Disco Dates Disco
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Imsk Week for Everyone in the Business of Ivlusic 13 MOVEMBER 1993 £2.8
imsk week For Everyone in the Business of IVlusic 13 MOVEMBER 1993 £2.8 BPI: pil himnow The music industry has roundly con- Keely Gilbert, of Chris Rea's man- Highdemned Court the judge warning last metedweek to eut alleged by a wasagement able toReal order Life, video says bootlegs the company of Rea's bootleggerCharlesworth, Stephen previously Charlesworth. of Clwyd- threeconcerts months by phone. to arrive "They and took were about rub- guilty in the High Court of breaching judgebish," isn'tshe muchadds. of "A a punishment."warning from a latingan injunction leaflets stopping advertising him from circu-video APUThe on case Designatec's arose from premises a raid inby May, the That,bootlegs Chris of Rea,top artistsand Peter such Gabriel. as Take CharlesworthMr Justice to payFerris the costs ordered of the behalfBPI, which of sixhad memberbrought thecompanies. case on Charlesworth was also wamed that and July 26 the BPI wouid have ceedingsSubsequently for conte. tl : BPI bi CourtStephen last Charlesworth week after heing leaves found the inHigh And warning to pii pirated acts unauthorised Take That_ he videoshad offered and contempt of an injunction restraining "It's laughable," says lan Grant, mai tapesCharlesworth for sale in July. appeared in the High advertisinghim from circulating pirate audio leaflets and hootleg iEVERLEY plainedager of inBig the Country, past of leafletswho has offerin con Court ins Septemberadjourned' for " but s1 the proceed-' until video cassettes. Charlesworth, of video bootlegs of the band. This maki photographerClwyd, -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
2020-2021 Senior Wills
Cypress Ranch HS Choir Senior Wills 2021 Kristen Aviles I don't really know how to start this i feel like i've been writing me senior will since i found out these were a thing but now that i have to ive gone blank. This year has been strange, this isn't the senior year I had built up in my head but there's no way anyone could change our circumstances. We were dealt the cards and now we have to make the best of them. I told myself pretty early that I wouldn't let myself cry over my senior year, that so many people had it worse than me at the moment and the fact that I wouldn't get my last pop show was just a tiny spec of dust compared to what all was happening in the world. At the end of the day though as much as that is true it doesn't make it any less easy. The fact that I didn't get a normal pop show or winter concert, or even a choir olympics. The fact that my senior speech will have to be given on a zoom call, all of that stuff has slowly been chipping away at me this year. The only thing pulling me along is the thought that I traded this for a normal freshman year of college which has been strangely comforting this whole time. So no, this isn't the year i expected or wanted but it's what i got and there is nothing i could do to change that. -
February 2019 March 2019 | Soulvisionmagazine.Com
February 2019 March 2019 | soulvisionmagazine.com EDITORS NOTE BK Fulton “All of us should strive to be excellent.” Fate rarely calls upon us at a moment of our own choosing. The opportunity for each of us to be great is preserved for those who are prepared. This issue of SoulVision Magazine focuses on the storytellers, the talent that brings stories to life, and those who produce and train the next generations of movie and media professionals. The creators in this issue were inspired by nature, family stories and their God-given talents, to create art at the highest levels. The pursuit of excellence inspired them to dig and press on until their stories were told. So it is with each of us, we have to be willing to do what it takes to evolve into the people we are supposed to be. 2 March 2019 | soulvisionmagazine.com INTERVIEW Adam Leipzig: The Movie Yoda “Use your time on Earth wisely.” Adam Leipzig is a “solopreneur” who believes there is always room for improvement. This is an interesting self-assessment when you think about all he has achieved in his career. He is a former Disney executive who was instrumental in the production of one of Disney’s highest grossing live-action films, Honey, I Shrunk the Kids. As president of National Geographic Films, Adam was responsible for acquiring the international rights to March of the Penguins, releasing the U.S. version which garnered much deserved critical and commercial acclaim. Adam, with his degree in Literature from Yale University, has made a career out of what he loves—movies. -
Barry Graves Studio 89 Playlist
