire 6 A Manual of Handmade Bobbin Lacework Bedfordshire 34 Dryad Book of Bobbin Lace Bedfordshire 54 Bobbin Lacemaking for Beginners Bedfordshire 62 Manual of Bedfordshire Lace Bedfordshire 64 Bedfordshire Lace Patterns Bedfordshire 98 Introducing Traditional Bedfordshire Lace in 20 Lessons Bedfordshire 131 Traditional Bedfordshire Lace Bedfordshire 231 Lace Fans Bedfordshire 243 The Bedfordshire Family of Laces Bedfordshire 275 A Bedfordshire Lace Collection Bedfordshire 283 Lace to Use Bedfordshire 296 Basic Technical Instruction Book Bedfordshire Bedfordshire 322 Circles and Squares, A Lace Guild Publication Bedfordshire 350 Lacemaking Patterns Set 2 Bedfordshire Lace Bedfordshire 371 Magic Threads Bedfordshire 381 2nd Set Bedfordshire Bedfordshire 382 3rd Set Set of Lace Motifs Bedfordshire Bedfordshire 428 An Introduction to Bedfordshire Lace 463 Bedfordshire The Lace Place, Plaited Laces, Bedfordshire – Cluny 467 Bedfordshire Bedfordshire Lace Designs Beveren 303 Bevern lace Binche 40 Bees, Birds and Butterflies in Lace Binche 173 Syllabus Binche 1 Binche 220 Binche Lace Binche 425 Binche 111 Braid 59 Braid Lace for Today Braid 148 Bobbin Lace Braid Braid 277 Bobbin Lace Illustrated Guide Traditional and Contemporary Technique Braid 311 Creative Design in Bobbin Lace Bruges 40 Bees, Birds and Butterflies in Lace Bruges 56 Bruges Flower Lace Bruges 56 a Bruges Flower Lace Patterns Bruges 109 The Technique of Bruges Flower Lace Bruges 423 Designing for Bruges Flower Lace Brussels 3 Bobbin Lace Making Brussels 40 Bees, Birds and Butterflies in Lace Brussels 225 Creative Lace Patterns Bucks 3 Bobbin Lace Making Bucks 4 The Technique of Bucks Point Lace Bucks 6 A Manual of Handmade Bobbin Lacework Bucks 34 Dryad Book of Bobbin Lace Bucks 61 100 Traditional Bobbin Lace Patterns(Bucks Point) Bucks 118 Bucks Point Lace Making Bucks 119 A Visual Introduction to Bucks Point Lace Bucks 174 Making Lace with Little Grey Rabbit Bucks 199 Motive in Tull Bucks 231 Lace Fans Bucks 283 Lace to Use Bucks 288 Art of Making Buckingham Pillow Lace Bucks 289 Geometrical Bucks Point Lace Bucks 310 Guide to Lace-Making Bucks 322 Circles and Squares, A Lace Guild Publication Bucks 325 Bucks Point Prickings - Lace Dealer's Pattern Book Bucks 351 Lacemaking Patterns Set 3 Buckinghamshire Point Lace Bucks 403 Batsford Lace Pattern Book - Bucks Point Bucks 429 An Introduction to Bucks Point Lace Cantu 477 Technique of Cantu Lace Chrysanthemum 481 Chrysanthemum Lace - An Introduction Cluny 6 A Manual of Handmade Bobbin Lacework Cluny 10 Technique and Design of Cluny Lace Cluny 54 Bobbin Lacemaking for Beginners Cluny 174 Making Lace with Little Grey Rabbit Cluny 179 Bobbin Lacemaking Cluny 251 Cluny 1 Cluny 252 Cluny 2 Cluny 463 The Lace Place, Plaited Laces, Bedfordshire – Cluny Devon Trolly 343 Devon Trolly Lace Patterns and Lace for Queen Victoria Duchesse 48 Duchesse Lace Duchesse 224 Duchesse Duchesse 299 50 Dutch Bobbin Lace Patterns Duchesse 476 Technique of Duchesse Duchesse 483 Duchesse - Kant Duchesse 486 Duchesse la Dentelle Duchesse 489 Duchesse Booklets 1 to 5 Duchesse 492 La Dentelle Duchesse - Initiation Flanders 41 Flanders Lace Flanders 132 Patronemap Vlaanderse Kanten 1 (Flanders) Flanders 273 Flanders lace - 3 Flanders 274 Flanders lace - 4 Flanders 327 Number Work Flanders 356 Flanders Lace - Flandrische Spitze Gozo 47 Gozo Lace - An Introduction to Lacemaking in the Maltese Islands Gozo 47 a Gozo Lace - Patterns for Item 47 Honiton 3 Bobbin Lace Making Honiton 5 The Technique of Honiton Lace Honiton 6 A Manual