Sustaining the Vibrancy of Campbell House Museum
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Partial List of Institutional Clients
Lord Cultural Resources has completed over 2500 museum planning projects in 57+ countries on 6 continents. North America Austria Turkey Israel Canada Belgium Ukraine Japan Mexico Czech Republic United Kingdom Jordan USA Estonia Korea Africa France Kuwait Egypt Central America Germany Lebanon Morocco Belize Hungary Malaysia Namibia Costa Rica Iceland Philippines Nigeria Guatemala Ireland Qatar South Africa Italy Saudi Arabia The Caribbean Tunisia Aruba Latvia Singapore Bermuda Liechtenstein Asia Taiwan Trinidad & Tobago Luxembourg Azerbaijan Thailand Poland Bahrain United Arab Emirates South America Russia Bangladesh Oceania Brazil Spain Brunei Australia Sweden China Europe New Zealand Andorra Switzerland India CLIENT LIST Delta Museum and Archives, Ladner North America The Haisla Nation, Kitamaat Village Council Kamloops Art Gallery Canada Kitimat Centennial Museum Association Maritime Museum of British Columbia, Victoria Alberta Museum at Campbell River Alberta Culture and Multiculturalism Museum of Northern British Columbia, Alberta College of Art and Design (ACAD), Calgary Prince Rupert Alberta Tourism Nanaimo Centennial Museum and Archives Alberta Foundation for the Arts North Vancouver Museum Art Gallery of Alberta, Edmonton Port Alberni Valley Museum Barr Colony Heritage Cultural Centre, Lloydminster Prince George Art Gallery Boreal Centre for Bird Conservation, Slave Lake National Historic Site, Port Alberni Canada West Military Museums, Calgary R.B. McLean Lumber Co. Canadian Pacific Railway, Calgary Richmond Olympic Experience -
The Decorative Arts in Contemporary Urban Context
Thea Haines OFFICIAL SYMPOSIUM HOTEL CONTRIBUTOR BIOGRAPHIES Thea Haines is a textile designer, artist, and educator living and working in Hamilton, Ontario, The DoubleTree by Hilton Canada. Currently an instructor in textile design at 108 Chestnut Street Dr. Peter Kaellgren Sheridan College, she was previously an artist-in- Toronto, ON M5G 1R3 Peter Kaellgren joined the staff of the European residence of the Craft Studio at Harbourfront Department at the Royal Ontario Museum in 1972. Centre, and a member of the Contemporary Textile Please see booking instructions options below. Over the years, he worked to build up its collections Studio Co-operative, Toronto. Her research, practice Online: https://goo.gl/vbSydG of ceramics, glass, silver, furniture and design and consultancy is focused on the use of natural Telephone: 416-599-0555 graphics including contemporary material. In 1977, colourants in surface design, printing and Toll Free: 1-800-668-6600 Peter coordinated the ROM exhibition “A Gather of small-scale production, including the cultivation Fax: 416 597 6351 Glass”. He completed a Ph.D. in Art History with a and harvest of colour-producing plants. Current E-Mail: [email protected] minor in Decorative Arts at the University of projects include a study of colours produced from Delaware in 1987. From fall, 1981, until 1992, his food waste, and a regional survey of dye plants in Ask for the Canadian Society of Decorative Arts antiques column “ROM Answers” appeared in the Hamilton. She received her MA in Textile Design preferred rate or reference group code: DA1 Mclean Hunter publication City & Country Home. -
The Campbell House Story Study Guide
THE CAMPBELL HOUSE STORY STUDY GUIDE The Campbell House Story was written by Alex Dault. It premiered in Toronto, Ontario, in March 2012 at the Campbell House Museum, directed by Lee Wilson and produced by Single Thread Theatre Company. Page 2 CONTENTS 1. A Letter to Teachers and Students 3 2. Introduction to Found-Space Theatre 4 3. The Campbell House 5 4. The Campbell House Story – Who, what, where, when? 6 5. Interview with the Playwright 8 6. Fact vs. Fiction 10 7. Themes 13 8. Lesson Plans A. Writing in Role 18 B. Class Recreation of the Types Trial 20 C. Class Recreation of the Colonial Advocate 23 D. Research and Write like a Race Historian 26 9. Appendices A.1 Character Investigation Guide 28 A.2 Character Investigation Graphic Organizer 29 A.3 Writing in Role 30 A.4 Writing in Role Rubric 31 B.1 Trial Roles 32 B.2 Trial Role Character Worksheet 33 B.3 Mock Trial Handbook 34 B.4 Trial Recreation Rubric 38 C.1 Newspaper Reporter Notes 39 C.2 How to Create a Newspage Using Microsoft Publisher 40 C.3 Newspaper Production Rubric 41 D.1 Images for Research and Write like a Race Historian 42 D.2 Rubric for Research and Write like a Race Historian 43 10. Acknowledgements 44 Page 3 A LETTER TO TEACHERS AND STUDENTS As a found space theatre company, Single Thread believes strongly in the importance of making our work accessible to educators and students. We aim to interpret classical works in innovative ways and also to support new works by Canadian artists. -
Annual Conference 2018
