DOCSLIB.ORG

Ground Floor Ground Floor First

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ground Floor Ground Floor First GROUND FLOOR FIRST FLOOR 8 6 5 wc 7 4 9 2 5 13 2 11 12 10 3 MAIN ENTRANCE 1 GROUND FLOOR decades long interest in the language and its status in rela- similar in both cases. In the situation after the collapse of European countries we can observe emerging political reli- 8. ODILE BERNARD SCHRÖDER, tion to reality. In works created in the 70s and 80s as a result the socialist project in Eastern Europe and a deep crisis of gions of the extreme right, deeply rooted in local, neopagan works from the series Revolution-Revelation (2017-2018) 1. MARIA TOBOŁA, Schadenfreude (2017-2018) of the observations of censorship language and the newspe- the American project, such an action has in equal measure traditions and promoting Euroscepticism. They all use similar Courtesy of the Pola Magnetyczne gallery ak of the Polish People’s Republic, the artist pondered the archaeological and utopian dimensions. logic in constructing the past, which can be summarised in In an iconic television game show of the late 90s., Idź na phenomenon of language as a means of communication. In the part of the installation involving the found footage, the slogan “make … great again”. The starting point for the works of Odile Bernard Schröder całość (Polish version of Let’s Make a Deal), one of the Through the use of words he reclaimed public space, and he two screens are displaying material edited from pieces of (b. 1962) are visual materials from the French presidential consolation prizes was a yearly stock of a Monosodium glu- deconstructed and problematised relationships between the Hollywood movies and social realist productions: social campaign of 2017. The artist juxtaposes images of skirmishes tamate-based seasoning with an intense if limited choice of image and the word. realism and Hollywood. The sculpture which accompanies 6. JOZEF MRVA JR., Knot Capital (2017); Rihanna – Work ft. of protesters with the law enforcement, the documentation flavours. In her installation, Maria Toboła (b. 1987), interested Once again, Kozłowski deals with language in a version of the them presents a kind of an “ideal type” of two figures of Drake (8h Wageslave Megamixxx) (2016) of the events in the campaign, screenshots of televised de- in the social and cultural dimension of food and ambitions piece Everything Buzzes Apart From What Bubbles, arranged viewer-citizens created by these two visual traditions, holding bates and photos of defaced election posters. She diligently of the new middle class, treats the show as an illustration of especially for this exhibition, in which droning words glide out a hand to each other – as two objects in a museum, Knot Capital is a part of a broader artistic project authored analyses all materials in terms of their content and form, and broader processes occurring after 1989 and failed hopes of over light display boards. The main focus of his interest is the constituting the testimony of the past and also as a sign of by Jozef Mrva (b. 1988), inspired by the knot theory – clo- then processes them using analogue photographic methods, the economic transformation. issue of buzz and overproduction of the content broadcasted the chance to reopen the utopian imagination. sed loops arranged in three-dimensional space, which also obtaining compositions on the verge of s documentary and The game show in which contestants could only win by by the media. Similarly to the industrial revolution, which explored their visual and semiotic potential. In the piece abstraction, reportage and dreamlike visions. risking everything reflects the spirit of the system governed apart from progress brought about the degradation of the na- featured in the exhibition, lotto balls are rolling through a Scenes created by OBS – in which politicians are transfor- by the compulsion to be ready to take the risk, leave your tural environment and air pollution, the information revolution 5. SZABOLCS KISSPÁL, From Fake Mountains to Faith knotted structure. Corporate media ceaselessly feed their med into dark creatures, television anchors to witches privy comfort zone and make sacrifices for your career. Neoliber- alongside the omnipresence and universality of information (Hungarian Trilogy) (2012-2015) audience news about the success waiting for them just to mysterious knowledge and pollsters become necromants alism awards merit and punishes ineffectiveness, perceives technologies led to the emergence of the information smog. around the corner, and telling them everyone can join the contacting the world beyond – reflect the character and competition as a determining factor of interpersonal rela- The quantitative problem of the excess and multitude of infor- The project of Szabolcs KissPál (b. 1967) consists of two elite. One of the mechanisms of social control in plutocracy style in which politics is currently done. Instead of reforms or tionships and defines citizens as consumers whose freedom mation sources goes hand in hand with the low