of Handmade Bobbin Lacework Honiton 11 Three Generations in the Honiton Lace Trade Honiton 34 Dryad Book of Bobbin Lace Honiton 46 Introduction to Honiton Lace Honiton 54 Bobbin Lacemaking for Beginners Honiton 67 Flowers in Honiton Lace Honiton 116 Further Steps in Honiton Lace Honiton 151 The Honiton Lace Book Honiton 179 Bobbin Lacemaking Honiton 192 New Patterns in Honiton Lace Honiton 240 Personal Lace Honiton 283 Lace to Use Honiton 311 Creative Design in Bobbin Lace 352 Honiton Birds and Animals in Honiton Lace Honiton 359 Royal Honiton Lace Honiton 375 Honiton Lace a collection of rediscovered fillings Honiton 391 Honiton Lace Patterns Honiton 451 New Designs in Honiton Lace Honiton 475 Honiton Lace - The Visual Approach Idrija 323 Idrija Lace Idrija 414 Traditional Patterns in Guipure and Idrija Malmesbury 115 Malmesbury Lace Maltese 179 Bobbin Lacemaking Milanese 34 Dryad Book of Bobbin Lace Milanese 97 Milanese Lace - An Introduction Milanese 145 New braids and designs in Milanese lace 301 Milanese 50 New Milanese Lace patterns Milanese 341 An Introduction to Milanese Lace Milanese 348 Alphabet Inspirations in Coloured Bobbin Lace Milanese 373 Milanese Lace Original Patterns in Color Milanese 348 Alphabet Inspirations in Coloured Bobbin Lace Plaited 60 Bobbin Lace Making Plaited 463 The Lace Place, Plaited Laces, Bedfordshire – Cluny Point Ground 110 Point Ground Patterns from Australia Point Ground 124 Point Ground Patterns Original and Traditional Point Ground 159 Pillow lace - Book 5 Point Ground 160 Pillow lace - Book 6 Point Ground 190 Ecken Point Ground Lace Point Ground 214 Australian Wild Flowers in Point Ground Point Ground 302 The Grammar of Point Ground Point Ground 397 Introduction to Bobbin Lace Patterns Point Ground 402 Designs in Point Ground Lace from Australian Wildflowers Point Ground 446 Lacemaking Point Ground Point Ground 464 Mayflower – Detailed Guide to Point Ground Bobbin Lace Point Ground 499 Von Herzen - Advanced Techniques in Point Ground Point de Paris 310 Guide to Lace-Making Point de Paris 360 Le Point de Paris Russian 34 Dryad Book of Bobbin Lace Russian 40 Bees, Birds and Butterflies in Lace Russian 54 Bobbin Lacemaking for Beginners Russian 112 Russian Lacemaking Russian 170 Russian Lace Patterns Russian 174 Making Lace with Little Grey Rabbit Russian 225 Creative Lace Patterns Russian 270 Tape Lace - Russian Type Russian 354 Russian Bobbin Lace Russian 465 Grounds of Russian Bobbin Lace Schneeberger 300 Schneeberger Kloppelmotive Tape 277 Bobbin Lace Illustrated Guide Traditional and Contemporary Technique Tape 458 Battenberg and Other Tape Laces , Techniques, Stitches and Designs Tonder 3 Bobbin Lace Making Tonder 336 Technique of Tonder Lace Tonder 383 33 Tonderlaces Torchon 1 The Technique of Bobbin Lace Torchon 2 Torchon Lace for Today Torchon 3 Bobbin Lace Making Torchon 7 The Technique of Torchon Lace Torchon 9 An Introduction to Bobbin Lace Making Torchon 12 Les Dentelles aux Fuseaux (DMC) Torchon 15 Knyppler Skan I & II Torchon 16 Knyppler Skan III Torchon 23 Bobbin Lace Patterns Torchon 25 Drafting Torchon Lace Patterns Torchon 34 Dryad Book of Bobbin Lace Torchon 37 Original Designs for Bobbin Lace - Set No. 1 Torchon 40 Bees, Birds and Butterflies in Lace Torchon 49 Original Designs for Bobbin Lace - Set No. 2 Torchon 54 Bobbin Lacemaking for Beginners Torchon 58 Pattern Designs for Torchon Lace Torchon 60 Bobbin Lace Making Torchon 100 Lace for Children of All Ages Torchon 101 A Touch of Lace Torchon 106 Building Torchon Lace Patterns Torchon 107 101 Torchon Patterns Torchon 108 The Torchon Lace Workbook Torchon 123 Pizzi e Fuselli (Italian Text) Torchon 133 Stropkant deel
