Hist 1968-1989 R.Cwk (WP)
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Phantom Captain in Wakeathon
... • • • •• • • • •• • • • • • •• • • •I • • • • ' • • ( • ..• •.• ., .,,. .. , ••• .• • . • • •• • • • • •• • • • • • • • • • •"' • •. • .••• . ' . J '•• • - - • • • • • .• ...• • . • • • •• • • • • • • •• • ••• • ••••••••• • • • •••••• • • • • • • ••••• . • f • ' • • • ••• • •• • • •f • .• . • •• • • ., • , •. • • • •.. • • • • ...... ' • •. ... ... ... • • • • • ,.. .. .. ... - .• .• .• ..• . • . .. .. , • •• . .. .. .. .. • • • • .; •••• • •••••••• • 4 • • • • • • • • ••.. • • • •"' • • • • •, • -.- . ~.. • ••• • • • ...• • • ••••••• •• • 6 • • • • • • ..• -•• This issue of Performance Magazine has been reproduced as part of Performance Magazine Online (2017) with the permission of the surviving Editors, Rob La Frenais and Gray Watson. Copyright remains with Performance Magazine and/or the original creators of the work. The project has been produced in association with the Live Art Development Agency. NEW DANCE THEATRE IN THE '80s? THE ONLY MAGAZINE BY FOR AND ABOUT TODAYS DANCERS "The situation in the '80s will challenge live theatre's relevance, its forms, its contact with people, its experimentation . We believe the challenge is serious and needs response. We also believe that after a decade of 'consolidation' things are livening up again. Four years ago an Honours B.A. Degree in Theatre was set up at Dartington College of Arts to meet the challenge - combining practice and theory, working in rural and inner-city areas, training and experimenting in dancing, acting, writing, to reach forms that engage people. Playwrights, choreographers -
Planning for the Housing Impacts of a Hallmark Event Is Fraught with Difficulties
PLANNING FOR THE HOUSING IMPACTS OF A HALLMARK EVENT: A CASE STUDY OF EXPO 86 By KRISTOPHER N. OLDS B.A., The University of British Columbia, 1985 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES The School of Community and Regional Planning We accept this thesis as conforming to the required standard The University of British Columbia April 1988 © Kristopher N. Olds,.1988 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of Canrnurrity and Regional Planning The University of British Columbia Vancouver, Canada na. April 26, 1988 DE-6 (2/88) i i ABSTRACT This study proposes a strategy which will assist governments, the sponsors of hallmark events, and community groups to identify and plan for the negative housing impacts of such events. Hallmark events are major one-time or recurring : events of limited duration, developed primarily to enhance the awareness, appeal and profitability of a tourist destination in the short and/or long term. World's Fairs and Olympic Games are two examples of hallmark events. The 1986 World's Fair (Expo 86) in Vancouver provided an opportunity to document the impacts of this hallmark event on the residents of a community which borders the fair site and on the planning practices of the local government. -
Staff Report
STAFF REPORT May 11, 2006 To: Policy and Finance Committee and Economic Development and Parks Committee From: TEDCO/Toronto 2015 World Expo Corporation, Deputy City Managers and Chief Financial Officer Subject: Toronto 2015 World Expo Bid (All Wards) Purpose: The purpose of this report is to advise City Council on the results of the due dilligence undertaken by TEDCO and its subsidiary, Toronto World Expo Corporation; to recommend that City Council support a bid; to request the Government of Canada submit a bid to the Bureau International des Exposition (BIE) to host a World Expo in Toronto in 2015; and to direct the DCM/CFO, the City Solcitor and the Toronto World Expo Coporation to seek an agreement with other levels of government on a finanicial guarantee, capital funding framework, and a corporate governance structure. Financial Implications and Impact Statement: If Toronto’s bid is successful, the financial and economic consultant to the Toronto 2015 World Expo Corporation, Price Waterhouse Coopers, forecasts that hosting the World Expo will result in the proposed World Expo Corporation incurring an overall deficit of $700 million after $1.5 billion of legacy capital assets are included as shown in Table 1. The approach and methodology used by Price Waterhouse Coopers appears reasonable, although Finance staff have not had an opportunity to fully review their detailed, comprehensive study. - 2 - Table 1 - Capital and Operating Summary of the World Expo Corporation ($2006 Billions) World Expo Corporation Capital Summary: Capital Expenditures (2.8) Sale of Assets 0.1 Total Capital Costs (2.7) World Expo Corporation Operating Summary: Operating Expenditures (1.0) Financing Costs (0.6) Operating Revenues 1.3 Funding from Other Expo Revenues 0.8 Total Operating Profit 0.5 World Expo Corporation Estimated Net Expo Deficit (including Legacy (2.2) Expenditures) Residual Legacy Capital Assets 1.5 Overall Deficit (0.7) Price Waterhouse Coopers Waterhouse’s forecast includes total estimated capital expenditures of $2.8 billion. -