substantive projections of quasi-documentaries and pseudo-museum is a practically unwinnable lottery – officially presented as modernisations, populists on both sides of the political scene is best exercised by buying and selling. In a society where quality of the content or the reliability of information, as well collection of archaeological finds. Through interpretation and an expression of the inclusive character of the system. It place negation above constructive skills. A realistic, substan- “solidarity” is the name of a confectionery manufacturer, as the oversaturation of online resources with false content narrative-building, KissPál explores the anatomy and symbo- remains a secret why people agree to the injustice of the tive programme is replaced with demagoguery, wishful and fiercely promoted healthy competition easily morphs into used as a tool of political conflict. lic construction of the Hungarian “non-liberal democracy” – system which relies on increasing the capital possessed by magical thinking. Rituals, exorcisms, spells and symbolic schadenfreude. based on the national trauma, elements of pagan beliefs and an increasingly small group of people. One of the reasons gestures of parting with the past and cutting off from one’s foundations of national myths. can be hope – the great stabiliser of social unrest. opponents become more important than actual actions. 4. KATARZYNA GÓRNA and JAKUB MAJMUREK, The Treaty of Trianon signed after the First World War, which However, this magical or ritual character of politics looks a bit 2. ALEKA POLIS, The Vistula idol (2006-2007) The Archaeology of Utopia (2012) significantly reduced the surface of Hungary and left millions different in the Polish context, where the presence of priests Property of: collection of Zachęta Sztuki Współczesnej Property of: collection of Zachęta Sztuki Współczesnej of Hungarians left outside its borders, a hundred years later in the public life and constant references to metaphysical in Szczecin in Szczecin still inspires strong emotions, and the promise of restoring powers is nothing new. the Great Hungary is one of the pillars of the nationalist pro- FIRST FLOOR The baluster resembles a human figure with two faces turned The project consists of a sculpture and a two-channel video paganda. Currently, Turanism makes a comeback as well – in opposite directions, and thus evokes the Roman god projection featuring edited found footage. The subject of both a nationalist political religion, according to which Hungarians 7. ADELINA CIMOCHOWICZ, Natural State (2018) 9. ANNA BAUMGART, Franciszka Wróbla bunt jest niepewny Janus, the symbol of power. Two Janus-like faces look into parts of the installation is exploring visuals codes of partici- originate from Central Asia and are related to Altaic people. (2015) the past and into the future, and reflect Polish divided society. pation developed by the 20th century cinema. In particular, This view played an important part in the first half of the 20th Adelina Cimochowicz (b. 1992) analyses liminal emotional Aleka Polis (b. 1974) alludes in her work to Profilo continuo by two of its traditions which created the most vivid images century, and it is now promoted by nationalist parties. states and nervous crises using the medium of video and The project of Anna Baumgart (b. 1966) is a contemporary look del Duce, a piece by Renato Bertelli, Italian sacral futurist, of involvement, participation, group and political communita- Combining historical facts and archival materials with a fic- photography. The narrative of the presented work consists at the problem of the young unemployed. Documenting an which was patented on 26 June 1933 and mass produced, risation. So, on the one hand it is Hollywood (from the classic tional narrative, the film Amorous Geography (2012) focuses of statements from three women – their testimonies of living encounter with a jobless young man, the artist alludes to a 1967 enjoying a huge commercial success, and finding its way to era of the 1930s until today), on the other hand – the social on building an ethnic landscape in the context of not only na- with a sense of anxiety and threat caused by their housing documentary filmA Year in the Life of Franek W. by Kazimierz desks across the entire Italy and beyond. realist cinema (feature films and documentaries), especially tional, but also European history, together with its racist and and economic circumstances. Trance-like movement and a Karabasz. His protagonist was Franek Wróbel, a twenty-year- A series of eight photographs of the Idol taken in various those produced in the USSR. colonial burden. At the centre of The Rise of a Fallen Feather subtle stream of words trickling from the speakers normali- -old from a small village, entering adulthood in the harsh reality locations in and around Warsaw complete the work. Katarzyna Górna (b. 1968) and Jakub Majmurek (b. 1982) (2016), there is a Turul – a mythical bird of prey, the symbol se and add an aesthetic quality to the situation of constant of the Communist Poland in the 1960s.
