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The Democratic Arbiter: the Role of the Judiciary in the Democratic Consolidation Process in Nicaragua and Costa Rica
THE DEMOCRATIC ARBITER: THE ROLE OF THE JUDICIARY IN THE DEMOCRATIC CONSOLIDATION PROCESS IN NICARAGUA AND COSTA RICA By LEE D. WALKER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2003 ACKNOWLEDGMENTS The completion of this work is the end of one journey and the beginning of another. In this sense it is a good place to pause and let some very important people know what they have meant to my intellectual and academic development. I am still far from being the scholar that I desire to be, but I have made it this far thanks to the support and encouragement of the Department of Political Science at the University of Florida. I express my sincere gratitude to my supervisory committee of Leslie Anderson, Terry McCoy, Philip Williams, Michael Martinez, Albert Matheny, and George Casella. First, Dr. Anderson has been a wonderful mentor and advisor. She guided me through my master’s degree in Latin American studies and has always been supportive and encouraging about the direction of my work. I am particularly grateful that she has instilled in me an appreciation of and a desire to use diverse methodological approaches to understand the questions of political science. Second, I thank Terry McCoy. He was my first advisor at the University of Florida, and I have relied on his wisdom my entire stay at the University. Next, I express my sincere gratitude to Philip Williams, for his help on the dissertation and for giving me the opportunity to work with him on my first collaborative writing project. -
Patchwork Democracy Nicaraguan Politics Ten Years After the Fall by David R
Patchwork Democracy Nicaraguan Politics Ten Years After the Fall by David R. Dye with Jack Spence and George Vickers November 2000 Copyright 2000 Hemisphere Initiatives The report may be quoted at length if attributed. It may not be reproduced in whole or in part without CONTENTS the permission of Hemisphere Initiatives, Inc. David R. Dye, a Managua based research journalist Prologue 1 has resided in and provided political and economic analysis on Central America for eighteen years. He Basic Political Trends: 1990-2000 2 took principal responsibility for research and writing The Pact 7 this report. Who Benefits? 12 Jack Spence is President of Hemisphere Initiatives and is Associate Professor of Political Science at the The Pact’s Impacts 18 University of Massachusetts Boston. Spence coordinat- Conclusions 35 ed the research, made two field trips to Nicaragua, and edited all sections of the report. Endnotes 40 George Vickers is Executive Director of the Washington Office on Latin America (WOLA) and Treasurer of Hemisphere Initiatives. He edited all sec- tions of the report, made two field trips to Nicaragua timely and able help in making arrangements for including during the November 5th elections, and, printing and mailing. Carlos Fernando Chamorro along with Spence, wrote the analysis of the results of provided helpful information on printing and graphics the election and the performance of the Supreme and he along with Nobel León helped point toward Electoral Council during the weeks leading up to the election data. Rachel Farley of WOLA ably handled election. logistics for printing and delivery. In Managua Y made We would like to thank all those who granted us time implemented arrangements for printing and delivery. -
“No Text Without Context: Habacuc Guillermo Vargas's Exposition
“NO TEXT WITHOUT COntEXT: HABACUC GUILLERMO VARGAS’S EXPOSITION #1” KENCY CORNEJO I. Text: eres lo que lees denounced the artist for cruelty to a defenseless dog; for exploiting the animal’s deteriorating state; for inflicting For half a decade, a global public has condemned torture on Natividad by holding him captive; for forbidding the art of the Costa Rican conceptual artist Habacuc the public to intervene; for using the animal’s misery [Guillermo Vargas]; questioned his authenticity as an artist; for shock value under the guise of art; and for creating and denounced his moral and ethical stance as a human a spectacle with the aim of furthering his artistic career. being. He has received countless death threats by the The public also attacked Gallery Codice for supporting public both in and outside international art communities. “animal abuse” in the name of art, even though Juanita Worldwide blogs dedicated to his defamation exist in Bermudez, the gallery owner, explained that Natividad English, Spanish, Turkish, German, French, Italian, Russian, was cared for and fed by the artist, and that the dog had Portuguese, Greek, Bulgarian, Danish, Romanian, and many been restrained only during the hours of the exhibition, other languages.1 In addition to the written word, vitriolic then set free in the gallery yard until it escaped.3 Habacuc, manifestations towards the artist appeared in various however, refused to confirm Bermudez’s defense, and visual forms and performances. Together with the online would only state that Natividad had “died.” His oblique petition composed of four million signatures, protestors statement fueled uncertainty and speculation about the demanded the artist’s removal as a participant in the 2008 dog’s death. -
