The Rolling Stones
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Musterseite 1077.Pdf
Recording Index S Sad Day CD: "No Stone Unturned" (3'00) (Authors: Jagger/Richards) (SLK 17038-P) Mick Jagger .......... vocals, Schwarzbuch CD section A-Z Keith Richards ..... guitar, bvocals, Brian Jones .......... guitar, Sad Sad Sad I Bill Wyman ......... bass, (3'48)(Authors: Jagger/Richards) Charlie Watts ...... drums, Basic track with two guitars, bass, drums Jack Nitzsche ....... piano. and piano. Mick sings lead vocals with RCA Studios, Los Angeles, CA, very early lyrics. December 3 - 10, 1965. Air Studios Montserrat, Caribbean 7" Single: "19th Nervous Breakdown / Island, March 29 - May 5, 1989. Sad Day" 2LP:"Training Wheels" USA: London 45 LON 9823 (COC 39202) February 1966 Schwarzbuch LP section A-Z 7" Single: "Sad Day / You Can't 2CD:"Training Wheels" Always Get What You Want" (Social Graces 001-02) Europe: Decca F 13404 (UK) CD:"Training Wheels" Decca DL 25 576 (GER 06/73) 11CD Box: "Singles 1965-1967" (Rattle Snake RS 228) Decca 105 / 26.382 Y Europe: Abkco 06024 98209851 2CD:"Training Wheels - The Early (Belgium 6/73) USA: Abkco 0 18771 12202 9 Steel Wheels - Outtakes 1989" Decca F 13404 (Italy 5/73) Japan: (Voodoo Sounds) Decca 6103 062 (NL) July 2004 Schwarzbuch CD section A-Z Decca F 13404 (Sweden) 15 CD Box Set: April 29, 1973 "The Rolling Stones In Mono" Sad Sad Sad II LP: "No Stone Unturned" Europe: Abkco 01877 1834526 (3'36) (Authors: Jagger/Richards) Europe: Decca SKL 5173 (UK) September 30, 2016 Additional guitar overdubs and new lead Decca SLK 17038 LP: "Bill Wyman's Rolling Stones" vocals on version I, no (audible) sax, (GER 11/73) extended outro. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Daylight Is I TIME 'I
, .J" ~. DAYliGHT is I TIME 'I .. $APRil 4 ,I APR 0 1 ,2004 WAYNE PUBUC L1BMR" Sections ~ 3 'Pages~ 20 ,:l ~~ . , • Quick Look A , I ·Coui!p#apprql!es·t~pqllJif}gl()an:fund·a[JplicCition.·· L,. ~.~.·)r~IN~EDW;T·. : "'~''''';J' By Clara ()st~l ' . Public I hearin&,s "i'e~~aisQ' h~ld at .ameI,lds the city's snow e~ergency ordi-' s~id she and h~r husband' Jeff"have ~ SoYtf'ill o.'. , ...t-........... _......... '. '. - Of the H~r~ld " . Tue&day meeting; for: tll~· purpose. of nance. "".tried to work the situation out ~nd have We use 'newsprint"witb recycled fiber. Ail' appllcation froni Terry and Leslie updating the City;of\VayIle Zoning Map . Considerable. discussion was held on atte~pted to build a garage to hous~ "m;~ '. {i ./,,' Please recycle after use. Schulz of Schulz Land Surveying was and to consider a btexception per- .an agenda item. designed' to amend a the truck and have in1stalled a niUffler approved during Tuesday's meeting of mit for.Jim Milliken {q).lse abuilding at, section of th~ city' code dealing with on the truck to. reduce the amount of 'ditiilJtb~~C()ffee the Wayne City C01incil. .'. .' . 118 East Secmld Stieet (or warehous- - trUck parking in the city. The proposed' noise created.' . .. ~', .':. " WAYNE .:..- 'This week's , The pusines~ plans to purchase GPS .' ing! mini-storage:" '~"., '.. '. "or<;linancewolild 'impose a ,weigh, Hniit 'During the discussiori;Couhcil: ID'em Chamber Coffee will be held equipment used for surveying and add .' No one' frOID the;rpu,qlic spoke at on trucks parked within the city. -
Music As Rhetoric in Social Movements
IRA-International Journal of Management & Social Sciences ISSN 2455-2267; Vol.09, Issue 02 (November 2017) Pg. no. 71-85 Institute of Research Advances http://research-advances.org/index.php/RAJMSS 1968: Music as Rhetoric in Social Movements Mark Goodman1#, Stephen Brandon2 & Melody Fisher3 1Professor, Department of Communication, Mississippi State University, United States. 2Instructor, Department of English, Mississippi State University, United States. 3Assistant Professor, Department of Communication, Mississippi State University, United States. #corresponding author. Type of Review: Peer Reviewed. DOI: http://dx.doi.org/10.21013/jmss.v9.v2.p4 How to cite this paper: Goodman, M., Brandon, S., Fisher, M. (2017). 1968: Music as Rhetoric in Social Movements. IRA- International Journal of Management & Social Sciences (ISSN 2455-2267), 9(2), 71-85. doi:http://dx.doi.org/10.21013/jmss.v9.n2.p4 © Institute of Research Advances. This work is licensed under a Creative Commons Attribution-Non Commercial 4.0 International License subject to proper citation to the publication source of the work. Disclaimer: The scholarly papers as reviewed and published by the Institute of Research Advances (IRA) are the views and opinions of their respective authors and are not the views or opinions of the IRA. The IRA disclaims of any harm or loss caused due to the published content to any party. Institute of Research Advances is an institutional publisher member of Publishers Inter Linking Association Inc. (PILA-CrossRef), USA. The institute is an institutional signatory to the Budapest Open Access Initiative, Hungary advocating the open access of scientific and scholarly knowledge. The Institute is a registered content provider under Open Access Initiative Protocol for Metadata Harvesting (OAI-PMH). -