Load more

Recommended publications
  • {PDF} a Concise History of Poland Ebook Free Download
    A CONCISE HISTORY OF POLAND PDF, EPUB, EBOOK Jerzy Lukowski,Hubert Zawadzki | 408 pages | 31 Jul 2006 | CAMBRIDGE UNIVERSITY PRESS | 9780521618571 | English | Cambridge, United Kingdom A Concise History of Poland PDF Book On one hand, there's no doubt about the fact that it is a concise book which presents events throughout the country's history in an accessible manner. Showing May 23, Afina rated it it was amazing. Doesn't hold a candle to Norman Davies' 'God's Playground', though that's not to say this isn't a good concise survey of Polish history which is fascinating. Jagiellonian Poland I ended up feeling a bit ambivalent about this presumption. Jerzy Lukowski , Hubert Zawadzki. Error rating book. There are fascinating facts that one does not come across in any of the other histories which add to the general background and it is written in a eminently readable fashion. Lindsay Freed rated it liked it Nov 12, Poland to 1. You have added ' ' to the following students:. Herodotus: Histories Book V. Learn More About the App Got it! Want to Read saving…. Jun 29, Wendy Jackson rated it liked it. Piast Poland? Susie rated it really liked it Jun 27, Published November 12th by Cambridge University Press first published Escape the Present with These 24 Historical Romances. A Concise History of Poland. Lukowski is a very familiar name amongst students of Polish History - his account of the Partitions is a classic and the partnership with Zawadzki This is beyond a doubt the best history of Poland I have read so far and I run a website on Polish History.
    [Show full text]
  • The End of History Or the Beginning of the Future? Video Art Comments on a Paradigm Shift
    Austrian Cultural Forum New York 1989: The End of History or the Beginning of the Future? Video Art Comments on a Paradigm Shift. WALL TEXTS MARINA ABRAMOVIC (*1946 in Belgrade, Serbia, lives and works in New York City, USA) In her film “Count on Us: Only Chorus” Abramovic conducts a children’s choir singing a “hymn” to the UN in Serbo-Croatian as a symbol of understanding among nations. It was in former Yugoslavia in particular that hopes for a better and new world of brotherhood were brutally destroyed by the specter of nationalism, racism and war. The work can also be understood to unveil the cynicism of the post communist language surrounding the end of history. Marina is a performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the “grandmother of performance art”. Her work explores the relationship between the performer and audience, the limits of the body, and the possibilities of the mind. Marina was a student at the Academy of Fine Arts in Belgrade from 1965-70. She completed her post-graduate studies at the Academy of Fine Arts in Zagreb, Croatia in 1971. From 1973-1975 she taught at the Academy of Fine Arts at Novi Sad, while implementing her first solo performances. She is a performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the “grandmother of performance art”. Her work explores the relationship between the performer and audience, the limits of the body, and the possibilities of the mind.
    [Show full text]
  • Friends, 2020 Catalog
    FRIENDS, 2020 KATARZYNA KOZYRA FOUNDATION SUPPORT PROGRAM the present times are challenging for everybody. Even more so for women. The spread of the coronavirus and the worldwide economic crisis will make our work more difficult still. But we don’t give up. We will continue to fight in defence of the freedom of thought and gender equality. The Katarzyna Kozyra Foundation, as you know, has been created to support the work of female artists. Its many initiatives included, for example, a series of exhibitions of Women Commentators – a project which gave voice to young Russian and Ukrainian artists who live in countries where freedom of expression is not always allowed. One of the most recent investigations that the Foundation carried out, Little Chance to Advance, has revealed the huge underrepresentation of female teachers in Polish Art Academies. The Foundation is also currently working on numerous projects, which include an exhibition of Urszula Broll, a recently deceased artist who unfortunately did not live to see sufficient recognition for the important work of her life, as well as an archive of statements and works by female artists from the Visegrad Group. The recent cuts in the financing of NGO’s providing social and cultural support for women, make the raison d’ être of the Katarzyna Kozyra Foundation even more justified. It is why I ask you to join the group of the Foundation’s Friends and support us with a financial contribution so as to help the Foundation implement its program in support for women artists, consisting of research projects, exhibitions, book publications, seminars… I do not ask you for this commitment in exchange for nothing.
