May-June 1995 CAA News

Datebook Miscellany

May 26 Recycle slides: organizer of the Archive Deadline for submission of material for Project exhibition at CAA's 1996 annual July / August CAA News conference in Boston is making a giant "slide sheet" that will hang at the June 9 conference hotel. Needs thousands of Deadline for submission of material for slides with images of art. Enlist the help CAA Careers of your local slide library! Jonathan Weinberg, History of Art Dept., Yale July 28 University, 56 High St., PO Box 208272, Deadline for submission of material for New Haven, CT 06520; 212/564-8286. September/October CAA News Directory Update: CAA is in the process 5 September 1 of revising its 1992 edition of M.F.A. Deadline for receipt by conference Programs in the Visual Arts. Question coordinator of session proposals for naires requesting updated information 1997 annual conference, New Yark (see were sent earlier this year to the schools pages 4 and 15) listed in the first edition. We urge NEH, IMS, and CPB) and for Arts in would be willing to sign the Senate department chairs and graduate Advocacy Education. Members should also send version of the bill. If the bill passes, February 21-24, 1996 program directors to make certain in the advocacy postcards included in many programs will suffer budget cuts, CAA annual conference, Boston questionnaires are completed and the March/ April 1995 CAA News. including the National Endowment for returned. If you need another copy of Day It is especially important for the Arts (NEA), the National Endow the questionnaire, please call Lynda advocates to make themselves heard at ment for the Hwnanities (NEH), Emery, 207/853-6134. this juncture since Congress is currently Corporation for Public Broadcasting making the decisions on whether or not (CPB), the Goals 2000: Educate America to support federal funding for cultrne. Act, and telecommunications. Under the In March the House passed a $17.4 Senate version, the NEA and NEH n March 13, 1995, CAA billion recision package and on April 6, would each lose $5 million, and the CPB president Judith K. Brodsky, 1995, the Senate unanimously approved would lose $47 million in FY 96 and $94 CAA executive director Susan a $16 billion recision package that cuts million in FY 97. The Goals 2000: O this year's spending (FY 1995). By the Educate America Act was cut $7.6 Ball, CAA Professional Development Fellow Leda Ramos, and assistant to the end of April, the House and Senate will million by the Senate and $174 million executive director Melissa Kahn have met to decide upon a final package by the House. Although the Senate to present to President Bill Clinton. The version does not cut funding for s traveled to Washlngton, D.C., to represent the College Art Association at president has already indicated that he telecommunications, the House reduces Advocacy Day, organized by the CONTINUED ON PAGE 6 May/June 1995 American Council for the Arts and co College Art Association sponsored by over fifty organizations, 275 Seventh Avenue induding CAA. The four held a press New York, New York 10001 conference to advocate the reauthoriza tion of the NEA, NEH, and IMS and to protest the proposed recision of Board of Directors multiyear matching grants to the arts Judith K. Brodsky, Presidelll and humanities. Representative Jerrold Leslie King-Hammond, Vice-President Nadler (8th district, N.Y.) was a Jo1m R. Clarke, Secretary featured speaker at CAA's press John W. Hyland, Jr., Treasurer conference. Brodsky, Ball, Ramos, and Barbara Hoffman, Esq.} Counsel Kahn also spent the day meeting with Susan Ball, Executive Director legislators, imploring the senators and Diane Burko Nancy Macko representatives to support federal Bradford R. Collins Victor Margolin funding for the arts. They also attended Whitney Davis Clarence Morgan the America for the NEA rally, spon Vishakha Desai Beatrice Rehl sored by Representative Nadler, carry Jonathan Fineberg Jock Reynolds ing banners proclaiming CAA's strong Shifra Goldman Rita J. Robillard support for saving the NEA and NEH. Susan L. Huntington Moira Roth Given the current political situa Michl Itami Node Sato ./ 'tion, it is critical for all CAA members to Irving Lavin Lowery Stokes Sims advocate for the retention of direct Joe Lewis Judith E. Stein federal funding for the arts. CAA urges Margo Machida Nancy J. Troy its members to call their representatives CAA executive director Susan Ball (far left). professional Deborah Willis development fellow leda Ramos (third from right). and and senators and voice their support for CAA president Judith K. Brodsky (second from right). direct federal funding for culture (NEA, advocate for the arts and humanities. • that focused on strategies for Bailey. Below are excerpts from my Without the security of tenure, with (!!Jontents Annual multicultural action and a multicultural From the Executive Director testimony: greater mobility required to stay curriculum to serve art and art history "The College Art Association itself, employed, with decreased benefits on teachers and members of the art and its individual and institutional campus, and with an increased empha Volume 20, Number 3 Conference community. At the 1995 session a members, have benefited greatly from sis on part-time employment, the May/June 1995 bibliography on cultural diversity NEA Visual Arts and Museum Pro obstacles to making art are increased. In (compiled from suggestions by commit grams. The association has received this climate, the NEA grants to indi Update tee members) was distributed, and plans grants in the past from NEA's Visual vidual artists become even more 1 Advocacy Day were discussed for setting up a newslet Arts Program, Forums category (travel valuable and sought after. I want to ter, etc. In Boston we will focus on Testimonial and honoraria), to support artists issue a special plea on behalf of CAA's working models of cultural diversity in speaking at the CAA annual conference. 7,000 individual artist members to maintain funding for individual artists. Annual Conference Update action. Potential participants are invited Currently we have an NEA challenge 2 to submit descriptions of successful grant for the CAA Professional Develop "Second, we have also noted a trend programs already in existence and to ment Fellowship Program. CANs toward increased requests for funds for 1996 Call for Participation: illuminate the methods and procedures n March I was invited to make a members, both artists and art historians, conference travel grants. CAA provides 3 From the Executive Director Additions and Corrections that made them effective. presentation before an NEA Mu also benefit from NEA funding. Of the travel grant opportunities for speakers For guidelines for submitting proposals, The following will be a one-and Iseum Program/Visual Arts Program 110 grants awarded by the NEA to and session chairs on the conference 1997 Annual Conference: see the Call for Participation mailed to one-half hour session presented between Planning Advisory Panel. The advisory individual visual artists in 1993-94, program~all based on need. Each year panel, which met for three days, heard we have more applicants who report Call for Session Proposals all members in February. The submission program sessions under the auspices of thirty, or nearly 30 percent, were 4 deadline (receipt, not postmark) for these the Education Committee: testimony from representatives of the awarded to members of CAA. Over 10 that their university or museum used to sessions is June 26, 1995. "Alternative Low-Residency private and government funding percent of CAA's art historian members provide travel funds to conferences for Legal Update The following sessions have been Graduate Art Programs." Chair: Roy G. communities and from twenty arts are employed by museums, primarily as speakers, but has had to cut this 6 added to the program: Levin, Director, MFA in Visual Art, organizations representing the interests curators, and many others work from perquisite. Furthermore, as the partici CAANews II Arts of Reconstruction: Past and Vermont College, Montpelier, VT 05602. of museums, education, individual time-to-time as guest curators on exhibi pation of unaffiliated artists and scholars artists, and those who support first Solo Exhibitions by Artist Members Present." Chair: Bettina Bergmann, The aim of this session is to bring tions at museums, often funded by NEA. grows, the demand for travel assistance 8 Mount Holyoke College, Art Depart attention to, compare, and explore the amendment rights. According to "I would like to focus on three major also grows. In the interest of supporting ment, South Hadley, MA 01075. This positive and negative aspects of such Jennifer Dowley, director, Museum trends that relate directly to NEA scholarly and artistic exchange, CAA has session evaluates reconstruction as a programs. Among issues that might be Program/Visual Arts Program, "the funding opportunities. First, despite the increased its contribution to the travel 10 People in the News historical way of seeing a past and as a addressed are: (1) the advantages and Planning Advisory Panel will assist our growth of membership from other fields, fund and has sought outside funding. In potential of the present. It can include disadvantages of such programs~ (2) the staff and the National Coundl on the the majority of CAA's members, artists the past, NEA funds were valuable in Grants, Awards, & Honors the completion, enhancement, or re problem of fewer contact hours in low Arts in the review and analysis of the and art historians alike, are employed in helping make possible the participation 11 Conferences & Symposia creation of a lost or fragmentary single residency programs and the concomitant needs of the entire spectrum of the higher education, where employment of artists who otherwise would not have object or building, pictorial cycle or issue of "quality control"; (3) the issue off ]Visual arts field and their visitors and trends have been well documented. been able to afford to attend the CAA multimedia ensemble, or whole environ outlying faculty judging sludent work ' audiences and in making recommenda Within the ranks of the membership and conference. ment, in any medium from-antiquity to outside the context of a collegial sharing tions for how the National