London 2012 Pre-Games Sustainability Report April 2012
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London 2012 Venues Guide
Olympic Delivery Authority London 2012 venues factfi le July 2012 Venuesguide Contents Introduction 05 Permanent non-competition Horse Guards Parade 58 Setting new standards 84 facilities 32 Hyde Park 59 Accessibility 86 Olympic Park venues 06 Art in the Park 34 Lord’s Cricket Ground 60 Diversity 87 Olympic Park 08 Connections 36 The Mall 61 Businesses 88 Olympic Park by numbers 10 Energy Centre 38 North Greenwich Arena 62 Funding 90 Olympic Park map 12 Legacy 92 International Broadcast The Royal Artillery Aquatics Centre 14 Centre/Main Press Centre Barracks 63 Sustainability 94 (IBC/MPC) Complex 40 Basketball Arena 16 Wembley Arena 64 Workforce 96 BMX Track 18 Olympic and Wembley Stadium 65 Venue contractors 98 Copper Box 20 Paralympic Village 42 Wimbledon 66 Eton Manor 22 Parklands 44 Media contacts 103 Olympic Stadium 24 Primary Substation 46 Out of London venues 68 Riverbank Arena 26 Pumping Station 47 Map of out of Velodrome 28 Transport 48 London venues 70 Water Polo Arena 30 Box Hill 72 London venues 50 Brands Hatch 73 Map of London venues 52 Eton Dorney 74 Earls Court 54 Regional Football stadia 76 ExCeL 55 Hadleigh Farm 78 Greenwich Park 56 Lee Valley White Hampton Court Palace 57 Water Centre 80 Weymouth and Portland 82 2 3 Introduction Everyone seems to have their Londoners or fi rst-time favourite bit of London – visitors – to the Olympic whether that is a place they Park, the centrepiece of a know well or a centuries-old transformed corner of our building they have only ever capital. Built on sporting seen on television. -
Reflections on the Cultural Olympiad and London 2012 Festival
Photo Credits: Inside front cover – Battle For The Winds ©Maisie Hill; Page 2 – Peace Camp © Paul Lindsay/Chris Hill Photographic; Page 5 – Piccadilly Circus Circus © Matthew Andrews; Page 6 – BBC Radio 1’s Hackney Weekend - Florence and the Machine 2012 © BBC/Getty Images; Page 8 – Creating The Spectacle! © Norman Lomax, Moving Content; Page 9 – Rio Occupations © Ellie Kurttz; Page 9 – Africa Express © Simon Phipps; Page 10 – Mittwoch Aus Licht Birmingham Opera © Helen Maybanks; Page 11 – Overworlds and Underworlds - the Brothers Quay and Leeds Canvas © Tom Arber; Page 12 – Big and Small ©Lisa Tomasetti ; Page 14 – Battle for theWinds © Kevin Clifford; Page 16 – Anna Terasa Tanks ©?; Page 18 – BBC Radio 1’s Hackney Weekend 2012 - Jay-Z © BBC/Getty Images; Page 20 – Much Ado About Nothing © Jillian Edelstein; Page 23 – Speed of Light © Sally Jubb; Page 28 – Richard III © Marc Brenner; Page 30 – Branches: The Nature of Crisis © Joel Fildes REFLECTIONS ON THE CULTURAL OLYMPIAD AND THE LONDON 2012 FESTIVAL 01 CONTENT INTRODUCTION BY TONY HALL Chair of Cultural Olympiad Board 02 ONCE IN A LIFETIME Summary of Cultural Olympiad 04 THE CULTURAL OLYMPIAD AND LONDON 2012 FESTIVAL EVALUATION 18 02 REFLECTIONS ON THE CULTURAL OLYMPIAD AND THE LONDON 2012 FESTIVAL INTRODUCTION BY TONY HALL, CHAIR OF CULTURAL OLYMPIAD BOARD When London won the bid for the 2012 Olympic and Paralympic Games, we promised that this ‘once in a lifetime’ event would include a great cultural programme involving people all over the UK. When we are asked why, we go back to the example of Ancient Greece, where the Olympic Games included artists alongside athletes. -
Summer Olympic Games Offical Report London 2012
The London Organising Committee of the Olympic Games and Paralympic Games Limited London 2012 London 2012 Olympic Games Official Report Volume 3 Contents EXECUTIVE SUMMARY 5 SECTION 1: BUILDING A WORLD-CLASS ORGANISATION 13 Introduction 14 Governance, structure and legal support 15 Finance 16 Building the team 18 Workforce Planning and Operations 19 Games Maker volunteers 20 Diversity and inclusion 23 Embedding sustainability 25 Commercial 28 − Procurement 28 − Commercial negotiations and the domestic partner programme 29 − Licensing and retail 30 − Ticketing 31 Brand management and protection 34 SECTION 2: STAGING A GREAT GAMES 35 Introduction 36 Venues 40 − Venue Planning 41 − Venue Development 42 Sport 44 − Sport Competition 44 − Sport Presentation 46 − NOC Services 47 Anti-Doping 48 Medical Services 49 Villages 50 Look 53 Motto 54 Spectator experience 56 Event Services 57 Technology 58 Broadcast 61 Press Operations 62 Games Services 65 − Arrivals and Departures 65 − Accommodation 65 − Logistics 66 − Catering, Cleaning and Waste 67 Health and Safety 68 International Relations 69 Readiness 70 Test events 71 The London Organising Committee of the Olympic Games and Paralympic Games Limited 2 SECTION 3: EVERYONE’s GamES 74 Introduction 75 Communications 78 − Public Relations and Media 80 − Government Relations 81 − Community Relations 82 − Editorial Services 83 − Web and New Media 84 Brand and Marketing 86 − Games emblems 86 − Research and relationships 87 − Mascots 88 Nations and Regions 89 Inspire 90 Education 91 Ceremonies 93 Olympic -
Editorial Style from a to Z April 2012