Annual Conference 2018 Conference Program (Final Edition) With The Toronto, Oct 24-26 Toronto Museum Network #OMAConf2018 & City of Toronto 1 Photo: Tourism Toronto Not Business As Usual: What’s New in 2018 Session Duration Varies: concurrent sessions mostly start at the same time, but may not end at the same time. Use the extra time to visit the exhibitors, network with colleagues, or relax at the ‘Take-a-Minute’ tables! EXPO Hub: visit the hub in the EXPO throughout conference to meet experts, practitioners, heritage sector partners, and other professional or service organizations, and more! Take-A-Minute Tables: look for tables in the lobby and hallways where you can casually get to know your colleagues and unwind with mindful activities. Subthemes: Look for these symbols in the schedule at a glance to see if the Photo: Tourism Toronto session focusses mostly on workforce, collections, or audiences: Workforce Collections Audiences Walk Away a Winner! Win Registration to the OMA Annual Conference 2019! Submit the completed Evaluation Form in your delegate bag to the Registration Desk by 4pm on Friday to be entered into the draw! Passport to Prizes: Win a prize package from the Exhibitors by visiting all the exhibitors listed in the Passport to Prizes in your delegate bag, and entering it into the draw at the Registration Desk. 18 exhibitors are participating this year so that prize package is BIG! Silent Auction: Bid on over 40 incredible silent auction items on Thursday! The Auction closes at 7:00 pm during the Awards Gala Dinner. Photo: Tourism Toronto Conference Theme Collaborating for Impact: Not Business as Usual considers how the museum sector is stronger working collaboratively, and how museums, art galleries, and historic sites can be a positive force for change in Ontario society. -
And Contested Urban Histories
and Contested Urban Urban Contested and Museos de Ciudad e de Museos Historias Urbanas Urbanas Historias Ciudad de México, octubre de 2017 de octubre México, de Ciudad CAMOC Annual Conference 2017 Conference Annual CAMOC CAMOC Conferencia Anual 2017 Anual CAMOC Conferencia Mexico City, October 2017 October City, Mexico Impugnadas Book of Proceedings of Book Histories Libro de Actas de Libro www.camoc.icom.museum ISBN: 978-92-9012-433-7 ISBN: APRIL 2018 APRIL 1 InternatIonal CommIttee for the ColleCtIons and aCtIvItIes of museums of CItIes © Copyright by CamoC: Design: Cover photo: This e-book is available for download free of charge from the CAMOC website () or upon request at: 2 MuseuMs Of CiTies AnD COnTesTeD urbAn HisTOries editor: 3 07 JOAnA sOusA MOnTeirO 08 MuseuMs, MIgRAtIon And ARRIvAL CItIes Museos, Migrac ión y ciudades de LLegada 12 MArCO bArrerA bAssOls “Museología y Migración en la era Trump” [full text in Spanish] 17 MArlen MOuliOu Antes de ‘La Llegada’.. cómo empoderar a las comunidades de refugiados urbano” 26 JOAn rOCA i AlberT “La ciudad informal en el museo de la ciudad [full text in Spanish] 50 Jesús AnTOniO AnD MACHuCA rAMírez “¿Cuentan los grupos indígenas establecidos en la ciudad [full text in Spanish] 66 HOrTensiA bArDerAs AlVArez “ estructurador del tejido urbano en la periferia sur de Madrid [full text in Spanish] uRbAn MeMoRy, AMnesIA And CIty MuseuMs MeMoria urbana, aMnesia y Museos de ciudad 86 JOAnA sOusA MOnTeirO WiTH DAnielA ArAúJO AnD rui COelHO “ 90 lAurA l. ACCeTTA [full text in Spanish] 104 Jennefer nePinAK AnD ClinT Curle “ Humanos 110 ÁGueDA MACiAs De OliVeirA AnD AnA lúCiA De Abreu GOMes “Ciudad extraordinaria, problemas ordinarios: los casos de tres museos de la ciudad de Brasília 4 118 AnneMArie De WilDT “ Urbanas 127 CinTiA VelÁzQuez MArrOni “ pasado en el museo[full text in Spanish] dIsPuted PResent: CItIes And CuLtuRes In ConFLICt eL Presente en disP uta : ciudades y cuLturas en confLicto 140 sArAH M. -
Sense of the Past: Historic House Museums in Toronto, Canada, As Forms of an Urban Heterotopia
SENSE OF THE PAST: HISTORIC HOUSE MUSEUMS IN TORONTO, CANADA, AS FORMS OF AN URBAN HETEROTOPIA by Alevtina Naumova Master of Arts in Communication, Grand Forks, University of North Dakota, USA, 2005 Bachelor of Arts in Journalism, American University – Central Asia, Bishkek, Kyrgyzstan, 2003 A dissertation presented to Ryerson University and York University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the joint program in Communication and Culture Toronto, Ontario, Canada, 2017 © Alevtina Naumova 2017 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this dissertation. This is a true copy of the dissertation, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this dissertation to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this dissertation by photocopying means, in total or in part, at the request of other institutions or individuals for the scholarly research. I understand that my dissertation may be made electronically available to the public. ii ABSTRACT Sense of the Past: Historic House Museums in Toronto, Canada, as Forms of an Urban Heterotopia Alevtina Naumova Doctor of Philosophy in Communication and Culture Ryerson University and York University, 2017 Historic house museums allow for reconceptualization of the meaning of tangible objects around us. We establish this new relationship with materiality through our sensory bodies. We conceive of ourselves differently and allow ourselves to move and behave in ways that are not acceptable in the world outside of the museum. We perform our new selves with permission granted by the sense of place that cannot be understood other than through embodied experience–of things, of selves, of the environment that brings it all together. -
