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Prison for a Good, Long While, and I Wish Him the Worst
Madison Reddie Dr. Rosenberg Section 11 Behind Bar(code)s Two weeks ago, my mom was carjacked at gunpoint. The police caught the perpetrator and he’s going to prison for a good, long while, and I wish him the worst. I don’t care if prison isn’t pleasant for him; it shouldn’t be. This all seems perfectly justified. And this is coming from the same person who cried after honking at a bad driver and finding it to be a cute old man who smiled and waved as I passed. I just mean to say that I’m an empathetic person, and I wish very few people in this world the worst. Because of stories, isolated experiences, and stereotypes, it’s easy to neglect anyone who falls under the broad category of “criminal” and permit dehumanization. According to the FBI, only 7% of federal inmates are in for violent offenses, and a study by Time found that 39% of incarcerated Americans should not be in prison. That means that there are more than just guys who steal moms’ cars at gunpoint in there. In response to the common ignorance towards criminals, awful prison conditions, and the immorality of the prison industrial complex, a piece of graffiti art was created and Netflix produced “Orange Is the New Black,” a show about an affluent white woman going to prison. Both works affect their respective audiences through coercion to pay attention, relatable elements, and emotional appeals, though they do so in distinct ways. An anonymous artist made their statement heard by slapping it right in front of people’s faces. -
Jessica, JIMENO, Aix Marseille
Orange is the New Black et la transformation de genre à l’écran comme l’illustration du potentiel (trans)formateur de la série Jessica Jimeno To cite this version: Jessica Jimeno. Orange is the New Black et la transformation de genre à l’écran comme l’illustration du potentiel (trans)formateur de la série. 2021. hal-03216657 HAL Id: hal-03216657 https://hal-amu.archives-ouvertes.fr/hal-03216657 Preprint submitted on 4 May 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Orange is the New Black et la transformation de genre à l’écran comme l’illustration du potentiel (trans)formateur de la série La série OITNB (adaptation audiovisuelle des mémoires de Piper Kerman) relate les aventures de Piper Chapman, jeune bourgeoise urbaine qui se retrouve, du jour au lendemain, incarcérée dans la prison fédérale de Litchfield dans l’État de New York pour avoir pris part à un trafic de drogue dix ans auparavant. En milieu carcéral, le personnage se retrouve au contact d’autres détenues aux identités majoritairement marginales et la série devient le berceau de leurs représentations identitaires à l’écran. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
The Representation of Latinas in Orange Is the New Black a Thesis
The Representation of Latinas in Orange Is the New Black A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts at George Mason University By Sarah Weatherford Millette Bachelor of Arts Furman University, 2011 Director: Ricardo F. Vivancos Pérez, Associate Professor Department of Modern and Classical Languages Spring Semester 2015 George Mason University Fairfax, VA ACKNOWLEDGEMENTS I would like to thank first and foremost my advisor and mentor, Dr. Ricardo F. Vivancos Pérez, who has believed in me, encouraged me, and never stopped challenging me. I would also like to thank Dr. Lisa Rabin and Dr. Michele Back for their guidance and their time. Thank you to my family and friends for understanding my less-than-social life these past few months. Finally, I would like to thank my new husband, Nick, for accepting the fact that this has been my first love and priority in our first year of marriage. ii TABLE OF CONTENTS Page Abstract................................................................................................................................ iv Introduction........................................................................................................................... 1 Thesis Overview ................................................................................................................... 9 Chapter One - Gender, Sexuality, and Interethnic Relationships in the Fictional Prison .. 12 Women in the US Prison System................................................................................. -
“Maybe Black Folk Do Got a Problem with Bein' Punctual”
“Maybe Black Folk do got a Problem with bein’ Punctual” A Phonetic Analysis of Orange is the New Black ISABELL DERKSEN1 Given the broader context of US-produced media, in which black women are vastly underrepresented (see Women's Media Center), the Netflix series Orange is the New Black (OITNB) represents a comparatively racially diverse cast (see Brinkhurst-Cuff). In addition to racial diversity, each individual character has their own accent, style, and individual behavior. This is arguably part of why the series attracts such a large viewership and why it gathers so much media attention. While the series’ portrayal of different racial groups and their corresponding accents might be notable from a representational standpoint, we can take a closer look at the linguistic behavior of individual characters and their specific linguistic representations from a sociolinguistic standpoint. In observing the actors’ linguistic behavior outside the show impressionistically, for example, there is a remarkable difference between the actors’ spontaneous speech production and their staged and stylized linguistic behavior in portraying characters on the show. Specifically, African American actresses Samira Wiley and Adrienne C. Moore both seem to use features commonly associated with African American English (AAE) in the show, but less so in spontaneous speech (e.g. youtube videos). This impressionistic observation is investigated more closely in this paper. The major aim of this study is to examine the linguistic behavior of African American women in the Netflix series OITNB by focusing on the linguistic depiction, in order to find out how linguistic performances play a role in reproducing stereotypical African American personae. -
