DOCSLIB.ORG

WEDNESDAY EVENINGS Starting at 7:30 Pm from May 31St – AUG 9Th Starting at 7:00 Pm from AUG 16Th – SEP 6Th

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
WEDNESDAY EVENINGS Starting at 7:30 Pm from May 31St – AUG 9Th Starting at 7:00 Pm from AUG 16Th – SEP 6Th WEDNESDAY EVENINGS Starting at 7:30 pm from May 31st – AUG 9th Starting at 7:00 pm from AUG 16th – SEP 6th Those attending are invited to bring picnic suppers. Blankets and lawn chairs are recommended. In case of rain, the concert will be moved to the bay of Fire Station #1, north of the fountain. Info: 571.2400 May 31 - Flying Toasters* August 2 - The Bishops June 7 - Indianapolis Jazz Orchestra August 9 - Blair Clark June 14 - Rick K & the Allnighters August 16 - The Woomblies Rock Orchestra June 21 - Jennie DeVoe** August 23 - The Doo!* June 28 - Dave & Whitney August 30 - Stella Luna & The Satellites July 12 - Hunter Smith Band September 6 - Endless Summer Band July 19 - My Yellow Rickshaw Also be sure to catch RUDITOONZ children’s show at 6 p.m. on June 7th & August 2nd! July 26 - Parrots of the Caribbean MAESTRO BRAVO SALUTE DEVOTEE City of Carmel Green House Cottages of Carmel AlphaGraphics Butler Barbershop Indiana Members Jennifer McLean, Sheetz Carmel Auto Contours Carol Skinner Credit Union Century 21 Carmel Lions Club Horton, Inc. Shelby Materials Jones & Henry Engineers Ltd Duke Energy Foerster Construction Meijer Flanner & Buchanan Forester Home Inspection Tom Burek Nelson & Frankenberger Gradex Inc Turkle & Associates Sun King Distillery & Keller Family Waneta Dunkerly Tap Room Kristoff & Assoc. Family Dental Wilkinson Brothers Vine & Branch Inc www.CarmelGazeboConcerts.org *Sponsored by **Sponsored by WEDNESDAY EVENINGS Starting at 7:30 pm from May 31st – AUG 9th Starting at 7:00 pm from AUG 16th – SEP 6th May Flying Toasters* One of Indy’s hottest club bands, the Flying Toasters bring fun and party perfection to any event. Six vocalists coupled with talented musicians 31 always energize a crowd and leave a lasting impression. June Indianapolis Jazz Orchestra The Indianapolis Jazz Orchestra (IJO) is Indiana’s premier professional repertory big band jazz ensemble and is dedicated to serving the Indianapolis 7 community and the entire state at large. June Rick K & the Allnighters Let “America’s Most Exciting Show Band”, Rick K. & The Allnighters, take you on a high speed, cross country, tour of rock’s greatest hits, from the 14 50’s through today! June Jennie DeVoe** 21 An endearing soul-blues singer who radiates the vibe of a 21st century flower child. Her potent gospel voice tames any crowd she encounters. June Dave & Whitney From their cowboy boots to their down home roots…Country music has seeped into their veins right from the Southern Indiana soil. They grew up on 28 well water, bluegrass pickin, and gospel singin. July Hunter Smith Band 12 Mid-west living, rock 'n roll loving band featuring all original music. Part country, part rock, part pop, part alternative, ALL exceedingly entertaining. July My Yellow Rickshaw 19 Everything (and we mean EVERYTHING) -- from Skynard to Usher, Zac Brown Band to Miley, The Temptations to Bieber, even rap and an Irish jig or two! July Parrots of the Caribbean The PARROTS OF THE CARIBBEAN, a.k.a. POTC Band, is the High Energy, Original Trop-Rock Stage Show that "Puts the ROCK in Tropical Rock" as we 26 feature a "Salute to Jimmy Buffett." Aug The Bishops Always a great entertainment choice, The Bishops bring entertainment, musical variety, professional-level musicianship and sound - 2 a show that many label "the best cover band touring Indianapolis today." Aug Blair Clark Take a little pop, throw in some R&B, mix it with some soul and add a touch of jazz and the result is the electrifying sounds of Carmel’s 9 own Blair Clark. Aug The Woomblies Rock Orchestra This band’s set list includes a wide selection of classic rock, soul and R&B hits, all with the backing of string orchestra. 16 Aug The Doo!* Indianapolis based "The Doo" aka Zanna-Doo! is a high energy dance band providing soulful vocals and rock solid beats that keep fans moving 23 all night long! Aug Stella Luna & the Satellites Stella Luna & the Satellites have created a buzz with their high-energy live shows performing today’s current hits, crowd favorites and timeless 30 classics from many different styles of music. Sept Endless Summer Band The Nation's Most IN DEMAND Variety Band now in our 25th year. ESB is Xtreme Musical Variety playing smash hits from Yesterday and Today. 6 High energy choreography and AUDIENCE PARTICIPATION!! HUNDREDS of special events and wedding receptions every year! Also be sure to catch RUDITOONZ children’s show at 6p.m. on June 7th & August 2nd! www.CarmelGazeboConcerts.org *Sponsored by **Sponsored by.
