DOCSLIB.ORG

Mckinney Macartney Management Ltd LINDSAY PUGH - Costume Designer

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mckinney Macartney Management Ltd LINDSAY PUGH - Costume Designer McKinney Macartney Management Ltd LINDSAY PUGH - Costume Designer JULIET, NAKED Director: Jesse Peretz. Producers: Judd Apatow, Albert Berger, Barry Mendel, Jeffrey Soros and Ron Yerxa. Starring: Rose Byrne, Ethan Hawke and Chris O’Dowd. Turnlet Films / Los Angeles Media Fund. THE FRANKENSTEIN CHRONICLES (Series 2) Director: Alex Gabassi. Producer: Lawrence Till. Starring: Sean Bean, Anna Maxwell Martin, Charlie Creed-Miles and Ed Stoppard. Rainmark Films. SENSE8 (Series 2) Directors: Lilly Wachowski, Lana Wachowski and James McTeigue. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Tuppence Middleton, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. AND THEN THERE WERE NONE Director: Craig Viveiros. Producer: Abi Bach. Starring: Charles Dance, Toby Stephens, Miranda Richardson and Sam Neill. Mammoth Screen. SENSE8 (Series 1) Directors: Andy Wachowski, Lana Wachowski, James McTeigue, Tom Twyker and Dan Glass. Producers: Marcus Loges, Alex Boden and L. Dean Jones Jr. Starring: Daryl Hannah, Jamie Clayton, Freema Agyeman and Naveen Andrews. Georgeville Television / Netflix. THE SUSPICIONS OF MR WHICHER: “BEYOND THE PALE” / “THE TIES THAT BIND” Directors: Geoff Sax and David Blair. Producer: David Boulter. Starring: Paddy Considine, Helen Bradbury, Alex Robertson, John Heffernan and Adrian Quinton. Hat Trick Productions. Gable House 18-24 Turnham Green Terrace London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 Regd. in England No. 032 91044 Regd. Office: Gable House 18-24 Turnham Green Terrace London W4 1QP LINDSAY PUGH Contd … 2 SUPERBOB (Feature Film) Director: Jon Drever. Producers: Robert Jones and Wayne Marc Godfrey. Starring: Brett Goldstein, Catherine Tate and Laura Haddock. The Fyzz Facility. PRESSURE (Feature Film) Director: Ron Scalpello. Producer: Jason Newmark. Starring: Matthew Goode, Danny Huston, Joe Cole and Alan McKenna. Pinewood Films No 8 Ltd. ENDEAVOUR (TV Series) Directors: Ed Bazalgette, Tom Vaughan, Craig Viveiros and Colm McCarthy. Producer: Dan McCulloch. Starring: Shaun Evans, Roger Allam, Patrick Malahide, Flora Montgomery and John Light. Mammoth Screen. DANCING ON THE EDGE (TV Series) Director: Stephen Poliakoff. Producer: Nicky Kentish-Barnes. Starring: John Goodman, Chiwetel Ejiofor and Matthew Goode. Ruby Films. RTS Craft and Design Nomination 2013 – Best Costume Design THE EQUESTRIAN (Short) Director/Producer: Sybil H. Mair. Starring: Layke Anderson and James Wilby. Gaius Productions Ltd. ALL THE WAY FOR LOVE (Short) Director: Henry Mason. Producer: Giles Skillicorn. Starring Belinda Stewart Wilson, Andrew Simpson and Derek De Lint. Stink. WILL (Feature) Director: Ellen Perry. Producer: Mark Cooper. Starring Damian Lewis, Kristian Kiehling and Perry Eggelton. Strangelove Films. LINDSAY PUGH Contd … 3 DEEP AND CRISP AND EVEN (Television) Director: Brett Foraker. Producer: Hilary Bevan Jones and Tim Bricknell. Starring: Tim Spall and Natascha McElhone. Endor Productions. DING DONG (Television) Director: Dawn Shadforth. Producers: Hilary Bevan Jones and Tim Bricknell. Starring: