Banish Misfortune (Ireland) DC DC D DC 6 8

Total Page：16

File Type：pdf, Size：1020Kb

Banish Misfortune (Ireland) DC DC D DC 6 8 DDCDAmGD DCAm DCDAmGD DD CAmCDAmGD The Blarney Pilgrim (Ireland) GDC 6 8 GDC GDG DG G DC DGC DGC Calliope House Dave Richardson (USA) E A (B) 6 8 E1 E B72 E B E E A (B) E1 E B72 E B E Cleveland Park − Dm Ivan Drever Dm Bb G C 6 8 Dm Bb C C Dm Dm Gm Dm Bb Dm Dm A Dm Gm Dm Bb Dm A Dm Dm Gm Dm Bb Dm Dm A Dm Bb C C Dm Cleveland Park − Bm Ivan Drever Bm G E A 6 8 Bm G A A Bm Bm Em Bm G Bm Bm F# Bm Em Bm G Bm F# Bm Bm Em Bm G Bm Bm F# Bm G A A Bm Cleveland Park − Em Ivan Drever Em C A D 6 8 Em C D D Em Em Am Em C Em Em B Em Am Em C Em B Em Em Am Em C Em Em B Em C D D Em The Cliffs of Moher #1 6 8 The Cliffs of Moher #2 Am G Am Em 6 8 Am G Am Em Am Am G Am G Em Am Am G Am GAm The Cliffs of Moher Am G 6 8 Am G Am G Am G Am G FG Coleraine Am Em Am Em 6 8 Am Em Am Em Am C G Am Em E Am C Dm Am Em Am Connaughtman’s Rambles (Ireland) DADG 6 8 DAG1 2 D (A) G D D (A) G1 2 (A) The Cook in the Kitchen 6 8 Donnybrook Fair 6 8 Down the Back Lane (Ireland) 6 8 The Gaelic Club 6 8 Garrett Barry’s DAmCDDC 6 8 DAmCGD DDAmCAmC D D Am C G D The Hag at the Churn DDAmDC 6 8 D C D (C) D C Am G D C D (C) D Am C Haste to the Wedding (Ireland) DGDA 6 8 DG DAD D G DA DA G DA D The Hills of Glen Orchy (Scotland) 6 8 Humours of Ennistymon GC GD 6 8 GC G D G D (C) G D G GC GD GC GDG GC GD GC GDG I Burried My Wife and Danced on Her Grave (Ireland) 6 8 The Irish Washerwoman (Ireland) 6 8 The Jig of Slurs DGDGDA 6 8 DGDGAD DGA DGAD GDGGDG GDGEmDEm GEmGEm GEmBmDEm Jimmy Ward’s (Ireland) GCGGCD 6 8 GCGCGDD1 2 CG D C G D CG D D C1 D2 D Jump at the Sun John Kirkpatrick (England) Dm Gm A 6 8 Dm Dm Gm A Dm Dm A Dm A Dm A Dm Gm A Dm Jump at the Sun − Em John Kirkpatrick (England) Em Am B 6 8 Em Em Am B Em Em B Em B Em B Em Am B Em The Kerry Jig 6 8 The Kesh Jig GD CGCD 6 8 GDCGDG GCGGD GCGCDG The Lark in the Morning (Ireland) DGD G 6 8 DGDBmG D Dsus DBm D G DGD EmG D Dsus D Dsus DGDEmG D Dsus D Dsus D Dsus D G D Em G Merrily Kiss the Quaker’s Wife (Ireland) GCGGD 6 8 GCGGDG GD GC G D GD GC GD G GD G D GD C D G D G The Mist on the Mountain (Ireland) Am G 6 8 Am G D/Am Am G Am G D/Am Am G Am G D/Am The Mist on the Meadow (Ireland) 6 8 The Monaghan Jig (Ireland) Em Em D Em D 6 8 Em Em D G D Em D Em Em D Em D Em G D Em D Em GD Em Em D Em D Em G D The Mooncoin 6 8 Morrison’s Jig (Ireland) 6 8 The Mug of Brown Ale Am (C) G 6 8 Am (C) G Am Am G Am G Am My Darling Asleep (Ireland) DA GD D GA 6 8 DA GD DG AD D (A) D G D G A DA GD DG AD The Old Grey Goose 6 8 Old Joe’s Jig 6 8 One Too Many Am G Am Am G Am E 6 8 Am G Am Am G Am Am G D G Am G Am G Am Paddy Clancy’s 6 8 1 2 1 2 Pipe on the Hob (Ireland) Am Am G Am G G 6 8 Am Am G Em G Am GAmG GEmGAm Am G Am Am G Am Am G Am G Em G Am Pull the Knife Out and Sitck it in Again 6 8 1 2 The Rambling Pitchfork (Ireland) 6 8 The Road to Lisdoonvarna (Ireland) Em G D 6 8 Em G A1 Em2 Em Em D/G A G Em D/G A1 Em2 Em The Rose in the Heather DA D G A 6 8 DA D G A1 D2 D DA D G A DA D G AD1 2 DA Saddle the Pony (Ireland) 6 8 1 2 1 2 Scatter the Mud (Ireland) Am G 6 8 Am G Am G Am G Am G (Em) G Smash The Windows (Ireland) DDAGDA 6 8 DDAGADD1 2 DA DG DG DA D DA DG D G DA D The Swallows Tail Em D Bm 6 8 Em D Bm Em Em D Em D Bm Em The Tenpenny Bit (Ireland) Am G Am G/D G 6 8 Am G Em G Am Am G Am Em G Am G Em G Am Tobin’s Favorite (Ireland) D A D G A (G) 6 8 DADAD D A D G A (G) DADAD Tripping up the Stairs (Ireland) DG D A DA 6 8 DG D A GD Bm A Bm A G D The Walls of Liscarroll 6 8 1 2 Whelan’s Fancy 6 8.