Load more

Recommended publications
  • History of Scottsdale's Parada Del
    PARADA STAMPEDE A special preview of the 2020 Scottsdale Parada del Sol Western Week events There will be lots of Whoopin’ and Hollerin’ in Old Town Scottsdale on February 8, 2020 “The 67th Annual Scottsdale Parada del Sol Parade & Trail’s On the same day the Arizona Indian Festival in the Civic Cen- End Festival on Saturday, February 8, 2020 promises to be a ter Mall area will honor the cultures of 22 tribes and serves as a full day of wild west adventures in Old Town Scottsdale,” says platform for tribal tourism. The events planned there will raise Parada Chair Wendy Springborn. “For 67 years the Scottsdale awareness of Arizona¹s indigenous communities through a spir- Parada del Sol volunteers have coordinated this FREE parade ited and immersive festival which will continue again on Sunday. of more than 100 horse-drawn carriages, bands, wagons and The Parada Western Week events in Old Town Scottsdale stagecoaches. Mounted horse riders of the Maricopa County include many different activities for nine days starting on Feb. Sheriff’s Posse, Scottsdale Charros, and Hashknife Pony Ex- 1-Feb. 9, so check all the schedules. On February 7 at noon, press riders are just a sample of the horse groups visitors will the Hashknife Pony Express will ride into Scottsdale with the see in the Parade,” she said. U.S.P.S. mail and deliver it to postal officials at Scottsdale’s “Our theme this year is ‘Western Legends’ and we will be Museum of the West. honoring our Co-Grand Marshalls; both the Navajo and Hopi “The Scottsdale Parada del Sol Parade and Festival starts Inside: Code Talkers.
    [Show full text]
  • Press Release
    Press Release Contact: Bec Hunter-Barnett Phone: 317.407.1445 Email: [email protected] Ready….Set….Jam CarmelFest entertainment set announced By: Linda Fogle Carmel, Indiana May 15, 2018: CarmelFest’s July 3rd and 4th entertainment set has a wide breadth of musical genres, guaranteed to get everyone in a festive mood, from classic rock, blues, pop, jazz and oldies, to new and classic country. It even has segments searching for the next new musical stars in “CarmelFest Has Talent”. Steve Greenberg, volunteer manager of the North Stage for this year’s CarmelFest is excited about this year’s lineup. “We have a varied lineup for July 3 on the North Stage, including The Jennerators, a classic rock outfit; Kenny Phelps, who masters jazz and rhythm and blues; the Doug Henthorn Band, who is bringing a tribute to Tom Petty; and Mac McAnally, reigning Country Music Association’s Musician of the Year. Mac is also a sideman in Jimmy Buffett’s Coral Reefer Band. This set showcases him playing all manner of stringed instruments and piano. He will be the perfect closer to the first day of the festival!” The Gazebo stage on the 3rd brings CarmelFest Has Talent, the Josh Kaufman Band of “The Voice” fame, and the ever popular Wright Brothers classic country band. “July 4 brings some CarmelFest favorites back to the North Stage,” continues Greenberg. “Alternative rock band Phone Club, country outfit Airstream Betty, rockers The Cosmic Situation and tropical rock band Dwight Lightning and the Conch City All-Stars all precede My Yellow Rickshaw. I cannot wait for My Yellow Rickshaw’s show.
