Join a Book Discussion

Total Page:16

File Type:pdf, Size:1020Kb

Join a Book Discussion footnotesBETHLEHEM PUBLIC LIBRARY NEWSLETTER January/February 2020 INSIDE: Streaming video service Page 2 Mobility devices available Page 2 Teen SEWcial: Pajama Pants Join a book Page 5 discussion Page 4 A Little Blue Truck Sensory Experience Page 7 451 Delaware Ave., Delmar • 518-439-9314 www.bethlehempubliclibrary.org • www.bplteens.org • www.bplkids.org What’s new at the library footnotes We heard you! January/February 2020 In November, we asked our Bethlehem friends and neighbors to take part in a Kristen Roberts, editor/staff writer public brainstorming workshop to talk about the evolution of library services and how the library’s space can be used to best meet those needs. On Wednesday January 8 at 6pm, library architect Paul Mays returns to talk about those responses Trustees and what priorities emerged from that discussion. We hope you can join us! Mary Redmond, president Mark Kissinger, vice president On-demand films with Kanopy Brian Sweeney, vice president The library is now offering Kanopy streaming video exclusive to Bethlehem card- holders as part of a one-year experiment to gauge interest in the on-demand service. Caroline Brancatella, secretary With Kanopy, you’ll find a catalog of more than 30,000 enriching and thought- Lisa Scoons, trustee, UHLS board provoking indie films – think “Lady Bird” or “The Florida Project” as opposed to big- Harmeet Narang, trustee budget blockbusters. Thousands of documentaries and hard-to-find foreign films are also part of the collection. In addition, Kanopy provides access to an excellent Michelle Walsh, trustee selection of The Great Courses, college-level video courses on a number of topics including economics, fine arts, music, history, literature, philosophy, science, Robert Khalife, board treasurer mathematics, social sciences, professional development and better living. The Netflix-like browsing interface is easy to navigate, and films can be Director streamed from your computer, television, mobile device or platform by Geoffrey Kirkpatrick downloading the Kanopy app for iOS, Android, AppleTV, Chromecast or Roku. To get started, click on the eContent graphic on the library’s home page at www.bethlehempubliclibrary.org. Library board • Monday January 13 • 6pm Access for all • Monday February 10 • 6pm At Bethlehem Public Library, we strive to be accessible to people of all abilities. Mobility devices are available to use on site, including a motorized scooter, Friends board walker with seat and a wheelchair. Patrons who need one of these devices Monday February 17 • 6:30pm brought out to the parking lot can call (518) 439-9314, ext. 4. Below are some other ways we provide accessible options to our patrons. Library hours • Our public spaces are ADA compliant. Weekdays 9-9 • Saturdays 10-5 • American Sign Language is available at programs (requires some advance notice). Sundays 12-5 • Assistive listening devices are available in the Community Room for programs and events. Patrons may wish to bring their own headphones. • We custom print Braille library cards on site and have Braille materials for Holiday hours children. We can also coordinate materials from the New York State Talking Book and Braille Library (TBBL) for our patrons. • January 1: CLOSED • Our delivery service Books to People reaches patrons who are homebound. • We have an extensive large-print materials section, and eBooks and New Years’ Day eMagazines provide an opportunity for font enlargement on e-readers. • January 20: OPEN MLK Jr. Day • Movies are shown with Subtitling for the Deaf and Hard of Hearing when • February 17: OPEN Presidents Day possible. • An Optelec magnifying reader can enlarge research and other materials. Contact us • 518-439-9314 • information@ All ages bethlehempubliclibrary.org • trustees@ Tech Room Makerspace Open House bethlehempubliclibrary.org Monday January 20 • 2-4pm Drop in for an overview of the equipment available for use anytime the library is The footnotes newsletter is published six open. Check out the Cricut Maker, sewing machine, Makerbot 3D printer, button times a year and mailed to all households in makers, die cut machine, laminator and more. Try out sample projects or just the Bethlehem Central School District. see the equipment in action. s sign up online or call 518-439-9314 • www.bethlehempubliclibrary.org • www.bplteens.org • www.bplkids.org 2 January/February 2020 Adults Bullet Journal 101 s Saturday January 4 • 1pm Bring a journal or notebook and see how easy and fun it can be to get organized through bullet journaling. If you already keep a bullet journal, you’re invited to share your insight and experience. iPad Basics s Monday January 6 • 10am Do you have a new iPad? We’ll show you how to use it. Bring your iPad and Apple ID and password. Open House: Sewing Assistance s Tech Room Makerspace Monday January 6 • 6-8pm Saturday