DOCSLIB.ORG

Rod Stewart Unplugged ...And Seated Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rod Stewart Unplugged ...And Seated Mp3, Flac, Wma Rod Stewart Unplugged ...And Seated mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Unplugged ...And Seated Country: US Style: Rock & Roll, Pop Rock, Folk Rock, Classic Rock MP3 version RAR size: 1278 mb FLAC version RAR size: 1379 mb WMA version RAR size: 1702 mb Rating: 4.4 Votes: 308 Other Formats: MP1 MOD VOC MIDI AC3 VOX MP2 Tracklist Hide Credits Hot Legs 1 4:25 Written-By – Gary Grainger, Rod Stewart Tonight's The Night 2 4:05 Written-By – Rod Stewart Handbags And Gladrags 3 4:25 Written-By – Michael D'Abo* Cut Across Shorty 4 4:58 Written-By – Marijohn Wilkin, Wayne P. Walker* Every Picture Tells A Story 5 4:45 Written-By – Rod Stewart, Ronnie Wood* Maggie May 6 5:45 Written-By – Martin Quittenton, Rod Stewart Reason To Believe 7 4:07 Written-By – Tim Hardin People Get Ready 8 4:59 Written-By – Curtis Mayfield Have I Told You Lately 9 4:08 Written-By – Van Morrison Tom Traubert's Blues (Waltzing Matilda) 10 4:40 Written-By – Tom Waits The First Cut Is The Deepest 11 4:12 Written-By – Cat Stevens Mandolin Wind 12 5:23 Written-By – Rod Stewart Highgate Shuffle 13 3:54 Music By, Lyrics By [Additional Music And Lyrics By] – Rod Stewart Stay With Me 14 5:27 Written-By – Rod Stewart, Ronnie Wood* Having A Party 15 4:44 Written-By – Sam Cooke Companies, etc. Manufactured By – WEA Manufacturing Phonographic Copyright (p) – MTV Networks Copyright (c) – Warner Bros. Records Inc. Copyright (c) – MTV Networks Glass Mastered At – WEA Mfg. Olyphant – X18620 Pressed By – Cinram, Olyphant, PA Published By – EMI April Music Inc. Published By – EMI Unart Catalog Inc. Published By – Cedarwood Pub. Co., Inc. Published By – EMI Blackwood Music Inc. Published By – Unichappell Music, Inc. Published By – Warner-Tamerlane Publishing Corp. Published By – H. G. Music, Inc. Published By – Alley Music Corp. Published By – Trio Music Co., Inc. Published By – Caledonia Publishing Ltd. Published By – PolyGram International Publishing, Inc. Published By – Fifth Floor Music Published By – Duchess Music Corp. Published By – ABKCO Music Recorded At – Le Mobile Mixed At – Johnny Yuma Recording Mastered At – The Mastering Lab Credits Accordion, Mandolin – Phil Parlapiano Arranged By [Strings], Conductor [Strings] – Jeremy Lubbock Backing Vocals – Darryl Phinnessee, Dorian Holly*, Fred White Bass Guitar – Carmine Rojas Contractor [String Contractor] – Jules Chaikin Creative Director [Unplugged Series Created By] – Jim Burns , Robert Small Design [Package Design] – Greg Ross Engineer [Assistant], Recorded By, Mixed By [Jerry Jordan Assisted By] – Marc Moreau Engineer [Live Concert Sound] – Pierre D'Astugues, Rikki Farr Executive-Producer – Michael Ostin Executive-Producer [For MTV] – Joel Stillerman Film Director [Associate Director For MTV] – Beth McCarthy Film Director [For MTV] – Milt Lage* Guitar – Jeff Golub, Jim Cregan, Ronnie Wood* Guitar, Violin, Mandolin – Don Teschner Management – Arnold Stiefel, Randy Phillips Mastered By – Doug Sax Mixed By [Live Sound Mixed By] – Lars Brogaard Mixed By [Monitor Mixer] – David Bryson Music Consultant [Guy Charbonneau Assisted By] – Charlie Bouis, David Gallo Music Consultant [Live Recording Consultant] – Guy Charbonneau Photography By – Neal Preston Piano, Organ – Charles Kentiss III Piano, Organ, Accordion – Kevin Savigar Producer – Patrick Leonard Producer [For MTV] – Alex Coletti Producer [Line Producer] – Audrey Johns Production Manager – Lars Brogaard, Malcolm Cullimore Recorded By, Mixed By – Jerry Jordan Stage Manager – Brian Reason Technician [Drum Technician] – Carl Tovey Technician [Guitar Technician For Red Stewart] – Peter Baynes Technician [Guitar Technician For Ronnie Wood] – Chuch MaGee Vocals, Banjo – Rod Stewart Notes Publishing Information: Tracks 1, 2 published by EMI April Music Inc. ASCAP. Track 3 published by EMI-Unart Catalog, Inc. BMI Track 4 published by Cedarwood Publishing Co., Inc. BMI. Track 5 published by EMI-Blackwood Music Inc./Unichappell Music, Inc./Warner-Tamerlane Publishing Corp. BMI. Track 