Mackenzie Crook and Lyndsey Marshal. Endor Productions. THROUGH THE WINDOW (Television) Director: Barry Skolnick. Producer: Hilary Bevan Jones. Starring: Lee Ingleby and Claire Foy. Endor Productions. LET IT SNOW (Television) Director: Sam Miller. Producers: Hilary Bevan Jones and Tim Bricknell. Starring: Paterson Joseph and Angela Griffin. Endor Productions. THE PROFESSOR AND THE MADMAN (Feature – production suspended) Director: Farhad Safinia Producers: Bruce Davey and Mel Gibson. Starring: Mel Gibson and Sean Penn. Icon Productions. MUMMIES (I-max feature) Director: Keith Melton. Producer: Arabella Cecil. Starring: William Hope and Nasser Memarzia. Big Screen Films. GOAL! I (Feature) Director: Jaume Collet-Serra. Producers: Mark Huffam Jo Burn. Starring: Kuno Becker, Alessandro Nivola, Stephen Dillane and Anna Friel. Goal Productions / Milkshake Films / Touchstone. LINDSAY PUGH Contd … 4 GOAL! (Feature) Director: Danny Cannon. Producers: Mike Jefferies and Matt Barrelle. Starring: Kuno Becker, Alessandro Nivola, Stephen Dillane and Anna Friel. Goal Productions / Milkshake Films. EASIER WAYS TO MAKE A LIVING (Short) Director: Adam Randall. Producer: David Lobatto. Starring: William Houston and Catherine Walker. HOW DO YOU WANT ME (series I and II) (Television) Director: John Henderson. Producer: Margot Gavan Duffy. Starring: Dylan Moran, Charlotte Coleman, Frank Finlay and Mark Heap. Kensington Film & Television. THE SUN IS A FOUNTAIN (Short) Director: Simon Cooke. Starring: William Marlowe and Bill Travers. MTV ‘MADE’ BOND SPECIAL (Television) Director: Luc Edwards. Producer: Francis Lyons. MTV. ELDORADO (Television) Directors: Sallie Abrahams, Ian White, Philip Casson, Sue Dunderdale. Producer: Verity Lambert and Tony Holland. Starring: Roger Walker and Julie Fernandez. BBC/ Cinema Verity. MUSICAL CIRCUS THE THUNDERS Director: Cal McCrystal. Producer: Nell Gifford. LUCKY 13 Writer/Director: Cal McCrystal. Producer: Nell Gifford. LINDSAY PUGH Contd … 5 THE SATURDAY BOOK Writer/Director: Cal McCrystal. Producer: Nell Gifford. WAR AND PEACE Writer/Director: Irina Brown. Producer: Nell Gifford. YASMINE Director: Nell Gifford. Costume Supervisor: PRODUCTION DIRECTOR DESIGNER Quantum of Solace Marc Forster Louise Frogley Mamma Mia Phyllida Lloyd Ann Roth Munich Steven Spielberg Joanna Johnston Charlie and the Chocolate Factory Tim Burton Gabriella Pescucci Closer Mike Nichols Ann Roth The Village M. Night Shyamalan Ann Roth Stepford Wives Frank Oz Ann Roth Van Helsing (2nd unit) Stephen Sommers Gabriella Pescucci Cold Mountain Anthony Minghella Ann Roth xXx Rob Cohen Sanja Milkovich Hays The Hours Sephen Daldry Ann Roth The Man Who Killed Don Quixote Terry Gilliam Gabriella Pescucci Kafka (Assistant Costume Designer) Stephen Soderburg Michael Jeffrey The Mists of Avalon Uli Edel Carlo Poggioli Jason and the Golden Fleece Nick Willing Carlo Poggioli Don Quixote Peter Yates Charles Knode Christmas Carol David Hugh Jones Charles Knode Frenchman’s Creek Ferdinand Fairfax Vangie Harrison Kavanagh QC 1-IV Carlton Productions Sue Yelland Maria Stuarda Jonathan Miller Claire Mitchell Roberto Devereux Jonathan Miller Claire Mitchell Peer Gynt Yukio Ninagawa Lily Komine The Mahabharata Peter Brooke Chloe Obolensky .