Recommended publications
  • 4-H Crocheting Project Member Guide
    4-H Crocheting Project Member Guide Crocheting is one of the oldest needlework arts. To crochet means to form yarn or thread into a fabric using a hook. Its name comes from the French word croche, meaning “hook.” The crochet hook was one of many tools first used to make delicate lace. As time went on, more stitches and designs came into being, and crocheting became a separate art. Crocheting appeals to many people because it can be used to make a variety of creations, such as scarves, caps, vests, sweaters, purses, belts, lace, doilies, tablecloths, afghans, pillow covers, and bedspreads. In the 4-H Crocheting Project, you can learn to: • Crochet articles for yourself and others • Select, use, and care for crocheting tools • Work and share with others in your club • Keep simple records of your project and activities The 4-H Crocheting project is divided into six phases. Skills to learn and suggested articles to make are on page 2. Your club leader will teach you how to do basic crochet stitches and help you find patterns to use as you learn. When you reach the advanced phases, you’ll need to choose patterns from a variety of pattern books, needlework books, and magazines. You can find these at newsstands, notions counters, fabric stores, or specialty shops that sell yarn and thread. If you want to show others what you learn in the Crocheting project, check with your leader about exhibiting articles at fairs or other community events. If you make an article to wear, you might like to model in your county 4-H fashion revue.
    [Show full text]
  • Introduction to Crochet
    Introduction to Crochet Crochet is such a wonderful craft. There are so many facets and variations to explore with a hook and some yarn. The creative possibilities are endless. Crocheters do not just use yarn; they crochet with every imaginable form of fiber. I have seen items made with kite string, fishing line, wire, rag strips, and paper strips. I’m sure there are some fibers used for crocheting that I have yet to see. In this book, I have included an extensive collection of stitches, from the very basic to more intricate techniques. Delicate lacy openwork to heavier textures like bobbles, bullions, limpets, basket weave, and double-sided crochet, edgings, and motifs are all included. Detailed, step-by-step instructions, charts, and photographs accompany each stitch. Every stitch is ranked by level of difficulty to help you try your hand at progressively complex stitches, and there are sample projects throughout the book that showcase at least one of the stitches used in each group. In addition to the stitch section, there is a specialty crochet methods section. In this section, I have included methods such as freeform crochet, intermeshing crochet, and crocheting raglans from the top down. I have asked fellow designers, who are experts in their fields, to contribute a project in their area of expertise to the specialty crochet methods section. Contributors and their projects include: Pauline Turner, Polish Star; Melody MacDuffee, Overlay Crochet; Julia Bryant, Tapestry Tunisian; Jennifer Hansen, Hairpin Lace and Broomstick Lace; and Tatyana Mirer, Bruges Lace. Fellow freeform crocheters Prudence Mapstone, Myra Wood, and Pam Shore have graciously allowed me to show photographs of some of their garments in the Freeform Crochet chapter.
