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The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
UHD Plans to Keep Returning Students Safe Amid Pandemic
Student Run Since Volume One Thursday, August 27, 2020 | Vol. 65, Iss. 1 In This Issue............ continue as noted in Gator Life...........................2 UHD plans to keep returning Step 2 ORANGE. If the change to Step News..................................6 3 YELLOW occurs Opinions............................13 while planning the Arts and Entertainment......16 students safe amid pandemic spring semester and By Sheryl Sellers the previous semes- ry? The list below includes until Sept. 8. ter (fall) was at Step Returning to the some concise but important 1 RED or Step 2 ORANGE, fall semester under the information regarding which Step 2 ORANGE: Sept. 8 - additional hybrid, online pandemic that disrupted the students can enter campus TBA interactive and low capacity spring semester can feel and when. This is up to date face-to-face classes will be overwhelming. Students are as of Aug. 26. The difference in scheduled for that coming coming back to a semester classroom instruction modes semester. like never before. The virus Step 1 RED: Aug. 24 - between Step 1 RED and During Step 3 contamination between Sept. 7 Step 2 ORANGE regards YELLOW, students will be spring and fall turned for population density. It is allowed on campus for class- the worse rather than for the Classes will be held anticipated that hybrid, face- es or to use services based on Faculty Spotlight better. Students check and online or online interactive, to-face and online interactive availability. Students will be double check their classes see Gator Life, Page 4 i.e. class held via Zoom at will operate as scheduled if allowed to drop in at Student and the mode of instruction the stated class time. -
Forsíða Ritgerða
Hugvísindasvið The Thematic and Stylistic Differences found in Walt Disney and Ozamu Tezuka A Comparative Study of Snow White and Astro Boy Ritgerð til BA í Japönsku Máli og Menningu Jón Rafn Oddsson September 2013 1 Háskóli Íslands Hugvísindasvið Japanskt Mál og Menning The Thematic and Stylistic Differences found in Walt Disney and Ozamu Tezuka A Comparative Study of Snow White and Astro Boy Ritgerð til BA / MA-prófs í Japönsku Máli og Menningu Jón Rafn Oddsson Kt.: 041089-2619 Leiðbeinandi: Gunnella Þorgeirsdóttir September 2013 2 Abstract This thesis will be a comparative study on animators Walt Disney and Osamu Tezuka with a focus on Snow White and the Seven Dwarfs (1937) and Astro Boy (1963) respectively. The focus will be on the difference in story themes and style as well as analyzing the different ideologies those two held in regards to animation. This will be achieved through examining and analyzing not only the history of both men but also the early history of animation in Japan and USA respectively. Finally, a comparison of those two works will be done in order to show how the cultural differences affected the creation of those products. 3 Chapter Outline 1. Introduction ____________________________________________5 1.1 Introduction ___________________________________________________5 1.2 Thesis Outline _________________________________________________5 2. Definitions and perception_________________________________6 3. History of Anime in Japan_________________________________8 3.1 Early Years____________________________________________________8 -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
MALIK H. SAYEED Director of Photography
MALIK H. SAYEED Director of Photography official website COMMERCIALS (partial list) Verizon, Workday ft. Naomi Osaka, IBM, M&Ms, *Beats by Dre, Absolut, Chase, Kellogg’s, Google, Ellen Beauty, Instagram, AT&T, Apple, Adidas, Gap, Old Navy, Bumble, P&G, eBay, Amazon Prime, **Netflix “A Great Day in Hollywood”, Nivea, Spectrum, YouTube, Checkers, Lexus, Dobel, Comcast XFinity, Captain Morgan, ***Nike, Marriott, Chevrolet, Sky Vodka, Cadillac, UNCF, Union Bank, 02, Juicy Couture, Tacori Jewelry, Samsung, Asahi Beer, Duracell, Weight Watchers, Gillette, Timberland, Uniqlo, Lee Jeans, Abreva, GMC, Grey Goose, EA Sports, Kia, Harley Davidson, Gatorade, Burlington, Sunsilk, Versus, Kose, Escada, Mennen, Dolce & Gabbana, Citizen Watches, Aruba Tourism, Texas Instruments, Sunlight, Cover Girl, Clairol, Coppertone, GMC, Reebok, Dockers, Dasani, Smirnoff Ice, Big Red, Budweiser, Nintendo, Jenny Craig, Wild Turkey, Tommy Hilfiger, Fuji, Almay, Anti-Smoking PSA, Sony, Canon, Levi’s, Jaguar, Pepsi, Sears, Coke, Avon, American Express, Snapple, Polaroid, Oxford Insurance, Liberty Mutual, ESPN, Yamaha, Nissan, Miller Lite, Pantene, LG *2021 Emmy Awards Nominee – Outstanding Commercial – Beats by Dre “You Love Me” **2019 Emmy Awards Nominee – Outstanding Commercial ***2017 D&AD Professional Awards Winner – Cinematography for Film Advertising – Nike “Equality” MUSIC VIDEOS (partial list) Arianna Grande, Miley Cyrus & Lana Del Rey, Kanye West feat. Nicki Minaj & Ty Dolla $ign, N.E.R.D. & Rihanna, Jay Z, Charli XCX, Damian Marley, *Beyoncé, Kanye West, Nate Ruess, Kendrick Lamar, Sia, Nicole Scherzinger, Arcade Fire, Bruno Mars, The Weekend, Selena Gomez, **Lana Del Rey, Mariah Carey, Nicki Minaj, Drake, Ciara, Usher, Rihanna, Will I Am, Ne-Yo, LL Cool J, Black Eyed Peas, Pharrell, Robin Thicke, Ricky Martin, Lauryn Hill, Nas, Ziggy Marley, Youssou N’Dour, Jennifer Lopez, Michael Jackson, Mary J. -
