Writing Greek Myth 2: Power

Re-writing Greek Myth 2: Power Jupiter as parallel for emperor Augustus Jupiter and rape: see also Io Met. 1.568-688; Semele Met. 3.268-342; and c.f. Apollo and Daphne Met 1.451-77.) Callisto Met. 2.401-530 - Jupiter, Diana and Juno Actaeon Met. 3.148-267 - Diana N.B. Bk. 3 = Theban stories c.f. Greek versions: Semele rivalry ([Hesiod] Catalogue of Women fragment 217A & [Apollodoros] Library 3.4.4); Actaeon guilty? (Callimachus Hymn 5) Challenges Artemis (Euripides Bacchae 337-40) Compare: Daedalus and Icarus Met. 8.221-78 and: Icarus in Art of Love 2.20-98 (publ. 1 BCE): ‘boy, made over-reckless by youthful daring’ who ‘soared aloft/ too close to the sun’ (AA 2.84-5) Daedalus’ skill: Minos could ‘not clip wings of a mortal’ (97) Compare Phaethon Met. 1.803-2.361 blasted by thunderbolt (c.f. Semele) Revisited in exile: Augustus as Jupiter, Ovid as Phaethon Ovid Tristia 1.1.74-83: still I fear the gods who did me harm... Had Phaethon lived, he’d have stayed clear of those horses he once was crazy about, kept out of the sky. What scares me is Jove’s weaponry. I’ve been its target: whenever there’s thunder, I’m sure the lightning is for me. Arachne Met. 6.1-162 Minerva Contests in the Metamorphoses see also Niobe vs. Latona 6. 163–354; Pierides vs. Muses 5. 342–787; Marsyas vs. Apollo 6.435;–57) Books 3 & 4: punishment of those who deny Bacchus: Pentheus (3.511-732) IMAGES shown in class Daphne Bernini Apollo e Dafne 1622-25) Borghese Gallery, Rome http://www.galleriaborghese.it/borghese/it/dafne.htm Pollaivolo Apollo and Daphne (c.1470) National Gallery, London http://www.nationalgallery.org.uk/paintings/antonio-del-pollaiuolo- apollo-and-daphne Actaeon Athenian red figure vase c.480 BCE: http://155.97.32.9/~rstewart/WebOfMyth/artemisactaeon.html Caserta statue group: http://en.wikipedia.org/wiki/File:Actaeon_Caserta.jpg Titian Diana and Actaeon (1556-9) National Gallery, London http://www.nationalgallery.org.uk/paintings/titian-diana-and-actaeon Titian The Death of Actaeon (1559-75) National Gallery, London http://www.nationalgallery.org.uk/paintings/titian-the-death-of-actaeon .

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Greek God Pantheon.Pdf
Zeus Cronos, father of the gods, who gave his name to time, married his sister Rhea, goddess of earth. Now, Cronos had become king of the gods by killing his father Oranos, the First One, and the dying Oranos had prophesied, saying, “You murder me now, and steal my throne — but one of your own Sons twill dethrone you, for crime begets crime.” So Cronos was very careful. One by one, he swallowed his children as they were born; First, three daughters Hestia, Demeter, and Hera; then two sons — Hades and Poseidon. One by one, he swallowed them all. Rhea was furious. She was determined that he should not eat her next child who she felt sure would he a son. When her time came, she crept down the slope of Olympus to a dark place to have her baby. It was a son, and she named him Zeus. She hung a golden cradle from the branches of an olive tree, and put him to sleep there. Then she went back to the top of the mountain. She took a rock and wrapped it in swaddling clothes and held it to her breast, humming a lullaby. Cronos came snorting and bellowing out of his great bed, snatched the bundle from her, and swallowed it, clothes and all. Rhea stole down the mountainside to the swinging golden cradle, and took her son down into the fields. She gave him to a shepherd family to raise, promising that their sheep would never be eaten by wolves. Here Zeus grew to be a beautiful young boy, and Cronos, his father, knew nothing about him.
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Hawes, Greta, 'Metamorphosis and Metamorphic Identity: the Myth Of
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The Bigfun Greek Mythology
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Arthur Golding and the Elizabethan Progress of Actaeon's Dogs
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Artemis to Actaeon and Other Verses by Edith Wharton
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An Online Textbook for Classical Mythology
Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it.
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