    [Show full text]
  • The Public Library Service Provision to the Polish Community Living in Sheffield
    The Public Library Service Provision to the Polish Community Living in Sheffield A study submitted in partial fulfilment of the requirements for the degree of Master of Arts in Librarianship at THE UNIVERSITY OF SHEFFIELD by Anna Listwon September 2007 ABSTRACT This dissertation intends to examine the public library service provision to the Polish community in Sheffield. Its main aim is to establish the library needs of the newly arrived Polish people and examine their opinion of the service provision. It also considers the needs and views of the established elderly Polish community on the library services and the opinions of library personnel with regard to their services and awareness of the newly arrived Polish people. The topics covered in the interviews and questionnaire were based on the subjects found in the literature relative to the subject, which has so far made sparse references to the Polish communities living in Great Britain. This study is qualitative and therefore the following methods were implemented: in-depth interviews with librarians and elderly Poles, and questionnaires with open-ended questions distributed to the young Poles in order to develop thorough understanding of the issues in question. The data gathered indicated that the Polish collection and Polish materials are of great significance to the Polish community. The Poles would like to be involved in the selection process and have more Polish books in their collection. The librarians had little knowledge of the scope of the demand for Polish books but were open to gaining more knowledge of the newly arrived Polish people. As a result of this research it is concluded that materials in the Polish language and having books in Polish by Polish authors are essential for the Polish community.
    [Show full text]
  • Aesthetic Experience of Metabolic Proccesses
    AESTHETIC Förster EXPERIENCE Aesthetic Experience of Metabolic Processes Aesthetic Metabolic Experience of METABOLIC PROCESSES FÖRSTER Aesthetic Experience of Metabolic Processes Future Ecologies Book Series Edited by Petra Löffler, Claudia Mareis and Florian Sprenger Desiree Foerster explores the impact of liminal experiences on human subjectivity. Her work often takes the form of collaborative research creation projects, where interactive art works intersect with her writings on process philosophy, speculative research, and aesthetic practice, such as with the Topological Media Lab, Concordia University (CA), Synthesis Center, Arizona State University (US), and IXDM, Basel (A). She is a postdoctoral instructor at the Cinema and Media Department at the University of Chicago, after graduating from the Institute for Arts and Media at the University of Potsdam. Aesthetic Experience of Metabolic Processes Desiree Förster This book is a dissertation submitted to the University of Potsdam in 2019. Advisors (Gutachter): Prof. Birgit Schneider and Prof. Sha Xin Wei Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche National- bibliografie (German National Bibliography); detailed bibliographic infor- mation is available online at http://dnb.d-nb.de. Published in 2021 by meson press, Lüneburg, Germany www.meson.press Design concept: Torsten Köchlin, Silke Krieg Cover image: Mashup of photos by @saira and @kholopkin on Unsplash Copyediting: Selena Class The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom. ISBN (Print): 978-3-95796-180-8 ISBN (PDF): 978-3-95796-181-5 ISBN (EPUB): 978-3-95796-182-2 DOI: 10.14619/1808 The digital editions of this publication can be downloaded freely at: www.meson.press.