January 11 • 11am-1pm January 20 Monday January 13 • 3-5pm OR 6-8pm Tuesday January 14 • 3-5pm Monday January 20 • 6-8pm Saturday February 1 • 11am-1pm Monday February 3 • 3-5pm OR 6-8pm Tuesday February 4 • 3-5pm Tuesday February 11 • 6-8pm Bring your own materials and supplies and meet a volunteer in the Tech Room Makerspace for one-on-one help with your sewing project or an overview of machine sewing. Registration will close one business day before scheduled appointment times. Listening Parties: Music With a Sense of Humor Thursday January 16 • 7pm Does music require humorous lyrics to be funny or can it be evoked in the abstract? Listen to and discuss some examples. Sunday Cinema: The Art of Racing in the Rain (PG-13, 109 min., Universal) Sunday January 26 • 1pm Film series with titles suitable for adult audiences. Shown with Subtitling for the Deaf and Hard of Hearing when possible. Please note new matinee start times. Adobe Premiere Elements Training s Monday January 27 • 10am Learn how to edit videos, create titles, insert transitions, add special effects, adjust audio and more to create a professional-looking video suitable for a variety of media. Tuesday Cinema: 12 Angry Men (1957, Not Rated, 95 min., MGM) Tuesday January 28 • 1pm Film series with titles suitable for adult audiences. Shown with Subtitling for the Deaf and Hard of Hearing when possible. Please note new matinee start times. Pop In to Make Pop-Up Cards Monday February 3 • 6:30pm Make a cool card for Valentine’s Day or any other special occasion. Snacks will be served. Support and Guidance for Dementia Caregivers Wednesday February 5 • 11am Social workers from Eddy Alzheimer’s Services will be available to speak one-on- one with caregivers of individuals with dementia. Funded by a grant from NYS Department of Health. A Little Sunday Music: No-Sew Sock Bunnies s Saturday February 8 • 3pm Melanie Chirignan A fun bunny craft to give you the warm fuzzies. Register each participant individually. Teens welcome! February 9 continued s sign up online or call 518-439-9314 • www.bethlehempubliclibrary.org • www.bplteens.org • www.bplkids.org 3 January/February 2020 Adults (continued) Book Let’s talk about books Discussions Do you enjoy talking about books with fellow readers? Are you stuck in a reading rut and in need of some inspiration? Then consider joining in on DayBooks one of the library’s three different book discussions for adults. Discussions Thursdays or Mondays are facilitated by Bethlehem librarians, who carefully select books spanning at 1:30pm a variety of topics and genres. Sometimes the authors even drop by to provide additional insight (such as Paul Castellani who will be joining us January 13 or 16 for the February 11 Natalie’s Wars discussion). See the list at left for additional The Book Woman of Troublesome Creek 2020 titles. by Kim Michele Richardson New members are always welcome, and copies of the books are available at February 10 or 13 the Information Desk. Audio and downloadable copies may also be available. The Library Book by Susan Orlean March 9 or 12 Beartown by Fredrik Backman A Little Sunday Music: Flautist Melanie Chirignan April 6 or 9 Sunday February 9 • 2pm Nomadland: Surviving America Enjoy a concert by this versatile instrumentalist accompanied by pianist Michael in the Twenty-First Century Clement. Sponsored by Friends of Bethlehem Public Library. All ages welcome! by Jessica Bruder Introduction to Windows 10 s May 11 or 14 Monday February 10 • 10am The Library of Lost and Found In this class for computer beginners, we will go over the basics of using the Windows 10 by Phaedra Patrick operating system. June 8 or 11 Isn’t It Romantic: Valentine’s Day Songs The Tattooist of Auschwitz by Heather Morris Friday February 14 • 2pm Singers Eric and Linda Braun, along with Richard Nabozny, will perform romantic songs from the Great American Songbook, including some sing-alongs. Check ’Em Out Books Sunday Cinema: The Farewell (PG, 109 min., Lionsgate) Mondays at 7pm Sunday February 16 • 1pm January 6 Film series with titles suitable for adult audiences. Shown with Subtitling for the Deaf The Expatriates by Janice Y.K. Lee and Hard of Hearing when possible. Please note new matinee start times. March 2 Listening Parties: Nina Simone Half Broke Horses by Jeannette Walls Thursday February 20 • 7pm May 4 Listen to and discuss this singer who combined influences of jazz, folk, pop and the The School of Essential Ingredients blues, as well as classical music into her style. by Erica Bauermeister Intro to the Internet s Monday February 24 • 10am In this class for computer beginners, we will go over the basics of using the Internet, AfterDinner Books focusing primarily on the world wide web. Tuesdays at 7pm Sew It Yourself: Soup Bowl Cozies s February 11 Monday February 24 • 6pm Natalie’s Wars by Paul Castellani Protect your hands and furniture with a soup bowl cozy that’s cute and functional.