Copy Link

Recommended publications

Highlands Songbook Contents
Highlands Songbook Contents Title Page A Jug of Punch 3 A Scottish Soldier 4 Black Velvet Band 5 Danny Boy 6 Maid of Fife-E-O 7 Mary Mac 8 Men of Harlech 9 Molly Malone (Cockles and Mussels) 10 Scotland the Brave 11 The Gypsy Rover 12 The Unicorn Song 13 The Wild Colonial Boy 14 The Wild Rover 15 When Irish Eyes Are Smiling 16 Whiskey in the Jar 17 2 A Jug of Punch (Paddy Clancy / Tom Clancy / Liam Clancy / Tommy Makem) G D7 G One pleasant evening in the month of June When he's snug outside of a jug of punch D G G As I was sitting with my glass and spoon And if I get drunk, well, the money's me own C D G A small bird sat on an ivy bunch And if they don't like me they can leave me alone D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow G D D7 G Too ra loo ra loo, too ra loo ra lay, And I'll be welcome wherever I go D7 G G D Too ra loo ra loo, too ra loo ra lay Too ra loo ra loo, too ra loo ra lay, C D7 G A small bird sat on an ivy bunch Too ra loo ra loo, too ra loo ra lay D7 G C And the song he sang was "The Jug of Punch" I'll tune me fiddle and I'll rosin me bow D7 G G And I'll be welcome wherever I go What more diversion can a man desire? D G G Than to sit him down by snug turf fire And when I'm dead and in my grave C D G Upon his knee a pretty wench No costly tombstone will I have D7 G G C And on the table a jug of punch Just lay me down in my native peat G D D7 G Too ra loo ra loo, too ra loo ra lay, With a jug of punch at my head and feet D7 G G D Too ra loo ra loo, too ra loo ra lay Too
[Show full text]
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia.
[Show full text]
13Thlaochra Gael
Cumann Lúthchleas Gael Coiste Chontae Thiobrad Arann Laochra Gael 13th PRESENTATIONS by Iar-Uachtarán Liam Ó Néill at The Dome, Semple Stadium November 15th, 2015 ag tosnú 16.30pm 1 Cumann na Sean Ghael - Coiste Chontae Thiobrad Arann INAUGURAL MEETING Thurles, April 23th, 2003 he inaugural meeting of Cumann na Sean Ghael, Coiste Chontae Thiobrad Arann, was held in Hayes’s Hotel, Thurles on April 23, 2003. The attendance included John Moloney, Noel Morris, John Costigan, Pat Moroney, Seamus J., King and Michael TO’Meara. Seamus McCarthy was unable to be present. At the outset John Moloney was unanimously appointed chairman amd Michael O’Meara secretary. The chairman outlined the aims of the group, which were chiefly to honour annually persons over 70 years of age, who had given significant service to the G.A.A. in whatever capacity - player, official, groundsman, jersey carrier, tea maker, referee, umpire, etc. A sample of a framed certificate, which was presented annually in Dublin, was shown by the chairman to the meeting and the secretary undertook to get quotations for same. It was agreed that approximately 40 annual presentations would be made, i.e. an average of 10 per division. The consensus was that the general public should be asked to nominate suitable persons and justify why they were considered worthy. It was agreed that the presentations would be made in Brú Ború, Cashel on November 16th or 23rd and that the evening’s programme would consist of a chat, light refreshments and entertainment before the presentations. It was also agreed that the wives of the recipients be invited to the presentations.