Beyoncé, the African Diaspora, and the Baptism of 'Black Is King'
NBA PLAYOFF ODDS NFL MLB FANTASY MORE MOVIES MUSIC POP CULTURE Glory B: Beyoncé, the African Diaspora, and the Baptism of ‘Black Is King’ On her new Disney+ visual album, Beyoncé reinforces the ancestral lineage of Black people as divine beings, connecting the experience of a Black woman from the South to shores of Africa By Taylor Crumpton Aug 4, 2020, 6:30am EDT SHARE Parkwood Entertainment/Ringer illustration On July 31 at midnight, time stood still. Only Beyoncé Giselle Knowles-Carter’s creation of a Black planet could make the world forget about a global pandemic. For a moment, she lifted the veil of white supremacist thought that has dehumanized the African Diaspora. Black Is King, her new visual album released on Disney+ on Friday, reinforces the ancestral lineage of Black people as divine beings, born from the natural and spiritual forces of the universe. In the film, Beyoncé plays an omnipresent spirit who prepares the Black body to be born anew through the beliefs and practices of our ancestors who knew that to be Black was to be holy. “Let Black be synonymous with glory,” she says in a voiceover early in the film. Efi Chalikopoulou The Top 100 Beyoncé Songs, Ranked Beyoncé’s evolution from entertainer to pop icon truly began with her 2013 visual album Beyoncé, a public baptism into heritage and identity that humanized the most powerful woman in the music industry and documented her reclamation of a feminist personality. Her ideological foundation was further developed by womanist philosophies about lineage and reconciliation with her ancestors in Lemonade, her 2016 album that explored marital fidelity and forgiveness in the Black South, the birthplace of Black America. -
Niche Into Mainstream: How 90S Anime in the West Was Changed By
Niche into Mainstream 1 Niche into Mainstream: How 90’s Anime was changed by Agenda-Setting Theory Malik Watson Agnes Scott College Niche into Mainstream 2 Abstract Media transforms minor topics into mainstream, and their perception changes over time. I’m going to examine American people’s perception towards anime and define the significance of the medium and how far it has come in America. I’m going to pay particular attention to Sailor Moon. Sailor Moon is a manga created by Naoko Takeuchi with the premise of an ordinary junior high student destined to fight evil. It was popular enough in Japan to warrant an anime series which spread to other western countries especially America. This case will show how the media affects two ways: on itself (anime) and people (fans). Niche into Mainstream 3 Part 1 “What is Anime?” Chances are, they watched anime before but didn’t realize it. The medium has a historical and cultural significance in the United States, which influences animation and has become a profitable industry in the country. Many Americans have tried to control it, yet this genre of art is too big to be handled and it’s still growing. Before I get too far, I need to explain anime’s meaning. Anime is Japanese for animation. To be clear, anime is the shortened form for animation. In Japan, Animation (anime-shon) is represented in katakana, a set of writing characters in the Japanese language, as アニメーション . The -tion (-shon ーション) suffix is removed leaving the prefix Anime (アニメ). In the country, the term is utilized to refer to all forms of animation. -
Hollywoodrituals I Am Glad I Am Not Famous Hollywood Transgender
The Truth About the Entertainment Industry - #HollywoodRituals Aug. 27, 2020 Syndicated Columnist www.CathyHarrisInternational.com As a Syndicated Columnist and Investigative Reporter, I loved writing and researching at an early age. My current topic that I have been working on for two months – #HollywoodTrangenderAgenda, has to be the hardest topic that I ever reported on. Others reporting on the topic seem to have a lot of hatred and disrespect while trying to educate others. That is definitely not what I want to attract in my life so I have ended my research on this topic with this post. I have tried my best to be as sensitive as possible when reporting on this topic and I do apologize up-front if I have offended anyone. I Am Glad I Am Not Famous I came close to being famous when I blew the whistle on my job (www.TheCathyHarrisStory.com) and appeared on Oprah’s Oxygen Channel. During this time, I was contacted by Queen Latifah people’s twice to try to get me on her show to tell about the humiliation of black women who travel in and out of this country. I am so glad my life steered me in another direction and kept me on track. Again, in order to be RICH and FAMOUS, Hollywood (aka “The Entertainment Industry”) forces you to live with the same sex person or become inverted by changing your sex, raise inverted kids (raise girls as boys and boys as girls), and now they are attempting to legalize pedophilia and this is indeed a #HollywoodRitual. -
Untitled Essay, 1946 Intelligence Overload These Days
