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Public History Service Learning in National Parks Campus-Community
Boise State University ScholarWorks History Graduate Projects and Theses Department of History 10-1-2019 Public History Service Learning in National Parks Campus-Community Partnerships for the Preservation of Minidoka National Historic Site Mia Russell Boise State University PUBLIC HISTORY SERVICE LEARNING IN NATIONAL PARKS: CAMPUS-COMMUNITY PARTNERSHIPS FOR THE PRESERVATION OF MINIDOKA NATIONAL HISTORIC SITE by Mia Russell A project submitted in partial fulfillment of the requirements for the degree of Master of Applied Historical Research Boise State University October 2018 © 2018 Mia Russell ALL RIGHTS RESERVED BOISE STATE UNIVERSITY GRADUATE COLLEGE DEFENSE COMMITTEE AND FINAL READING APPROVALS of the project submitted by Mia Russell Thesis Title: Public History Service Learning in National Parks: Campus-Community Partnerships for the Preservation of Minidoka National Historic Site Date of Final Oral Examination: 02 November 2018 The following individuals read and discussed the project submitted by student Mia Russell, and they evaluated her presentation and response to questions during the final oral examination. They found that the student passed the final oral examination. Lisa Brady, Ph.D. Chair, Supervisory Committee Leslie Madsen, Ph.D. Member, Supervisory Committee Casey Cline, Ph.D. Member, Supervisory Committee The final reading approval of the project was granted by Lisa Brady, Ph.D., Chair of the Supervisory Committee. The project was approved for the Graduate College by Tammi Vacha- Haase, Ph.D., Dean of the Graduate College. ABSTRACT This Master of Applied Historical Research project entailed the development and launch of an iOS-platform mobile application that provides an interpretive walking tour of Minidoka National Historic Site (Minidoka NHS). -
Oral History Interview with George Tsutakawa, 1983 September 8-19
Oral history interview with George Tsutakawa, 1983 September 8-19 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with George Tsutakawa on September 8, 12, 14 & 19, 1983. The interview took place in Seattle, WA, and was conducted by Martha Kingsbury for the Archives of American Art, Smithsonian Institution. Interview DATE: SEPTEMBER 8, 1983 [Tape 1; Side A] [GEORGE TSUTAKAWA reviewed the transcript and added clarification, particularly about the World War II years. His added comments with his initials are in brackets--Ed.] MARTHA KINGSBURY: George, why don't we start by talking about a lot of biographical matters. I'd like to know about your personal background, your family, your growing up in Seattle and Japan also, education. GEORGE TSUTAKAWA: Uh huh. Well, let's see now. My father was a merchant who came to Seattle in 1905, and he started a small business and eventually he gets involved in fairly large company exporting and importing American goods and Japanese goods. He, as I recall, had business in Japanese food, clothing, art goods, and all sorts of things from Japan, and then in turn he was sending lumber from the Northwest to Japan. He also dealt in scrap metal and just anything. MARTHA KINGSBURY: That he sent to Japan? GEORGE TSUTAKAWA: Yeah, he sent to Japan. -
Preview – the Gallery Guide | November 2011
w w w .p re vi ew -a rt .c om THE GALLERY GUIDE ALBERTA I BRITISH COLUMBIA I OREGON I WASHINGTON Nov/Dec/Jan 2011-2012 Michael Nicoll Yahgulanaas SOLO TWO November 5 – 26, 2011 1 1 0 2 , s e h c n i 0 4 X 6 2 , r e p a p n o a i d e m d e x i m , 6 2 . 5 . 1 1 0 2 r e g g i B , s a a n a l u g h a Y l l o c i N l e a h c i M Opening reception: November 5, 2-4pm DOUGLAS UDELL GALLERY 1566 West 6 th Ave Vancouver, BC V6J 1R2 www.douglasudellgallery.com • 604-736-8900 Serving the visual arts community since 1986 Celebrating 25 years www.preview-art.com 8 PREVIEW I NOVEMBER/DECEMBER/JANUARY 2011/12 Nov/Dec/Jan 2011/2012 previews Vol. 25 No.5 12 Lesley Dill’s Poetic Visions ALBERTA Whatcom Museum 10 Black Diamond, Calgary 20 Edmonton 14 Douglas Coupland: Twelve Slogans 21 Lethbridge 8 TrépanierBaer Gallery 38 2 22 Medicine Hat 16 Norman Lundin: Inside/Outside BRITISH COLUMBIA Hallie Ford Museum of Art 23 Abbotsford, Burnaby 18 Group Exhibition/Emotional Blackmail 24 Campbell River, Castlegar, Southern Alberta Art Gallery 25 Chemainus, Chilliwack, 22 Painting Seattle: Tokita & Nomura Coquitlam Seattle Asian Art Museum 27 Courtenay, Fort Langley, Gibsons, Grand Forks 28 24 Robert Orchardson: Endless façade 30 Kamloops , Kaslo Contemporary Art Gallery 31 Kelowna, Maple Ridge 30 Nature, Knowledge and the Knower 32 Nanaimo, Nelson, Satellite Gallery New Westminster , North Vancou ver 36 Kate Scoones: Wish You Were Here 34 Osoyoos, Penticton, Port Moody, Polychrome Fine Arts Prince George, Prince Rupert 38 Ray Mead (1921-1998) 35 Qualicum Beach, -