Endowment "Third, CAA developed its Profes Opportunities in the jobs listed in CAA Careers, CAA 12 the present. Papers should assess how of ideas and opinions that one has in for the Arts can structure its Visual Arts has noted a changing pattern within the sional Development Fellowship Pro the techniques of representation more traditional programs; and (4) the and Museum Programs to playa academy toward more part-time gram in response to the decreasing Classified Ads developed in a period shape that positive and negative aspects of students leadership role in assisting the field." positions. The ranks of the 'unaffiliated' numbers of art historians and artists of 14 Information Wanted period's discourse about the objects and working on their own, personally for the The panel, co-chaired by Ned Rifkin, are growing~some new members color both completing graduate degrees environments they depict. The goal is to student and administratively and director, High Museum of Art, Atlanta, previously perceived CAA as only for and also finding professional positions create a historical framework in which to pedagogically for the program in and Anne Focke, art consultant, Seattle, teachers, while many current members in museums and higher education. The Session Proposal consider such contemporary innovations reference to the student's simultaneous included Gregory Amenoff, artist, New have become unemployed. In the annual response to our program has been very 15 Submission Form as video and computer imaging. In a feelings of self-empowerment and York; Nayland Blake, artist, San Fran report on the positions and opportuni positive both from funders, the NEA conference devoted to "The Object and isolation during nonresident periods. cisco; Torn Borrup, executive director, ties listed in CAA Careers for the 1993-94 prominently among them, from appli Its Limits," reconstructions are among Limit outline to a maximum of 150 Intermedia Arts, Minnesota; Vishakha academic year (eAA News, November/ cants, and from institutional partners. Datebook words (for a 20-minute presentation). Desai, director, Asia Society Galleries, The first fellowships were awarded in Miscellany those "other objects" bounding on "art" December 1994), we report that 'after 16 that can challenge established intellec In the session statement for "Inside New York; Judith Kirshner, director, four years of decreasing job opportuni 1993 to four artists and one art historian; the Visible" (chair: Griselda Pollock), the School of Art and Design, University of in 1993 we were able to increase that eAA News, a publication of the tual paradigms and raise philosophical, ties the employment picture has finally College Art Association, is published aesthetic, and moral issues. concept of the "matrixial gaze" should Illinois at Chicago; David Levy, presi stabilized'; however, we conclude that number to four artists and four art six times a year. Material for "Toward a Culturally Inclusive Art have been attributed to Bracha (not dent and director, Corcoran Gallery of 'what becomes apparent is a decrease in historians. We will award nine grants in inclusion should be addressed to: Community and Art History." Chairs: Barbara) Lichtenberg Ettinger. Art, Washington, D.C.; Fay Chew the number of higher-level teaching May 1995 to scholars and artists chosen Joe Lewis, California Institute of the In the session statement for "Who's Matsuda, director, Chinatown History from among the ninety applicants who Editor positions offset by an increase in the (De)Constructing the Closet?" (chairs: CAANews Arts/Community Arts Partnership; and Museum, New York; Evan Maurer, number of entry-level positions~ have been marginalized because of race, 275 Seventh Avenue Antoinette Torres, National Action Marcia Salo and Jonathan Katz), co-chair director, Minneapolis Institute of Arts; assistant professors and lecturers/ class, or sexual orientation. NEA and New York, New York 10001 Council for Minority Engineers Jonathan Katz's affiliation was incorrect. Linda Shearer, director, Williams instructors.' We also report that over 75 NEH challenge grants will enable CAA Telephone: 212/691-1051 (ext. 215) (NACME); mail to: Joe Lewis, 4350 He is a member of the faculty of the College Museum of Art; and Nadine percent of the positions for artists and 89 to establish permanent endowments for Fax: 212/627-2381 Beverly Blvd., Los Angeles, CA 90004. Department of Gay and Lesbian Studies Francis West, executive assistant to the percent of the positions for art historians fellowships. This session replaces the one chaired by at the City College of San Francisco. mayor, Hartford, Conn. Members of the "CAA's priorities are driven by its Editor Renee A. Ramirez were nontenure track jobs, many for one Note that the correct zip code for Managing Editor Virginia Wageman Moira Roth that appeared in the Call for Planning Advisory Panel were joined by year. Individual artists who are em mission to identify member needs and Editor-in-Chief Susan Ball Participation. This panel is the continua the Museum of Fine Arts, Boston, is NEA staff and members of the National ployed in higher education are expected issues and to serve its members. Our tion of the San Antonio 1995 session 02115. In some chairs' addresses it was Council on the Arts, including former to produce work and have exhibitions, Printed on recycled paper. chaired by Michi Itami and Moira Roth listed as 02215. CAA board member, artist William just as scholars are expected to publish. CONTINUED ON PAGE 6 © 1995 College Art Association, Inc.

2 CAA NEWS MAY/JUNE 1995 CAA NEWS MAY IJUNE 1995 3 1

General Sessions opportunity to present newly develop frightening than the end of history entities. Art interacts at all levels: many 1997 Annual Session proposals for the general, ing areas of scholarship and creativity, itself. artists support themselves by waiting on nonthematic portion of the program and that program participation is This seems an appropriate time to tables, checking coats, and renovating Conference: may address any aspect of art historical accessible to all CAA members. meditate on the related concepts of galleries in order to live in the city. In scholarship and artistic practice. , decadence and renascence on the ways addition to the great museums, there are Sessions that offer the possibility of they have shaped thinking in general nonprofit arts organizations, artist Calf for including the work of graduate students Art History and art history in particular, both in the collectives, and other institutions that and younger scholars and artists as well Theme Chair realm of periodization and formal and foster the arts. Although it may be as those that highlight collaborative and Petra ten-Doesschate Chu received a iconographic analysis; and on the argued that no other city in America is Session interdisciplinary work are particularly Doctoraal degree from the strategies artists (or, in specific cases, an art center of the same magnitude as welcome. Artists are especially encour Rijksuniversiteit at Utrecht (Nether artistic dictators) have developed to New York, other cities and regions are aged to propose sessions that are lands) and a Ph.D. from Columbia celebrate or counter their perceptions of also centers for art. Each is distinct, Proposals appropriate to the needs of artists, and University. During her current sabbati cultural decline or rebirth. created as a result of its unique past. need not conform to traditional "panel" cal leave from Seton Hall (where she For the 1997 CAA annual confer How will the current political fonnats. Art historical sessions may be chairs the Department of Art and ence members are invited to propose situation and greatly reduced public proposed on any topic of interest that Music), she is a senior research fellow at sessions that deal with the ideas of funding for the arts affect the art scene does not fit into the thematic portion of the Metropolitan Museum of Art in New decadence and renascence in the in New York and elsewhere? What will the program. Sessions that reflect broadest sense of both terms, i.e., be the repercussions globally? How does York. French Realism, notably the work Holly Block current research trends in both wel1- of Gustave Courbet, is her special referring to all forms of artistic, cultural, locale affect artists and, in turn, how do established and newly developing interest but she also has a nostalgic and/ or moral decline and rebirth. artists affect their surrounding commu he 1997 annual conference will subfields of art historical research are affinity for Dutch 17th-century painting. Among the ques,tions that may be raised in Washington, D.C. She has actively nities and the educational milieu? How be held in New York, at the New invited. Such panels might bring Her books include French Realism and the (and this is by no means an inclusive been involved in the visual arts for the will the educational systems, the public T York Hilton and Towers. together scholars in fields across the art Dutch Masters (1974), Courbet in Perspec list) are the following: What is the past fifteen years, and has worked and private galleries, and art spaces be Sessions will take place Wednesday, related disciplines and in cognate fields, tive (1977), The Letters of Gustave Courbet continued validity of the biological extensively with emerging artists while affected? February 12, through Saturday, Febru such as anthropology, history of (1992), and The Popularization of Images: model of periodization? To what extent also serving as a panelist nationally and Artists have the capability of ary 15. Serving on the Program Commit religions, history, literary theory, Visual Culture under the July Monarchy does the biological and linear model of internationally. She is president of the determining their own futures outside of tee are Susan Huntington (chair), Judith epigraphy, archaeology, conservation, (1830-1848) (co-edited with Gabriel P. periodization that Western art histori Board of Directors of the National the marketplace and the traditional K. Brodsky, John R. Clarke, Bradford the technical study of art, and other Weisberg, 1994). She has curated the ans have applied to various forms of Association of Artists' Organizations institutional support struchlre. How are Collins, Emilio Cruz, Vishakha Desai, fields. exhibition