CONTENTS OVERVIEW ................................................................. vi INTRODUCTION: The Name of the Game: Let’s Define Our Terms ........... vii CHAPTER 1 HOW TO DECEIVE: Principles & Process 1.1 Deception as Applied Psychology....................................... 1 1.2 The Basic Principle: Naturalness........................................ 6 1.3 The Structure of Deception ............................................ 7 1.4 The Process of Deception............................................ 13 CHAPTER 2 INTERFACE: Deceiver versus Detective 2.1 Weaving the Web .................................................. 16 2.2 Unraveling the Web................................................. 17 CHAPTER 3 HOW TO DETECT: 10 General Principles 3.1 Cognitive Biases that Inhibit Detection .................................. 20 3.2 Overcoming Information Overload...................................... 20 3.3 The Analysts: Minimalists versus Compleatists ........................... 22 3.4 The Analyst’s Advantage............................................. 23 3.5 Categories ........................................................ 24 3.6 Know Your Enemy: Empathy & Inference................................ 32 3.7 Channels ......................................................... 34 3.8 Senses & Sensors.................................................. 35 3.9 Cultural Factors.................................................... 39 3.10 Asymmetries: Technological & Cognitive ................................ 40 CHAPTER 4 HOW TO DETECT: 20 -
1 the Cool Japan Project and the Globalization of Anime
THE COOL JAPAN PROJECT AND THE GLOBALIZATION OF ANIME AND MANGA IN THE UNITED STATES by Joshua Michael Draper Honors Thesis Appalachian State University Submitted to the Department of Cultural, Gender, and Global Studies and The Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts May, 2015 Approved by: Wei Xie, Ph.D., Thesis Director Alexandra Sterling-Hellenbrand, Ph.D., Second Reader Jeanne Dubino, Ph.D., Department Honors Director Leslie Sargent Jones, Ph.D., Director, The Honors College 1 The Cool Japan Project and the Globalization of Anime and Manga in the United States Abstract: This research paper will primarily discuss the impact that Japanese animation and manga have had on American popular culture and the subsequent cult following they developed. It will discuss what distinguishes Japanese animation from Western animation, how Japanese animation initially gained popularity among American audiences, and how it has subsequently impacted American popular culture. This paper will also focus on the subculture of otaku, a group of people known for their devoted following to Japanese animation and comic books. The purpose of this paper is to discuss the relative popularity of Japanese animation and manga amongst American audiences as an example of globalization impacting the United States from another country. Keywords: anime, manga, soft power, Cool Japan, globalization 2 Introduction During the 1980s and 1990s, Japanese animation and comic books began coming overseas to the United States, where it soon gained popularity amongst a sizeable number of young Americans. Recognizing the economic potential of Japanese popular culture, in 2002, Douglas McGray, writing for Foreign Policy, wrote an article titled “Japan’s Gross National Cool”, highlighting Japan’s potential to be a global “soft power”, or a country that promotes itself through its cultural influence rather than by economic and military force. -
Black Women in the United States Lady Day to Lizzo: a Century Of
AF21:014:305: Black Women in the United States Lady Day to Lizzo: A Century of Black Women Performers Professor Salamishah Tillet // [email protected] Tuesdays 2:30 - 5:30 pm Office Hours: Wednesdays 4 to 5 and by appt. Teaching Assistant: Esperanza Santos // [email protected] Office Hours: Wednesdays 4 to 5 and by appt. Course Description African American women performers from the blueswoman Bessie Smith to gospel guitarist Rosetta Tharpe, from jazz darling Billie Holiday to megastar star Beyoncé, and from hip hop virtuoso Lauryn Hill to millennial polymath Lizzo, have constantly redefined and expanded American popular music. This course will explore the long century of African American history through Black women performers, who across genres and time, have consciously and sometimes contradictorily navigated the racial and sexual limits of American popular culture in order to assert artistic agency and political freedom. Class Expectations Attendance and active class participation are required. Late assignments will not be accepted except in cases of proven emergency. If you know that you will be absent on a on a particular day, plan ahead and give your feedback to the class accordingly. We are ALL required to follow the University’s Policy on Academic Integrity, which falls under the Code of Student Conduct. The policy and the consequences of violating it are 1 outlined here: http://www.ncas.rutgers.edu/office-dean-student-affairs/academic-integrity-policy. Disabilities Rutgers University welcomes students with disabilities into all of the University's educational programs. In order to receive consideration for reasonable accommodations, a student with a disability must contact the appropriate disability services office at the campus where you are officially enrolled, participate in an intake interview, and provide documentation: https://ods.rutgers.edu/students/documentation-guidelines.