Contents A B C D E F G H I J K L M N O P Q R S T U V W X Y Z London 2012 Editorial style from A to Z April 2012 The aim of this editorial style guide is to If you are giving this guide to anyone Introduction help everyone write about London 2012 externally, please inform LOCOG’s with clarity and consistency. The guide Editorial Services team or the ODA’s includes practical information to ensure Marketing team so we can let them writers prepare accurate content in the know when it is reissued. If you have most suitable style. any queries that are not covered by the guide, please let us know so we The guide is arranged alphabetically for can include them in future editions. ease of use, with simple navigational tools to help you find what you’re looking Working together, we will develop for. Clicking on the letters across the top effective and accessible content that of every page will take you to the first will help make London 2012 an page of each section. In addition, each incredible experience for all audiences. entry on the contents page is a link, and there are cross-references with links to other sections throughout the guide. As our organisation develops, so our style guide needs to be flexible and adaptable. For this reason, we will be regularly updating this document. Please ensure that you have the latest version. This document and the official Emblems of the London 2012 Games are © London Organising Committee of the Olympic Games and Paralympic Games Limited 2007–2012. -
SELECT COMMITTEE on OLYMPIC and PARALYMPIC LEGACY Oral and Written Evidence
SELECT COMMITTEE ON OLYMPIC AND PARALYMPIC LEGACY Oral and written evidence Contents Active in Time Ltd—Written evidence ................................................................................................. 3 Association for Physical Education (afPE)—Written evidence ......................................................... 8 Big Lottery Fund—Written evidence .................................................................................................. 16 BioRegional—Written evidence ........................................................................................................... 21 Boff, Andrew—Written evidence ........................................................................................................ 24 Boggis, Emma—Written evidence ........................................................................................................ 35 British Gliding Association (BGA)—Written evidence ................................................................... 49 British Standards Institution (BSI)—Written evidence .................................................................... 51 British Swimming and the Amateur Swimming Association—Written evidence ...................... 55 British Paralympic Association (BPA)—Written evidence ............................................................. 64 Community Safety Social Inclusion Scrutiny Commission—Written evidence ......................... 70 Dorset County Council—Written evidence .................................................................................... -
The London 2012 Cultural Olympiad: a New Model for Nation-Wide Olympic Cultural Legacy
The London 2012 Cultural Olympiad: a new model for nation-wide Olympic cultural legacy By Beatriz Garcia1 Abstract The London 2012 Games will mark 100 years of official Olympic cultural programming and aspire to present the largest Cultural Olympiad yet, reaching out to the whole of the UK and providing full integration between Olympic and Paralympic cultural activity. The original bid for culture promised to engage youth and overcome barriers to participation from all social groups. To make this aspiration a reality, the Cultural Programme is being delivered not only by a culture team within the Organising Committee for the Games, but also thirteen creative programmers based in every UK region and nation. This unprecedented management framework has been made possible by the commitment of public stakeholders to ensure the Games leave a widespread legacy and the establishment of special funding arrangements for cultural activity inspired by the Games. London 2012 has created distinct activity identifiers such as the ‘Inspired by 2012’ mark, to maximise programming inclusion without challenging established Olympic global marketing guidelines. The range of managerial, funding and promotional innovations in the context of the Cultural Olympiad have created opportunities to maximise access and engagement to Games related activity throughout the country. But it has also involved important challenges in terms of synergy of vision, communications and Games association which point at the ongoing struggle to position the Cultural Olympiad as a core dimension of the Olympic and Paralympic experience. Keywords: Cultural Olympiad, Olympic art festival, cultural policy, torch relay, branding, Olympic and Paralympic synergy, UK-wide participation, regional cultural programmes. -
LOCOG Fact Pack May 2012