Im Lichte Hollands (Basel, non-Western art correspond to the (NAAO), a board member of Art Table, artists accomplishing this goal? How can Susan Edwards, Patricia Mainardi, By including a general call for 1981), for which she also wrote the perceptions of history and time in these and an advisor to the Bronx Council on artists free themselves of the limiting Clarence Morgan, Keith Maxey, Jock proposals along with organizing catalogue, and has contributed essays non-Western cultures? What is the place the Arts-Longwood Arts Project. boundaries imposed on them? Artists Reynolds, Norie Sato, and Deborah sessions around selected themes, CAA and articles to books, exhibition cata of tradition in the decadence-renascence Michi Itami is an artist/ educator throughout the ages have functioned Willis. Proposal submission guidelines hopes to ensure that the conference logues, and periodicals. Her current ldialectic? How valid is the concept of who is director of the Graduate Studio without regard to boundaries and have are on page 6. program represents the broad and projects include a book on Courbet and relations between artistic primitivism Program, City College of New York, made objects that were later classified The Board of Directors of the varied academic and creative interests the 19th-century media culture and perceptions of decadence? How City University of New York. She is on into categories such as sculpture, College Art Association recently of the membership at large, that the (Princeton UniverSity Press), as well as a valid is the notion of "primitivism" for the boards of CAA and Art in General; painting, interior decoration, or craft. adopted a revised format for the annual conference program provides an textbook on 19th-century art, to be premodern and non-Western art? How she is also a member of the steering The categorization process should not conference program. The 1997 program published by Abrams/Prentice Hall. do images of illness, death, disasters, committee of Godzilla, an activist will reflect this new format and will hell-and their counterparts-healing, organization of Asian-American artists. consist of sessions organized around birth, heaven, etc., reflect feelings of She has been exhibiting work that preselected themes as well as sessions Art History moral and cultural decline and the hope centers on the digital manipulation of chosen from those submitted in re Theme Statement of regeneration? What is the link old photographs of her mother and sponse to a general call for proposals. between the ideas of decadence and "At Millennium's End: father, focusing on their experiences of Petra ten-Doesschate Chu, program renascence, on the one hand, and immigration and internment during chair for the thematic art history panels, Decadence and Renascence in artifice and nature on the other? What is World War II. has chosen the theme"At Millennium's Art and Art History" the correlation between censorship and End: Decadence and Renascence in Art On the eve of the third millennium, we fear of cultural, moral, and physical and Art History"; Michi Itami and Holly share an acute consciousness of time. We decline? Studio Art Block, program co-chairs for the sense that past and future are about to -Petra ten-Doesscltate Chu Program Statement thematic studio art panels, have chosen meet. To some, the millennium's turn "Removing the Walls, Expanding the spells catastrophe and doom; to others "Removing the Walls, Arts: The Future Role of the Artist." regeneration and a new beginning. Studio Art Expanding the Arts: The Their statements regarding the themes The thought of our belatedness, our Theme Co-Chairs Future Role of the Artist" appear below. The theme chairs will postmodern condition, preoccupies us, Holly Block has served as executive New York City, site of the 1997 CAA have primary responsibility for shaping as does the insecurity if, when, and how director of Art in General, a nonprofit annual conference, is an international the thematic portion of the program. a new era will begin (or has already gallery in New York, since 1988. Prior to metropolis. Infusions of ideas, cultural Both the thematic and general sections begun?). Worse still, we suspect that the that she was a curator at the Bronx heritages and practices, languages, of the program will be reviewed and entire validity of the biological model of Museum of the Arts, New York, for fashions, and foods create an atmo approved by the CAA Program Com history-birth, bloom, old age, death-is three and a half years. Before that she sphere where all of these things ricochet mittee. somehow in question, suggesting a sort was program coordinator at the off one another, challenge each other, Petra ten-Ooesschate Chu of eternal "muddling on" that is more and at times mix together to create new Washington Project for the Arts (WP A) Michi Itami

4 CAANEWS MAY/JUNE 1995 CAANEWS MAY/JUNE19<)S 5 - ,

stymie the creative imagination. committee may invite submissions from routinely retain copyrights to their Information Infrastructure (Nil). The with respect to all unauthorized uses of The College Art Association has, in people who have not submitted propos Legall..!pdate works and grant only first North National Writers Union claims that it is works in all media, the past few years, responded to the als, but whose experience, expertise, and American print rights to their original not, because it does not definitively A White Paper, which includes growing arts community. Increasingly outreach would, in the chairs' and/ or publishers, claim, among other things, distinguish forms of electronic-based modifications based on public comment independent artists, curators, critics, and committee's opinion, be important to that the defendants, without paying the rights as categories of performance to the Green Paper, will be issued in May other art professionals have joined art shaping an interesting and balanced writers or requesting their permission, rights, display rights, distribution rights, by Bruce A. Lehman, Assistant Secretary historians and arts educators to express program. In doing so, program chairs illegally redistributed and reused their reproduction rights, and the right to of Commerce, Commissioner of Patents their concerns about the future of art, will consider a number of factors, material on fee-based full text on-line make derivative works. and Trademarks, and chair, Working culture, and society in this country. including topics that have not been Digital services, CD-ROMS, and other electronic Green Paper: Intellectual Property and Group on Intellectual Property Rights. Joining together, we have the potential covered in recent CAA conferences. distribution channels. The plaintiffs the National Information Infrastraucture, CAA is participating in an informal of a larger voice in setting policy. Each CAA affiliated society and Technology, claim that under recognized principles July 1994, a document recently issued by working group under the auspices of For the 1997 CAA conference, each standing committee of the CAA of copyright law it is clear that the the Information Infrastructure Task the Department of Commerce that members are invited to propose sessions Board of Directors may submit one authors own the electronic rights unless Force of the Department of Commerce, brings together copyright owner and that deal with any of the issues raised proposal for a thematic (not "open") Cyberspace, expressly transferred. To answer the has proposed that the copyright act he user interests to develop guidelines for above. We particularly encourage session to be included in the CAA question of who owns the electronic amended to recognize that copies can be fair uses of copyrighted works by and in sessions in nontraditional formats and program. Affiliated society- and rights to pictures, photographs, novels, distributed to the public by transmission public libraries, schools, and museums. ones that are crossdisciplinary, where committee-sponsored sessions must and the Arts and articles that, in this case, included and that such transmissions fall within This work is complimentary to and in people of various ethnic, gender, class, adhere to all session guidelines (for works created by the artists over the last the exclusive distribution right of the addition to the revision of the fair use and generational distinctions can come example, chairs must be CAA members forty years, requires the court to look at copyright owner. The paper also guidelines promulgated by CAA in together and share their common from application through 1997 and are both old and new contract and copy recommends elimination of the "first 1988. concerns and differences. not eligible to chair a session more than right cases decided before and after the sale doctrine." The first sale doctrine is a Libraries and museums, mean -Holly Block and Michi !tami once every three years). Deadline for Copyright Act of 1976 went into effect, fundamental tenet of copyright law that while, have already adopted their own conference coordinator to receive session ecent cases and discussions as well as the 1906 and the 1976 copy limits the copyright owners' exclusive defensive measures, The New York proposals: September 1, 1995. concerning electronic rights right acts, and apply them to technolo right of distribution by extinguishing Public Library has put its photographic Proposal and the new infonnation gies not known at the time, that right once the copyright owner has collection on-line and the Smithsonian R In another recent case, Playboy transferred ownership of a particular Institution is about to do the same with Submission superhighway illustrate the complexity and fluidity of copyright and other Enterprises Inc, v. Frena, the U.s. District copy. its collection of American paintings, In Guidelines Advocacy Day intellectual property issues resulting Court of Florida found that T echs Libraries, the American Association both cases the computer images have Prospective chairs must submit fifteen CONTINUED FROM PAGE 1 from the new digital technologies. Warehouse BBS, a subscription bulletin of Universities, and such on-line service been deliberately downgraded so that copies of their session proposals to the funding for telecommunications by $30 In a lawsuit settled out of court, board service, infringed