    [Show full text]
  • Bethany Beach 2018 Summer Schedule
    Bethany Beach 2018 Summer Schedule Bandstand Beach Events Bandstand shows begin at 7:30 pm unless otherwise noted. What’s on your Bethany Bucket List? Federal Street Sat, June 16 Band Guys in The NY Daily News recently named Fri, June 8 Thin Bethany Beach the prettiest town in Federal Street is new Ties Delaware. Whether you come to take to the bandstand but plays a great assortment of your favorite in a sunrise by the ocean or sunset by not to the area. They hard driving ’80s tunes. the bay, or even to admire the landscaping, we’re more than just a are Southern Delaware's up and coming www.guysinthinties.com country rock band playing a variety of pretty face. Dig deeper and you’ll find old, new, and current music sure to the ocean and so much more…even please all music lovers. The Natty after the summer ends. Beaux Sun, June 17 Poseidon Festival Chris Sacks Memorial Day Weekend Get ready for Band Sat, June 9 some finger- Seaside Craft Show This band fuses snappin’, good-time music performed by First Saturday in June Tropical Rock the Natty Beaux. This group unites with Americana WAMMIE award winning musicians Summer Concert Series Weekends June to Labor Day Rock to create a sound that is uniquely from top Mid-Atlantic regional bands to theirs. Captain Quint fans will know offer a diverse mix in the Jump-Blues, Chris as a former member. He has since Movies on the Beach swing, and rockabilly style. opened for national acts such as Michael Mondays, June – August Ray, Joe Diffie, Lorrie Morgan, Pam Tillis www.nattybeaux.com Movies on the Bandstand and Mo Pitney.
    [Show full text]
  • N R H T DS O
    NoRTH S i De Friday, August 4 Wells Fargo Yuengling Red Stag Pub Hotel Bethlehem Provident Bank FLYLVIA IBEW Local 375 Festplatz Lagerplatz Liederplatz Platz Main Street Plaza Tropical Volksplatz 12 PM 12:15 12:30 12:45 1 PM 1:15 1:30 1:45 2 PM 2:15 2:30 2:45 3 PM 3:15 3:30 3:45 4 PM 4:15 4:30 4:45 5 PM 5:15 5:30 Scoville Blues The National Parks 5:45 (blues) (folk, indie, pop) 6 PM Opening Ceremonies 5:30-6:30 PM 5:30-6:30 PM 6:15 6-6:30 PM BUCKS COUNTY, PA PROVO, UT 6:30 Tim Cold Fronts 6:45 Harakal (alternative, Grupo En (pop, rock) rock) Secuencia 7 PM All the King’s Men: Supérmac Cricket Tell A Tribute to Lehigh (alternative) 7 PM 5-9 PM 6-8 PM (Latin) The 7:15 Valley’s Polka King, BETHLEHEM, PA the Weather WHITEHALL, PA PHILADELPHIA, PA 6:30-8 PM Commonheart 7:30 Jolly Joe Timmer (folk, Americana, (Polka) 7-8 PM WHITEHALL, PA (rock) 7:45 BETHLEHEM, PA bluegrass) 7-8:30 PM 8 PM 7-8:30 PM PITTSBURGH, PA 8:15 BROOKLYN, NY 8:30 8:45 Martin Guitar La Mega The Radio 9 PM Open Mic The Accidentals Showcase: 9:15 8-11 PM Bastard Aardvarks Vanessa (indie, folk) Karlos Rose 9:30 Bearded (funk, party) Fest-goers Collier 8:30-10:30 PM and Luisito 9:45 encouraged Irishmen 8:30-11 PM (blues) TRAVERSE CITY, MI (Latin) 10 PM to take the stage (Celtic rock) ALLENTOWN, PA 9-11 PM 8:30-11 PM 10:15 9-11 PM PHILADELPHIA, PA DOMINICAN PITTSBURGH, PA 10:30 REPUBLIC 10:45 11 PM 11:15 11:30 11:45 12 AM R 3 7 5 62 musikfest.org musikfest.org 63 S ou TH S i De Friday, August 4 Air Products BB&T Martin Guitar PNC Series TD Community Americaplatz Jazz Cabaret
    [Show full text]
  • Download File
    Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Simón Calle All rights reserved ABSTRACT Reinterpreting the Global, Rearticulating the Local: Nueva Música Colombiana, Networks, Circulation, and Affect Simón Calle This dissertation analyses identity formation through music among contemporary Colombian musicians. The work focuses on the emergence of musical fusions in Bogotá, which participant musicians and Colombian media have called “nueva música Colombiana” (new Colombian music). The term describes the work of bands that assimilate and transform North-American music genres such as jazz, rock, and hip-hop, and blend them with music historically associated with Afro-Colombian communities such as cumbia and currulao, to produce several popular and experimental musical styles. In the last decade, these new fusions have begun circulating outside Bogotá, becoming the distinctive sound of young Colombia domestically and internationally. The dissertation focuses on questions of musical circulation, affect, and taste as a means for articulating difference, working on the self, and generating attachments others and therefore social bonds and communities This dissertation considers musical fusion from an ontological perspective influenced by actor-network, non-representational, and assemblage theory. Such theories consider a fluid social world, which emerges from the web of associations between heterogeneous human and material entities. The dissertation traces the actions, interactions, and mediations between places, people, institutions, and recordings that enable the emergence of new Colombian music. In considering those associations, it places close attention to the affective relationships between people and music.
    [Show full text]
  • News: Art: Music: Food
    REGRETS! YOU HAVE THEM AND WE WANT TO HELP YOU BURN R THEM. SUBMIT YOURS AT AWR ALIBI.COM/REGRETS ! MMPH! VOLUME 26 | ISSUE 32 | AUGUST 10-16, 2017 | FREE | 2017 10-16, AUGUST 32 | ISSUE | 26 VOLUME RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! RAWR! MMPH! RAWR! RETURN OF "THE NEW MEXICO 65 YEARS' CONCERTS, THE MUNICIPAL INQUISITION" BRINGS WORTH OF WE NEED NEWS: NINE PAGE 8 ART: HUMOR TO POLITICS PAGE 15 FOOD: FOOD PAGE 18 MUSIC:YOU! PAGE 25 TALKING WITH DINOSAURS SINCE 1992 SINCE DINOSAURS WITH TALKING t[2] WEEKLY ALIBI AUGUST 10-16, 2017 AUGUST 10-16, 2017 WEEKLY ALIBI [3] alibi VOLUME 26 | ISSUE 32 | AUGUST 10-16, 2017 EDITORIAL 'LG\RXKHDU"6(&8oV MANAGING EDITOR/COPY EDITOR: Renee Chavez (ext. 255) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] VXPPHU ORDQSURPR MUSIC EDITOR/NEWS EDITOR: August March (ext. 245) [email protected] ARTS/LIT EDITOR: Maggie Grimason (ext. 239) [email protected] LVEDFN CALENDARS EDITOR: Megan Reneau (ext. 260) [email protected] STAFF WRITER: Joshua Lee (ext. 243) [email protected] SOCIAL MEDIA COORDINATOR: Samantha Carrillo (ext. 223) [email protected] INTERN: Adam Wood [email protected] CONTRIBUTING WRITERS: Cecil Adams, Gustavo Arellano, Robin Babb, Rob ,GHƮQLWHO\ZRQoW Brezsny, Carolyn Carlson, Desmond Fox, Taylor Grabowsky, Kristi D. Lawrence, Sara MacNeil, Hosho McCreesh, Geoffrey Plant, Mikee Riggs PLVVRXWWKLV\HDU PRODUCTION EDITORIAL DESIGNER: Valerie Serna (ext.254) [email protected] GRAPHIC DESIGNER: Jesse Philips (ext.240) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Max Cannon, Michael Ellis, Jodie Herrera, KAZ, Ryan North, Jen Sorensen Emoji-Worthy Auto Loans SALES SALES DIRECTOR: Tierna Unruh-Enos (ext.