Load more

Recommended publications
  • Homage to Piero Tosi (Costume Designer)
    The Scenographer presents Homage to Piero Tosi (costume designer) When I arrive at the Gino Carlo Sensani costume department accompanied by a student of the National School of Cinema, it does not in the least surprise me that Tosi receives me whilst keeping his back to me, intent on making some adjustment to a student’s problematic sketch. He pronounces a rapid greeting then lets pass a perfect lapse of time, neither too extended nor too brief, before turning to face me. Thoroughbred of the stage and screen, director of himself and in part an incorrigible actor, with an acknowledged debt to Norma Desmond and to those who still know how to descend a staircase with an outstretched arm on the banister, prompting those in attendance to take off their hat. I have known Pierino for many years, less in person, more through the words and the verbal accounts of Fellini, which almost never coincided with those of Tosi, yet traced a portrait with indelible colours. There is also a vague suggestion of witchcraft, from the moment in which the man ceased to change, neither from within nor from without. No sign of ageing, of the passing of time, preserved in a bubble of glass. Immutable, this is how Pierino Tosi appears to me, though he has no need of these compliments, neither does he fish for them, with always a foot placed on that shadowy line beyond which it is so easy to vanish, to fade away. Our mutual long-term acquaintance with Fellini draws us inevitably back to that climate.
    [Show full text]
  • Master Class with Monique Prudhomme: Selected Bibliography
    Master Class with Monique Prudhomme: Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Film Costume Design (History and Theory) Annas, Alicia. “The Photogenic Formula: Hairstyles and Makeup in Historical Style.” in Hollywood and History: Costume Design in Film. Edward Maeder (ed). Los Angeles: Los Angeles County Museum of Art, 1987. 52-77. Chierichetti, David, and Edith Head. Edith Head: The Life and Times of Hollywood's Celebrated Designer. New York: Harper Collins Publishers, 2003. Coppola, Francis Ford, Eiko Ishioka, and Susan Dworkin. Coppola and Eiko on Bram Stoker's Dracula. San Francisco: Collins Publishers, 1992. Gutner, Howard. Gowns by Adrian: The MGM Years 1928-1941. New York: Harry N. Abrams, 2001. Jorgensen, Jay. Edith Head: The Fifty-Year Career of Hollywood's Greatest Costume Designer. Philadelphia: Running Press, 2010. Landis, Deborah N. Dressed: A Century of Hollywood Costume Design. New York: Collins Design, 2007. ---. Film Craft: Costume Design. New York: Focal Press, 2012. Laver, James, Amy De La Haye, and Andrew Tucker. Costume and Fashion: A Concise History. New York: Thames & Hudson, 2002. Leese, Elizabeth. Costume Design in the Movies: An Illustrated Guide to the Work of 157 Great Designers.
    [Show full text]
  • THE FABRIC of DREAMS Master in Costume Design for Movies, TV and Stage
    MDC MANIFATTURE DIGITALI CINEMA PRATO ASC ASSOCIAZIONE ITALIANA COSTUMISTI E SCENOGRAFI PIN POLO UNIVERSITARIO CITTA’ DI PRATO THE FABRIC OF DREAMS Master in Costume Design for Movies, TV and Stage 24 FEBRUARY – 2 MAY 2020 About the course The Italian tradition of Costume Design for Movies, TV and Stage structured as an intensive course taught by top Italian experts: Gabriella Pescucci, Carlo Poggioli and Alessandro Lai. “The Fabric of Dreams” Master in Costume Design for Movies, TV and Stage is an educational program for costume design. The aim is to offer a unique experience working with experts, exploring the history of costume through movies, interpreting historical costume as a means of designing contemporary costume, and making extraordinary garments with a view to opening a new museum. A top-tier program consisting of learning and hands-on experience under the guidance of leading professionals, expert craftspeople and internationally renowned companies. Tuscany has a history of thriving in the field of costume design, thanks to the first Grand Duke of Tuscany Cosimo I and his spouse Eleanor of Toledo, icons of the Florentine Renaissance. 500 hours, 64 days and a few weekends in which to learn to observe, design, cut, sew and organise. An intensive lab to achieve your dream to become a costume designer. The teachers Gabriella Pescucci, Carlo Poggioli and Alessandro Lai lead the course. Three renowned costume designers on the Italian and international film scene who vary in their styles and approaches, all conveying Italy’s exceptional flair for costume design. This course is their brainchild, an educational experience aimed at emerging professionals wishing to learn more about the theory and practice of costume design.