The Bitter and the Sweet: Feminist Efforts to Reform Nicaraguan Rape and Sodomy Laws, 26 U
University of Miami Law School Institutional Repository University of Miami Inter-American Law Review 7-1-1995 The ittB er and the Sweet: Feminist Efforts to Reform Nicaraguan Rape and Sodomy Laws Martha I. Morgan Follow this and additional works at: http://repository.law.miami.edu/umialr Part of the Law Commons Recommended Citation Martha I. Morgan, The Bitter and the Sweet: Feminist Efforts to Reform Nicaraguan Rape and Sodomy Laws, 26 U. Miami Inter-Am. L. Rev. 439 (1995) Available at: http://repository.law.miami.edu/umialr/vol26/iss3/3 This Article is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Inter- American Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. 439 ARTICLES THE BITTER AND THE SWEET: FEMINIST EFFORTS TO REFORM NICARAGUAN RAPE AND SODOMY LAWS MARTHA I. MORGAN* I. INTRODUCTION ............................................. 440 II. THE ROAD TO REFORM ....................................... 444 III. OF REFORM: CHANGES REGARDING RAPE AND RELATED SEXUAL OFFENSES ................................ 449 * Robert S. Vance Professor of Law, University of Alabama. This article is a continuation of my interest in Latin American women and how they are using the law in their struggles for gender justice, a term I use to refer to the related goals of equality and social justice. See, e.g., Martha I. Morgan, Founding Mothers: Women's Voices and Stories in the 1987 Nicaraguan Constitution, 70 B.U. L. REV. 1 (1990); Martha I. Morgan with M6nica Maria Alzate Buitrago, Constitution-Making in a Time of Cholera: Women and the 1991 Colombian Constitution, 4 YALE J.L. -
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AIR09_Cover:Cover Draft 01 19/03/2009 13:35 Page 383 THE STATE OF THE WORLD’S HUMAN RIGHTS AMNESTY INTERNATIONAL REPORT 2009 AMNESTY INTERNATIONAL REPORT 2009 THE STATE OF THE WORLD’S HUMAN RIGHTS 20 09 09 AIR09_insidecovers:A-Z copy 1 19/03/2009 13:11 Page ii 00 prelims09:A-Z copy 1 17/03/2009 18:48 Page i 09 00 prelims09:A-Z copy 1 17/03/2009 18:48 Page ii First published in 2009 by A catalogue record for this Printed on 100% recycled All rights reserved. No part of Amnesty International book is available from the post-consumer waste paper by this publication may be Publications British Library. Pureprint Group reproduced, stored in a retrieval International Secretariat East Sussex system, or transmitted, in any Peter Benenson House Original language: English United Kingdom form or by any means, 1 Easton Street electronic, mechanical, London WC1X ODW Photographs: Pureprint is a CarbonNeutral photocopying, recording and/or United Kingdom All photographs appear with company, and uses only otherwise without the prior full credits and captions vegetable-oil-based inks. permission of the publishers. © Copyright elsewhere in the report. Amnesty International www.amnesty.org Publications 2009 Index: POL 10/001/2009 ISBN: 978-0-86210-444-3 ISSN: 0309-068X 00 prelims09:A-Z copy 1 17/03/2009 18:48 Page iii AMNESTY INTERNATIONAL REPORT 2009 THE STATE OF THE WORLD’S HUMAN RIGHTS This report covers the period09 January to December 2008. 00 prelims09:A-Z copy 1 17/03/2009 18:48 Page iv © Private Overcrowding in the Pamandzi migration detention centre in Mayotte(a French overseas territory), December 2008. -
PDF – JCAS VOLUME 14, ISSUE 1, May 2017
Volume 14, Issue 1, 2017 Journal for Critical Animal Studies ISSN: 1948-352X Journal for Critical Animal Studies _____________________________________________________________________________ Editor Dr. Amber E. George [email protected] Submission Reviewers Dr. Julie Andrzejewski Nathan T. Rowan St. Cloud State University York University Dr. Cathy B. Glenn Tayler E. Staneff Independent Scholar University of Victoria Melanie Flynn Dr. Gina M. Sully University of Huddersfield University of Las Vegas Dr. Stephen R. Kauffman Dr. Siobhan Thomas Christian Vegetarian Association London South Bank University Dr. Anthony J. Nocella II Dr. Richard White Fort Lewis College Sheffield Hallam University Dr. Emily Patterson-Kane American Veterinary Medical Association Cover Art Photograph from Danny Duo with permission. Volume 14, Issue 1, May 2017 i Journal for Critical Animal Studies ISSN: 1948-352X JCAS Volume 14, Issue 1, May 2017 TABLE OF CONTENTS Issue Introduction Amber E. George…………………………………………….……………………………...…1-3 ESSAYS Guillermo Vargas’s Exposition #1 in the Context of Global Animal Ethics Claudia Alonso Recarte………………………………………………………………………4-36 JCAS Submission Guidelines ………………………………………………………….......37-40 Volume 14, Issue 1, May 2017 ii Journal for Critical Animal Studies ISSN: 1948-352X Volume 14, Issue 1 May 2017 ______________________________________________________________________________ Issue Introduction Author: Amber E. George Title: Instructor Affiliation: Philosophy Department, Misericordia University Location: Dallas, Pennsylvania, United States of America E-mail: [email protected] Keywords: Art, Activism, Animal Ethics, Aesthetics Art has been used to express sentiments regarding social issues and disrupt the status quo throughout history. Some of the most memorable pieces of politically charged artwork have arisen from an artist’s deep-seated desire to appeal to the public’s sense of justice.