[Show full text]
Fiddling with Technology:: the Effect of Media on Newfoundland Traditional Musicians
Document generated on 09/25/2021 9:58 a.m. Newfoundland Studies Fiddling with Technology: The Effect of Media on Newfoundland Traditional Musicians Evelyn Osborne Volume 22, Number 1, Spring 2007 URI: https://id.erudit.org/iderudit/nflds22_1art08 See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 0823-1737 (print) 1715-1430 (digital) Explore this journal Cite this article Osborne, E. (2007). Fiddling with Technology:: The Effect of Media on Newfoundland Traditional Musicians. Newfoundland Studies, 22(1), 188–204. All rights reserved © Memorial University, 2007 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Fiddling with Technology: The Effect of Media on Newfoundland Traditional Musicians1 EVELYN OSBORNE THE DEVELOPMENT OF SOUND technologies since the late nineteenth century has been as revolutionary for musicians as the printing press was for verbal communi- cation in the fifteenth century. By the late twentieth century, the remotest of vil- lages had access to new sounds and information from across the globe. Not unexpectedly, these processes have had a major impact on folk music traditions around the world, including those in Newfoundland and Labrador. This article will examine how media sources, such as radio, recordings, television, and printed mu- sic have transmitted new styles of music to the island and how these, in turn, have influenced the repertoire and styles of traditional fiddle players.
[Show full text]
Extensions of Remarks E140 HON. JAMES A. TRAFICANT, JR. HON
E140 CONGRESSIONAL RECORD Ð Extensions of Remarks February 4, 1999 It doesn't take much imagination to was never placed in their home and they lost In addition to the problem of electing a project what agencies like the Department more than $12,000 to a foreign adoption con President who failed to receive the popular of Education or the Department of Health artist. When the adoption facilitator was con- vote, the Electoral College system also allows and Human Services could do with directives fronted with the moratorium information, he for the peculiar possibility of having Congress such as these. The agency Clinton has set up with the changed the name of his organization and decide the outcome should a presidential tick- issue of this Executive Order has been di- moved to another state. After several months et fail to receive a majority of the Electoral rected to monitor agencies, coordinate re- of searching for the agency, the couple is College votes. Should this happen, the 12th sponses to human rights complaints, review suing for a refund. The case is pending in a Amendment requires the House of Represent- proposed legislation for violations, and mon- New Mexico court. atives to elect a President and the Senate to itor the actions of states, commonwealths, While completing research for this bill, I dis- elect a Vice President. Such an occurrence and territories of the United States, as well covered many other couples who have similar would clearly not be in the best interest of the as Native American tribes. It would appear horror stories of intercountry adoptions.
[Show full text]
Film Piracy, Organized Crime, and Terrorism Appendixes A, B, and C
SAFETY AND JUSTICE PROGRAM and the GLOBAL RISK AND SECURITY CENTER THE ARTS This PDF document was made available from www.rand.org as a public CHILD POLICY service of the RAND Corporation. CIVIL JUSTICE EDUCATION ENERGY AND ENVIRONMENT Jump down to document6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS NATIONAL SECURITY The RAND Corporation is a nonprofit research POPULATION AND AGING organization providing objective analysis and effective PUBLIC SAFETY solutions that address the challenges facing the public SCIENCE AND TECHNOLOGY and private sectors around the world. SUBSTANCE ABUSE TERRORISM AND HOMELAND SECURITY TRANSPORTATION AND INFRASTRUCTURE WORKFORCE AND WORKPLACE Support RAND Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND Safety and Justice Program RAND Center for Global Risk and Security View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND PDFs to a non-RAND Web site is prohibited. RAND PDFs are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This product is part of the RAND Corporation monograph series. RAND mono- graphs present major research findings that address the challenges facing the public and private sectors. All RAND monographs undergo rigorous peer review to ensure high standards for research quality and objectivity.