UNIVERSAL MUSIC • Rammstein – Videos 1995 – 2012 (DVD) • The
Rammstein – Videos 1995 – 2012 (DVD) The Rolling Stones – Grrr (Album Vinyl Box) Insane Clown Posse – Insane Clown Posse & Twiztid's American Psycho Tour Documentary (DVD) New Releases From Classics And Jazz Inside!! And more… UNI13-03 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Hollywood Undead – Notes From The Underground Bar Code: Cat. #: B001797702 Price Code: SP Order Due: December 20, 2012 Release Date: January 8, 2013 File: Hip Hop /Rock Genre Code: 34/37 Box Lot: 25 SHORT SELL CYCLE Key Tracks: We Are KEY POINTS: 14 BRAND NEW TRACKS Hollywood Undead have sold over 83,000 albums in Canada HEAVY outdoor, radio and online campaign First single “We Are” video is expected mid December 2013 Tour in the works 2.8 million Facebook friends and 166,000 Twitter followers Also Available American Tragedy (2011) ‐ B001527502 Swan Song (2008) ‐ B001133102 INTERNAL USE Label Name: Territory: Choose Release Type: Choose For additional artist information please contact JP Boucher at 416‐718‐4113 or [email protected]. UNIVERSAL MUSIC 2450 Victoria Park Avenue, Suite 1, Toronto, ON M2J 5H3 Phone: (416) 718‐4000 Fax: (416) 718‐4218 UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Regular CD) Cat. #: B001781702 Price Code: SP 02537 22095 Order Due: Dec. 20, 2012 Release Date: Jan. 8, 2013 6 3 File: Rock Genre Code: 37 Box Lot: 25 Short Sell Cycle Key Tracks: Artist/Title: Black Veil Brides / Wretched And Divine: The Story Of Bar Code: The Wild Ones (Deluxe CD/DVD) Cat. -
Zhuk Outcover.Indd
The Carl Beck Papers in Russian & East European Studies Sergei I. Zhuk Number 1906 Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 The Carl Beck Papers in Russian & East European Studies Number 1906 Sergei I. Zhuk Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 Sergei I. Zhuk is Associate Professor of Russian and East European History at Ball State University. His paper is part of a new research project, “The West in the ‘Closed City’: Cultural Consumption, Identities, and Ideology of Late Socialism in Soviet Ukraine, 1964–84.” Formerly a Professor of American History at Dniepropetrovsk University in Ukraine, he completed his doctorate degree in Russian History at the Johns Hopkins University in 2002 and recently published Russia’s Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830–1917 (2004). No. 1906, June 2008 © 2008 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: Rock performance by Dniepriane near the main building of Dniepropetrovsk University, August 31, 1980. Photograph taken by author. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and between 40 and 90 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4400 Wesley W. Posvar Hall, University of Pittsburgh, Pittsburgh, PA 15260. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
AFH-Dissertation Last Edits
Narratives and Sensemaking in the New Corporate University: The Socialization of First Year Communication Faculty by Andrew F. Herrmann A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts and Sciences University of South Florida Major Professor: Arthur P. Bochner, Ph.D. Eric M. Eisenberg, Ph.D. Carolyn Ellis, Ph.D. Charles Guignon, Ph.D. Date of Approval: June 16, 2008 Keywords: academic capitalism, discourse, ethnography, Foucault, identity, interactive interview, storytelling, strategic ambiguity, Weick © Copyright 2008, Andrew F. Herrmann Dedication To my advisor, mentor, teacher and friend, Dr. Arthur P. Bochner. Thank you for the critiques, guidance, support and wisdom. And patience. To my committee members, Dr. Eric Eisenberg, Dr. Carolyn Ellis, and Dr. Charles Guignon. Thank you for your insights and encouragement. To my dissertating comrades – Dr. Tony Adams, Dr. Cara Mackie and Robyn Boylorn – for providing me feedback and keeping me grounded. To Dr. Bob Krizek for taking a chance on an adult student. To Mom: this is the culmination of all the “bad parenting.” To Charlie, Fred and Jim for consistently being there and never doubting. To my nephew Garrett, for reminding me to play. To the CB from the EB. To the brave participants who opened their lives to me, showing me the future. Table of Contents Abstract iii Chapter 1: The Agenda – Studying Organizational Socialization in the University 1 Chapter 2: The Construction of Social -
Presumption of Innocence: Procedural Rights in Criminal Proceedings Social Fieldwork Research (FRANET)