    [Show full text]
  • Poland Country Assistance Review (In Two Volumes) Volume I: Main Report
    Report No. Poland Country Assistance Review (In Two Volumes) Volume I: Main Report April 14, 1997 ________________________________________________________________________ Operations Evaluation Department Document of the World Bank Abbreviations and Acronyms ARPP Annual Review of Portfolio Performance ASAL Agriculture Sector Adjustment Loan ATF Agricultural Task Force BAS Budget Accounting System BGZ Polish Bank of Food Economy CAR Country Assistance Review CAS Country Assessment Strategy CEE Central and Eastern Europe CEM Country Economic Memorandum CMEA/COMECON Council of Mutual Economic Assistance COS Cost Accounting System CSIR Country Strategy Implementation Review CSP Country Strategy Paper DDSR Debt and Debt Service Reduction DHE District Heating Enterprises EAA European Association Agreement EBRD European Bank for Reconstruction and Development EC-PHARE European Commission Poland and Hungary Assistance in Restructuring Economies EC European Commission EU European Union ECA Europe and Central Asian Region ECU European Currency Unit (now called the Euro) EDI Economic Development Institute EFF Extended Fund Facility(IMF) EFSAL Enterprise and Financial Sector Adjustment Loan EIB European Investment Bank EP Employment Promotion Project EPSP Employment Promotion Service Project ERG Energy Restructuring Group ERR Economic Rate of Return Director-General, Operations Evaluation : Mr. Robert Picciotto Acting Director, Operations Evaluation Dept. : Mr. Roger Slade Acting Division Chief : Mr. Luis Ramirez Task Manager : Mr. Luis Landau Abbreviations
    [Show full text]
  • Communist’ Ghosts
    ARTISTIC RUPTURES AND THEIR ‘COMMUNIST’ GHOSTS On the post-communist condition as threshold experience in art from and in Eastern Europe Magda Schmukalla PhD in Psychosocial Studies 2017 Birkbeck, University of London 1 To my parents 2 I hereby declare that this thesis is entirely my own work and contributions from other persons are fully cited and referenced. 3 ABSTRACT This thesis theorizes and explores the post-communist condition as a threshold experience. While scholars in the social sciences and humanities have often criticized the notion of post-communism for reproducing discursively the East/West divide, this study argues that it is precisely from within the post-communist threshold that the current hegemonic role of the West can be effectively challenged. I begin by showing how the post-communist condition captures an intense experience of being undone and how, with the abrupt breakdown of a communist order and a gradual return to a capitalist structure, the main pillars of modern subjectivities in Eastern European countries have been fundamentally disturbed. As a consequence ‘post-communist sites’ have turned into places or relations in which ghostly relics of past experiences suddenly crop up with no ideological structure being strong enough to control their haunting. The ghosts returning in this state of collective uncertainty do, however, not only disturb today’s Eastern European site but also, I argue, make the Western subject feel haunted by its ‘post-communist Eastern European other’. My aim is further to explore this particular threshold experience on its own terms. In this study the entry point to its transitory realm is therefore neither theory, nor quantitative or qualitative data but the elusive, contradictory, and often very personal realm of contemporary art.
    [Show full text]
  • Joanna Rajkowska