Hinweis Wichtig: Vervielfältigung und Bearbeitung verboten. Geistiges Eigentum von www.studio89.de. Version: 27.07.2003 Studio 89 - Playlist geändert:21.04.2015 ca. 3150 Datensätze 1.Sendung 1979 1980 1981 1982 1983 1984 1985 1.digitale Sendung letzte Sendung Sendung vom... Titel Interpret Bemerkung Titel Nr. Zeit 3. Februar 1979 Over the Rainbow Meco Sendung lief evtl. noch notiert von Mike K.aus B. Hot Shot Karen Young unter anderen Namen I will survive Gloria Gaynor Instant Replay Dan Hartman My Roomate Village People One Chaint don't make no Prisoner Santana Do ya Think i'm sexy Rod Stewart You stepped into my life Melba Moore 10. Februar 1979 Baby i'm burnin' Dolly Porton Sendung lief evtl. noch notiert von Mike K.aus B. Come with me unter anderen Namen I need you You need me Joe Simon Never can say goodbye Gloria Gaynor Christal World Chrystal Grass Burnin' in the Peace Fire In the Bush Musique I'm a Man Macho LP-Version Devil's Gun C.J. & Co. 1977 Instant Replay Dan Hartman I Love The Nightlife Alicia Bridges Running Away Roy Ayers LP-Seite Got To Have Loving Dan Ray LP-Seite Risky Boogie Alkalino LP-Seite Risky Changes Bionic Boogie LP-Seite Moonlight Lovin' (Menage A Trois) Issac Hayes LP-Seite 17. Februar 1979 Copacabana Barry Manilow notiert von Mike K.aus B. Sinner Man Sara Dash LP-Version 1.Sendung unter dem Same old Song K.C.& the Sunshine Band Namen Studio 89 Crusader Trax noch unter Tahiti Tahiti Voyage Die RIAS-Disco The Woman / I'm a cruiser Village People Heart of Glas Blondie Hallelujah 2000 Joe Long & Robby Adcock Odyssesy 2001 Salsoul Orchestra 24. -
On Mobility, National Identity, and Migration
The Bag of Passports: on Mobility, National Identity, and Migration Abdullah Qureshi Aalto University, School of Art and Design and Architecture Biography Abdullah Qureshi is a Pakistani-born artist, educator, and cultural producer. Within his practice he is interested in using painting and collaborative method- ologies to address personal histories, traumatic pasts, and childhood memories. Based at Aalto University in Finland, his ongoing doctoral project, entitled Mythological Migrations: Imagining Queer Muslim Utopias, he examines for- mations of queer identity and resistance in Muslim migratory contexts. Keywords Migration, Pakistan, Queerness, Art, Film “While some of us who have escaped our cages may start looking for ways back into the zoo, others may try to rebuild a sanctuary in the wild, and a few fugitive types will actually insist on staying lost” Jack Halberstram, 2011 Introduction As far back as I can remember I had the desire to travel outside Pakistan, to immigrate, or at least, live in another country for an extended period of time. There was always the sense 49 Research in Art Education | 4 / 2019 that the world beyond was better – that somehow; I did not belong in my country of birth on a fundamental level. Much of this feeling of not belonging and seeing Pakistan as a lesser and backward space was the result of a combination of things. On a personal level, as an effeminate boy who was bullied a lot at school, I found solace in making art, reading books, and Western television – and perhaps, I was looking for escape. And, this desire to escape was further re-affirmed by the stories I would hear from family relatives who would travel, sharing their exciting adventures along with photographic and video evidence re-affirming that, indeed, life outside Pakistan had much more to offer. -
The Disco Files Template
THE DISCO F ILES 1973-78 New York’s Underground, Week by Week by Vince Aletti xxx xxx Rolling Stone August 28, 1975 Dancing Madness By Vince Aletti NEW YORK – It’s not easy to pin down the disco craze with figures. As one independent mixer of disco singles explained, “The numbers are growing so fast. Every day I get four or five invitations to grand openings of new clubs.” But even the rough estimates of disco scene observers are revealing: 2000 discos from coast to coast, 200 to 300 in New York alone – the uncrowned capital of dancing madness, where an estimated 200,000 dancers make the weekly club pilgrimage. And when disco people like a record, it can become a hit-regardless of radio play. Take Consumer Rapport’s “Ease On down The Road.” Released on tiny Wing and a Prayer Records, it sold more than 100,000 copies in New York in its first two weeks before it was picked up on the radio. Discos and what has come to be known as disco music have turned out to be, if not the Next Big Thing everyone in the music business was waiting for, then the closest thing to it in years. Discos have opened in old warehouses, steak restaurants, unused hotel ballrooms and singles bars... any place you could stick a ceiling full of flashing, colored lights, a mirrored ball, two turntables, a battery of speakers, a mixer and a DJ. In a recession economy, they’re a bargain both for the club owner – who has few expenses after his initial setup investment and an average $50-a-night salary to the DJ – and the patrons, who can dance nonstop all night for a fraction of the cost of a concert ticket. -