Recommended publications
  • Carol Raskin
    Carol Raskin Artistic Images Make-Up and Hair Artists, Inc. Miami – Office: (305) 216-4985 Miami - Cell: (305) 216-4985 Los Angeles - Office: (310) 597-1801 FILMS DATE FILM DIRECTOR PRODUCTION ROLE 2019 Fear of Rain Castille Landon Pinstripe Productions Department Head Hair (Kathrine Heigl, Madison Iseman, Israel Broussard, Harry Connick Jr.) 2018 Critical Thinking John Leguizamo Critical Thinking LLC Department Head Hair (John Leguizamo, Michael Williams, Corwin Tuggles, Zora Casebere, Ramses Jimenez, William Hochman) The Last Thing He Wanted Dee Rees Elena McMahon Productions Additional Hair (Miami) (Anne Hathaway, Ben Affleck, Willem Dafoe, Toby Jones, Rosie Perez) Waves Trey Edward Shults Ultralight Beam LLC Key Hair (Sterling K. Brown, Kevin Harrison, Jr., Alexa Demie, Renee Goldsberry) The One and Only Ivan Thea Sharrock Big Time Mall Productions/Headliner Additional Hair (Bryan Cranston, Ariana Greenblatt, Ramon Rodriguez) (U. S. unit) 2017 The Florida Project Sean Baker The Florida Project, Inc. Department Head Hair (Willem Dafoe, Bria Vinaite, Mela Murder, Brooklynn Prince) Untitled Detroit City Yann Demange Detroit City Productions, LLC Additional Hair (Miami) (Richie Merritt Jr., Matthew McConaughey, Taylour Paige, Eddie Marsan, Alan Bomar Jones) 2016 Baywatch Seth Gordon Paramount Worldwide Additional Hair (Florida) (Dwayne Johnson, Zac Efron, Alexandra Daddario, David Hasselhoff) Production, Inc. 2015 The Infiltrator Brad Furman Good Films Production Department Head Hair (Bryan Cranston, John Leguizamo, Benjamin Bratt, Olympia
    [Show full text]
  • (Waco) Blaine R. Pasma MA Co-Mentor
    ABSTRACT A Critical Analysis of Neorealism and Writing the Screenplay, Mid-Sized City (Waco) Blaine R. Pasma M.A. Co-Mentor: Christopher J. Hansen, M.F.A. Co-Mentor: James M. Kendrick, Ph.D. This thesis outlines both the historical and theoretical background to Italian neorealism and its influences specifically in global cinema and modern American independent cinema. It will also consist of a screenplay for a short film inspired by neorealist practices. Following this, a detailed script analysis will examine a variety of cinematic devices used and will be cross-examined with the research done before. The thesis will also include personal and professional goals. A Critical Analysis ofNeorealism and Writing the Screenplay, Mid-Sized City (Waco) by Blaine Pasma, B.A. A Thesis Approved by the Department of Film and Digital Media Christopher J. Hansen, M.F.A., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements forthe Degree of Master of Arts Approved by the Thesis Committee Christopher J. Hansen, M.F.A., Chairperson James M. Kendrick Ph.D., Chairperson Tiziano Cherubini, Ph.D. Accepted by the Graduate School May 2021 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School. Copyright © 2021 by Blaine R. Pasma All rights reserved TABLE OF CONTENTS CHAPTER ONE .............................................................................................................................................. 1 INTRODUCTION ...........................................................................................................................................