Orange Is the New Black
MASTERARBEIT Titel der Masterarbeit Zur Repräsentation von Sexualität, „Race“ und „Class“ in Orange Is The New Black Verfasserin Sina Cathérine Wurm angestrebter akademischer Grad Master of Arts (MA) Wien 2014 Studienkennzahl lt. Studienblatt: A 066 808 Studienrichtung lt. Studienblatt: Masterstudium Gender Studies Betreuerin: Ass.Prof.in Mag.a Dr.in Johanna Dorer Abstract In dieser Masterarbeit wird der Frage nachgegangen, wie Sexualität, Race und Class in der US-amerikanischen Fernsehserie „Orange Is The New Black“ (USA seit 2013) verhandelt werden. Die Analyse dreier Schlüsselfiguren der Serie basiert auf Lothar Mikos‘ Film- und Fernsehanalyse. Der theoretische Hintergrund, vor welchem die Analyse durchgeführt wird, beinhaltet dekonstruktivistische Theorien zu Geschlecht, Sexualität, Race und Class, den intersektionellen Ansatz sowie Perspektiven der Cultural Studies auf Populärkultur. 1 Inhaltsverzeichnis 1 Thema der Masterarbeit und Relevanz ............................................................................... 4 1.1 Forschungsfragen und Hypothesen .................................................................................. 9 1.2 Aufbau der Arbeit ............................................................................................................ 10 1.3 Positionierung ................................................................................................................. 11 2 Fragen der Repräsentation .............................................................................................. 12 -
Valeria Gennero* LA GABBIA È PIENA. ORANGE IS the NEW BLACK E IL COMPLESSO CARCERARIO INDUSTRIALE
Iperstoria – Testi Letterature Linguaggi www.iperstoria.it Rivista semestrale ISSN 2281-4582 Valeria Gennero * LA GABBIA È PIENA. ORANGE IS THE NEW BLACK E IL COMPLESSO CARCERARIO INDUSTRIALE The animals, the animals Trap, trap, trap ’til the cage is full The cage is full Stay awake In the dark, count mistakes (Regina Spektor, You’ve Got Time ) All’inizio degli anni Settanta del Novecento gli Stati Uniti erano considerati l’avanguardia del movimento globale per superare la funzione punitiva del carcere e mettere invece in primo piano lo sviluppo di iniziative per riabilitare i detenuti. Numerosi studi confermavano l’utilità di strumenti alternativi alla detenzione, come l’espansione dei centri di salute mentale, o lo sviluppo di percorsi di formazione professionale uniti a pene ridotte nei casi di giovani incensurati (Dodge 1975). Questa attenzione nei confronti della possibilità riabilitativa del carcere non era una novità: Alexis de Tocqueville, il diplomatico francese autore dell’influente studio De la démocratie en Amérique (1835-1840), era arrivato negli Stati Uniti nel 1831 proprio per studiare le novità introdotte nel sistema penitenziario dal riformismo filantropico americano. L’opposizione a ogni forma di violenza, inclusa quella dello stato, da parte del movimento religioso dei quaccheri della Pennsylvania, aveva portato al rifiuto delle punizioni corporali e della pena capitale già nella seconda metà del Settecento: Tocqueville e il suo amico giurista Gustave de Beaumont erano stati inviati negli Stati Uniti proprio per verificare l’efficacia delle riforme penali ispirate dalla fede quacchera nella perfettibilità della natura umana. Queste innovazioni prevedevano l’organizzazione di strumenti e strutture che avevano come scopo la riabilitazione spirituale del condannato (Schwartz 1985). -
Kulturalna Analiza Serija "Oz" I "Orange Is the New Black"
Kulturalna analiza serija "Oz" i "Orange is the New Black" Peškir, Hana Undergraduate thesis / Završni rad 2015 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:966961 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-02 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository FILOZOFSKI FAKULTET RIJEKA ODSJEK ZA KULTURALNE STUDIJE Ak.god. 2014/2015. Mentor: Boris Ružić ZAVRŠNI RAD KULTURALNA ANALIZA SERIJA OZ I ORANGE IS THE NEW BLACK Studentica: Hana Peškir Godina studija: 3. U Rijeci, 30.08.2015. SADRŽAJ 1. UVOD.................................................................................. 3 2. TEMATSKI SADRŽAJ SERIJA......................................... 4 3. KARAKTERISTIKE TOTALNE INSTITUCIJE................. 5 3.1. Oz – zatvor s maksimalnim osiguranjem.............................. 6 3.2. Litchfield – zatvor s minimalnim osiguranjem...................... 7 4. RASNE I STEREOTIPNE PREDODŽBE............................. 8 4.1. Orange is the New Black....................................................... 9 4.2. Oz.......................................................................................... 11 5. SEKSUALNOST IZA ZATVORSKIH REŠETKI................. 12 5.1. Homoseksualnost u Orange is the New Black....................... -
Searching for Feminist Answers to the Question of Life and Death with Dementia Dragana Lukić and Ann Therese Lotherington