1 7Th Wonder
1 7th Wonder - The Tilt 2 A Taste Of Honey - Boogie Oogie Oogie 3 A Taste Of Honey - Do It Good 4 A Taste Of Honey - Rescue Me 5 Ad Visser And Daniel Sahuleka - Giddyap A Gogo 6 Ago - For You 7 AKB - Stand Up-Sit Down 8 Al Hudson & The Partners - You Can Do It 9 Al Jarreau - Boogie Down 10 Al Jarreau - Breakin' Away 11 Alicia Bridges - I Love The Nightlife 12 Alphaville - Big In Japan 13 Alphaville - Sounds Like A Melody 14 Alton McClain & Destiny - It Must Be Love 15 Alvin Cash - Ali Shuffle 16 Amanda Lear - Queen Of Chinatown 17 Amii Stewart - Friends 18 Amii Stewart - Knock On Wood 19 Amuzement Park - Groove Your Blues Away 20 Aneka - Japanese Boy 21 Animal Nightlife - Native Boy 22 Anita Ward - Don't Drop My Love 23 Anita Ward - Ring My Bell 24 Archie Bell & The Drells - The Soul City Walk 25 Aretha Franklin - Jump To It 26 Aretha Franklin - Who's Zoomin' Who 27 Asha Puthly - The Devil Is Loose 28 Ashford & Simpson - Found A Cure 29 Ashford & Simpson - Street Corner 30 Ashford & Simpsons - Solid 31 Atlantic Starr - Circles 32 Atlantic Starr - Perfect Love 33 Atlantis - Keep On Movin' 34 Aurra - Make Up Your Mind 35 B. T. (Brenda Taylor) - You Can't Have Your Cake And Eat It Too 36 B.T. Express - Does It Feel Good 37 B.T. Express - Let Me Be The One 38 Baccara - Yes Sir, I Can Boogie 39 Baciotti - Black Jack 40 Bandolero - Paris Latino 41 Barrabas - On The Road Again 42 Barry Manilow - Copacabana (At The Copa) 43 Barry White - Change 44 Barry White - Just The Way You Are 45 Barry White - Let The Music Play 46 Barry White - You See The -
New Hepatitis C Drugs Mean Diseased Organs Can Be Used for Transplants. P4-5
Community Community People from The Creative all over the Academy P6world travel P16 Qatar to Germany to learn celebrates Sorbian, the language Independence of small Slavic Day of minority. India. Wednesday, August 15, 2018 Dhul-Hijja 4, 1439 AH Doha today 340 - 440 Blessing New hepatitis C drugs mean diseased organs can be used for transplants. P4-5 COVER STORY 2 GULF TIMES Wednesday, August 15, 2018 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.46am Shorooq (sunrise) 5.07am Zuhr (noon) 11.38am Asr (afternoon) 3.07pm Maghreb (sunset) 6.11pm Isha (night) 7.41pm USEFUL NUMBERS The Catcher Was a Spy War II. At one point during his espionage career, Berg found DIRECTION: Ben Lewin himself under orders to assassinate German theoretical CAST: Paul Rudd, Connie Nielsen, Mark Strong physicist Werner Heisenberg (Mark Strong). This is where the SYNOPSIS: The Catcher Was a Spy is biographical drama tale begins, in fl ashback—a suitably audacious opening for a about Morris Moe Berg, an unremarkable major league catcher fi lm about a mysterious man. who went on to work for Offi ce of Strategic Services, the precursor to the Central Intelligence Agency, during World THEATRE: The Mall, Landmark, Royal Plaza Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Water Corporation 44845555, -
3G Ban in UK Inner
Introduction to 3rd strand Popular culture - between tradition and innovation Across three generations, mainly focussing on traditional and more recent British Bengali musical her- itage, from the 1970s-80s With the success of Andrew Lloyd Webber’s musical ‘Bombay Dreams’ and the ‘Bride and Prejudice’ (2006), Asian music is now firmly rooted in Britain and has broken out into a mainstream audience. Missy Elliot, Madonna, Britney Spears, Bjork to name a few have all used samples or have remixed their tracks with British Asian music. The rise of Asian music started in the 1970s by Biddu, Steve Coe and Sheila Chandra but it was in the late 80s that the British Asian youth first started to create a new musical genre by combining dance music with the music of their parent’s generation. The youth were growing up in an environment of racial violence and political struggle for self-identity while drawing strength from street culture and their Asian roots. They took pride in their music as they could claim it as their own - neither white nor music imported from the Indian sub-continent. The artists, who emerged from this period, became some of the greatest Asian artists Britain has seen. Some of these artists (ADF, Joi, State of Bengal and Osmani Soundz) are of Bengali origin and are the true pioneers of the Asian underground scene. At the same time there were a number of people (Alaur Rahman, Himangshu Goswami, Abdus Salique and Lucy Rahman) who were practising music from Bangladesh and managed to establish themselves over here. There is also a strong following in Baul music as most Bangladeshis who are here are from rural background.