University of Washington Press
UNIVERSITY OF WASHINGTON PRESS FALL 2021 The University of Washington Press is the oldest and Publishing Program largest publisher of scholarly and general interest books We publish books in the following core academic areas: in the Pacific Northwest. American Studies We publish compelling and transformative work with Anthropology regional, national, and global impact. We are committed Art History / Visual Culture to the idea of scholarship as a public good and work col- Asian American Studies laboratively with our authors to produce books that meet Asian Studies the highest editorial and design standards. We value and Critical Ethnic Studies promote equity, justice, and inclusion in all our work. Environmental History Publisher for the university of Washington Native American and Indigenous Studies US History The press serves the research, education, and outreach Women’s, Gender, and Sexuality Studies missions of the University of Washington by publishing We also publish vibrant nonfiction about the Pacific vital new work for an international community of schol- Northwest and beyond, often in partnership with ars, students, and intellectually curious readers. museums, cultural organizations, and Indigenous nations and communities. suPPort the Press! We rely on generous gifts and grants from individuals and foundations to publish the books you see in this catalog and on our website. Partner with us by making a tax-deductible gift. For information about ways to give, please contact Nicole Mitchell at [email protected] or make a gift online at www.uw.edu/giving/uwpress. ConneCt with us online https://uwapress.uw.edu/newsletter @UniversityofWashingtonPress The University of Washington Press is a founding @UWAPress UNIVERSITY LIBRARIES member of the Association of University Presses. -
ASIAN PACIFIC AMERICAN HERITAGE RESOURCE GUIDE for Washington State K-12 Schools
ASIAN PACIFIC AMERICAN HERITAGE RESOURCE GUIDE For Washington State K-12 Schools T h e S t a t e o f W a s h i n g t o n CAPAA C O M M I S S I O N O N A S I A N P A C I F I C A M E R I C A N A F F A I R S 5 0 1 S o u t h J a c k s o n S t , S u i t e 3 0 6 S e a t t l e , W A 9 8 1 0 4 P h o n e : ( 2 0 6 ) 4 6 4 - 5 8 2 0 F a x : ( 2 0 6 ) 4 6 4 - 5 8 2 1 E m a i l : c a p a a @ h a l c y o n ( c o m H t t p : / / w w w ( c a p a a ( w a ( g o v Improving the lives of Asian Pacific Americans ASIAN PACIFIC AMERICAN HERITAGE RESOURCE GUIDE A Publication By For Washington State K-12 Schools State of Washington Commission on Asian Pacific American Affairs Copyright © 2001 Major Sponsors Buty Building, Inc. Lowe’s State of Washington Office of Minority and Women’s Business Enterprises The National Asian American Telecommunications Association Starbucks Coffee The Office of the Superintendent of Public Instruction (OSPI) Title II Funds, Teacher Quality Enhancement, Community Outreach, OSPI University of Washington Department of Asian American Ethnic Studies Washington Education Association Weyerhaeuser Sponsors Asian Pacific American Director’s Coalition Asian Pacific Islander Coalition of Snohomish Eastside Asian Pacific Islanders Filipino American National Historical Society Filipino Community of Seattle India Arts Heritage Society InterIm Community Development Association International Examiner Korean American Professionals Society Organization of Chinese Americans Pacific American Executive Council Seattle Public Schools Wing Luke Asian Museum May 2001 Copyright © 2001. -
Asian Masters of American Art