The Journal the Music Academy
ISSN. 0970-3101 THE JOURNAL OF THE MUSIC ACADEMY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. LX 1989 *ra im rfra era faw ifa s i r ? ii ''I dwell not,in Vaikuntha, nor in the hearts of Yogins nor in the Sun; (but) where my bhaktas sing, there be I, Narada!" Edited by: T. S. PARTHASARATHY The Music Academy Madras 306, T. T. K. Road, Madras-600014 Annual Subscription — Inland Rs. 20 : Foreign $ 3-00 OURSELVES This Journal is published as an Annual. All correspondence relating to the Journal should be addressed and all books etc., intended for it should be sent to The Editor, Journal of the Music Academy, 306, T. T. K. Road, Madras-600 014. Articles on music and dance are accepted for publication on the understanding that they are contributed solely to the Journal of the Music Academy. Manuscripts should be legibly written or, preferably, type written (double-spaced and on one side of the paper only) and should be signed by the writter (giving his or her address in full). The Editor of the Journal is not responsible for the views expressed by contributors in their articles. CONTENTS Pages The 62nd Madras Music Conference - Official Report 1-64 The Bhakta and External Worship (Sri Tyagaraja’s Utsava Sampradaya Songs) Dr. William J. Jackson 65-91 Rhythmic Analysis of Some Selected Tiruppugazh Songs Prof. Trichy Sankaran (Canada) 92-102 Saugita Lakshana Prachina Paddhati 7. S. Parthasarathy & P. K. Rajagopa/a Iyer 103-124 Indian Music on the March 7. S. -
Guide to the Larry Zim World's Fair Collection
Guide to the Larry Zim World's Fair Collection NMAH.AC.0519 Angela Baccala 1999 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 5 Series 1: World 's Fairs Materials, 1841-1988......................................................... 5 Series 2: Reference and Miscellaneous Materials................................................. 39 Series 3: Larry Zim Materials................................................................................. 40 Series 4: Oversize Materials, 1909-1968.............................................................. -
World's Fairs: 1850- 1900." Metropolitan Museum of Art Bulletin 56:3 (Winter 1998/1999): 3-56
World’s Fairs: A Guide to Selected English-Language Resources Compiled for the Center for the Study of Global Change by Kira Homo John Russell Jason Schultz Claudia Silverman Skye Thomsen Under the Direction of Robert Goehlert Indiana University Bloomington 2005 Table of Contents Reference Sources ........................................................................3 Primary Sources............................................................................ 5 Bibliography Comprehensive Resources (multiple fairs) ................................ 9 Chronological Bibliography (individual fairs) .............................. 18 Index .......................................................................................... 86 1 2 Reference Sources Bertuca, David J., Donald K. Hartman, et al. The World's Columbian Exposition: A Centennial Bibliographic Guide. Westport, CT: Greenwood Press, 1996. Burke, Bridget J. “World's Fairs and International Expositions: Selected References 1987-1993.” Fair Representations: World's Fairs and the Modern World. Robert Rydell and Nancy E. Gwinn, eds. Amsterdam: VU University Press, 1994. Cagle, William R., Rebecca Campbell Cape, et al. The Grand Event: International Expositions, 1851-1904. Bloomington: Lilly Library, Indiana University Libraries, 2001. Dybwad, G. L. and Joy V. Bliss. Annotated Bibliography: World's Columbian Exposition, Chicago, 1893: Supplement with 440 Illustrations and Price Guide, Master Index for Both Volumes Including Subjects, Master Source List with 140 New Entries, over 3500 -
IPG+Adult+Fall+2019.Pdf