LOCOG Fact pack May 2012 - Everyone’s Games - key facts - Games by numbers - Key dates coming up - Myth-buster - Issues Craig Beaumont, LOCOG Communications and Public Affairs [email protected] Everyone’s Games - key facts 57 million Britons are within 10 miles permanent live sites and 47 big screens across of the Olympic Flame, which will be carried by every UK nation and region 8,000 inspirational Torchbearers Over 350,000 spectators attended 14 million people across the UK have our London Prepares series of test events participated in a Cultural Olympiad event 241,000 people have visited the Olympic 12 million young people in 20 Park since 2007 countries reached by International Inspiration 200,000 people will be working on the Over 10 million free tickets are Games at Games time available for 1,000 London 2012 Festival events 175,000 schoolchildren and Over 8 million Games tickets accompanying adults will go to the Games for are going to Britons for the Games – 75% of a free through Ticketshare total 11 million tickets. (Beijing 2008 made 50% Over 100,000 children from over of just over 7 million tickets publicly available. 12,000 schools are involved in the School Games There are twice as many tickets available to the Up to 70,000 Britons will be London domestic public than at Athens 2004) 2012 Games Maker volunteers 5 million people in the UK have signed 46,000 people have worked on the up to receive Games-related emails Olympic Park and Village Over 4 million young people 14,000 spectators at the last BT took part in -
Evaluating Scotland's London 2012 Cultural Programme
Evaluating Scotland’s London 2012 Cultural Programme www.uws.ac.uk Evaluating Scotland’s London 2012 Cultural Programme Professor David McGillivray & Professor Gayle McPherson School of Creative & Cultural Industries University of the West of Scotland, Paisley Campus www.uws.ac.uk Acknowledgements This report detailing the outcomes of Scotland’s London 2012 Cultural Programme would not have been possible without the collaboration of our consortium partners and others. We would like to thank Dr Beatriz Garcia, of Liverpool Institute of Cultural Capital (ICC) and her invaluable contribution to the overall project, particularly the media analysis carried out for the case studies. Tamsin Cox, of DHA Communication, also provided expertise in data analysis and in designing the outline monitoring and evaluation framework contained in Chapter 7 of this report and we are in debt to her for the hours spent reconciling datasets. Finally, Rachel Granger of Middlesex University brought her expertise in geo-mapping techniques to explore partnerships formed as an outcome of the funding of Scotland’s London 2012 Cultural Programme. Without the support of the 54 project leads from Scotland’s London’s 2012 Cultural Programme in Scotland, the staff of key strategic agencies, Event Scotland, Festivals Edinburgh, Scottish Government and Creative Scotland completing this evaluation would have been much more difficult. Special mentions to Sarah MacIntyre who facilitated access to a range of data sources, Leonie Bell for providing detailed context about the Programme -
Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’S Hollow Crown
Andrews University Digital Commons @ Andrews University Faculty Publications 1-2016 Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’s Hollow Crown L Monique Pittman Andrews University, [email protected] Follow this and additional works at: https://digitalcommons.andrews.edu/pubs Part of the English Language and Literature Commons, Television Commons, and the Women's Studies Commons Recommended Citation Pittman, L Monique, "Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC’s Hollow Crown" (2016). Faculty Publications. 265. https://digitalcommons.andrews.edu/pubs/265 This Article is brought to you for free and open access by Digital Commons @ Andrews University. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Digital Commons @ Andrews University. For more information, please contact [email protected]. Shakespeare and the Cultural Olympiad: Contesting Gender and the British Nation in the BBC's The Hollow Crown L. Monique Pittman, Andrews University Abstract As part of the 2012 Cultural Olympiad celebrating both the Queen's Diamond Jubilee and the London Olympics, the BBC launched a season of programs, entitled Shakespeare Unlocked, most notably presenting the plays of the second tetralogy in four feature-length adaptations released under the unifying title The Hollow Crown. These plays so obviously engaged with the question of English nationalism suited a year in which the United Kingdom wrestled with British identity in a post-colonial and post-Great Recession world. Through its adaptative and filmic vocabularies, however, The Hollow Crown advances a British nationalism unresponsive to the casualties — often women and ethnic minorities — incurred over the course of Britain's self-formation and acts of self-defining. -
Planning for a Sustainable Future