6 published by EMI -April Music Inc./G.H. Music/Unichappell Music Inc. BMI. Track 7 published by Alley Music Corp./Trio Music Co., Inc. BMI. Track 8 published by Warner-Tamerlane Publishing Corp. BMI. Track 9 published by Caledonia Publishing Ltd. controlled in the U.S. and Canada by Songs of Polygram International, Inc. BMI. Track 10 published by Fifth Floor Music ASCAP. Track 11 published by Duchess Music Corp. BMI. Track 12 published by EMI-Blackwood Music Inc./Unichappell Music, Inc. BMI. Track 13 is Public Domain; additional lyrics and music published by EMI-April Music Inc. ASCAP. Track 14 published by EMI-April Music Inc. ASCAP/Warner-Tamerlane Publishing Corp. BMI. Track 15 published by ABCKO Music Corp. BMI. There's also initial 1993 issue without sid codes and some different publishers Barcode and Other Identifiers Barcode: 0 9362-45289-2 0 Matrix / Runout (Variant 1): [wea mfg. OLYPHANT Logo] X18620 1 45289-2 RE-1 02 M1S3 CI Matrix / Runout (Variant 2): [wea mfg. OLYPHANT Logo] X18620 1 45289-2 RE-1 02 M1S6 CI Mastering SID Code (Variant 1 and 2): ifpi L902 Mould SID Code (Variant 1): IFPI 2U4C Mould SID Code (Variant 2): IFPI 2U7D Rights Society: ASCAP Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Warner Unplugged ...And 9362-45289-2 Rod Stewart Bros. 9362-45289-2 Europe 1993 Seated (CD, Album) Records Unplugged ...And Warner R2 514095 / R2 514095 / Rod Stewart Seated (CD, Album, Bros. Argentina 2009 8122-79899-0 8122-79899-0 RE + DVD-V, NTSC) Records Rod Stewart Rod Stewart With With Special Special Guest Ronnie Warner 9 45289-2 Guest Wood* - Unplugged Bros. 9 45289-2 US 1993 Ronnie ...And Seated (CD, Records Wood* Album, Club) Rod Stewart Rod Stewart With With Special Special Guest Ronnie Warner 9 45289-2 Guest Wood* - Unplugged Bros. 9 45289-2 US 1993 Ronnie ...And Seated (CD, Records Wood* Album) Warner Unplugged ...And 9362-45289-4 Rod Stewart Bros. 9362-45289-4 Germany 1993 Seated (Cass, Album) Records Related Music albums to Unplugged ...And Seated by Rod Stewart Rod Stewart - Portrait Of Rod Stewart Rod Stewart - Sold Out Rod Stewart - The Story So Far: The Very Best Of Rod Stewart Rod Stewart With Ronnie Wood - Cut Across Shorty Rod Stewart - Very Best Of Rod Stewart Rod Stewart - The Legendary Rod Stewart Rod Stewart - Storyteller - The Complete Anthology: 1964 - 1990 Rod Stewart - Gasoline Alley Rod Stewart - The Best Of Rod Stewart Volume II Rod Stewart - Rod Stewart Rod Stewart - Reason To Believe Rod Stewart - Every Picture Tells A Story.
Load more

Recommended publications
  • RONNIE WOOD a New Book Illuminates the Guitarist’S Life Before the Rolling Stones
    ISSUE #41 MMUSICMAG.COM Q&A John Abbott RONNIE WOOD A new book illuminates the guitarist’s life before the Rolling Stones AS A MEMBER OF THE ROLLING years, we’d put two guitars and vocals in the night. I could see he had his eye on Stones for 40 years, Ronnie Wood’s legacy through one amp, and the bass player had me. I just knew in the back of my mind that is assured. But a recently discovered journal his own. That’s why we let him join the band. some day it would come around, and sure he kept in 1965—before his tenures with (laughs) But as soon as I could afford my enough, it did. the Jeff Beck Group, Small Faces and the own I started to go to Jim Marshall’s [gear] Stones—offers unique insight into the then- shop. I’d run across people like Pete You traded your guitar to play bass 18-year-old’s mindset and ambitions. The Townshend in there and we’d have a hilarious for the Jeff Beck Group? diary—which includes illustrations by Wood, friendly rivalry going to see who could get I’d reached the saturation point on guitar now a noted visual artist—is being released the biggest stack. with the Birds, so when Jeff Beck asked as a limited-edition book, How Can It Be? if I wouldn’t mind playing bass, I welcomed A Rock & Roll Diary. It chronicles Wood’s Was there camaraderie among the the idea. Playing bass gave me a new, exploits on the London club scene while he competing bands? revitalized energy to go back to guitar was with the Birds, and his interactions with The Birds never really had any hit records, later.