    [Show full text]
  • Cool Under Fire Five Firefighter Alums Describe What It’S Like to Be in the Heat of the Moment
    If life is but a dream, THIS IS LIVING. MARCH | APRIL 2018 COOL UNDER FIRE FIVE FIREFIGHTER ALUMS DESCRIBE WHAT IT’S LIKE TO BE IN THE HEAT OF THE MOMENT. Mother Nature created it. We perfected it. It’s time to pick your place in paradise. TOP 5 PLACES TO BUY A SECOND HOME ~ Barrons, 2017 Kiawahisland.com • 866.312.1791 Obtain the Property Report required by Federal Law and read it before signing anything. No Federal or State agency has endorsed or judged the merits of value, if any, of this property. This is not intended to be an offer to sell nor a solicitation of offer to buy real estate in any jurisdiction where prohibited by law. This offer is made pursuant to the New York State Department of Law’s Simplified Procedure for Homeowners Associations with a De Minimis Cooperative Interest (CPS-7).The CPS-7 application (File No. HO16-0007) and related documents may be obtained from the sponsor. This project is registered with the State of New Jersey Department of Banking and Insurance CAITLIN COREY ’06 Real Estate Commission. Obtain and read the NJ Public Offering Statement before signing anything (NJ Reg#16-15-0012). AN AFFILIATE OF KIAWAH PARTNERS. KENT, WASHINGTON FIVE DOLLARS 180301_Kiawah_Ivy.indd 1 1/17/18 1:44 PM 1 firefighter cover 2.indd 2 1/31/18 2:50 PM Hanover & Woodstock’s Premier Boutique Brokerage SOLD SOLD SUNNYSIDE - Woodstock, VT BIRCH FELL - Barnard, VT NEW PRICE ROOTED IN HISTORY NEW PRICE Our Chelsea Storage Chest. A very special piece made from a walnut tree that once stood where our workshop is today.
    [Show full text]
  • 90Th Annual Academy Awards® Oscar® Nominations Fact Sheet
    90TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: Call Me by Your Name (Sony Pictures Classics) - Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, producers - This is the first nomination for all four. Darkest Hour (Focus Features) - Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, producers - This is the fifth nomination for Tim Bevan. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Les Misérables (2012) and The Theory of Everything (2014). This is the sixth nomination for Eric Fellner. His previous Best Picture nominations were for Elizabeth (1998), Atonement (2007), Frost/Nixon (2008), Les Misérables (2012) and The Theory of Everything (2014). This is the second Best Picture nomination for both Lisa Bruce and Anthony McCarten, who were previously nominated for The Theory of Everything (2014). This is the first nomination for Douglas Urbanski. Dunkirk (Warner Bros.) - Emma Thomas and Christopher Nolan, producers - This is the second Best Picture nomination for both. They were previously nominated for Inception (2010). Get Out (Universal) - Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, producers - This is the second Best Picture nomination for Jason Blum, who was previously nominated for Whiplash (2014). This is the first Best Picture nomination for Sean McKittrick, Edward H. Hamm Jr. and Jordan Peele. Lady Bird (A24) - Scott Rudin, Eli Bush and Evelyn O'Neill, producers - This is the ninth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013), The Grand Budapest Hotel (2014) and Fences (2016).