Fall 2019 Best-Selling Titles IPG – Fall 2019 9781948705110 9781604432565 9781947026025 9781947026186 9781935879510 9781936693771 9781771681452 9781613737002 9781641600415 9781613749418 9781613735473 9780914090359 9781613743416 9780897333764 9781613747964 9781556520747 9781682751596 9781555917432 9781555914639 9781555916329 9781682570890 9780918172020 9781940842110 9781940842004 9781940842080 IPG – Fall 2019 Best-Selling Titles 9781940842226 9781681121703 9781783055876 9781629635736 9781629635682 9781629635101 9781892005281 9781939650870 9781943156702 9781935622505 9781643280639 9781930064171 9780824519865 9780991399703 9781629376370 9781629376110 9781629376752 9781629377001 9781629376349 9781629376004 9781629375342 9781629374420 9781947597006 9781947597037 9781947597020 Fall 2019 Arts & Entertainment ������������������������������� 1–15 History & Humanities ���������������������������� 16–30 Comics & Graphic Novels ���������������������� 31–37 Fiction & Poetry������������������������������������� 38–66 Sports & Recreation ������������������������������ 67–79 Activities, Craft & Photography ��������������� 80–92 Health & Self-Help �������������������������������� 93–99 Religion & Spirituality ������������������������ 100–103 Business & Travel ������������������������������ 104–111 Index ������������������������������������������������ 112–114 IPG – FALL 2019 Arts & Entertainment Twisted: The Cookbook Team Twisted From social media powerhouse TWISTED comes a bold new collection of recipes that feature in videos garnering upwards of 400 -
Exploring an Edmonton Bid to Host a World EXPO a Conceptual Report
Exploring an Edmonton bid to host a world Expo a Conceptual report CREDITS AND ACKNOWLEDGEMENTS Thanks To: EXPo ProjEcT commiTTEE al maurer - chair, councillor jane Batty, councillor karen Leibovici, Patricia misutka, candice stasynec, ken Fiske, mary Pat Barry, Ellen Finn, Barb ireland EXPo ciTizEn commiTTEE Doug Goss, shafraaz kaba, Yasmin jivraj, Linda Wedman, Vi Becker, Traci Bednard, richard skermer, michael Phair, Eva mah Borsato, john chomiak, karen Wichuk, ruth kelly, ken knowles, randy Ferguson, ralph Young, ken cantor, Ted Lelacheur, Vivian manasc, sam shaw, maureen mccaw, robert noce, ron Gilbertson, Dick Wong, Wendy kinsella, Bob steadward, curtis Gillespie, Lewis cardinal, Frank calder, richard Wong, john mahon, martin salloum, anne mcLellan, Bob Westbury, Don oborowsky, jon hall, alexis Pepin, hafsa Goma, Gail stepanik-keber, Denise carpenter, Patricia mackenzie consultanTs calder Bateman communications, Western management consulting, oGP consulting, steven staples Planning & urban Design consultant, Forrec Ltd., Wild rose Financial services, stantec consulting Ltd., Downey norris & associates inc., Leger marketing Ltd. contents INTRODuCTION 3 ExECuTIvE SuMMARy 7 Section 1: OvERvIEW 13 InTroDucTion To EXPosiTions 13 ThE BiD ProcEss 15 BEnEFiTs anD risks oF hosTinG 16 Section 2: FeasibILITy OF 2017 OR 2020 23 EXPo caTEGoriEs 23 AttenDancE EsTimaTEs 23 AccommoDaTinG VisiTors 25 InFrasTrucTurE 26 ReaLizinG ThE Economic imPacT 27 StraTEGic consiDEraTions 27 EDmonTon shouLD PursuE a rEcoGnizED EXPo in 2017 28 Section 3: ThE PLANNING -
International Exhibitions, Expositions Universelles and World's Fairs, 1851-2005: a Bibliography
Freie Universität Berlin, Germany California State University, Fresno, USA International Exhibitions, Expositions Universelles and World’s Fairs, 1851-2005: A Bibliography by Alexander C.T. Geppert, Jean Coffey and Tammy Lau 1. Introduction _________________________________________________________ 5 2. Research Aids ______________________________________________________ 7 2.1 Research Aids General _________________________________________________7 2.2 Bibliographies ________________________________________________________8 2.3 Review Articles ______________________________________________________10 2.4 Journals and Newsletters ______________________________________________10 3. History and Theory of International Exhibitions: General Works _______________ 11 3.1 Official Exhibition Regulations ___________________________________________11 3.2 Exhibition Theory _____________________________________________________11 3.3 Exhibition History _____________________________________________________13 4. International Exhibitions, 1851-2005 ____________________________________ 28 4.1 Australia ____________________________________________________________28 4.1.0 Australia Genera l _____________________________________________28 4.1.1 International Exhibition, Sydney 1879-1880 _________________________28 4.1.2 International Exhibition, Melbourne 1880-1881 ______________________28 4.1.3 Centennial International Exhibition, Melbourne 1888-1889 _____________28 4.1.4 Expo 88, Brisbane 1988 ________________________________________28 4.2 Austria _____________________________________________________________28 -
Pasic 2001 Marching Percussion Festival