[Show full text]
The Volunteer
The Freebird VOLUME I MAY 2005 The Freebird is the newsletter of the Irish Fair of Minnesota. Its purpose is to keep us connected, provide updates, celebrate successes and share our stories, and to support the mission of the Irish Fair by promoting and cultivating Irish culture. notes “In a Minnesota August, patron interest in FAIR FOCUSES ON AUTHENTIC IRISH hot tea in the non- air conditioned Harriet Island FOOD OFFERINGS: CAN YOU SAY pavilion seems a chancy thing. So, for our first YUM??? year out we’ll be serving iced tea with lemon slices, which is always refreshing in the heat. However, if we hear from patrons that they’d like Beginning last year and ramping up this, the Fair hot tea, we’ll reconsider for next year.” making a big effort to increase the variety and authenticity of the victuals available in the Food AN GHAEILGE Court and involve more local Irish businesses. Courtesy of Gaeltacht Minnesota A wonderful addition to the Fair this year will be If all this talk about food and cooking is a Tussie’s Tea and Sweets in the Pavilion, brought whetting your appetite, so much the better, to us by Jan Loney, Julie Acton and Kathi Jones. for the Irish say, "Is maith an t-anlann an t- ocras." The place is conceived as a tranquil place where fairgoers can relax and take a bit of a break from Hunger is a good sauce! the high energy of Irish Fair. “We are striving for To learn more about the Irish language, contact a genteel Irish tearoom experience for our Gaeltacht Minnesota at http://www.gaelminn.org/ patrons” says Jones “with small tables covered in green fabric tablecloths In the main Food Court, last year saw the topped with posy vases addition of O’Donovan’s Irish Pub (see February with fresh flowers.” edition of the newsletter) and FatHead Brennan’s Pie Shop, run by Tony Brennan Ayriss.
[Show full text]
Carolyn Hester: Texas Songbird
East Texas Historical Journal Volume 51 Issue 2 Article 10 10-2013 Carolyn Hester: Texas Songbird C R. Burns Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Burns, C R. (2013) "Carolyn Hester: Texas Songbird," East Texas Historical Journal: Vol. 51 : Iss. 2 , Article 10. Available at: https://scholarworks.sfasu.edu/ethj/vol51/iss2/10 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. CAROLYN HESTER, TEXAS SONGBIRD By: C. Ross Burns During the early years of the folk music revival of the late 1950s and early 1960s, one of the leading female folksingers in the country was the Texas Songbird, Carolyn Hester. She used her soaring girlish so prano to breathe life into old traditional songs from the British Isles, the United States, and Mexico. She chose songs that had beautiful haunting melodies which her voice augmented. Following in the footsteps of Pete Seeger and Susan Reed, she worked with and learned from Buddy Holly, Paul Clayton, Bob Dylan, Tom Paxton, Judy Collins, Ian and Sylvia, and many of the folk singers of the period. Along with many of her cohorts, she was active in the civil rights movement as well. She has influenced subsequent female singer-songwriters, including Emmylou Harris, Joni Mitchell, and Nanci Griffith.
[Show full text]
42160-48 Triskele Pc.Indd
Triskele Nonprofi t Organization Center for Celtic Studies US POSTAGE PAID Triskele MILWAUKEE, WI Phone: 414-229-6520 P.O. Box 413 PERMIT NO. 864 Fax: 414-229-6827 Milwaukee, WI 53201-0413 ttriskeleA nnewslettererwsletteri ooffs UUWM’sWM’sk CCenterentere fforor CCelticeltlic SStudiestuedies e-mail: [email protected] Website: www.uwm.edu/Dept/Celtic VVolumeolume V IssueIssue I BBealtaineealtaine 22006006 Triskele Editorial Staff: Center Facilitates Wisconsin John Gleeson, Sarah Kissinger, Cat Murphy Delegation To Ireland Photo Credits: John Gleeson, Center for Celtic Studies Jean Bills, Tess Burkart, Michael Cudahy, When Michael Cudahy, Milwaukee businessman, John Gleeson, Meg Gleeson, Sarah Kissinger, philanthropist, and proud son of John Cudahy, fi rst U.S. Larry McNaughton, Cat Murphy, Ambassador to Éire, decided to take state offi cials to the Eamonn O’Neill, Bill Watson Emerald Isle, Chancellor Carlos Santiago asked the Center for Celtic Studies to help set up the schedule. Working Please send us your e-mail address if you would closely with Irish Consul General Charles Sheehan and prefer to receive Triskele or updates about current Terry Miller, Director of UWM’s Overseas Progams and events via the Internet. Partnerships, we were able to pull together a busy but fruitful fi ve-day trip to Ireland earlier this year. L to R: John Gleeson, Monsignor Halligan, Milwaukee Mayor Tom Barrett, Write to: [email protected] to have your name The mission of the delegation was to look to Ireland for Michael Cudahy, Irish President Mary McAleese, Governor Jim Doyle, Tim added to our e-mail list or to change your current Sheehy, President, GMBA, Chancellor Carlos Santiago mailing or e-mail address.