    [Show full text]
  • Sean Baker's the Florida Project
    Reviews Cinergie – Il cinema e le altre arti. N.13 (2018) https://doi.org/10.6092/issn.2280-9481/8275 ISSN 2280-9481 American Neorealism? Sean Baker’s The Florida Project Angela Dalle Vacche* Published: July 12, 2018 Many neorealist films included children: for example, Bruno (Enzo Stajola) in Vittorio DeSica’s Ladri di Bici- clette (1948) or the half-naked infant crying desperately towards the end of Roberto Rossellini’s last episode for Paisa (1946) which was set in the marshes of the Po Valley. The postwar period was the great season of casting non-professional actors, and especially very young children due to their notorious lack of self-consciousness in front of the camera. During the 2017 New York Film Festival, the most refreshing film was Sean Baker’s The Florida Project, a history of children from homeless and fatherless families living with their destitute mothers on the margins of Disney World in Florida. Shot in real locations, Baker’s The Florida Project unfolds in one long-term rental motels in Kissimmee, east of Eden Route 192. These pastel colored buildings with endless rows of parked cars, a little swimming pool, and fast food restaurants nearby, become the playing ground of a few wild kids: Moonee, the leader of a band of * Georgia Tech University (US); [email protected] Copyright © 2018 Angela Dalle Vacche 169 The text of this work is licensed under the Creative Commons BY License. http://creativecommons.org/licenses/by/4.0/ American Neorealism? Sean Baker’s The Florida Project Cinergie. N.13 (2018) rascals (Kimberly Prince), Scooty (Christopher Ruvera), and Jancey (Valeria Cotto).
    [Show full text]
  • Tampa Bay History 06/01 University of South Florida
    University of South Florida Scholar Commons Digital Collection - Florida Studies Center Digital Collection - Florida Studies Center Publications 7-1-1984 Tampa Bay History 06/01 University of South Florida. College of Social and Behavioral Sciences. Department of History Follow this and additional works at: http://scholarcommons.usf.edu/flstud_pub Part of the American Studies Commons, and the Community-based Research Commons Scholar Commons Citation University of South Florida. College of Social and Behavioral Sciences. Department of History, "Tampa Bay History 06/01" (1984). Digital Collection - Florida Studies Center Publications. Paper 2520. http://scholarcommons.usf.edu/flstud_pub/2520 This Article is brought to you for free and open access by the Digital Collection - Florida Studies Center at Scholar Commons. It has been accepted for inclusion in Digital Collection - Florida Studies Center Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. SPRING/SUMMER 1984 VOLUME 6, NUMBER 1 CONTENTS From the Editors 3 Communications 4 ARTICLES Cigar Label Art: Portraits of Tampa's Past By L. Glenn Westfall 5 Right-Wing Extremists and the Sarasota Schools, 1960-1966 By Daniel R. Campbell 16 Fort Myers' Lee Memorial Hospital: The Early Years By Alberta C. Rawchuck 27 The Railroad Depot: A Photographic Essay By R. Randolph Stevens 36 NOTES AND DOCUMENTS Smuggling at Tarpon Springs: A Protest 53 BOOK REVIEWS Mormino and Pizzo, Tampa: The Treasure City, By Charlton W. Tebeau . 56 Miller, Juan Nepomuceno de Quesada: Governor of Spanish East Florida, 1790-1795, By Jack D. L. Holmes . 57 Glenn, My Work Among the Florida Seminoles, By Susan Greenbaum .
    [Show full text]
  • 90Th Oscars® Nominations Announced
    MEDIA CONTACT Academy Publicity [email protected] January 23, 2018 FOR IMMEDIATE RELEASE Note: Nominations press kit and video content available here 90TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Actress-comedian Tiffany Haddish and actor-director Andy Serkis, joined by Academy President John Bailey, announced the 90th Academy Awards® nominations today (January 23) live from the Academy’s Samuel Goldwyn Theater via a global live stream on Oscar.com, Oscars.org, the Academy’s digital platforms, a satellite feed and broadcast media. Haddish and Serkis announced the nominees in 11 categories at 5:22 a.m. PT, with pre-taped category introductions by Academy members Priyanka Chopra, Rosario Dawson, Gal Gadot, Salma Hayek, Michelle Rodriguez, Zoe Saldana, Molly Shannon, Rebel Wilson and Michelle Yeoh. Haddish and Serkis announced the remaining 13 categories at 5:38 a.m. PT. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Tuesday, February 20 through Tuesday, February 27. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 90th Oscars®, hosted by Jimmy Kimmel, will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m.