Fay Chong and Andrew Chinn: Asian Masters of American Art op.asjournal.org /fay-chong-andrew-chinn-asian-masters-american-art/ by James W. Ellis Fay Chong and Andrew Chinn were Asian American artists who made major contributions to the two most important movements in American art between 1930 and 1960—Regionalism and Abstract Expressionism. Today, however, art historians and the general public have largely forgotten them. Chong and Chinn worked in close collaboration during the 1930s and 1940s and invented a new watercolor style: using Chinese ink painting techniques and evocative calligraphic poetry to portray everyday subjects from the Western United States. The art historical literature overlooks these innovative artworks, which were a unique form of West Coast Regionalism. The artists also gave instruction on Eastern aesthetics to Morris Graves, Kenneth Callahan, and Guy Anderson, who were later grouped together as core members of the “Northwest School” and became very well-known for producing Asian-inspired Abstract Expressionism. The members of the Northwest School eclipsed Chong and Chinn—their friends, teachers, and, arguably, artistic equals. Art historians must examine how the Western artistic canon is determined, and ask why the history of American art includes certain artists, while excluding others of equal merit. This essay will reevaluate Chong’s and Chinn’s rightful places in twentieth century visual culture, and, in so doing, revise Asian American and modern American art histories. Early Biographies 1 Andrew Chinn and Fay Chong shared a Chinese heritage. Their families were part of a mass migration that left southeast China in search of economic opportunities along the West Coast of the United States. -
Current Issue
GUIDE TO GALLERIES + MUSEUMS ALBERTA BRITISH COLUMBIA WASHINGTON OREGON June • July • August 2021 preview-art.com Grad Show 2021 Virtual Exhibition & 360° Gallery Tour NEW MUSEUM BRINGING OPEN FALL STORIES TO LIFE Donate today and support exhibits and programs monova.ca AUArtsgrad.ca Skwxwú7mesh (Squamish) carver Wade Baker Installation Storage Shipping Transport Framing WINCHESTER GALLERIES Gestures and Structures Artworks by David Robinson, Susan Collet & Sandra Ledingham June 25 - July 28, 2021 Sandra Ledingham - Sanctuary, 11”x16”x15” Providing expert handling of your fine art for over thirty years. Crates by: Vevex 52”x7”x7” , 2006 , 1/9Descent bronze, Susan Collet- Alluvium, 16 x”16”x12” Vancouver denbighfas.com Montréal 2260 Oak Bay Ave, Victoria, BC 250-595-2777 +1 (604) 876-3303 [email protected] +1 (438) 520-8369 Robinson- David winchestergalleriesltd.com / [email protected] BRITISH COLUMBIA ALBERTA June • July • August 2021 Vol.35 No.3 ALBERTA Prince Rupert PREVIEWS & FEATURES 8 Banff, Calgary Prince George St. Albert 11 Edmonton, Foothills, Lethbridge 12 Medicine Hat, St. Albert 8 Alberta Vignettes Skidegate Edmonton 10 Maud Lewis - GLENBOW BRITISH COLUMBIA HAIDA 12 Alberta Vignettes 12 Abbotsford GWAII 13 Burnaby 16 Fern Helfand - GALLERY 2 - GRAND FORKS 14 Castlegar, Christina Lake, Comox Valley, North Vancouver Coquitlam ART GALLERY West Vancouver Port Moody Williams Lake 15 Fort Langley, Grand Forks, Kamloops 20 Overburden: Geology, Extraction... - Vancouver Coquitlam 16 Kelowna Burnaby Maple Ridge 17 Lake -
Bibliography for Painting Seattle: Kamekichi Tokita and Kenjiro Nomura
Bibliography for Painting Seattle: Kamekichi Tokita and Kenjiro Nomura Prepared by Audrey Chen, Intern and Jie Pan, Associate Librarian of McCaw Foundation Library * Signs of Home: The Paintings and Wartime Diary of Kamekichi Tokita. Johns, Barbara. Seattle [Wash]: University of Washington Press, c2011. ND 237 T5755 J64 Barbara Jones, curator of the current exhibition, examines Tokita’s art and life, particularly as they were revealed through his wartime diary. American Art of the Great Depression: Two Sides of the Coin. Wooden, Howard E. Wichita, Kan.: The Museum, c1985. N 8838 W66 This book looks at works of art created during the watershed period in American history that is the Great Depression. The creative output of artists across the nation was not dampened by contemporary hardships and deprivations; on the contrary, the massive social and economic turbulence moved them to create singular works of art that eloquently chronicle the spirit of the times. American Realism: A pictorial Survey from the Early Eighteenth Century to the 1970's. Mathey, François. New York: Rizzoli, c1978. OSZ N 6512.5 R4 M3 This catalogue attempts a visual survey of over a hundred reproductions of some the most illustrative American realist works. The subcategories of this genre came to include American Scene paintings, a style we see reflected in the works of Tokita and Nomura. The American Scene: American Painting of the 1930's. Baigell, Matthew. New York, Praeger, 1974. ND 212 B3 The American Scene movement lasted only a decade, but it was a one that saw tumultuous changes in the American landscape. Baigell’s book looks at the movement as articulated in the works of compelling artists of the time such as Grant Wood and Thomas Hart Benton. -