[Show full text]
New York University Is Requesting Funds from the Grammy Foundation
2008 GRAMMY Foundation Archiving & Preservation Grant Program Application New York University 1. New York University requests $40,000 from the Grammy Foundation Archiving & Preservation Grant Program to digitally preserve approximately 180 hours of field recordings and interviews taped by the Irish musician, ethnomusicologist and folklorist Mick Moloney. They are part of a collection of 811 hours of taped performance of Irish American music, as well as oral histories and interviews, made by Dr. Moloney between 1961 and 2005, when they were acquired by NYU for its Archives of Irish America. 2. This phase of preserving the Moloney collection will concentrate on approximately 180 reel- to-reel and cassette tapes that were made at public performances and sessions and in musicians’ homes between the late 1980s and early 1990s. Moloney made many of the cassette recordings on his Sony TCD 5 (the state of the art cassette recorder at that time) in situations in which a large, conspicuous tape recorder would have been inappropriate. Because of the variability of quality in the cassette housing structures, these recordings are now very much at risk; several have already become detached and urgently need remedial care. These recordings feature many older musicians of that time such as Andy McGann, Eugene O'Donnell, Tom Doherty, Johnny McGreevy and Al Purcell. Other tapes capture in their most formative years young emerging artists such as Liz Carroll, Joanie Madden, Brian Conway, Billy McComiskey, Brendan Mulvihill, Seamus Egan and Eileen Ivers, many of whom are internationally known today. Many other recordings track the evolution of the groundbreaking, National Endowment for the Arts-funded ensemble, The Green Fields of America, which introduced Irish traditional music and dance to a general audience nationwide; until that time, they had been largely unknown outside the Irish American community.
[Show full text]
Fasc Facts April 2019
A Review of Famous Songs of the Past ‘Fascinating Facts’ April 2019 Track 1 Happy Days Are Here Again Today, this song is probably best remembered as the campaign song for Franklin Delano Roosevelt's successful 1932 presidential campaign. According to TIME magazine, it gained prominence after a spontaneous decision by Roosevelt's advisers to play it at the 1932 Democratic National Convention. Mitchell "Mitch" Miller (July 4, 1911 – July 31, 2010) was prominent in the American music industry. Miller was involved in almost all aspects of the industry, working as a musician, singer, conductor, record producer and record company executive. Miller was one of the most influential people in American popular music during the 1950s and early 1960s, both as the head of A&R at Columbia Records and as a best-selling recording artist with an NBC television series, Sing Along with Mitch. Track 2 A Bird In a Gilded Cage A Bird in a Gilded Cage is a song composed by Arthur J. Lamb (lyrics) and Harry Von Tilzer (music). It was a sentimental ballad that became one of the most popular songs of 1900, reportedly selling more than two million copies in sheet music. Florrie Forde (1875-1940), music hall artist, was born on 16 August 1875 in Fitzroy, Melbourne. She first appeared as a singer in a vaudeville programme. On August Bank Holiday 1897, she made her first appearances in London at three music halls—the South London Palace, the Pavilion and the Oxford—in the one evening, singing You Know and I Know. Immediately booked for three years on the circuit, she never looked back.
[Show full text]
Bee Gee News December 10, 1947
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 12-10-1947 Bee Gee News December 10, 1947 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "Bee Gee News December 10, 1947" (1947). BG News (Student Newspaper). 838. https://scholarworks.bgsu.edu/bg-news/838 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. » HEAR THE GAME Bee Gee Neati IN THE COMMONS ' < Official Student Publication of Bowling Green State University Volume X XXII \ Bowling Green, Ohio, Wednesday, December 10, 1947 dumber 12 Kennedy Directs "Messiah; Robinson's Play Pre-Registration Saturday's Game Cast Announced For Spring Term Broadcasted Will Be Presented Sunday Miss Sara Allgood, Hollywood character actress, will be guest Begins Monday In Commons star in the charming new comedy, Notice of the prc-rcgislration The Bowling Green-City College "The Lucky Finger," written by program for the spring semester of New York basketball game Sat- Irish Playwright Lennox Robin- had been made by John W. Hunn, urday evening in Madison Square son, under the direction of Fred- registrar. Garden, New York, will be broad- erick G. Walsh. The play will be Freshmen are to report to their cast by special wire over a public presented in the Howling Green advisors during the week of Dee.
[Show full text]