    [Show full text]
  • 21St Century Film Criticism: the Volute Ion of Film Criticism from Professional Intellectual Analysis to a Democratic Phenomenon Asher Weiss
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Keck Graduate Institute Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2018 21st Century Film Criticism: The volutE ion of Film Criticism from Professional Intellectual Analysis to a Democratic Phenomenon Asher Weiss Recommended Citation Weiss, Asher, "21st Century Film Criticism: The vE olution of Film Criticism from Professional Intellectual Analysis to a Democratic Phenomenon" (2018). CMC Senior Theses. 1910. http://scholarship.claremont.edu/cmc_theses/1910 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. Claremont McKenna College 21st Century Film Criticism: The Evolution of Film Criticism from Professional Intellectual Analysis to a Democratic Phenomenon Submitted to Professor James Morrison By Asher Weiss For Senior Thesis Spring 2018 April 23, 2018 Weiss 2 “In the arts, the critic is the only independent source of information. The rest is advertising.” – Pauline Kael “Good films by real filmmakers aren’t made to be decoded, consumed or instantly comprehended.” – Martin Scorsese “Firms and aggregators have set a tone that is hostile to serious filmmakers, suggesting that they have conditioned viewers to be less interested in complex offerings.” – Martin Scorsese Weiss 3 Acknowledgements I would like to thank my reader, Professor James Morrison for his continued mentorship and support over the last four years which has greatly improved my film knowledge and writing. Thank you Professor Morrison, for always challenging me to look at films in new ways and encouraging me to express my true opinions.
    [Show full text]
  • THE FLORIDA PROJECT Written by Sean Baker & Chris Bergoch Final
    THE FLORIDA PROJECT Written by Sean Baker & Chris Bergoch Final Production Draft 07/31/16 INT. MAGIC CASTLE – STAIRWELL - DAY MOONEE (6) and SCOOTY (7) are outside The Magic Castle Motel, purple and run-down. The kids sit against the wall in the shade of an alcove under the stairs outside the main office. The two take turns playing a game on a phone. They hear a small boy, DICKY (7), calling from the distance. DICKY Moonee! Scooty!! MOONEE What!? DICKY Mooneeeeeeeeee! Dicky makes his way to the enclave moving fast. MOONEE WHAT!!?? Steadicam: Begin close on Dicky's screaming face and CONTINUOUS move from the side road parallel to Route 192 to behind Dicky, following him running towards the motel. MOONEE (CONT’D) WHAT!!!!? Dicky arrives at the enclave. DICKY Freshies at The Future! Moonee and Scooty are enthralled. MOONEE / SCOOTY Freshies at The Future!!! They jump up and exit frame. We hold on the purple wall. “Celebration” by Kool & the Gang blasts over the OPENING TITLES that play out as we continue to hold on the wall. EXT. ROUTE 192 - DAY Moonee, Scooty and Dicky make their way to the end of the motel’s driveway. PAN RIGHT to follow them and reveal Route 192 in full. 2. The kids run to the adjacent property -- FUTURELAND INN (located a block West from The Magic Castle). EXT. FUTURELAND INN - DAY - CONTINUOUS Moonee/Scooty/Dicky arrive at the entrance to FutureLand. Scuffed-up retro-futuristic rockets adorn the weather-damaged sign in front, its logo embedded within a constellation. A faded ‘Stay in the future..
    [Show full text]
  • A Film by Sean Baker
    June Pictures presents A Cre Film & Freestyle Pictures Company Production The F lorida Project A film by Sean Baker www.JunePictures.com/project/the-florida-project/ Facebook: Facebook.com/TheFloridaProject Twitter: @theFLproject 112 minutes / USA / 2017 INTERNATIONAL PRESS IN CANNES: Liz Miller [email protected] Christelle Randall [email protected] Aneeka Verma [email protected] Cannes Office Tel : +33 4 93 39 26 75 The Florida Project PRODUCTION NOTES SYNOPSIS The Florida Project tells the story of Moonee, a precocious six-year- old and her ragtag group of friends. The children’s summer break is filled with wonder, mischief and adventure while the adults around them struggle with hard times. Throughout the United States, budget motels have become a last refuge for people who have found themselves unable to secure a permanent residence. A growing “hidden homeless” population, 41% of which is composed of families, struggles week to week in order to keep a roof over their heads. Our story takes place just outside of Orlando, the vacation capital of the world and home to “The Most Magical Place on Earth.” Along the main highway that runs through the land of theme parks and resorts, budget motels that once attracted tourists by exploiting the Disney mystique, now house homeless families. Moonee and her twenty-two year old mother, Halley, live at one such establishment — The Magic Castle Motel. The closest thing Moonee has to a father is Bobby, the motel’s manager, a guarded and diligent man who is taunted by the children’s antics. Halley has lost her job and a new girl the same age as Moonee has moved in at the motel next door - it's going to be an eventful summer.