TABLE OF CONTENTS 2 Welcome Messages 4 PASIC 2001 Planning Committee 5 Sponsors 8 Exhibitors by Name/Exhibitors by Booth Number 9 Exhibitors by Category 10 Exhibit Hall Map 12 Exhibitors 24 PASIC 2001 Map 26 PASIC 2001 Area Map 29 Wednesday, November 14/Schedule of Events 34 Thursday, November 15/Schedule of Events 43 Friday, November 16/Schedule of Events 52 Saturday, November 17/Schedule of Events 60 Artists and Clinicians 104 Percussive Arts Society History 2001 111 Special Thanks/PASIC 2001 Advertisers NASHVILLE NOVEMBER 14–17 2 PAS President’s Welcome It is a grim reminder of the chill- from this tragedy. However, in a happier world that lies ® ing events that shook the U.S. this land of diversity, we all deal ahead for all of us. on September 11. I am espe- with grief and healing in differ- cially grateful to all of our PAS ent ways. I’m in no way international members who sent trivializing this tragedy when I personal messages to me, tell you that I’m especially look- members of the Board of Direc- ing forward to seeing friends tors, and into the PAS office in and colleagues from around the www.pas.org Lawton, Oklahoma. Your out- globe at PASIC in Nashville. pouring of support and conso- Percussion is the passion that oday, as I sit to write my lation are deeply appreciated. binds us all and allows us to T“welcome to PASIC” I applaud those of you who come together in a common message, I realize that our have offered to use your re- place to see our friends, hear world has forever changed. -
CE Final Draft
! Several Miles to Ramanujam A study in the application of Indian rhythmic concepts for western musicians Culminating experience refection paper ! ! ! ! ! ! ! ! ! M.T. Aditya Srinivasan Master of music in Contemporary Performance Berklee College of Music, Valencia Campus ! ! Project advisor: Professor Enrich Alberich ! ! ! ! ! Acknowledgements Matha. Pitha.Guru. Devam. My frst and foremost thanks are to the greatest parents in the world, who have sacrifced more than they have had at every stage for me in order for me to live my dream, for being the strongest support system one could ever ask for. To the best friends every person dreams of having, who made no demands of me over the past year and allowed me to give my musical growth priority over them and without ever holding it against me. To every single one of my fellow Berklee classmates, for being fantastic comrades in arms, for being constant sources of inspiration throughout what has defnitely been the best year of my life so far, in the knowledge that we have made relationships that will last a lifetime. ! To my guru, Pt.Yogesh Samsi, for any idea that I present in this project emerges out of the seeds that he has sown, through his visionary thinking and guidance in every aspect of music and life and in his pursuit of sadhana, showing us that it is possible to be a great performer, great human being and an even better teacher, all in one. To my guru, the living legend, Padma Vibushan Umayalpuram K.Sivaraman for inspiring me with the beauty of my own heritage, tradition and music. -
From Birmingham to Belfast
UPLOAD: 1 December 2017 Special JEMS Forum: The EMC2 Festival, 24–26 March 2017, De Montfort University, Leicester, UK Sponsored by CoMA (Contemporary Music for All), Arts Council of England, and the University of Leicester From Birmingham to Belfast: improvising and experimenting with students Hilary Bracefield THERE is no doubt that the people behind the Experimental Catalogue (begun in 1968 by Chris Hobbs with Gavin Bryars and Michael Nyman joining in) were largely responsible for disseminating and fostering the rise in indeterminate music-making in the 1970s and 1980s in the United Kingdom. In Birmingham, however, the start of an experimental music group had another impetus. This article, based on a paper given to the EMC2 conference at De Montfort University in March 2017, is a personal account of the events in Birmingham from 1971 and in Belfast from 1977. The start of an improvisatory music group at Birmingham University must be credited to the lecturer Peter Dickinson. He had studied at Hilary Bracefield, paper, 24 March 2017 the Juilliard School in New York and encountered the music of John Cage, Henry Cowell and Edgard Varèse. On return to England he had worked on improvisatory music with students in London. Just before he left Birmingham to go to Keele University (where he set up an important centre for the study of American music) he collaborated in March 1971 with a lecturer in drama, Jocelyn Powell, to mount a performance of John Cage’s Theatre Piece (1960) in an evening concert at the Barber Institute at the university, a series to which the general public always came.