A Finding Aid to the Kamekichi Tokita Papers, Circa 1900-Circa 2010, Bulk Circa 1910-1948, in the Archives of American Art
A Finding Aid to the Kamekichi Tokita Papers, circa 1900-circa 2010, bulk circa 1910-1948, in the Archives of American Art Jayna M. Josefson Funding for the processing of this collection was provided by the Smithsonian Institution Asian Pacific American Initiatives Pool 4 January 2017 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Biographical Material, 1934-1985............................................................. 5 Series 2: Correspondence, circa 1920-1944........................................................... -
Rethinking Ambrose Patterson and Modern Art in Seattle
RETHINKING AMBROSE PATTERSON AND MODERN ART IN SEATTLE by DANIELLE MARIE KNAPP A THESIS Presented to the Department ofArt History and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Master ofArts June 2010 11 "Rethinking Ambrose Patterson and Modern Art in Seattle," a thesis prepared by Danielle Marie Knapp in partial fulfillment ofthe requirements for the Master ofArts degree in the Department ofArt History. This thesis has been approved and accepted by: DEDe-yce Cheng, Chair ofthe Eimmining Committee ( Date Committee in Charge: Dr. Joyce Cheng, Chair Dr. Andrew Schulz Mr. Larry Fong Accepted by: Dean ofthe Graduate School iii An Abstract ofthe Thesis of Danielle Marie Knapp for the degree of Master ofArts in the Department ofArt History to be taken June 2010 Title: RETHINKING AMBROSE PATTERSON AND MODERN ART IN SEATTLE Approved: __--- ~~ In 1918, Ambrose Patterson (Australian, 1877-1966) arrived in Seattle, Washington after training in Paris and working in Europe, Australia, Hawaii, and California. Patterson founded the University of Washington's School of Painting and Design and instructed in the European academic method for nearly thirty years. Traditionally considered an Impressionist and historically remembered as the first modern painter to arrive in Seattle, Patterson continued to produce work based on European conventions ofmodernism long after his departure from the Parisian avant garde. Patterson's experience is demonstrative ofthe artistic diversity and opportunities for European-trained artists in Seattle during the early to mid-twentieth century, which have often been overshadowed by the idea ofa dominant Northwest School and the emerging construction ofAmerican modernism. -
Winter 2011/12
The Eastlake NewsWinter 2011/12 Coming events Future of NOAA site, private skybridge or alternative public Eastlake holiday cruise on the Islander. Thurs., Dec. 1. Boarding crossing at The Hutch, begins 6 p.m. at 1611 Fairview and other proposals face Eastlake south end Ave. E. Departure 6:45 p.m. to meet the “Christmas ships” for everal proposed projects could hasn’t yet sold, the highest bidder the opening night concert in Lake Schange our south end forever, came. He is Wally Trace, developer of Union; return by 9 p.m. Tickets and you can help determine whether much of the commercial property on at brownpapertickets.com are $15 it is for better or worse. The big- the southeast lakeshore. (dinner and punch included; no-host gest is the former NOAA site (1801 Trace prefers houseboats for the cash-only bar). Fairview Ave. E.), with 915 feet of site (as before NOAA) but believes shoreline. Two families are selling 2.1 that regulations would prevent it. He Caroling kayakers at Lynn land acres, 6.4 submerged acres, and proposes a biotechnology laboratory Street Park. 6:30 p.m. Friday, Dec. rights to 1.9 submerged acres leased that, as not a water-dependent use 2. Sponsored by ECCand Northwest from the state Department of Natural would be limited to 35 feet height Outdoor Center. Donations for Resources. Zoning is industrial, with (industrial maritime could be up to Seattle Children’s Home accepted at an overlay requiring uses to be water- 45). Trace proposes a public pathway this event. dependent.