    Joanna Rajkowska CV Born in Bydgoszcz, Poland (1968). Lives and works in Warsaw, Poland. Education 1995 Studio Semester Program, State University of New York, NY 1993 MFA in Painting, Academy of Fine Arts, Kraków 1992 MA in Art History, Jagiellonian University, Kraków Public Projects 2019 Death of the Palm Tree, on the occasion of The World Environment Day, 1-14 June, 2019, Warsaw, Poland 2018 Chariot, Art Night 2018, London, UK 2017 I shall not enter into your heaven, Teatr Powszechny, Warsaw, Poland I shall not enter into your heaven, as part of the project Open City, Crossroads, Lublin, Poland Event Horizon, The 7th International Festival of Ephemeral Art, Sokołowsko, Poland 2016 Forcing a Miracle, POLIN Museum of History of Polish Jews, Warsaw, Poland Trafostation, part of the visual arts programme of European Capital of Culture, Wrocław, Poland Greetings from Kielce, as part of the Nomada project, Kielce, Poland Timepost Helsinki, as part of Helsinki Design Week, Helsinki, Finland Avant-garde for Insects, as part of Parkowanie, Gdańsk, Poland 2015 Zechstein Sea, The Baltic House Lab 2015, Gdańsk, Poland The Peterborough Child, Wysing Arts Centre, UK 2014 Rosa's Passage, as part of Łódź of Four Cultures Festival, Łódź, Poland Soundlessness, Open'er Festival, Gdynia, Poland Carpet, Institute for Contemporary Ideas and Art, Gothenburg, Sweden Soon Everything Will Change, PEA, Birmingham, UK 2013 All-Seeing Eye, Open Art Projects, Brasilia, Brazil !Kino!, Critical Mass, St Petersburg, Russia 2012 Forcing A Miracle, Frieze Projects 2012,
    [Show full text]
  • Artur Żmijewski
    www.hmkv.de ARTUR ŻmijewSKI / HMKV im Dortmunder U 21. 04. – 22. 07. 12 Auch in „konstruierten Situationen“ zeigt ÜBER DAS Żmijewski das von der gesellschaftlichen Norm Abweichende, das, was wir normaler- AUSHANDELN weise ausblenden. In Repetition (2005), einem Reenactment des 1971 durchgeführten Stan- WIDEr- ford Prison Experiments, in dem Teilnehmer in der jeweils selbstgewählten Rolle als Gefäng- STREITENDER nisaufseher oder -insasse ihre sadistischen Seiten ausleben oder Them (2007), zu wel- INTERESSEN chem Żmijewski Vertreter zweier miteinander widerstreitender gesellschaftlicher Gruppen ÜbER ARTUR ŻMIJEWSKIS VIDEO­ aus Polen einlud und dann die entstehende INSTALLATION DEMOCRACIES (2009–2012) Auseinandersetzung auf Video dokumentierte, reklamiert das „Deviante“ und das „Abseitige“ Artur Żmijewski (*1966 in Warschau) ist einer gewissermaßen einen Anspruch auf Anerken- der bekanntesten polnischen Künstler seiner nung, spricht den Zuschauer unmittelbar emo- Generation – und gleichzeitig wahrscheinlich tional an und fordert so (Selbst-)Reflexion und einer der wohl umstrittensten. Bekannt ge- politische Positionierung ein. Moralische Zwei- worden ist er durch seine experimentelle fel führt Żmijewski dabei als Denkblockaden vor, künstlerische Praxis mit verschiedenen ge- mit denen wir Distanz gegenüber jenen zu wah- sellschaftlichen (Rand-)Gruppen, die das, ren versuchen, die „das Andere“ repräsentieren. was die Gesellschaft als „normal“ und „ab- Artur Żmijewskis Installation Democracies normal“ beziehungsweise als „abweichend“ (2009
    [Show full text]
  • Joanna Rajkowska CV
    ! Joanna Rajkowska Born 1968, Bydgoszcz, Poland" Lives and works in London and Nowogród, Poland " Member of Krytyka Polityczna editorial board and Civic Forum For Contemporary Art, PhD Researcher at Department of Art, Goldsmiths University of London Education 1988 - 1993 MFA in Painting, Academy of Fine Arts, Kraków, Poland" 1987 - 1992 MA in Art History, Jagiellonian University, Kraków, Poland" 1994 - 1995 Studio Semester Program, State University of N.Y., New York, USA" 2014 - present PhD Researcher, Goldsmiths, University of London, UK " Public Projects 2017 I'll Never Get to Your Heaven, In the frame of the project Open City, Crossroads, Lublin, Poland Event Horizon, The 7th International Festival of Ephemeral Art in Soko$owsko, Poland 2016 Forcing a Miracle, Museum of History of Polish Jews POLIN, Warsaw, Poland Trafostation, part of the visual arts programme of European Capital of Culture Wroc$aw, Poland Greetings from Kielce, part of Nomada project, Kielce, Poland Timepost Helsinki, part of Helsinki Design Week, Helsinki, Finland Avant-garde for Insects, part of Parkownie, Gda%sk, Poland 2015 Zechstein Sea, The Baltic House Lab 2015, Gda%sk, Poland The Peterborough Child, Wysing Arts Centre, UK 2014 Rosa's Passage, in the frame of &ód' of Four Cultures Festival, &ód', Poland Soundlessness, Open'er Festival, Gdynia, Poland Carpet, Institute for Contemporary Ideas and Art, Gothenburg, Sweden Soon Everything Will Change, PEA, Birmingham, UK" 2013 All-Seeing Eye, Open Art Projects, Brasilia, Brazil !Kino!, Critical Mass, St Petersburg,