    [Show full text]
  • Catalogue of the Famous Blackborne Museum Collection of Laces
    'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR.
    [Show full text]
  • Joan's List of Tatting & Other Craft Books
    Joan’s List of Tatting & Other Craft Books — April 2009 In bold, books with good tatting instructions In red, new for 2009 A Book of Edgings, Coats & Clark Book # 305, 1982 A Tatter’s Workbook, by A. Tatter, Lacis Publications, 2001 A Tatting Adventure, by Ben Fikkert, 2005 Application of Coronation Cord for Modern Needlework and Trimmings, 1920ish, scan & original A New Twist on Tatting, Catherine Austin Beginning Tatting, Gloria Crowther, 1987 Big Book of Tatting, Designs by Darlene Polachic, #151011, 2000 www.whitebirches.com Celtic Tatting, Knots & Patterns, Rozella Linden, Handy Hands Classic Tatting Patterns by Anne Orr, 1985 (1940) Clever Cluny, by Lorraine Eisbrenner, 1993 Coronation Braid Crochet, The Dorothy Bradford Series (scan only), available for purchase from me Cro-tatting – Timeless Doilies, 872811, Annies Attic (lost the needle ) Die Schiffchenarbeit…It’s all Tatting, Georgia 2002 reprint of 1917 book DMC Tatting, Ref 8632-2, 1987 Easy Tatting, Rozella Linden, 1999 Elegant Tatting Patterns, Janet Carroll, Dover Needlework Series Every Womans Complete Guide to Tatting, Barbara Foster Floriade, Ben Fikkert Fredone’s Netting Lesson video GR-8 Self Closing Mock Ring, by the Shuttle Brothers, 1999 Glass Christmas Balls, JoAnn Stearns Hector’s 2004 Special Book 6 from Georgia Hook Tatting No. 2 (Japanese visual diagrams booklet) Learn How Book, #170, 1941, knit/crochet/tat/embroidery, The Spool Cotton Co ☺ Learn how book, knit/crochet/tat/embroidery, Coats & Clarks book #170-D, 1975 Learn to Tat by Janette Baker with Interactive
    [Show full text]
  • Identifying Handmade and Machine Lace Identification
    Identifying Handmade and Machine Lace DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Handmade and Machine Lace Text copyright © Jeremy Farrell, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name held at The Museum of Costume and Textiles, Nottingham on 21st February 2008. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audiences. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Textile Types and Weaves 1750 -1950 Identifying Printed Textiles in Dress 1740-1890 Front cover image: Detail of a triangular shawl of white cotton Pusher lace made by William Vickers of Nottingham, 1870. The Pusher machine cannot put in the outline which has to be put in by hand or by embroidering machine. The outline here was put in by hand by a woman in Youlgreave, Derbyshire. (NCM 1912-13 © Nottingham City Museums) 2 Identifying Handmade and Machine Lace Contents Page 1. List of illustrations 1 2. Introduction 3 3. The main types of hand and machine lace 5 4.