NEWSLETTER the Town of York Historical Society ______
NEWSLETTER The Town of York Historical Society ____________________________________________________________________________________________________________ June 2010 Vol. XXV No. 2 difficult to maintain than its squat, low-ceilinged ARTSCAPE TO RESCUE neighbour, the 1957 Givins/Shaw Public School. SHAW STREET SCHOOL But Artscape, a not-for-profit organization that revitalizes buildings and communities through the arts, has come to the old school‟s rescue. It is to be refurbished and repurposed as the Artscape Shaw Street Centre and will offer space to arts organizations, as well as studio space to artists, both for sale and for rent at below-market levels. This is a much welcomed development in a neighbourhood well known as the hub of Toronto‟s independent arts scene, but one facing the pressures of creeping gentrification. The former school is located just north of a vibrant strip of Queen Street West that is The three-storey sandstone and red brick building home to over 50 independent galleries and anchored known as the Shaw Street School has stood empty by two creatively redeveloped hotels, the Gladstone and inaccessible since it was declared surplus to the and the Drake. A 15-foot high lobby, with stained needs of the Toronto District School Board in 2001. glass windows and a wide slate staircase boasting A victim of the declining enrolment common to mahogany banisters, will enable the new arts centre many established neighbourhoods, it was also undone to hold its own in such company. by its own magnificent scale, which made it more -
Campbell-House-Museum-Wedding-Package-2018-CMP.Pdf
160 Queen Street West, Toronto M5H 3H3 (416) 597-0227 Campbell House www.campbellhousemuseum.ca [email protected] @CampbellHouseTO Museum ________________ Table of Contents _________________ Weddings at Campbell House ………………………..…………………………………….. 4 The Ballroom …………………………………………………………………........................ 5 Dining Room ………………………………..…………………………………...................... 6 Withdrawing Room …………………………………………………………………………… 7 Robinette Room …………………………………………………….………..……………….. 8 Historic Kitchen ……………………………………………………………..………………… 9 Exclusive Use of House ……………………………………………………………………... 10 Grounds ………………………………………………………………………………………. 11 Wedding Photography ………………………………………………...…………………… 12 Catering ………………………….…………………………………………………………… 13 Event and Audio Visual Equipment ……………………………………………………….. 14 Fees and Capacity …………………………………………………………........................ 15 Additional Information …………………………………………..…………....................... 16 Credits …………………………………………………………....……….…....................... 17 Capacity Information ………………………………………………………………………... 18 Ballroom Layout ……………………………………………………………………………... 19 __________________________________________________________________________________________________ ___ Weddings at Campbell House ___ Campbell House Museum is a historic house located in the heart of downtown Toronto at the northwest corner of Queen and University Avenue. An outstanding example of Georgian architecture, the house sits in a small park surrounded by trees and flower beds, creating a beautiful outdoor setting in the spring and summer -
Global Reformations Transforming Early Modern Religions, Societies, and Cultures 28–30 September 2017
Global Reformations Transforming Early Modern Religions, Societies, and Cultures 28–30 September 2017 Toronto Guide ART GALLERIES & MUSEUMS Art Gallery of Ontario Museum of Inuit Art 317 Dundas St. W. 416-979-6648 Chinatown 207 Queen’s Quay W. 416-603-7591 The Waterfront http://www.ago.net/ http://miamuseum.ca/ T, R-D: 10 am – 5:30 pm; W: 10 am – 8:30 pm Open daily: 10 am – 6 pm The AGO holds more than 80,000 works in its collection, which MIA is the only museum south of the Arctic devoted exclusively spans from 100 A.D. to the present. to the display of Inuit art from across Canada, from Nunatsiavut (Labrador) to the Inuvialuit Settlement Region (Northwest Territories and the Yukon). Bata Shoe Museum 327 Bloor St. W. 416-979-7799 The Annex http://www.batashoemuseum.ca/ Royal Ontario Museum M-W, F-S: 10 am – 5 pm; R: 10 am – 8 pm; D: 12 pm – 5 pm 100 Queen’s Park 416-586-8000 Bloor - Yorkville Over a thousand shoes and related artefacts (from a collection http://www.rom.on.ca/ numbering over 13,000) are on exhibit in architect Raymond M-R: 10 am – 5:30 pm; F: 10 am – 6:30 pm; S-D: 10 am – 5:30 pm Moriyama's award-winning four-storey structure. The ROM is among the world’s leading museums of natural history and world cultures. In combining a universal museum of cultures with that of natural history, the ROM offers an unusual Design Exchange breadth of experience to our audiences from around the world.