Fighting Symbolic Violence Through Artistic Encounters: Searching for Feminist Answers to the Question of Life and Death With Dementia Dragana Lukić and Ann Therese Lotherington I was at the F ward in the nursing home. One of the residents was Tiffany Doggett, who played the part of an angel in the American series “Orange Is the New Black.” Tiffany saw how Gilbert [another resident] wanted to open a window, but no matter the effort, he couldn’t! He became afraid and stepped back. So Tiffany immediately went towards the window and opened it, stepping out on the balcony and gazing at Siri [a nurse in nursing clothes] who was standing across. Siri, calm and confident that the “patient” would listen, said: “Come on, Tiffany! Come on, do not go there!” But Tiffany did not obey. She looked at Siri in the eyes and thought: “No, I do not want to! Because you should learn how it is to be accused of something you feel no guilt for.” Suddenly she jumped over the banister and committed suicide. Her intention was to prove that she was present, that she knew what she was doing, and to demonstrate for Siri how it feels like to become a dementia patient. Siri would have to understand and take the consequences for what had happened; because now, it would be Siri’s fault that one “patient” jumped and that she lost control over her. It was her fault but also an institutional mistake. It was the system to blame for Tiffany’s jump, and for the ward’s lack of fresh air that had triggered the situation. -
Running Head: REPRESENTATIONS in ORANGE IS the NEW BLACK 1
Running head: REPRESENTATIONS IN ORANGE IS THE NEW BLACK 1 Representations in Orange Is the New Black Student's Name Language of Television Montclair State University April 27, 2017 REPRESENTATIONS IN ORANGE IS THE NEW BLACK 2 Abstract Representations are typically defined as something or someone that is being portrayed in place of something else. When discussing representations in the realm of television, it is outlined as the way that a group, community, topic, or idea is depicted from an ideology set forth by society. The critically acclaimed Netflix show, Orange Is the New Black, authentically represents aspects of race, gender and sexuality in its narrative and diverse cast of characters. These three components of the show are examples of intersectionality because they are social constructs that create the overlying theme of oppression and discrimination that the characters face in the show. “Enlightened Racism” by Sut Jhally and Justin Lewis discusses the negative stereotypes that African-Americans face by the way they are depicted on television. “Television, Representation and Gender” by Julie D’Acci explores how representations in television shape how audiences view society’s perception of gender and sexuality. Both essays apply to how Orange Is the New Black integrates the three topics into their narrative and character storylines. Ultimately, this essay highlights how Orange Is the New Black realistically depicts race, gender and sexuality and how it commendably gives voice to those who are misrepresented in television and media. Keywords: Orange Is the New Black, representations, television representations, portrayals, character portrayals, race, gender, sexuality, shows, television, characters REPRESENTATIONS IN ORANGE IS THE NEW BLACK 3 Representations in Orange is the New Black In the world of television, characters are not only important to the narration of the story, but are also important to add structure and depth to the world that is created. -
Intersectionality in Anglophone Television Series and Cinema
Intersectionality in Anglophone Television Series and Cinema Intersectionality in Anglophone Television Series and Cinema Edited by Kévin Drif and Georges-Claude Guilbert Intersectionality in Anglophone Television Series and Cinema Edited by Kévin Drif and Georges-Claude Guilbert This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Kévin Drif, Georges-Claude Guilbert and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5983-1 ISBN (13): 978-1-5275-5983-7 TABLE OF CONTENTS Acknowledgments .................................................................................... vii Foreword ................................................................................................. viii Kévin Drif & Georges-Claude Guilbert Chapter One ................................................................................................ 1 Intersectionality Is the New Black Anne Crémieux Chapter Two ............................................................................................. 13 Deux récits des lendemains de premiere guerre mondiale – approche intersectionnelle de Peaky Blinders et Downton -
A Critical Analysis of Violence As a Symptom of Mental Illness In
A Critical Analysis of Violence as a Symptom of Mental Illness in Orange is the New Black ASHLEY FARRELL In a review of the first season of Orange is the New Black for the Washington Post, poet and attorney Seth Abramson suggests that the series offers “the most realistic portrayal of convicts the small screen has ever seen” and that it “fosters a sort of empathy we don’t get in police procedurals.” In “A Critical Analysis of Violence as a Symptom of Mental Illness in Orange is the New Black,” Ashley Farrell takes exception to this view, arguing that any celebration of OITNB’s “realism” should be tempered by the show’s uncritical representation (and perpetuation) of mental health stigmas. By drawing attention to the various ways in which the series consistently conflates violent behavior and mental illness, Farrell raises important questions about the kinds of “empathy” that OITNB actually makes possible. —Dr. Fontaine he Netflix Original television series “Orange is the New Black” has dominated the Western World T since it’s release in 2013. The show is based on Piper Kerman’s memoir, Orange Is the New Black: My Year in a Women's Prison, and draws attention to the mistreatment of prison inmates, lack of health care in the prison, sexual harassment and assault, rape, racism, violence, and resulting mental health problems. In the media, the series has received positive reviews for its representations of social issues. For example, it is described as accurately portraying victims of social injustices; demonstrating the intersections of race, ethnicity, and sexuality with mental state; educating viewers on how to identify sexual assault; Symptoms of Mental Illness in OITNB and presenting realities of addiction relapses.