Playboy's rights providers as America Online and the retrievable versions are acceptable CAA conference coordinator, Proposals million. Newsday, a New York daily newspaper, to distribution and display by making Prodigy have argued that the Green for study purposes, but could not be should include a one- to two-page Do your part and make yourself agreed to pay a stock-photography Playboy magazine photographs available Paper goes too far. In effect, the pro used commercially or by an artist intent letter/essay framing the topic of the on a computer bulletin board. While the posed changes do radically expand the on plagiarism. This, however, raises heard. Rally your friends to write letters agency $20,000 as a retroactive licenSing i session and explaining any special or ( issues of droit moral. Although the Visual and telephone their representatives in fee for what the agency called digital I 1 photographs were uploaded to the reproduction right. As one legal timely significance it may have for a Congress so that CAA can make a plagiarism. Newsday also printed the system by a subscriber rather than by commentator stated, the proposals Artist Rights Act does not apply to particular field and/ or discipline; a difference and help in retaining federal statement in a September 1994 issue: "A the defendant system operator, the court create "an exclusive reading right," or, reproductions, but only to the original completed session proposal submission support for the arts and humanities. November 7, 1993, front-page illustra nonetheless found that the defendant as another observed, "adoption of the work of art, the right of integrity in form (page 15); and a c.v. (two pages tion failed to include a credit line for was liable for supplying the service digital transmission right could, in Europe and elsewhere is not limited in max,). When possible, potential panel photographer James Porto." The stock containing the unauthorized copies. The effect, repeal the public performance this manner. ists and procedures should be outlined. agency originally sought $100,000 for court also found that the defendant's and display right." The U.S. Copyright Readers of this column with It is recommended that you enclose a From the Executive Director seven counts of copyright infringement display of Playboy's copyrighted Office commented: "Modifying the questions on the work of the CAA self-addressed, stamped postcard so that CONTINUED FROM PAGE 3 based on the scanning by a Newsday photographs was a public display even concepts of publication and transmis Intellectual Property Committee, with receipt of your proposal can be acknowl goals include maintaining and improv illustrator of a surrealist image created though the audience was limited to sion is not minor." With respect to the problems and issues to bring to its edged. ing the programs and services we offer by photographer James Porto. Newsday subscribers, elimination of the "first sale doctrine," attention or legal questions on fair use in To summarize CAA procedures: the to our members as well as identifying published an edited form of the image Speaking of Playboy, first amend the U.S. Copyright Office said that the university environment, are urged to chairs and committee will consider ways in which we can better serve them. on the cover of a Sunday Newsday in ment advocates are following with under the proposed modifications, address their questions, comments, and proposals only from CAA members and, In addition to strong emphasis on November 1993. Newsday claimed that dismay recent legislative efforts to "transfer of the material object is concerns to the CAA Intellectual once selected, session chairs must programs already established, especially its use of the image constituted fair use. control obscene or harassing use of the permitted while transfer over the Property Committee at the CAA office. remain members in good standing the fellowship and conference travel The increasing use of on-line Internet. The act would expand the infrastructure would be prohibited." -Barbara Hoffman, Esq., CAA Counsel through 1997. No one may chair a grant programs, the long-range plan services has been the catalyst for Communications Act's proviSions to ban The libraries and AAU, as well as Time session more than once every three now in production will include empha discussion over who owns the electronic "obscenity, indecency or nudity" on Warner and others, object to this change years (individuals who chaired sessions sis on finding ways to utilize electronic rights to printed works, pictures, and electronic networks and telecommunica on the theory that elimination of the first in 1995 or 1996 cannot chair sessions in technology to maximize communication photographs in the absence of specific tion devices. Internet service providers sale doctrine wpuld effectively give 1997). Program chairs will make their nationally and internationally, including contract provisions. In the recent case of would be forced to actively monitor copyright owners control of the second selections from among eligible propos electronic publishing, emphasis on Tasini v. New York Times, National their systems for "indecent messages," ary market. CAA has not taken a als solely on the basis of merit. Where teaching and mentoring, changing the Writers Union President Jonathan Tasini CAA recommends that you contact your position on this issue. CAA has stated proposals overlap, CAA reserves the fields we represent to reflect better the and ten other NWU members filed suit members of Congress and ask them not that it is opposed to any legislative right to select the most considered greater population, increasing our in federal court in New York against the to support S. 314 and H.R. 1004. amendment that would redefine fair use version or, in some cases, to suggest a advocacy efforts and political presence, New York Times, Newsday, and other One hotly debated question is more narrowly. Fair use is an affirma fusion of two or more versions from and providing greater exhibition major publishers and database opera whether copyright law is sufficient to tive defense to any action for copyright among the proposals submitted. The opportunities." tors. The writers, freelancers who meet the demands of the National infringement and is potentially available theme chairs and program planning -Susan Ball

6 CAA NEWS MAY/JUNE 1995 CAA NEWS MAY/JUNE 1995 7 Wendy Gittier. First Street Gallery, New York, CAA Annual Report, 1993-94 April 4-22, 1995. JJPaintings~Voyages and CAA We are pleased to announce the Solo Totems." availability of CAA's first published Lisa Dawn Gold. Mangel Gallery, Philadelphia, annual report, covering the fiscal year April 5-22, 1995. Sculpture. July 1, 1993, to June 30,1994. The report Exhibitions News Barbara Grossman. Bowery Gallery, New York, summarizes CAA's financial status and March 24-April12, 1995. highlights programs and services CAA by Artist Louise Hamlin. Blue Mountain Gallery, New provides to its members. To request a York, March 24-ApriI12, 1995. Pastels and copy, write or fax Elizabeth Nesbitt at monoprints. the CAA office. Members Pamela Hollinde. Amos Eno Gallery, New York, Revised Directory Published April 1-20, 1995. "In the Kelp: An Installation of The second edition of eAA's Directory of Woodblock Prints." Only artists who are CAA members are included M.A. and PhD. Programs in Art and Art Gail KolflaL Thompson Park Visitor Center, i11this listing. When submitting information, Lincroft, N.J., January 1995. "Paintings: Life at History is available. The 168-page include name of artist, gallery or museum ltame, the Jersey Shore." directory, first published in 1992, is a city, dates of exhibition, medium. Please indicate guide to the over 170 schools that offer CAA membership. Kathleen Kucka. Thread Waxing Space, New Kathleen Kucka,Outside Pocket, 1994, M.A. and PhD. degrees in art history, Photographs are we/come but will be used only If York, May 4-June 10, 1995. sewn canvas, 75" x 60" studio art, museum studies, conserva space allows. Photographs cannot be relumed. Lynda J. Lambert. Associated Artists of Butler tion, and such new areas as arts therapy. County Galleries, Butler, Pa., February 18- March 19, 1995. "A Commemorative Recollec Details are provided on admission tion Re-Visited," paintings and prints. Jewish requirements, student body, faculty, Community Center, Youngstown, Ohio, Mel Pekarsky. G. W. Einstein Company, New curriculum, library resources, tuition, ABROAD/ February 2S-March 2S, 1995. "Imprint of a Roberta Ann Busard, Suchmann I, York, April I-May 26, 1995. "Drawings from Wolf Gowin. Galerie am Domhof, Zwickau, Memory," woodcut prints. Cranberry Library fellowships and financial aid, campus mixed media on rice paper, 39" x 25" Three Decades" and "In the Project Room: A Germany, April 23-May 20, 1995. '1nstallations/ Art Gallery, Cranberry, Pa., May-June 1995. housing, and more. For those who have Survey of Prints." already ordered the 1995 directory, CAA Sculptures." Comnumity College of Butler County Gallery, Karen Petersen. Cavalier Galleries, Greenwich, James Williams. A Space, Toronto, Ontario, Butler, Pa., October 1995. "A Fine Cut/Ink and mailed them as soon as they came off Gregory Zeorlin. Fire House Art Center, Conn., March 3-29, 1995. "Sedna Legend," April 29-June 10, 1995. "Steeltown." Paper," woodcut prints. the presses. For those who wish to Norman, Okla., June 3-30, 1995. "Emergent works in oil and bronze. purchase a copy, they are $10.00, Books," ceramics, mixed media. Ora Lerman. Joseph Gallery, Hebrew Union MlD-ATLANTIC/ College, New York, March 23-June 30,1995. Archie Rand. Schmidt Dean Gallery, Philadel postage paid ($12.50 for nonmembers), Elise Marie Bums. Gallery 10, Ltd., Washington, "Inside the Ark." phia, March 10-AprilS, 1995. and can be ordered through the CAA D.c., March 2S-April22, 1995. "Voyage to Mira Schor. Horodner Romley Gallery, New office. All orders must be prepaid. Molly Mason. SoHo 20 Gallery, New York, Arcturus," installation. April 11-May 6, 1995. "Floating Gardens," York, March 3-AprilS, 1995. Paintings. Staff Addition Adell Westbrook. Salve Regina Gallery, sculpture and monoprints. Jaune Quick-to-See Smith. Steinbaum Krauss Elizabeth Nesbit! has joined the CAA Catholic University, Washington, D.C., October Steven Miller. Veem