Presumption of Innocence: procedural rights in criminal proceedings Social Fieldwork Research (FRANET) Country: GERMANY Contractor’s name: Deutsches Institut für Menschenrechte e.V. Authors: Thorben Bredow, Lisa Fischer Reviewer: Petra Follmar-Otto Date: 27 May 2020 (Revised version: 20 August 2020; second revision: 28 August 2020) DISCLAIMER: This document was commissioned under contract as background material for a comparative analysis by the European Union Agency for Fundamental Rights (FRA) for the project ‘Presumption of Innocence’. The information and views contained in the document do not necessarily reflect the views or the official position of the FRA. The document is made publicly available for transparency and information purposes only and does not constitute legal advice or legal opinion. Table of Contents PART A. EXECUTIVE SUMMARY .................................................................................................... 1 PART B. INTRODUCTION ............................................................................................................... 4 B.1 PREPARATION OF FIELDWORK ........................................................................................... 4 B.2 IDENTIFICATION AND RECRUITMENT OF PARTICIPANTS ................................................... 4 B.3 SAMPLE AND DESCRIPTION OF FIELDWORK ...................................................................... 5 B.4 DATA ANALYSIS ................................................................................................................. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Emotional Rescue This Was Not an Album Cover That People Loved. Fan
Emotional Rescue This was not an album cover that people loved. Fan reaction was typified by comments like, “this messy cover,” “It may have the single ugliest cover artwork of any record ever released by a major rock artist,” “I still hate the album cover,” “It's butt-ugly,” “I hate the cover,” “The cover is a big part of its poor reception.” “The sleeve was a big let-down after Some Girls, also the waste of time poster included,” “Yeah, I hated the cover…I like covers that show the band...like Black and Blue,” “I can't defend the thermal photography, or whatever it is, that adorns the cover of Emotional Rescue - was Mick on heroin when he signed off on this concept?” "Everyone to his own taste," the old woman said when she kissed her cow. It seems the Stones may have kissed a cow on this album cover. The Title You can always name it after a song on the album. That worked for Let It Bleed, It’s Only Rock and Roll and Some Girls. There were a lot of songs left over from the Some Girls sessions so this album began life with cynical working titles like Certain Women a clear play on the Some Girls title and More Fast Ones an obvious allusion to the pace of the contents. As the album began to take shape it took on the working title of Saturday Where The Boys Meet, a bit of a theme from the song “Where the Boys Go,” which appeared on the album. -
Gimme Shelter Artist:The Rolling Stones Writer:Mick Jagger, Keith Richards
Gimme Shelter artist:The Rolling Stones writer:Mick Jagger, Keith Richards Based on Playing for Change version https://www.youtube.com/watch? v=GJtq6OmD-_Y Thanks to Anton Baggerman for this song It is in the shelter of each other that the people live. - Irish proverb INTRO [C#] [C#] [C#] [C#] [C#] [C#] Oh, a storm is threat'ning, [C#] my very life today [C#] If I don't get some shelter, [C#] Oh yes, I'm gonna fade away [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away INTERLUDE [C#] [C#] [C#] [C#] [C#] Ooh, see the fire is sweepin', [C#] our very streets today [C#] Burns like a red coal carpet, [C#] mad bull's lost its way [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away [C#] [B] [A] [B] HARMONICA SOLO [C#] [C#] [C#] [C#] [C#] Oh, a storm is threat'ning, [C#] my very life today [C#] If I don't get some shelter, [C#] Oh yes, I'm gonna fade away [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away [C#] War, [B] children, [A] it's just a shot away, it's just a [B] shot away [C#] its' just a shot away, [B] it's just a shot away, [A] its' just a shot away, it's just a [B] shot away, [C#] its' just a shot away, [B] it's just a shot away, [A] its' just a shot away! [B] [C#] Gimme [B] love my brother, [A] it's just a kiss away, it's just a [B] kiss away [C#] Gimme [B] love my brother, [A] it's just a kiss away, it's just a [B] kiss away [C#] it's just a kiss away, [B] it's just a kiss away, [A] it's just a kiss away, it's just a [B] kiss away, [C#] let's give some love away, [B] let's give some love away, [A] let's give some love away, let's give some [B] love away! [C#] OUTRO [C#] [C#] [C#] [C#] Produced by www.ozbcoz.com - Jim's D-Formby Ukulele Songbook ADF#B Ukulele Tuning.