    [Show full text]
  • 91St Annual Academy Awards® Oscar® Nominations Fact
    91ST ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: Black Panther (Walt Disney) - Kevin Feige, producer - This is his first nomination. BlacKkKlansman (Focus Features) - Sean McKittrick, Jason Blum, Raymond Mansfield, Jordan Peele and Spike Lee, producers - This is the second Best Picture nomination for both Sean McKittrick and Jordan Peele, who were nominated last year for Get Out. This is the third Best Picture nomination for Jason Blum, who was nominated for Whiplash (2014) and last year's Get Out. This is the first Best Picture nomination for both Raymond Mansfield and Spike Lee. Bohemian Rhapsody (20th Century Fox) - Graham King, producer - This is his fourth Best Picture nomination. He was previously nominated for The Aviator (2004) and Hugo (2011), and won the award in 2006 for The Departed. The Favourite (Fox Searchlight) - Ceci Dempsey, Ed Guiney, Lee Magiday and Yorgos Lanthimos, producers - This is the first Best Picture nomination for Ceci Dempsey, Lee Magiday and Yorgos Lanthimos. This is the second Best Picture nomination for Ed Guiney, who was nominated in 2015 for Room. Green Book (Universal) - Jim Burke, Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga, producers - This is the second Best Picture nomination for Jim Burke, who was previously nominated for The Descendants (2011). This is the first Best Picture nomination for Charles B. Wessler, Brian Currie, Peter Farrelly and Nick Vallelonga. Roma (Netflix) - Gabriela Rodríguez and Alfonso Cuarón, producers - This is the first nomination for Gabriela Rodríguez. This is the second Best Picture nomination for Alfonso Cuarón, who was nominated in 2013 for Gravity.
    [Show full text]
  • Relaunching Cinema: Content for Recovery 1 Film Collections
    RELAUNCHING : CINEMA ALL-TIME CLASSICS AWARD WINNERS CONTENT FOR BAME VOICES BEST OF BRITISH BIG SCREEN SPECTACLE RECOVERY COMEDY KICKS DOCUMENTARY FEATURES EVENT CINEMA FAMILY FUN FOREIGN LANGUAGE FRANCHISE FAVOURITES HORROR HITS INDIE GEMS LGBTIQ+ CINEMA LOCKDOWN, BACK AGAIN MODERN CLASSICS MUSICAL PLEASURES NEW VISIONS PERIOD DRAMA ROMANTIC ENCOUNTERS SCI-FI AND FANTASY SILVER SCREENERS SUPERHERO SMASHES TEEN SPIRIT WOMEN IN FILM INTRODUCTION his document is intended for the use of UK film programmers and exhibitors of all shapes and sizes. It is certainly not exhaustive T in its content listing, and instead represents an easy to read and locate guide to the wealth of potential titles readily available to play in UK cinemas once they reopen in the coming weeks. Highlighted filmed content has been separated into groups, by genre, theme, flavour or audience demographic, which should hopefully aid programme planning and decision making as cinemas get themselves back up to operational speed. With something for everyone, the 450 amassed titles may feature in more than one category, and further content is also likely available upon request and interaction with individual distributors. Each title here has information on running time and certificate, plus any additional format detail. Distributors are also listed for each title, and at the back of the document there is an easy to use, full list of distribution direct sales contacts split by company. This collection of content has been compiled from many of the UK’s distribution companies under the aegis of FDA, and it forms part of the unified sector business recovery planning currently being undertaken by both FDA and UKCA, via the cross-industry body, Cinema First.
    [Show full text]