Gallery, Philadelphia, Gallery, New York, March 25-May 3, 1995. Endowment Campaign Update IS-November 11, 1994. Paintings and works on April 1-30, 1995. Paintings. "Talking Pictures," paintings. staff as development director and paper. CAA thanks members and friends who fellowship program coordinator. John 1. Moore. Schick Art Gallery, Skidmore Margaret Sutton. Houghton House Gallery, Hobart and William Smith Colleges, Geneva, recently contributed to the Endowment Previously, she was administrative College, Saratoga Springs, N.Y., April6-May 10, N.Y., March 3-April12, 1995. "An Unknown Campaign. The following contributors director of the Decorative Arts Study MIDWEST/ 1995. Paintings. gave $50.00 or more: The Milton and Center in San Juan Capistrano, Califor Theodore Aguirre-Lagandre. Atwood Gallery, St. Cloud State University, St. Cloud, Minn., Sally Avery Arts Foundation; The Joe nia. She was a graduate intern in public May 15-August 17, 1995. ''Intrusion and and Emily Lowe Foundation; John Rose; information at the J. Paul Getty Mu Harmony: Photographs of the Landscape." Athena Tacha (in memory of Ellen H. seum in Malibu. She earned a master's Gregory Zeorlin, Emergent Book, Johnson); and Hollis Clayson. Frances Barth. Jan Cicero Gallery, Chicago, degree in art history and museum Minch 24-April22, 1995. "New Work." 1995, ceramic and mixed media, The Endowment Campaign, studies at the University Ot Southern 11'/2" x 15 1/2" x 3" established for the support, continua Roberta Ann Busard. Loft Gallery, Ann Arbor, California and a bachelor's degree in art March 6-Aprill, 1995. "Through Lines," mixed tion, and expansion of the Professional history from Duke University. She media paintings, drawings, and sculpture. Development Fellowship Program, now worked for CAA as administrative University of Michigan Hospital's Ford stands at $602,000. We are counting on assistant to the deputy director in 1989- Amphitheater Gallery, May ll-July 21,1995. NORTHEAST/ Flavia Bacarella. Prince Street Gallery, New our members to help raise the remaining 90 and left to participate in the summer "His Fisher Soul," mixed-media paintings. $520,000 to meet our goal of $1,122,000. York, March 24-April12, 1995. "Life on the internship program in the Metropolitan Timothy Norris. Western Michigan University, Land," paintings. If you would like to make a Museum of Art and to pursue graduate Kalamazoo, Mich., November 28-December 9, contribution, please send your check to 1994. Paintings. Davidson Gallery, Kellogg Ron Baron. Chassie Post Gallery, New York, studies. March 4-AprilS, 1995. "Daddy-Magnetism." CAA, 275 Seventh Ave., New York,NY Community College, Battle Creek, Mich., March 10001; Attn: Endowment Campaign. 6-31,1995. "The Order of the Tensions Hugo Xavier Bastidas. Nohra Haime Gallery, Continuing," paintings. New York, May 18-June 19, 1995. Paintings. Contributions will match grants from Correction the National Endowment for the Arts or Katherine Steichen Rosing. Contemporary Art Anthony DiBona. Gandolfo Gallery, East In the March/ April CAA News Patricia Center, Arlington Heights, ill., March 7-April6, Greenwich, RI. "Works in SteeL" the National Endowment for the Mainardi's name was omitted from the 1995. ''Meditations/Mediations,'' paintings and Diane Burko. Payne Gallery, Moravian College, Humanities. Please indicate whether Distinguished Teaching of Art History drawings. your gift should match the NEH grant Bethlehem, Pa., March 2-26, 1995. "Land Survey: Award Committee. She is not on the Steven Teczar. Morton J. May Foundation 1970-1995," paintings. or the NEA grant. Distinguished Teaching of Art Award Gallery, Maryville University of St. Louis, St. Robert Forlini. Focal Point Gallery, New York, Pamela Hollinde, In the Kelp (detail), Louis, Mo. "London Summer 1994," drawings. Committee. May 5-2S, 1995. "Blood Ties," photographs. 1995, woodblock print, 30" x 48"

CAANEWS MAY!JUNE1995 9 8 CAA NEWS MAY/JUNE 1995 •

Woman: Margaret Sutton: Paintings and fabric lengths. She would set these up near the Drawings from 1936-81." Academe People in podium to enhance the slide lectures. Her course Donald A. McColl has been awarded a 1995-97 Fotini Vurgaropulou. Dedicated Space Studio, was a required core course taken by every Grants, Postdoctoral Fellowship from the Social Sciences New York, April 8, 1995. "Open Studio." entering freshman in the college. Every new art Andree Hayum, professor of art history, and Humanities Research Council of Canada. instructor taught one of the laboratory classes Fordham University, spent spring semester 1995 He will research "Hans Gieng's Fountains for the News and attended the lectures that augmented the as the Ruth and Clarence Kennedy Professor in Fribourg." labs. "Design Is Everywhere" is an article Alice Awards, & SOUTH! the Renaissance at Smith College. Hannony Hammond. Fox Fine Arts Center, wrote for the student paper, the Iowa State Daily, Elizabeth Newsome has been awarded a in 1965. University of Texas at EI Paso, March 9-April12, A. Richard Turner has been named Paulette Dumbarton Oaks Summer Fellowship to 1995. "Farm Ghosts." -Mary L Meixner Honors research a book titled The Classic Maya Stela Cult: Goddard professor at New York University. Holly Lane. Art Musewn of Southeast Texas, A Study in the IdeOlogy of Power. In Memoriam Milton Hom, a figurative sculptor known for Beawnont, Tex., May 5-August 27, 1995. Mixed Mariet Westermann is assistant professor of his public commissions, died on March 29, 1995, media and acrylic on wood. Northern Baroque art at Rutgers, State Publication policy: Only grants, awards, or honors Leah Rutchick has been awarded a 1995-96 Theodore R. Bowie, professor emeritus of art at the age of 88. Born in Kiev, Ukraine, in 1906, University of New Jersey. received by individual CAA members are listed. The NEH Summer Stipend and an ACLS Fellowship history at Indiana University, died March 5, he later emigrated to the U.S. He began his grant/award/llOllor amount is not included. Please to support the completion of her book on the 1995, at the age of 90. Bowie played an artistic career as a teenager working for the The Department of Art at Queen's University, note the following Jannat: cite name, institutional intersection of memory practices, meditation, important role in the development of the art sculptor Henry Hudson Kitson in Boston. In the Kingston, Canada, announces the follOWing affiliation, and title of the grant, award, or hOllor, and and historiated sculpture in the Moissac cloister. 1930s he participated in the Works Progress history program and the University Art appointments: Mark Antliff, assistant professor, (optional) use or purpose of grant. Please indicate Museum at Indiana. He traveled widely in Asia, Administration and Was part of a circle of and Patricia Leighten, associate professor, both fltat you are a CAA member. Sean Sawyer has won the Essay Medal of the sculptors tha t included Chaim Gross and where he searched out acqUisitions for the specializing in 20th-century European art; and Society of Architectural Historians of Great museum and material for the many exhibitions William Zorach. In 1936 Horn was a founding Volker Manuth, professor, as the Bader Chair in Britain for his essay "Sir John Soane's Symbolic he organized, one of which was one of the first member of the National Sculpture Society. After Northern Baroque art. Westminster: The Apotheosis of George IV." major shows of Thai art in the West. moving to Chicago in 1949, one of Horn's many public commissions was a stone relief for the Brenda Leigh Baker has been awarded an NEH Susan Verdi Webster has been awarded an Charles S. Chetham, former director of the facade of a synagogue, which is considered by Museums and Galleries Individual Artists Fellowship for her work in NEH Summer Stipend to complete her book Art Smith Co1iege Museum of Art, died on Ma rch 4, some to be the first figurative sculpture on a sculpture. In 1994 she received a Creative Artists und Ritual in Early Modem Seville: TIle Processional 1995. Chetham was a graduate of Tufts Jewish temple since the time of Christ. Fellowship from the Dane County Cultural Sculpture of Penitential Confraternities. University and the School of Fine Arts in Boston. Diane De Grazia has been appointed chief Affairs Commission, Madison Community He received his Ph.D. in art history from Nancy Rash, professor of art history at curator at the Cleveland Museum of Art. She is Foundation, and Madison CitiArts. Carolyn C. Wilson has been awarded a grant for Harvard in 1960. He became assistant director of Connecticut College, died on March 13, 1995. the first person to hold this position. research in Venice and the Veneto from the the University of Michigan Museum of Art and Rash joined the Connecticut College faculty in Denise Benyshek was awarded her second Gladys Krieble Delmas Foundation. assistant professor of art history in 1961. He was 1972; she was promoted to associate professor in Claudia Einecke is associate curator of product grant from Liquitex/Binney and Smith. named director of the Smith College Museum of 1978, to professor in 1983, and to the endowed European art at the Joslyn Art Museum, Omaha, She also received a W. W. Stout Fellowship to Art in 1962. Lucy C. McDannel chair in 1991. She served as Neb. assist with exhibition expenses. chair of the art department from 1980 to 1984 Alice Davis, who devoted her career to the and from 1987 to 1993. In recent years her Lisa Farrington Kent has been named curator at Jacqueline Clipsham was awarded a 1995 teaching of basic design, died in Ames, Iowa, on research was devoted to 19th-century American the Shirley Fiterman Gallery of the Borough of Women's Caucus for Art Honor Award. This February 4, 1995, shortly before her ninetieth art, most notably that of Missouri painter Manhattan Community College, City University award is presented to distinguished senior Conferences birthday. She was a forty-five-year member of George Caleb Bingham. She received a l{ of New York. women in recognition of their achievements in the College Art Association. She recalled the bachelor's degree from Radcliffe College, and the visual arts. Holly Lane, Mary Magdalene in the early years when an annual meeting seated only master's and doctoral degrees from Bryn Mawr Margaret Poser has been appointed director of Wilderness, 