    [Show full text]
  • DP-Rockabylette-Circus-Festival-Autun-2019.Pdf
    1 SOMMAIRE L’ASSOCIATION ........................................................................................................ Page 3 LES ÉVÈNEMENTS ................................................................................................... Page 4 LE CONTEXTE ......................................................................................................... Page 5 LE FESTIVAL ........................................................................................................... Page 6 LA PROGRAMMATION ............................................................................................... Page 7 Zone gratuite et zone payante Vendredi 12 juillet 2019 Samedi 13 juillet 2019 Dimanche 14 juillet 2019 LES PARTENAIRES .................................................................................................. Page 16 LES CONTACTS ....................................................................................................... Page 17 2 1 L’ASSOCIATION L’association Rockabylette est une association loi 1901 créée pour mettre sur pied le Rock’a’bylette Vintage Festival. Elle est basée à Luzy dans la Nièvre. Cette association est le fruit d’une idée folle, celle d’un voyage à mobylette de deux copains : 2370 km au départ de Luzy, à travers le parc naturel régional du Morvan jusqu’à l’océan Atlantique. Suite aux quatre éditions du Rock’A’Bylette Vintage Festival au cœur de Luzy entre 2014 et 2017 et à son succès, l’équipe du festival a su prendre une année de réflexion (2018) pour gérer son organisation interne
    [Show full text]
  • Analyzing Genre in Post-Millennial Popular Music
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Analyzing Genre in Post-Millennial Popular Music Thomas Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2884 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ANALYZING GENRE IN POST-MILLENNIAL POPULAR MUSIC by THOMAS JOHNSON A dissertation submitted to the Graduate Faculty in Music in partial Fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 THOMAS JOHNSON All rights reserved ii Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson This manuscript has been read and accepted for the Graduate Faculty in music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ____________________________________ Date Eliot Bates Chair of Examining Committee ___________________ ____________________________________ Date Norman Carey Executive Officer Supervisory Committee: Mark Spicer, advisor Chadwick Jenkins, first reader Eliot Bates Eric Drott THE CITY UNIVERSITY OF NEW YORK iii Abstract Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson Advisor: Mark Spicer This dissertation approaches the broad concept of musical classification by asking a simple if ill-defined question: “what is genre in post-millennial popular music?” Alternatively covert or conspicuous, the issue of genre infects music, writings, and discussions of many stripes, and has become especially relevant with the rise of ubiquitous access to a huge range of musics since the fin du millénaire.
    [Show full text]
  • Lulu's Daughters
    LULU’S DAUGHTERS: PORTRAYING THE ANTI-HEROINE IN CONTEMPORARY OPERA, 1993-2013 by NICHOLAS DAVID STEVENS Dissertation Advisor: Dr. Susan McClary Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Nicholas David Stevens candidate for the degree of Doctor of Philosophy*. Dr. Susan McClary Committee Chair Dr. Daniel Goldmark Committee Member Dr. Francesca Brittan Committee Member Dr. Susanne Vees-Gulani Committee Member Dr. Sherry Lee Additional Member Faculty of Music, University of Toronto Date of Defense: April 28, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS Figures ii Examples iii Tables iv Acknowledgments v Abstract ix Chapter 1 Lulu’s Daughters: An Introduction 1 Part I: Remembering the Twentieth Century Chapter 2 Old, New, Borrowed, Blew: Powder Her Face, Polarity, and the Backward Glance 39 Chapter 3 My Heart Belongs to Daddy: Editing, Archetypes, and Anaïs Nin 103 Part II: American Dreams, Southern Scenes, and European (Re)visions Chapter 4 Trashy Traviata: Class, Media, and the American Prophecy of Anna Nicole 157 Chapter 5 Berg, Billie, and Blue Velvet: American Lulu and its Catastrophic Stage(s) 207 Conclusion The Marilyn Triptych and the Cracked Killing Jar: Ways Forward for Opera and 251 Scholarship Supporting Materials Appendix A Timeline of selected significant events, premieres, and publications, 1835-2017 261 Appendix B Louis Andriessen’s libretto for Anaïs Nin and its source materials: a comparison 267 Appendix C Olga Neuwirth’s cuts and edits to Berg’s Lulu in American Lulu 278 Bibliography 283 iv FIGURES 2.1.