    [Show full text]
  • DRAWING COSTUMES, PORTRAYING CHARACTERS Costume Sketches and Costume Concept Art in the Filmmaking Process
    Laura Malinen 2017 DRAWING COSTUMES, PORTRAYING CHARACTERS Costume sketches and costume concept art in the filmmaking process MA thesis Aalto University School of Arts, Design and Architecture Department of Film, Television and Scenography Master’s Degree Programme in Design for Theatre, Film and Television Major in Costume Design 30 credits Acknowledgements I would like to thank my supervisors Sofia Pantouvaki and Satu Kyösola for the invaluable help I got for this thesis. I would also like to thank Nick Keller, Anna Vilppunen and Merja Väisänen, for sharing their professional expertise with me. Author Laura Malinen Title of thesis Drawing Costumes, Portraying Characters – Costume sketches and costume concept art in the filmmaking process Department Department of Film, Television and Scenography Degree programme Master’s Degree Programme in Design for Theatre, Film and Television. Major in Costume Design Year 2017 Number of pages 85 Language English Abstract This thesis investigates the various types of drawing used in the process of costume design for film, focusing on costume sketches and costume concept art. The research question for this thesis is ‘how and why are costume sketches and costume concept art used when designing costumes for film?’ The terms ‘costume concept art’ and ‘costume sketch’ have largely been used interchangeably. My hypothesis is that even though costume sketch and costume concept art have similarities in the ways of usage and meaning, they are, in fact, two separate, albeit interlinked and complementary terms as well as two separate types of professional expertise. The focus of this thesis is on large-scale film productions, since they provide the most valuable information regarding costume sketches and costume concept art.
    [Show full text]
  • Kleidung / Mode / Couture / Kostümdesign Im Film: Eine Erste Bibliographie 2011
    Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie 2011 https://doi.org/10.25969/mediarep/12753 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2011 (Medienwissenschaft: Berichte und Papiere 122). DOI: https://doi.org/10.25969/mediarep/12753. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0122_11.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Hamburg: Berichte und Papiere 122, 2011: Mode im Film. Redaktion und Copyright dieser Ausgabe: Ludger Kaczmarek, Hans J. Wulff. ISSN 1613-7477. URL: http://www.rrz.uni-hamburg.de/Medien/berichte/arbeiten/0122_11.html Letzte Änderung: 20.2.2011. Kleidung / Mode / Couture / Kostümdesign im Film: Eine erste Bibliographie. Zusammengest. v. Hans J. Wulff u. Ludger Kaczmarek Inhalt: da, wo die Hobos sind, er riecht wie einer: Also ist er Einleitung einer. Warum sollte man jemanden für einen anderen Bibliographien halten als den, der er zu sein scheint? In Nichols’ Direktoria Working Girl (1988) nimmt eine Sekretärin heimlich Texte für eine Zeit die Rolle ihrer Chefin an, und sie be- nutzt auch deren Garderobe und deren Parfüm.
    [Show full text]
  • Adaptations, Heritage Film & Costume Dramas
    source guides adaptations, heritage film & costume dramas National Library adaptations, heritage film and costume drama 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv Introduction...........................................................................................................................................................1 E.M. FORSTER: MERCHANT IVORY ADAPTATIONS.........................................................................................2 A Room With a View.............................................................................................................................................3 Maurice...................................................................................................................................................................5 Howards End..........................................................................................................................................................8 JANE AUSTEN Pride and Prejudice.............................................................................................................................................12 Sense and Sensibility .........................................................................................................................................13 Emma....................................................................................................................................................................14
    [Show full text]
  • Cross-Pollination and Shifting Research and Practice Trajectories; Expanding the Field in Costume Research
    This is an electronic reprint of the original article. This reprint may differ from the original in pagination and typographic detail. Barbieri, Donatella; Pantouvaki, Sofia Cross-pollination and Shifting Research and Practice Trajectories; Expanding the Field in Costume Research Published in: Studies in Costume and Performance DOI: 10.1386/scp.3.1.3_2 Published: 01/06/2018 Document Version Peer reviewed version Please cite the original version: Barbieri, D., & Pantouvaki, S. (2018). Cross-pollination and Shifting Research and Practice Trajectories; Expanding the Field in Costume Research. Studies in Costume and Performance, 3(1), 3-10. https://doi.org/10.1386/scp.3.1.3_2 This material is protected by copyright and other intellectual property rights, and duplication or sale of all or part of any of the repository collections is not permitted, except that material may be duplicated by you for your research use or educational purposes in electronic or print form. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone who is not an authorised user. Powered by TCPDF (www.tcpdf.org) SCP 3 (1) pp. 3–10 Intellect Limited 2018 Studies in Costume & Performance Volume 3 Number 1 scp © 2018 Intellect Ltd Editorial. English language. doi: 10.1386/scp.3.1.3_2 Studies in Costume & Performance Intellect 10.1386/scp.3.1.3_2 3 EDITORIAL 1 3 DONATELLA BARBIERI London College of Fashion, University of the Arts London 10 SOFIA PANTOUVAKI Aalto University © 2018 Intellect Ltd 2018 Cross-pollination and shifting research and practice trajectories: Expanding the field in costume research The connecting threads between the texts in issue 3.1 of Studies in Costume and Performance are not found solely through their content.