1993, acrylic on & 5 ia a handful of women. College. the Paolo Baldacci Gallery, New York. Elisabeth Fraser has been awarded a Gilbert wood, 33 1/4" x 22 112" x 6 1/2" Alice was born in Iowa City, earned her Chinard Scholarship and an NEH SUmmer PHOTO: ADAM REICH A.B. and M.A. degrees there, and then studied at The Weatherspoon Art Gallery, University of Stipend for research on Delacroix's private the National Academy in New York and at the North Carolina at Greensboro, has announced patrons for a book manuscript, In Civility: Eugene Florence Putterman. Grand Central Gallery, Provincetown School of Art. She painted in two appointments: Thomas H. Koccheiser is Delacroix and the Private History of Romanticism. Calls for Papers Tampa, Fla., February 25-April14, 1995. watercolor and oils. She taught at the UniverSity curator of exhibitions, and Douglas Dreishpoon Paintings and monotypes. of Iowa during the administration of Dr. Lester is curator of collections. Kira Lynn Harris has been awarded a 1994-95 Longman. She also taught at Lindenwood Multicultural Arts Leadership Initiative Memory and Oblivion is the theme of the xxrxth College in st. Charles, Missouri, and at Grinnell Fellowship. This program focuses on International Congress of the History of Art, WEST! College in Grinnell, Iowa. From 1951 until 1970 Organization multicultural problem-solving for artists, arts September 1-7,1996, in Amsterdam. Memory Jeff Gates. EI Camino College Art Gallery, she taught at (then) Iowa State College in Ames, organizations, and communities in Southern and oblivion is a complementary couple offering Torrance, Calif., March 13--April7, 1995. "In Our a time when the Applied Art department was in California. ample scope for general discussion as well as Path," photographs. the College of Home Economics. Emily Todd, the first program director of the detailed questions regarding the history of art. Andy Warhol Foundation for the Visual Arts Nancy G. Heller has been awarded an NEH Constance Kocs. LA Artcore, Brewery Annex, It was a period alive to American Abstracts for papers are invited (450 words has left the position. Pamela Clapp is now ' fellowship to attend this summer's Aston Magna Los Angeles, May 3-28, 1995. Paintings and awareness of design. The Chicago Bauhaus was max.); presentations may not exceed 25 minutes director. Academy, the subject of which is "CUltural works on paper. thrilling the midwest. Charles Eames came to and may be delivered in English, German, or the Iowa campus, after which all of the art Cross-Currents: Spain and Latin America, ca. French. For infonnation: Memory and Oblivion, Judy Hiramoto. International Gallery of offices acquired Eames chairs and his "mobile" 1550-1750." xXIXth International Congress of the History of Contemporary Art, Anchorage, Ala., June 2-25, toys. His House of Cards could be -purchased at Art, clo Amsterdam RAI-OBA, Box 77777, 1070 1995. Sculpture. Walgreens drugstores. The fabrics of Dorothy Sue Johnson received a 1995 Individual Artist MS Amsterdam, the Netherlands. Deadline: June Maryellen Murphy. Carrara's Cafe and Gallery, Liebes, Ben Rose, and the young Jack Lenor Fellowship: Two Dimensional from the 1,1995. Emeryville, Calif., April9-May 21,1995. Larsen brought attention to interior design. Maryland State Arts Council. "Decorative and Fine Art Paintings." Buckminster Fuller appeared on the campus and Medievalism is an international conference to be the students built a geodesic dome for their James Juszczyk has been awarded a Pollock held September 27--October L 1995, at the Fritz SchoIder. Remba Gallery, West Holly annual open house, called Veishea. Krasner grant in painting. Higgins Armory Museum, Worcester, Mass. wood, Calif., March 4-AprilI5, 1995. Painting, On her lecture days Alice could be seen Papers are invited on all aspects of medievalism sculpture, mixografias. carrying a large market basket of visual aids, Charles R. Mack has been selected the first in art, architecture, literature, history, religion, which might have contained Russell Wright as Louise Fry Scudder Professor in the College of and popular culture, from the end of the Middle well as Arzberg china, an Akari washi paper Liberal Arts at the University of South Carolina. Ages to the present. A special focus will be on lamp by Noguchi, Blenko glass, or Ellenhank Nancy Rash, 1941-1995 The professorship is described as a "paragon" "Spiritual Dimensions of Medievalism." For award for teaching, service, and scholarship. information: James Gallant, 10 Lyndale'Rd.,

10 CAA NEWS MAY/JUNE 1995 CAANEWS MAY/JUNE 1995 11 Worcester, MA 01606; 508/853-3609. Deadline: the design of commemorative places that are June 10, 1995. intended to help shape and construct people's Artreach '95 is open to artists working in all life sciences, and the professions. Fellowship Internships memory and identity. For information: 202/342- media. Exhibition opens in Salt Lake City, Utah, tenure will begin September 1996. Applicants The African Impact on the Materi~l Culture of 3280. in September 1995. $25 fee per slide, no must have received the Ph.D. or comparable the Americas will be held in spring 1996 at the minimum or maximum nwnber of entries. For professional or artistic degree between January The Museum of Modern Art, New York, offers Museum of Early Southern Decorative Arts, The Smithsonian's Center for Museum Studies information send SASE to: Summer Brown, 1,1993, and September 1, 1996. Fellows are several paid and unpaid internships, open to Winston-Salem, N.C. It will address the presence (formerly the Office of Museum Programs) National Congress of Art and Design, 510 W. expected to be in residence in Ann Arbor during high school, undergraduate, and graduate of African influences in the Americas as announces the arulUal Musewn Leadership 100 South, Salt Lake City, UT 84111; 801/299- the academic years of the fellowship and to students. demonstrated through artifacts, using objects as seminar, July 17-21, 1995, at the Smithsonian, 0770; fax 801/328-1243. Deadline: July 1, 1995. teach for the equivalent of one academic year. The Helena Rubinstein Foundation primary resource data Send proposals for Washington, D.C. The program targets the Annual stipend of $31,000. Application fee of sponsors a summer program (paid, based on papers or panels (3 pages max.) with short c. v. career development needs of African American, Regional '95 is a juried exhibition for artists $25. For information: Michigan Society of available funding) and fall or spring academic to: Bradford L. Rauschenberg, Early Southern Alaskan Native, American Indian, Asian/Pacific Calls for Entries living within 250 miles of Indianapolis. $25 entry Fellows, 3030 Rackham Bldg., University of year programs (unpaid). For information: Decorative Arts, PO Box 10310, Winston-Salem, American, Latino/a, and Native Hawaiian fee for 5 works. Honorarium plus travel or Michigan, Ann Arbor, MI 48109-1070. Deadline: Internship Coordinator, Dept. of Education, NC 27108. Deadline: June 30,1995. professionals in all discipli,nes and functional shipping paid; color illustrated catalogue. For October 13, 1995. Museum of Modern Art, 11 W. 53 St., New York, areas of museum work. For information and The Photo Review is sponsoring its 10th annual prospectus: J. Moore, Indianapolis Art Center, NY 10019. Deadline for fall: July 31,1995. The Faerie Queene in the World, 159G-.1996, is application material: Bob Kidd, Program photography competition. The magazine will 820 E. 67 St., Indianapolis, IN 46220; 317/255- Doctoral Dissertation Fellowship Program of The Edward John Noble Foundation an interdisciplinary conference, September 27- Manager, Center for Museum Studies, MRC 427, reproduce accepted entries in its SUmmer 1995 2464, ext. 233. Deadline: August 25, 1995. the Getty Center for Education in the Arts: internship is a paid, full-time, 12-month position 28, 1996, at the Yale Center for British Art, New Smithsonian Institution, Washington, DC 20560; issue, ensuring that thousands of people will see provides up to 8 fellowships a year, seeking for recent college graduates who have graduated Haven, Conn. On the 400th anniversary of the 202/357-3101; EMAIL: [email protected]. the photographs. One photographer will be New Exhibition Component of Annual proposals that explore the theory and/or with a degree in arts administration, museum publication of the Faerie Queene, scholars will Deadline: Mny 12, 1995. selected for a one-person exhibition at the Print Conference: In response to significant interest practice of discipline-based art education studies, or art history. $17,000 stipend, plus reassess the poem in its historical, yjsual, Club, Philadelphia. $1,000 in cash prizes. Entry expressed by CAA members, beginning in 1996, (DBAE), or connections between and among the benefits, and $1,000 for travel expenses. It theological, poetic, Irish, and global contexts. To The Digital Dialectic: A Conference on the fee of $18 for up to 3 prints or slides, $5 each for an exhibition of work by professional artists will four disciplines of art (art production, art commences September 25, 1995, and ends send proposals and for information: Elizabeth Convergence of TeChnology, Media, and up to 2 additional entries. Send SASE for be presented in conjunction with the annual history, art criticism, and aesthetics), that are September 20, 1996. For an application: 212/708- Fowler, Dept. of English, Yale University, PO Theory will be held at the Art Center College of prospectus to: Photo Review, 301 Hill Ave., conference, in addition to the M.F.A. Exhibition. significant to the evolution of DBAE. Open to 9893. Deadlille: July 26, 1995. Box 208302, New Haven, CT 06520-8302; fax Design, Pasadena, Calif., August 4-6, 1995, just Langhorne, PA 19047. Deadline: entries must CAA members who would like to organizc candidates for either the Ph.D. or Ed.D. in 203/432-7066. Deadlil1e: Sepfember 30,1995. prior to SIGGRAPH '95. This single track arrive between May 15 and 31, 1995. a group exhibition to be presented in conjunc programs in visual art education whose MF.A. candidate wanted: to assist Martha conference brings together scholars and artists tion with the 1997 conference to be held in New dissertation proposals have been approved by Wilson, director, Franklin Furnace, New York, in New Life for the