    [Show full text]
  • Ryan's New Federal
    Montora Mike's Record hops... Joni Mitchell courts and sparks Since 1964 an dthe arrival of Rock I suppose I as an art form. For it is my opinion that Rock is have listened to approximately two to three thou­ the most dynamic art form to appear in many years. sand albums, singles, and tapes of numerous rock It encompasses music, dance, and dyric ability of artists. There are, of course, many high points the artist all in one neat package. For many Rock which I can reflect on such as Listenig to “Sergeant is just something they listen to or a vehicle they Pepper’s Lonely Hearts Club” or hearing Jethro use to express a feeling and communication. Tull’s “Thick as a Brick,” but no album is more For Joni Mitchell Rock is her vehicle for expres­ artistically, stylistically and musically satisfying sion of feeling, emotion, and psychological develop­ than Joni Mitchell’s new album, “Court and Spark.” ment conflicts within herself and the outside world. Her ability to confront questions of freedom and Since her appearance on the Rock scene, she has values in our modern society are unquestionably been associated with “ice cream castles” and “soar­ unique and refreshing in Rock today. ing rainbows." Her last album, before “Court and Many will argue 'that Rock has no form, no base, Spark,” called “Blue,” certainly was just that, very just a copy of simple rhythms and rhymes. I do not blue. She spoke of very heajrtbreal^g situations agree with this; I rather argue quite strongly between her and her old man.
    [Show full text]
  • Dezonia Program 10 04 18 B12 .Pages
    We Remember Beau Perception by Beau DeZonia We Remember Beau In the rising sun and in its going down, A moth flutters before my face We remember Beau In the blowing of the wind and in the chill of winter, With beauty discreet We remember Beau Some see less than a butterfly In the opening of buds and in the rebirth of spring, We remember Beau Whose beauty is admired In the blueness of the sky and in the warmth of summer, We remember Beau But touch either’s wings In the beginning of the year and when it ends, We remember Beau And both perish When we are weary and in need of strength, We choose to see We remember Beau When we are lost and sick at heart, What we want We remember Beau When we have joys we yearn to share, Even if both are the same We remember Beau So long as we live, Beau too shall live, In the end. For Beau is now a part of us, As we remember him. 5. 2. Stop All The Clocks Forever Young by W. H. Auden Rod Stewart Stop all the clocks, cut off the telephone, May the good Lord be with you down every road you roam. And may sunshine and happiness surround you Prevent the dog from barking with a juicy bone, when you're far from home. Silence the pianos and with muffled drum And my you grow to be proud, dignified and true. Bring out the coffin, let the mourners come. And do unto others as you'd have done to you.
    [Show full text]
  • Bourdieu and the Music Field
    Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal
    [Show full text]
  • Montage Song Suggestions
    MONTAGE SONG LIST INTRODUCTION MONTAGE SONGS Song Artist Angels Lullaby Richard Marx A Kiss To Build A Dream On Louis Armstrong As Time Goes By Jimmy Durante Beautiful In My Eyes Joshua Kadison Beautiful Baby Bing Crosby Beautiful Boy Elton John Because You Loved Me Celine Dion Billionaire Travis McCoy Boys Keep Swinging David Bowie Brighter Than The Sun Colbie Caillat Brown Eyed Girl Van Morrison Bubbly Colbie Butterfly Fly Away Miley Cyrus Can You Feel The Love Tonight Elton John Circle Of Life Elton John Count on Me Bruno Mars Everything I Do, I Do It For You Brian Adams Fireflies Owl City First Time I Ever Saw Your Face Celine Dion First Time I Ever Saw Your Face Roberta Flack Flying Without Wings Ruben Studdard God Must Have Spent A Little More Time NSYNC Grenade Bruno Mars Hero Mariah Carey Hey, Soul Sister Train I Am Your Child Barry Manilow I Don’t Wanna Miss A Thing Aerosmith I Hope You Dance Lee Ann Womack I Learned From You Miley Cyrus In Your Eyes Peter Gabriel If I Could Ray Charles Just The Way You Are Bruno Mars Lean on Me Glee Let Them Be Little Lonestar Mad World Adam Lambert No Boundaries Kris Allen Ordinary Miracles Amy Sky She’s The One Rubbie Williams Smile Glee The Only Exception Paramore Through The Years Kenny Rogers Times Of Your Life Paul Anka Tiny Dancer Elton John Smile Uncle Kracker U Smile Justin Beiber What A Wonderful World Louis Armstrong What A Wonderful World Israel Kamakawiwo'ole Wind Beneath My Wings Bette Midler You Are So Beautiful Joe Cocker MIDDLE MONTAGE SONGS Song Artist Ain’t No Mountain High Enough Diana Ross Allstar Smashmouth Are You Gonna Be My Girl Jet American Girl Tom Petty Angel Lionel Richie Animal Neon Trees Beat Of My Heart Hilary Duf Beautiful Day U2 Beautiful Girl Sean Kingston Billionaire Travis McCoy Born To Be Wild Steppenwolf Bottle It Up Sara Bareilles Break Out Miley Cyrus California Gurls Katy Perry Cooler Than Me Mike Posner Daddys Girl Miley Cyrus Dominoe Jessie J.