    [Show full text]
  • The Wholly Family: Terry Gilliam Re-Interprets Italian Cinema for a Pasta Garofalo Per Il Cinema Production
    The Wholly Family: Terry Gilliam re-interprets Italian Cinema for a Pasta Garofalo per il Cinema production The award-winning movie director Terry Gilliam invite us to rediscover the magic of Naples and the Italian food traditions with its latest short film “The Wholly Family”, entirely filmed on location in Italy with a full Italian cast and produced by Pasta Garofalo. “The Wholly Family” will be premiered in Italy at the end of this month, before hitting several film festivals around the world. More details and online trailer are available at www.pastagarofalo.it. [Rome, Italy – May 24, 2011] The award-winning film director Terry Gilliam (Brazil, 12 Monkeys), invites us to rediscover the magic of Naples and of Italian food traditions with its latest short film “The Wholly Family”, entirely filmed on location in Italy with a full Italian cast and produced by Pasta Garofalo. The Wholly Family will be opening in Italy tomorrow, on May 25, with a launch event and a national theatre distribution, followed by participation to international short film festivals around the world. More details and online trailer are available at www.pastagarofalo.it. “This film has been produced by an Italian company: Garofalo, who produces pasta”, said award-winning director Terry Gilliam, who directed its latest short film The Wholly Family with an Italian cast and on location in Naples, Italy. “Italy has always been home to the greatest cinema in the world, but now there is a big production void. It’s good to see how this can be fixed when private companies choose to adopt traditional cinema rather than advertising as a channel to communicate their products.
    [Show full text]
  • The Zero Theorem
    The Zero Theorem Production Notes For further information http://www.facebook.com/Terry.Gilliam http://www.terrygilliamweb.com http://www.smart.co.uk/dreams Production Notes by Phil Stubbs The Zero Theorem Production Notes SYNOPSIS Set in a future London, THE ZERO THEOREM stars double Academy Award® winner Christoph Waltz as Qohen Leth, an eccentric and reclusive computer genius plagued with existential angst. He lives in isolation in a burnt-out chapel, waiting for a phone call which he is convinced will provide him with answers he has long sought. Qohen works on a mysterious project, delegated to him by Management (Matt Damon), aimed at discovering the purpose of existence - or the lack thereof - once and for all. But his solitary existence is disturbed by visits from the flirtatious Bainsley (Mélanie Thierry), and Bob (Lucas Hedges), Management’s wunderkind son. Yet it is only once he experiences the power of love and desire that he is able to understand his very reason for being. VOLTAGE PICTURES presents an ASIA & EUROPE / ZANUCK INDEPENDENT production in association with ZEPHYR FILMS, MEDIAPRO PICTURES LE PACTE and WILD SIDE FILMS THE ZERO THEOREM CHRISTOPH WALTZ DAVID THEWLIS MELANIE THIERRY LUCAS HEDGES a TERRY GILLIAM film 2 The Zero Theorem Production Notes DIRECTOR’S STATEMENT When I made BRAZIL in 1984, I was trying to paint a picture of the world I thought we were living in then. THE ZERO THEOREM is a glimpse of the world I think we are living in now. Pat Rushin’s script intrigued me with the many pertinent questions raised in his funny, philosophic and touching tale.