Post Plague Era in Italy is the who combine theoretical investigations with Seafood Leader is the primary trade magaZine Yark, February 12-15, are invited to submit their doctoral committees. Also open to doctoral preparing a CD-ROM version of Art Journal on topic for a series of sessions at the New College analysis of the possibilities (and limitations) of for the seafood industry. Its seafood catalogue proposals. All proposals must include degree candidates in the visual arts or related the subject of performance art. Interest in Conference on Medieval-Renaissance Studies, the technologies involved in digital art and highlights art, for which fish imagery (from curator(s)/organizer{s) names, theme, venue, fields of the humanities who can demonstrate performance art and / or new technology March 14-16, 1996, Sarasota, Fla. Fresh media-grounding the insights of theory in the surrealism to sea-realism), is sought--edible and a bUdget reflecting sources of funding. CAA that their work promises to make a substantial imperative. Ideally, a mutually beneficial scholarship that reassesses our understanding of constraints of practice. For information: Peter species only. Transparencies suitable for will prOVide $2,000 in seed money for the and original contribution to existing literature arrangement in which work may be used the second half of the fourteenth century is Lunenfeld, Graduate Faculty, Art Center College reproduction must be submitted. Include title, exhibition tha t is selected. Send to: Suzanne about DBAE. For information: Elizabeth Paul, toward thesis requirements may be made with invited. For information: Michael Grillo, 151 of Design, 1700 Uda St., Pasadena, CA 91103; fax medium, image size, whether it is unique or Schanzer, Conference Coordinator, CAA, 275 Getty Center for Education in the Arts, 401 candidate's educational institution. Martha Carnegie Hall, University of Maine, Orono, lv1E 818/795-0819; EMAlL: [email protected]. available in prints, and cost. The original work Seventh Ave., New York, NY 10001; fax 212/ Wilshire Blvd., Ste. 950, Santa Monica, CA Wilson, Franklin Furnace Archive, 112 Franklin 04469-5712. Deadline: Odober 31, 1995. must be available for plUchase by catalogue 627-2381. Enclose a self-addressed stamped 90401-1455. Deadline: November 1, 1995. St., New York, NY 10013. Preserving History/Constructing Community is readers. For information: Mary Dittrich, Seafood postcard if acknowledgment of receipt of Venetian Art in the Ringling Museum is the sponsored by the Department of Architectural Leader, 5305 Shilshole Ave., NW, Ste. 200, Seattle, proposal is desired. Deadline: September I, 1995. Henry Luce Foundation/ACLS Dissertation topic for a series of sessions at the New College History at the University of Virginia, September WA 98107. Deadline: May 31, 1995. ( ]1 Fellowship in American Art: awards of $15,000 Publications Conference on Medieval-Renaissance Studies, 21-23,1995. Scholars will address a new role for SoRo 20 Gallery, promoting the work of will be made to graduate students at any stage March 14-16, 1996, Sarasota, Fla. Papers are preservation by strengthening a sense of place A Human Presence is a group show scheduled WOman artists, invites applications for of PhD. dissertation work for a one-year term inyjted on Venetian artworks in the Ringling and community and countering the social and for March-April 1996, sponsored by the Art membership and other exhibition opportunities. beginning summer or fall 1996. Applicants must Alternative Fuhlres is a collection of 10 essays collections, or on their mansion, the Ca' d' Zan physical deterioration of established urban Center of Battle Creek, Michigan. Open to For information: 469 Broome St., New York, NY be PhD. candidates working on a dissertation commissioned by Grantmakers in the Arts that and the fascination for medieval and renaissan~e neighborhoods and older communities. For midwestern artists working in any media. Work 10013; 212/226-4167. on a topic in the history of the visual arts of the examines the nature of the arts and philanthropy Venetian art in the 1920s. Send proposals or information: Department of Architectural must contain human figurative references and U.S. In application request note current level of in the U.S. today, while posing provocative papers to: Helena K. Szepe, Art Dept., FAH 229, History, School of Architecture, University of can address psycholOgical, social, racial, Wishing You Were Here is a collaborative work graduate study, department and institution, alternatives for the future. $15.45 postpaid. Art University of South Florida, 4202 E. Fowler Ave., Virginia, Campbell Hall, Charlottesville, V A environmental, historical, and/ or gender issues. consisting of postcards that have been sent citizenship or legal residence, expected degree Resources International, 5813 Nevada Ave., NW, Tampa, FL 33620-7350. Deadli/Ie: October 31, 22903; 804/294-1428. Send slides or photos of work, resume, support from/to an artist or art professional who has date, proposed topic, and date for beginning Washington, DC 20015; 202/363-6806. 1995. material (reyjews, catalogues, etc.), and SASE to: died of Hly / AIDS. These will be gathered into a tenure of the award. For information: FellOWShip The Material City will be sponsored by the A Human Presence, Tim Norris, Art Center of wall of remembrance as part of an exhibition Office, American Council of Learned Societies, Arts Etc. Newsletter is a monthly resource of Nicolas of Verdun is the topic of a colloquium Renaissance Society of America, November 3--4, Battle Creek, 265 E. Emmett St., Battle Creek, MI initiated by the Archives Project and co 228 E. 45th St., New York, NY 10017-3398; fax artist opportunities. It lists grants, juried shows, sponsored by the Comite International 1995, at Vassar College, Poughkeepsie, N.Y. For 49017. Deadline: June IS, 1995. sponsored by CAA and the Gay and Lesbian 212/949-8058. Deadline: November 15, 1995. exhibition opportunities, slide registries, d'Histoire de I' Art, September 25-27, 1995, in information: Benjamin Kohl, History Dept. (386), Caucus of CAA. The exhibition will be held fellowship information, artist services and more. Vienna. Topics on the preliminary program Vassar College, Poughkeepsie, NY 12601. Aljrra, Center for Contemporary Art: national during CAA's 1996 conference in Boston. Send Artemisia Gallery Mentorship Program, 1995- $27 for 12 issues, $48 for 24 issues. Free sample include "The Klosterneuburg Ambo and Its jUried exhlbition, September-November 1995, postcards that have been written, or else create a 96. This program for emerging women artists in issue available. Arts Etc., PO Box 4189, Hartford, Alterations," "The Shrine of the Magi at Cologne Mitate: Metaphor and Humor in the Floating open to 2-D media within 48" x 48." Cash "postcard never sent" as a tribute to that person. the Chicago area includes monthly group CT 06147-4189; fax 203/547-0751. and the Shrine of the Virgin at Tournai," and World is a symposium being held in conjunction awards. Send SASE for prospectus to: Aljira, All submissions will become part of the Archive meetings that address professional issues and a "The Place of Nicolas of Verdun in the Art of His with the exhibition The Women of the Pleasure Center for Contemporary Art, PO Box 7506, Project permanent collection so you might want group exhibition in the gallery. For application: NEH Overview of Endowment Programs is a Time." To submit papers and for infonnation: Quarter, April 13-14, 1996, at the Worcester Art Newark, NJ 07107; 201/643-6877. Deadline: June to send a photocopy of front and back of the 312/226-7323. free guide that includes all the infonnation you CIHA, Institut fur Kunstgeschichte, Museum, Worcester, Mass. Mitate (literally 16,1995. original. Send to: Jonathan Weinberg, History of need about grant opportunities offered by the Universitatsrasse 7, 1010 Vienna,. Austria; fax comparison, or likening), or metaphor, an idea Art Dept., Yale University, 56 High St., PO Box The Asian Cultural Council supports cultural NEH. The Overview features such information as 011 432224028510. that is central to Edo culture, enable people, Beyond Earth: Visionary and Ethereal Art is the 208272, New Haven, CT 06520; fax 203/432- exchange in the visual and performing arts application deadline dates through 1995, how to places, and other images to carry multiple layers theme for this year's Artists Showcase, Chester, 7462. between the u.s. and countries of Asia, get application forms, addresses and phone of meaning. Scholars of Japanese history, N.J., to run September 9, 1995-January 31,1996. primarily through a program of fellowship numbers of state humanities councils, and who To Attend literature, drama, and art will discuss mitate as Slides are requested of paintings, drawings, grants to individual artists, scholars, and to contact for help or for more information. an important issue in the arts and culture of the photography, jewelry, sculptlUe, and wearable Grants and Fellowships specialists. New grants this year include a Mention eAA News and receive a free copy of Places of Commemoration: The Search for Edo period. A limited number of graduate art for inclusion. Free interpretation of the title is residency program in Asia, a fellowship Humanities, the bimonthly publication of the Identity and Landscape Design is the topic of student stipends are available. For information: encouraged, as is positive subject matter. For program in Chinese Studies, and an on-site NEH, as well. NEH Overview, Rm. 402, 1100 Michigan Society of Fellows Postdoctoral the 1995 Landscape Architecture Symposium at Honee Hess, Worcester Art Museum, 55 information: Artists Showcase, 10 Budd Ave., seminar program in art history in China. For Pennsylvania Ave., NW, Washington, DC 20506; Fellowships. Applications arc invited from Dumbarton Oaks, May 19-20. The sympOSium Salisbury St., Worcester, MA 01609-3196. Chester, NJ 07930; 908/879-9552. Deadline: June information: Asian Cultural Council, 1290 202/606-8400; bulletin board for access via 30,1995. qualified candidates for 3-year fellowships in the will discuss the role of landscape architecture in Avenue of the Americas, New York, NY 10104. modem, 202/606-8688; BITNET: NEf-IOPA&GWUVM. humanities and the arts, the social, physicaL and GWU.EDU.