    [Show full text]
  • Lace and Design 22Nd International Lace Festival Lepoglava 2018
    22nd International Lace Festival Lepoglava 2018. Under the High Auspices of the Croatian President Mrs Kolinda Grabar Kitarović Lace and Design Under the Auspices of: The Croatian Ministry of Culture, The Croatian Ministry of Tourism, The Croatian Ministry of Agriculture, The Croatian Commission for UNESCO, The Croatian Tourist Board, Varaždin County and the Town of Lepoglava. Partner Country: the Italian Republic 2018 Day of European Heritage in Lepoglava FESTIVAL EXHIBITION PROGRAMME - EVERY DAY IzložbeExhibitions su otvorene are openza posjetitelje to visitors tijekom on all festivalskihFestival days dana petak:Friday: 10.00 10 AM – -21.00 9 PM sati subota:Saturday: 10.00 10 AM – 22.00 - 10 PM sati nedjelja:Sunday: 10.00 10 AM – 18.00 - 6 PM sati Ticket prices for all the Exhibition spaces: HRK 15.00 (free for children under 7 years of age) The Organiser reserves the right to amend the programme Future Museum Premises (adjacent to the Pauline Monastery) Croatian Lace Exhibitions: The Benedictine Monasteries of St. John the Baptist and St. Anthony the Great of Hvar, St. Margaret of Pag, ‘Pekljica’ Society from Primošten, Slovenian Cultural Society ‘Triglav’ Lace Section of Split, ‘Nada Mance’ Handicrafts, Čakovec, ‘Motifs from Sikirevcy’ Society of Sikirevci, Emina Baričević’s tatting lace (Križevci), ‘Ključ’ Cultural and Artistic Society of Trg near Ozalj, Šarčević Ilija Family Farm of Sikirevci, St. Mary’s Lace Society from Sveta Marija, ‘Frane Budak’ Society of Pag, Ivančica Cipurić’s tatting lace (the Cardinals’ Valley - Krašić), ‘Se zmisliš… Lepoglavska sjećanja’ (‘Do you Remember… Memories of Lepoglava’), An Exhibition of Lace from the Uhrin Family Collection, and An Exhibition of Festival Publications.
    [Show full text]
  • Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244
    Charles A. Whitaker Auction Co. October 29-30 Session Two Lot 549-1244 549 FRENCH CHINOISERIE BROCADE SILK, c. 1740-1750. Four small panels including one pieced, having ivory pattern on raspberry ground. Three pieces 24 wide x 15 1/2, 26 and 31. One 28 1/2 x 17. Holes and tears, fair. $57.50 550 LOT of SILK TEXILES, 18th C. Consisting of a red velvet panel, cushion cover and valance, the valance having shield-form tabs (applique and tassels removed), and a panel with narrow stripes in cream, dusty rose, yellow and green on a tiny checked weave. Fair. $34.50 551 THREE PRINTED COTTON PANELS, 19th C. One striped in teal with small white leaves and white with red and tan botehs, probably Persian. One English floral print. Both excellent. One large pieced panel with pomegranate trees, probably Indian, (oxidizing browns, mends and tears) poor. $103.50 552 BEADED NEEDLEWORK VICTORIAN BELL PULL. Wool flowers with beaded foliage on a ground of crystal beads having a Bohemian glass finial. (Glass cracked, backing shattered, minor bead loss) needlework intact, fair. $230.00 553 LOT of ASSORTED SMALL BEAD and NEEDLEWORK, 18th-19th C. Including two 18th C. petit point rectangles of figures in landscapes, three rectangles of needlework birds, a silk satin embroidered bag having gilt metal doves and chenille bell tassels, two framed 18th C embroideries: one eagle in tree, one basket of fruit. Good-excellent. $345.00 554 TWO PIECED SILK TEXTILES with FLORAL BROCADE, 18th C. Dusty pink damask bedcover with a serpentine floral in pastel hues, backed in blue silk, (some splits, mostly at seams).