    [Show full text]
  • Nomination Press Release
    Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros.
    [Show full text]
  • LA STOFFA DEI SOGNI Bottega Di Alta Specializzazione in Costumi Per Il Cinema, La Tv, Lo Spettacolo
    MDC MANIFATTURE DIGITALI CINEMA PRATO ASC ASSOCIAZIONE ITALIANA COSTUMISTI E SCENOGRAFI PIN POLO UNIVERSITARIO CITTA’ DI PRATO LA STOFFA DEI SOGNI Bottega di Alta Specializzazione in costumi per il cinema, la tv, lo spettacolo THE FABRIC OF DREAMS Intensive Lab in Costume Design for Movies, TV and Stage JANUARY 2020 About the course The Italian tradition of Costume Design for Movies, TV and Stage structured as an intensive course (3 months + 1 premium) taught by top Italian experts: Gabriella Pescucci, Carlo Poggioli and Alessandro Lai. “The Fabric of Dreams” Intensive Lab in Costume Design for Movies, TV and Stage is an educational program for costume design. The aim is to offer a unique experience working with experts, exploring the history of costume through movies, interpreting historical costume as a means of designing contemporary costume, and making extraordinary garments with a view to opening a new museum. A top-tier program consisting of learning and hands-on experience under the guidance of leading professionals, expert craftspeople and internationally renowned companies. Tuscany has a history of thriving in the field of costume design, thanks to the first Grand Duke of Tuscany Cosimo I and his spouse Eleanor of Toledo, icons of the Florentine Renaissance. 500 hours, 64 days and a few weekends in which to learn to observe, design, cut, sew and organize. An intensive lab to achieve your dream to become a costume designer. The docents Gabriella Pescucci, Carlo Poggioli and Alessandro Lai lead the course. Three renowned costume designers on the Italian and international film scene who vary in their styles and approaches, all conveying Italy’s exceptional flair for costume design.
    [Show full text]
  • Cahiers-42-43-Le-Moyen-Age-Au-Cin--Ma-.Pdf
    Nourri de la matière d’une mémorable Telles apparaissaient, au sentiment de CONFRONTATION, ce numéro notre équipe, les conditions de Editorial double participe très évidemment de l’équilibre matériel et rédactionnel la tradition historienne de notre revue. d’une publication parvenue à maturité. De plus, cette livraison nous autorise Telles demeurent aujourd’hui les à considérer comme gagnés, dans perspectives de son développement, l’immédiat, deux paris plus récents : alors même que Marcel Oms a décidé soutenir un rythme de parution de quitter la direction de ces CAHIERS régulier et mettre en harmonie la vie auxquels il avait donné la forme et la propre de la revue et l’ensemble des vie, et qu’il continue, naturellement, à activités de l’Institut Jean Vigo. inspirer. Pierre GUIBBERT LES CAHIERS SOMMAIRE De la CINEMATHEQUE Revue d’histoire du Cinéma ! DES IMAGES POUR L’ENFANCE. 6. Michel ZINK : Projection dans l’enfance, projection de l’enfance : le Fondateur : Marcel OMS Moyen Age au cinéma 9. Pierre GUIBBERT : ‘’Pour les petits et pour les grands’’ 21 François de la BRETEQUE : ‘’Une figure obligée’’ du film de chevalerie : Directeur : Pierre GUIBBERT le tournoi Administrateur : Pierre ROURA Rédaction : André ABBET ! AU ‘’TEMPS DES CATHEDRALES’" 29. Jean François SIX : François d’Assise Barthélémy AMENGUAL 35. Vittorio MARTINELLI : Filmographie de Francesco d’Assisi José BALDIZZONE François de la BRETEQUE JEANNE D’ARC Raymond CHIRAT 37. Claude LAFAYE : Jeanne Fugitive 39. Régine PERNOUD : Jeanne d’Arc à l’écran Jean A.MITRY 42. Marcel Oms : De Lavisse à Michelet ou Jeanne d’arc entre deux Ricardo MUNOZ-SUAY Guerres..
    [Show full text]