    [Show full text]
  • Downloaded from Brill.Com09/29/2021 02:25:09PM Via Free Access 2 Bart Barendregt and Els Bogaerts Appropriated and Inverted by the Colonized Themselves
    CHAPTER ONE RECOLLECTING RESONANCES: LISTENING TO AN INDONESIAN–DUTCH MUSICAL HERITAGE Bart Barendregt and Els Bogaerts A Mutual Heritage? Recent years have seen an increased involvement of music scholars not only with postcolonial theory, but more generally with the topics of mem- ory, heritage and the workings of nostalgia.1 Coinciding with such interests is a re-evaluation of historical materials of all sorts. Accounts of travellers, explorers, government officers or colonial linguists have been mined to understand the meaning of music in those colonial days; to show how the Other and his music have been presented and represented, and how such practices persist into the present. Researchers are increasingly aware of how music, and the performing arts more generally, may offer possibilities to study colonial life. Musical practices cast a light on the customs of both colonizer and the colonized, and the very fabric of everyday life in those days; matters that otherwise might be difficult to untie. Likewise, it offers a useful prism through which to study the often perverse mechanisms of control and suppression so typical of colonial society. Music’s meanings, in absence of ‘any denotative back-up’ need to be constantly established (Born and Hesmondhalgh 2000: 46) and thus may be instrumental in hiding the traces of representational violence; even more so than the literary or visual arts. Consequently, it seems a perfect tool for naturalizing such power imbalances. In respect of music’s workings within the colonial project, important insights have lately been derived from postcolonial theory, highlighting techniques and forms through which power is deployed in and through Western music, but also how such techniques and forms may, on the other hand, be 1 Especially the nineteenth and early twentieth century, the heydays of the imperial era, have proven to be a fertile ground for such postcolonial flavoured music studies.
    [Show full text]
  • Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream
    POP MUSIC, CULTURE AND IDENTITY Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Edited by Tamas Tofalvy · Emília Barna Pop Music, Culture and Identity Series Editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK Pop music lasts. A form all too often assumed to be transient, commer- cial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global market- ing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies. More information about this series at http://www.palgrave.com/gp/series/14537 Tamas Tofalvy · Emília Barna Editors Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Editors Tamas Tofalvy Emília Barna Department of Sociology and Department of Sociology and Communication Communication Budapest University of Technology Budapest University of Technology and Economics and Economics Budapest, Hungary Budapest, Hungary Pop Music, Culture and Identity ISBN 978-3-030-44658-1 ISBN 978-3-030-44659-8 (eBook) https://doi.org/10.1007/978-3-030-44659-8 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright.
    [Show full text]
  • Recollecting Resonances Verhandelingen Van Het Koninklijk Instituut Voor Taal-, Land En Volkenkunde
    Recollecting Resonances Verhandelingen van het Koninklijk Instituut voor Taal-, Land en Volkenkunde Edited by Rosemarijn Hoefte KITLV, Leiden Henk Schulte Nordholt KITLV, Leiden Editorial Board Michael Laffan Princeton University Adrian Vickers Sydney University Anna Tsing University of California Santa Cruz VOLUME 288 Southeast Asia Mediated Edited by Bart Barendregt (KITLV) Ariel Heryanto (Australian National University) VOLUME 4 The titles published in this series are listed at brill.com/vki Recollecting Resonances Indonesian–Dutch Musical Encounters Edited by Bart Barendregt and Els Bogaerts LEIDEN • BOSTON 2014 This is an open access title distributed under the terms of the Creative Commons Attribution‐Noncommercial 3.0 Unported (CC‐BY‐NC 3.0) License, which permits any non‐commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. The realization of this publication was made possible by the support of KITLV (Royal Netherlands Institute of Southeast Asian and Caribbean Studies) Cover illustration: The photo on the cover is taken around 1915 and depicts a Eurasian man seated in a Batavian living room while plucking the strings of his instrument (courtesy of KITLV Collec- tions, image 13352). Library of Congress Cataloging-in-Publication Data Recollecting resonances : Indonesian-Dutch musical encounters / edited by Bart Barendregt and Els Bogaerts. pages cm. — (Verhandelingen van het koninklijk instituut voor taal-, land en volkenkunde ; 288) (Southeast Asia mediated ; 4) Includes index. ISBN 978-90-04-25609-5 (hardback : alk. paper) — ISBN 978-90-04-25859-4 (e-book) 1. Music— Indonesia—Dutch influences. 2. Music—Indonesia—History and criticism. 3. Music— Netherlands—Indonesian influences.
    [Show full text]