    [Show full text]
  • 6 3 3 3 71.22 9 71.33 71.35 3 71.46 71.48 9 3 71.53 1 71.57 71.59 3
    ▪ Year Items Donor 71.1 6 Norton, Edward, Mrs. 71.2 4 Parise, Ralph, Mrs. 71.3 7 Norton, Edward, Mrs. 71.4 1 Dutton, Royal, Mrs. 71.5 1 Stevens, Hazel, Miss 71.6 3 Latham, David, Yrs. Z' 71.7 1 Greig, Wallace, Mrs. 71.8 1 Barton, Charles, Mrs. U) X D w 71.9 4 Reed, Everett, Mrs. < fr > Norton, Edward, Mrs. xc2E 71.10 19 0rt , D 71.11 1 Farnum, Harold, Mrs. .. >w hi 71.12 3 Central Congregational Church O D Emerson, Bradford, 0. p0 71.13 3 ,c Pettee, Cristy, Mrs. .< Da. 71.14 12 71.15 1 Skelton, Donald, Jr. 71.16 132 Scoboria, Marjorie, Miss 71.17 11 Stevens, Hazel, Miss 71.18 21 Stevens, Hazel, Miss 71.19 1 Mitchell, Ruth, Mrs. 71.20 1 Harrington School Children 71.21 1 Hiscoe, deMerritt, Dr. 71.22 3 Chew, Ernest, Mrs. 71.23 69 Turner, Gardner, Mrs. 71.24 1 Johnson, Ralph, Mr. & Mrs. 71.25 2 Lahue, Warren, C. 71.26 4 Stewart, Jessie,Atwood 71.27 1 Stewart, Frederick, Mrs. 71.28 32 Stevens, Hazel, Miss ..-- 71.29 13 Warren, Miriam, Miss 71.30 11 Davis, Carl, J. 71.31 9 Brown, Berniece, Miss, Estate 71.32 8 Wolf, Roacoe, Mrs. 71.33 1 Marchand, George, Mr. & Mrs. 71.34 15 Wells, Evelyn, Miss 71.35 1 Gumb, Lena, Miss 71.36 28 Eddy, Donald, Mrs. 71.37 8 Norton, Edward, Mrs. 71.38 11 Scoboria, Marjorie, Miss 71.39 3 Ball, Lester, W. 71.40 1 deJager, Melvin, Yrs.
    [Show full text]
  • Crochet I & Advanvced Greentop
    4-H Crochet I & Advanced – Greentop 400.C-3 (R-18) Resources: 4-H Crochet Project Book – 100.C-3 4-H Project Record – 300.A-7 (R-18) This year you will: • Review your project book, record sheet and greentop to become familiar with the project before your first project meeting or practice. • Complete the General Project Guidelines. • Participate in club, county, district or state contests. This project introduces members to the basics of crochet including • Participate at county and state fairs. equipment, materials, steps, and stitches. Members follow this • For completion of the Crochet guide to complete Crochet I, II, and III. Project, complete the record sheet and turn in a county record book to In this project, you will learn: your local Extension Agent. Level I • Project requirements vary according • To read and follow instructions for basic crochet stitches. to First Year or Second Year. • To understand abbreviations for stitches and procedures. Citizenship and Leadership • To handle yarn and needle correctly. Activities: • To check gauge of stitches and patterns. • To increase and decrease stitches. • Give a talk or demonstration about • To block and join crocheted pieces with a needle. your crochet project at your club or county contest. Level II • Assist with fairs or Achievement • The half double and triple crochet stitches. Day in your county. • A variety of patterned crochet stitches (star, shell, popcorn, • Teach another person one of your cluster, V-stitch, open mesh, loop, knot, etc.). skills you’ve learned. • To join yarn and change colors. • Donate items created to a local • To make a crocheted edging using picot, picot-loop, open shell, nursing home or Senior Center or mesh stitches.