    [Show full text]
  • Joanna Rajkowska
    Joanna Rajkowska Born in 1968 in Bydgoszcz, Poland. Lives and works in London, UK, and Warsaw, PL. Member of Krytyka Polityczna editorial board. Lecturer at Art/Public Space/Democracy Department at The Warsaw School of Social Sciences and Communication, Warsaw, PL. 1994 – 1995 Studio Semester Program, State University of N.Y., Albany, US. 1987 - 1992 MA in Art History, Jagiellonian University, Krakow, PL. 1988 - 1993 MFA in Painting, Academy of Fine Arts, Krakow, PL. Public Projects 2016 Forcing a Miracle, POLIN Museum of the History of Polish Jews, Warsaw, PL Helsinki Timepost, Helsinki Design Week, Helsinki, FI Soon Everything Will Change, Edition Innsbruck, Innsbruck, AT. 2015 Zechstein Sea, The Baltic House Lab 2015, Gdańsk, PL The Peterborough Child, Wysing Art Centre, Cambridge, UK 2014 The Light of the Lodge, Galerie Charim, Vienna, AT. All-Seeing-Eye, conceived for the Museu Nacional Conjunto Cultural da Republica, Brasilia, BR. 2011 Minaret, This is the Story of a Minaret that Never Happened, Poznan, PL. 2010 Benjamin in Konya, British Council, Konya, TR. The March Backwards, action in urban space around Minaret project, concept: Hanna Gill-Piątek, 29.06.2010, Malta Festival, Poznań, PL. The Edgware Chariot, The Showroom Gallery (as part of Estrangement project), London, UK. 2009 Minaret, Poznań, PL. 2009 Rotor, Vistula River in Warsaw (as part of the project Dissapear at Vistula River), Warsaw, PL. Aquarius, Wilga, tributary to the Vistula, as part of Art Boom Festival, Kraków, PL. The Bat (project not realised), Bern, CH. 2008 Jenin Refugee Camp Central Station (project not realised), PS. Jenin, West Bank, Occupied Palestinian Territories, PS.
    [Show full text]
  • Conference Program Conference 18 – February 15 February 15 New York Citynew York // 2017 College Artcollege Association the Annual Conference the Annual
    CONFERENCE PROGRAM CAA 2017 ANNUAL CONFERENCE NEW YORK, NY YORK, CONFERENCE NEW CONFERENCE PROGRAM CAA 2017 ANNUAL college art association the annual conference new york city // 2017 february 15 – 18 conference program Contents 5 Welcome CAA Board, Staff, and Committees 7 BOARD OF DIRECTORS 7 STAFF 8 COMMITTEE MEMBERS 2016–17 General Information 11 MEMBERSHIP 11 RegistratioN AND CHECk-In 13 INformatioN FOR SPEAKERS 14 MUSEUM LISTINGS 15 CONFERENCE SERVICES 16 New YORK HiltoN MidtowN MAPS Sessions 21 New SESSION TYPES 21 Program SCHEDULE 36, 48 Poster Sessions 66 SEPC Lounge 68 ARTspace 70 Media Lounge 73 Participant Index Meetings 81 Affiliated Society BUSINESS MeetiNGS 82 CAA ElectioNS, CONVocatioN, AND ANNUAL BUSINESS MeetiNG 82 CAA Committee, TASK Force, AND JUry MeetiNGS Events 84 SPECIAL EVENts 89 REUNIONS AND RECEPTIONS 91 NOON FORUMS Careers 92 ProfessioNAL DEVeloPMENT WORKSHOPS 95 CAREER SERVICES 96 MENtoriNG APPOINtmeNts Book and Trade Fair 96 FAIR INformatioN 97 EXHibitor SESSIONS 98 EXHibitor INDEX 100 BOOK AND Trade FAIR MAPS 103 CAA Past Presidents 104 myNYC: CAA Staff’s Favorite Places 106 Advertiser Index 107 ADVERTISEMENts Save the date! 106th Annual Conference // Los Angeles, CA // February 21–24, 2018 A SPECIAL THANKS TO OUR CONFERENCE SPONSORS: The Conference Program is published in conjunction with the 105th Annual Conference of the College Art Association. The Program is produced on a very abbreviated schedule in October, and session information is subject to change before the conference. For more information and the most up-to-date chronological schedule of sessions, meetings, and events, see the conference website (conference. collegeart.org) or the CAA 2017 app.
    [Show full text]