    [Show full text]
  • MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc
    MAGAZINE TRADE MUSIC THE 9 STAFF BOX GEORGE ALBERT President and Polisher ROBERT LONG VOL Ull, NO. #6, JUNE 23, 1990 Vice PresidentAJrban Marketing KEITH ALBERT Vice President/General Manager JIM SHARP Director, Nashville Operations PASIG CAMILLE COM j Director, Coin Machine Operations Marketing JIM WARSINSKE (LA.) MIKE GORDON (LA ) KEITH GORMAN Editor LEEJESKE BOX New York Editor THE MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc. Ed. (N. Y.j 8 KIMMY WIX, Assoc. Ed. (Nash.) ERNEST HARDY, Assoc. Ed. (LA) TONYSABOURNIN, Assoc. Ed., Latin (N. Y.) SHELLY WEISS, Assoc. Ed., Publishing (LA.) BERNETTA GREEN (NX) CONTENTS WILMA MELTON (Nash.) ALEX HENDERSON (LA.) 8 MUSIC PUBLISHING 1990 SPECIAL ISSUE Chart Research Interviews with26the movers and shakers of the publishing industry, and more, so much more. SCOTT M. SALISBURY 27 BY SHELLY WEISS Coordinator (LA.) 28 JOHN DECKER (Nash.) 30 C J. (War Flower)(LAJ 31 TERESA CHANCE (Nash.) 32 COLUMNS JEFF KARP (LA.) NATHAN W.(DXF) HOLSEY (LA.) 4 East Coasting / To long-box or not to long-box, that is the question, and Karen Woods has the answer. Production 4 London Calling / Chrissy Iley, Dusty Springfield and a whole shirtload of cats, plus a catty comment about the JIM GONZALEZ Beach Ball. Art Director 5 Faces On Top, by Ernest Hardy; Child's Play, by Alex Henderson; Doug Stone, by Kay Knight. Circulation New / NINATREGUB, Manager 6 Retail News / Retail for the visually impaired, by C.J. and Jeff Karp. CYNTHIA BANTA ; 7 Indie Focus / Hey, chief, that's indie, not in die, with Alex Henderson.
    [Show full text]
  • Rod Stewart's Stadium Tour Coming to Inverness
    MEDIA COVERAGE 2016 (Book 1) PR CAMPAIGN FACTS ARTICLES PUBLISHED 603 AUDIENCE REACH 58.8 million MEDIA VALUE £1.7 million South Wales Echo (Sep 28th 2015) Reach: 18,582 Hull Daily Mail (Sep 28th 2015) Reach: 201,853 This story also appeared in the East Riding Mail (51,886). Press & Journal (Sep 28th 2015) Reach: 109,827 This story also appeared in the North Star (5,729) and Strathspey & Badenoch Herald (1,161) Inverness Courier (Sep 28th 2015) Reach: 374 Rod Stewart's stadium tour coming to Inverness ROCKER Rod Stewart will return to Inverness next summer as part of his UK tour. The 70-year-old announced an eight date UK stadium tour which will include a concert at Caley Thistle's Caledonian Stadium on 18th June next year. It comes fresh from his triumphant Hyde Park Radio 2 show where he played to more than 50,000 people, and on the eve of releasing a brand new studio album ’Another Country’. ICT chairman Kenny Cameron has welcomed the announcement of Rod Stewart’s long awaited return to the Tulloch Caledonian Stadi- um. "Having the opportunity to welcome Rod back to Inverness following the huge success he was last time round is a great privilege for the club,” he said. “Having been part of the team who brought Rod to Inverness we are all looking forward to another excellent event and assisting Cuffe and Taylor in every way possible to ensure a repeat of that excellent night in July 2010.” The fully seated outdoor tour is being presented by Cuffe and Taylor whose director Peter Taylor said: “We are thrilled to be working with Rod Stewart and his team yet again.