    [Show full text]
  • The Priscilla Filet Crochet Book; a Collection of Beautiful Designs In
    I (y^ \f Hollinger Corp. pH8.5 TT 820 .R7 Copy 1 tide ^risiciUaJfilet Crocijet poofe A COLLECTION OF BEAUTIFUL DESIGNS IN FILET CROCHET EQUALLY ADAPTED TO CROSS-STITCH BEADS AND CANVAS WITH Wotkin^ directions; BY BELLE ROBINSON PRICE. 25 CENTS PUBLISHED BY tETfje $rt£;ciUa ^uiilifiitjing Company 85 BROAD STREET. BOSTON. MASS. Copyright. 1911, by The PriicilU Publiihing Company. Botlon, Mau. ^ No. 1450. Pillow in Filet Crochet and Cross Stitch Embroidery See Page 5 and Figs. 12, 13, 15, 16, 18 i^ ©ci.A:u»3aoo Ho. ( 4th row — Turn with triangle, x open, 2 solid, i open, i solid, i open. Turn with $ chain. 5th row — Three open, i solid, i MmMwWM open, I triangle. 6th row — Turn with triangle, 2 open, I solid, I open. Fig. 3 Patternof Fig. 2 7th row — Turn with open, i mil 5, 3 triangle, etc. In Filet, it is a rare e.xception that has not one mm row, or more, of open meshes outside the design, and we should follow the same rule in Filet Crochet. The edge of a medallion or insert is usually covered with single crochet, three stitches over each chain of two and four stitches over each triangular mesh. This corresponds nicely with the Fig. 2 buttonhole-stitch with which the netted medallion Working Model of Pattern Fig. 3 is invariably finished. It will always be one more than a multiple of 3, Figure 6 is a model of the border of Doily, as io, 13, 16, 19, etc. 4, 7, Fig. 22, showing how to mitre the corner in a way In the 3d row (following Working Model, Fig.
    [Show full text]
  • The Lure of Lace
    Bobbin lace, probably Italian, from the mid to second half of the 16th century. 55cm x 3cm. Value £175. A border of bobbin lace. Honiton c1630. 106cm x 9cm. Value £500. Machine lace edging of parrots. Early 20th century. 25cm x 6cm. Border of bobbin lace, Flemish, c1660. 99cm x 8cm. Value £280. From the Jane Page Collection. The Lure of Lace by Brenda Greysmith Initially produced as a luxury for the wealthy, lace was made by hand for centuries in Europe and introduced into England about four hundred years ago. It was not until the industrialisation of the nineteenth century, that it became available to a less well-heeled Border of densely patterned needle lace, Dutch, mid 17th century. audience while still retaining immense charm. Throughout its long 58cm x 6cm. Value £480. history lace has been made in diverse materials. Linen, wool, gold and silver, silk and horsehair were all utilised before cotton came into use after 1820. Colours included white and ecru, black and polychrome, although the dyes used for these caused the thread to rot over time and little now remains. Hand-made lace was produced by two distinct methods. Bobbin lace is a miniature form of weaving made with numerous threads each wound onto a small handle of bone or wood. Needle lace is created with a needle and a single thread. The pattern is fastened to a backing fabric, foundation threads are couched down along the lines of the design and the motifs are then filled in with rows of buttonhole stitches. Among the many varieties of English bobbin lace are the Machine lace imitating Bedfordshire lace.
    [Show full text]
  • Techniques Represented in Each Pattern
    (updated) November 12, 2020 Dear Customer: Thank you for requesting information about my lace instruction and supply business. If you have any questions about the supplies listed on the following pages, let me use my 36 years of lacemaking experience to help you in your selections. My stock is expanding and changing daily, so if you don't see something you want please ask. It would be my pleasure to send promotional materials on any of the items you have questions about. Call us at (607) 277-0498 or visit our web page at: http://www.vansciverbobbinlace.com We would be delighted to hear from you at our email address [email protected]. All our orders go two day priority service. Feel free to telephone, email ([email protected]) or mail in your order. Orders for supplies will be filled immediately and will include a free catalogue update. Please include an 8% ($7.50 minimum to 1 lb., $10.50 over 1 lbs.-$12.00 maximum except for pillows and stands which are shipped at cost) of the total order to cover postage and packaging. New York State residents add sales tax applicable to your locality. Payment is by check, money order or credit card (VISA, MASTERCARD, DISCOVER) in US dollars. If you are looking for a teacher keep me in mind! I teach courses at all levels in Torchon, Bedfordshire, Lester, Honiton, Bucks Point lace, Russian and more! I am happy to tailor workshops to suit your needs. Check for scheduled workshops on the page facing the order form.
    [Show full text]