SPORT ADVISORY SERVICES Planning for a Sustainable Future The legacy of sporting venues following major events kpmg.com Cover photo: Péter Szalmás Planning for a Sustainable Future 3 Contents 1. Introduction ...................................................................................................................................... 6 2. Appraising recent events ...................................................................................................................8 3. The growing importance of legacy for the International Olympic Committee ���������������������������������11 4. Formulating the most appropriate venue legacy plan – factors and challenges at play ..................12 5. Creative solutions at London 2012 .................................................................................................16 6. The International Swimming Federation (FINA) is taking the initiative �������������������������������������������� 17 7. The case for temporary venues – technical and financial considerations ....................................... 18 8. Emerging themes and conclusion ...................................................................................................22 © 2015 KPMG International Cooperative (“KPMG International”), a Swiss entity. Member firms of the KPMG network of independent firms are affiliated with KPMG International. KPMG International provides no client services. No member firm has any authority to obligate or bind KPMG International or any other member firm vis-à-vis third parties, -
LONDON 2012 a DECADE in the MAKING PRESS PACK Bid Masterplan Venues
LONDON 2012 A DECADE IN THE MAKING PRESS PACK BID MASTERPlan VENUES BRAND OVERlaY LegacY actiVation LONDON 2012 A DECADE IN THE MAKING PRESS PACK BID Populous has been involved in 10 Olympic Games and were the bid architects for 3 consecutive host city awards for the cities of London 2012, Glasgow 2014 and Sochi 2014. Our unique experience allows us to identify and optimise the use of the city and surrounding areas to create compelling and compact venue distribution plans for potential host cities. With our in-depth analysis, we work alongside bidding cities to provide a comprehensive proposal to organise the Games that will appeal to the IOC and other major competition committees. Since 2003's initial site exploration, Populous assisted the London 2012 bid team with in house architects who created the bid winning London wide sports masterplan. MASTERPLAN Our process of masterplanning begins with a long term legacy strategy as the starting point for creating vibrant and sustainable places within cities. We use sporting and entertainment venues as urban catalysts and develop the relationship between social infrastructure elements, and enhance them to add value and character to the urban realm. For the London 2012 Olympic Park our design approach was imbedded in our masterplanning, ensuring that the personal experiences of all Games time and legacy user groups were considered from their respective mode of transport to their seat within the venue. VENUES With more than a 1,000 projects completed globally, we open locations to the world – creating iconic venues that become a financial success. Our portfolio includes the design of 3 Olympic stadiums - Sydney 2000, Sochi 2014 and the London 2012 Olympic Stadium, which has already become the centre piece of the park and a catalyst for the urban regeneration of East London. -
Reflections on the Cultural Olympiad and the LONDON 2012 Festival 01
REFLECTIONS ON THE CULTURAL OLYMPIAD AND THE LONDON 2012 FESTIVAL 01 CONTENT INTRODUCTION BY TONY HALL Chair of Cultural Olympiad Board 02 ONCE IN A LIFETIME Summary of Cultural Olympiad 04 THE CULTURAL OLYMPIAD AND LONDON 2012 FESTIVAL EVALUATION 18 Photo Credits: Inside front cover – Battle For The Winds ©Maisie Hill; Page 2 – Peace Camp © Paul Lindsay/Chris Hill Photographic; Page 5 – Piccadilly Circus Circus © Matthew Andrews; Page 6 – BBC Radio 1’s Hackney Weekend - Florence and the Machine 2012 © BBC/Getty Images; Page 8 – Creating The Spectacle! © Norman Lomax, Moving Content; Page 9 – Rio Occupations © Ellie Kurttz; Page 9 – Africa Express © Simon Phipps; Page 10 – Mittwoch Aus Licht Birmingham Opera © Helen Maybanks; Page 11 – Overworlds and Underworlds - the Brothers Quay and Leeds Canvas © Tom Arber; Page 12 – Big and Small ©Lisa Tomasetti ; Page 14 – Battle for theWinds © Kevin Clifford; Page 16 – Anna Terasa Tanks ©?; Page 18 – BBC Radio 1’s Hackney Weekend 2012 - Jay-Z © BBC/Getty Images; Page 20 – Much Ado About Nothing © Jillian Edelstein; Page 23 – Speed of Light © Sally Jubb; Page 28 – Richard III © Marc Brenner; Page 30 – Branches: The Nature of Crisis © Joel Fildes 02 REFLECTIONS ON THE CULTURAL OLYMPIAD REFLECTIONS ON THE CULTURAL OLYMPIAD AND THE LONDON 2012 FESTIVAL AND THE LONDON 2012 FESTIVAL 03 INTRODUCTION BY TONY HALL, CHAIR OF CULTURAL OLYMPIAD BOARD When London won the bid for the 2012 Olympic and Paralympic Games, we promised that this ‘once in a lifetime’ event would include a great cultural programme involving people all over the UK. When we are asked why, we go back to the example of Ancient Greece, where the Olympic Games included artists alongside athletes.