12 CAANEWS MAY/JUNE19Y5 CAANIiWS MAY/JUNE1995 13 Classified Ads New York sublet: large, bright, 3-roorn Information Wanted East Village apartment, suitable for one CAA 1997 Annual Conference or two adults, available for June 1995 The CAA newsletter accepts classified ads of (some May and July availability a professional or semiprofessional nature. possible). Central location convenient to Session Proposal Submission Form $1.25/word ($2/word nonmembers); $15 transportation and SoHo. Security and Adelene Moffat (1862-1956): Moffat minimum. references required. $200/ week; min. 3 worked primarily in New York and weeks. 212/529-1610. New England. Information wanted on Session category (check one): whereabouts of her work. 708/234-8784. Art translations in French, Spanish, New York work space available: May Art History: o Thematic o Non-Thematic German, available on disk or fax. Call 15-August 15. Window, 24-hour access Jakob Steinhardt (1887-1968): searching Studio Art: o Thematic 0 Non-Thematic 718/797-1306 for free estimate. (weekdays freight elevator). Downtown. for paintings, drawings, prints, and $375/month. Call evenings, 212/633- other source material that has not been o Affiliated Society-Sponsored Bantry Bay, Ireland: secluded, reno 8724. considered in the oeuvre catalogues by o Committee-Sponsored* vated, fully furnished, 2 bedroom Kolb, Amishai-Maisels, and Behrens. farmhouse with fireplaces and central Rome: furnished apartment close to Dorothy Kaufmann, M.A., Burgweg 5, (*Approval of committee chair required) heating. $l,OOO/month plus utilities. Trastevere, available immediately. 212/ 69117 Heidelberg, Germany. Ottawa, 613/226-2072; fax 613/224-0464. 274-1811. Session title: ______Author seeks assistance in locating the Books on the Fine Arts. We wish to Rome: lovely, furnished one-bedroom following paintings: Sponsoring Affiliated Society or CAA Committee (if applicable): ______purchase scholarly D.p. titles on Western apartment. Panoramic terraces, walk to Pieter Huys (Flemish, 1545-1571), European art and architecture, review Vatican museums, subway, shops. No The Fool, panel, 16 x 12 inches. Bust Brief synopsis of session topic: ______copies, library duplicates. Andrew D. pets. One year minimum. Available length figure of a laughing jester, partly Washton Books, 411 E. 83rd St., New August 1. $1,100/month (heating hiding his face with his left hand and York, NY 10028; 212/481-0479; fax 212/ included). 617/969-8307. looking through his fingers. He wears a 861-0588. parti-colored gray and yellow coat Umbria, Italy: large country home. trimmed with scarlet, and a hood with For rent: attractive furnished bedroom. $700/month. Available September-June, donkey ears. The painting was sold Charrl: ______NYC, upper East Side near museums. 1995-96. No monthlies. 812/226-3860 or November 1948 at Parke-Bernet (now Suitable visiting woman scholar. 812/855-0578. Sotheby's) from the collection of Baron CAA membership #: ______Doonnan building. Good transporta and Baroness Raoul KuHner de Dioszeg. tion. Security and references required. Venice, California: two-story California Master of the Angerer Portrait, The (CAA membership from submission of proposal through 1997 is required of all chairs.) If not a member, call 212/691- $200/ week; min. 3 weeks. Call DG Craftsman house and separate art studio Buffoon. Bust-length figure of an eating lO51, x. 204 for an application. Associates, 212/996-4629. for rent. Impeccably furnished and jester, holding in his right hand a morsel landscaped. Available late summer for of food, and in his left the "marotte" address: ______Fresco Painting and Marmo-Scagliola six months to one year. $3,000 plus featuring the sculpted head of a fool. A Workshops-Ceri, Italy: 40 kilometers utilities. 310/391-4471. small dog rests on the jester's left north of Rome, July 6-26, 1995. Live/ shoulder. The painting was offered for work in an unusual 16th-century Wanted: Albuquerque, N.Mex. apart sale at Christie's, London, June 28, 1935, palazzo. All aspects of fresco painting ment/house. Visiting faculty needs 1- lot 10. It did not sell. It was possibly sold telephone: office/studio:------ home:------ arid scagliola are covered. Field trips bedroom apartment in the university / privately thereafter, or returned to the included. Write/call for further details. downtown area for June 1995. Would owner, who sold it independently. e-mail address: fax: Accademia Caerite, Inc. (formerly Fresco like to trade 3-room New York City Justin Liuba, 178 E. 80 St., #15A, New Associates), 133 Greene St., New York, apartment, suitable for one or two York, NY 10021-0452; 212/535-8169; fax NY 10012; 212/473-5657 or 914/762- adults, but will consider rental. Resi 212/879-0707. Chair 2 (if applicable): ______2970; fax 212/777-7551 or 914/271-3380. dence must be pet-free. Will consider other locations, especially if trade is CAA membership #: Live/work in Basel, Switzerland: possible. References available. 505/243- available July-October, large 3-bedroom 5684, or 212/529-1610. (CAA membership from submission of proposal through 1997 is required of all chairs.) If not a member, call 212/691- apartment, fully equipped. Ideal for 1051, x. 204 for an application. visiting artist/scholar, or couple. $700/ West Village, NYC, duplex loft: light, month. Minimum 2 months. Spacious views, fully furnished, a/ c, 24-hour artist studio also available. Teresa security. Mid-June-mid-September. address: ______Hubbard, Entenweidstrasse 12, 4056 $1,600 monthly. 212/691-1159. Basel, Switzerland; 011 41 61 321 5607 or 011 41 61 631 1964. telephone: office/studio: ______home: ______Manhattan loft sublet: 1,200 sq. ft., furnished, washer/dryer. Live/work, e-mail address: fax: $1,400/month, including utilities. July I-December 31. 510/268-8l32 until June Mail 15 copies of (1) completed form; (2) one- to two-page proposal; and (3) c.v. (2 pages max.), to: 1; 212/473-2469 in June. Suzanne Schanzer, Conference Coordinator, College Art Association, 275 Seventh Ave., New York, NY 10001. Deadline: September 1, 1995.

14 CAANEWS MAY/JUNE1995 CAA NEWS MAY/JUNE 1995 15