    [Show full text]
  • Albums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart
    Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 1 2 3 4 07/1970 27 06/1971 23 1 641 08/1972 37 1 2 2 08/1973 1 3 31 Gasoline Alley Every Picture Tells A Story Never A Dull Moment Sing It Again Rod 5 6 7 8 01/1974 3 10/1974 1 2 13 08/1975 11 1 7 9 07/1976 29 1 2 2 Coast To Coast ‐ Overture And Smiler Atlantic Crossing A Night On The Town Beginners 9 10 11 12 07/1977 6 3 11/1977 34 3 2 12/1978 9 3 1 3 11/1979 1 5 22 The Best Of Rod Stewart Foot Loose And Fancy Free Blondes Have More Fun Greatest Hits 13 14 15 16 11/1980 23 4 12 11/1981 42 8 11 11/1982 33 35 46 06/1983 2 5 30 Foolish Behaviour Tonight I'm Yours Absolutely Live Body Wishes Month of 1st Entry Peak+wks # 1: DE GB USAlbums‐ Chart‐History Regarding Albums Top 50 ‐ Charts Rod Stewart 17 18 19 20 06/1984 6 8 18 07/1986 4 5 28 06/1988 6 11 20 03/1990 20 Camouflage Every Beat Of My Heart Out Of Order Downtown Train ‐ Selections From Storyteller 21 22 23 24 04/1991 3 2 10 03/1993 14 3 06/1993 15 2 2 06/1995 9 4 35 Vagabond Heart Rod Stewart, Lead Vocalist Unplugged...and Seated A Spanner In The Works 25 26 27 28 11/1996 24 8 19 06/1998 16 2 44 02/2001 9 9 50 11/2001 18 7 40 If We Fall In Love Tonight When We Were The New Boys Human The Story So Far ‐ The Very Best Of Rod Stewart 29 30 31 32 11/2002 26 8 4 11/2003 46 4 2 11/2003 13 10/2004 38 3 1 1 It Had To Be You ‐ The Great As Time Goes By ‐ The Great Changing Faces ‐ The Very Best Stardust ‐ The Great American American Songbook American Songbook Vol.
    [Show full text]
  • Celebrating Life
    CELEBRATING LIFE: HOW TO CREATE MEANINGFUL MEMORIAL SERVICES, WITH TEMPLATES AND TIPS Gail Rubin, CT, and Susan Fraser Table of Contents Foreword .................................................................................................................................................. 1 Why Have a Memorial Service?....................................................................................................................... 1 Chapter 1: The Cremation Process and Disposition Issues ................................................................... 4 The Cremation Process .................................................................................................................................... 4 Arranging a Cremation .................................................................................................................................... 4 Free Cremation Options .................................................................................................................................. 5 Environmental Aspects .................................................................................................................................... 6 Mailing and Shipping Issues ............................................................................................................................ 8 Air Travel with Cremated Remains .................................................................................................................. 9 Cremation Disposition Issues .......................................................................................................................
    [Show full text]
  • "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
    Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas.
    [Show full text]
  • Rod Stewart Foot Loose & Fancy Free Mp3, Flac
    Rod Stewart Foot Loose & Fancy Free mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Foot Loose & Fancy Free Country: UK Released: 1977 Style: Acoustic, Soft Rock, Pop Rock MP3 version RAR size: 1445 mb FLAC version RAR size: 1213 mb WMA version RAR size: 1385 mb Rating: 4.7 Votes: 823 Other Formats: DXD MP2 APE WAV WMA TTA AHX Tracklist Hide Credits Fast Side Hot Legs A1 5:06 Guitar – Billy PeekSaxophone – Phil KenzieWritten-By – Stewart* You're Insane A2 Percussion – Paulinho Da Costa, Tommy VigSaxophone – Phil KenzieWritten-By – 4:37 Chen*, Stewart* You're In My Heart A3 Acoustic Guitar – Fred TackettSynthesizer [String Synthesizer] – Nicky 4:42 HopkinsViolin – Richard GreeneWritten-By – Stewart* Born Loose A4 Blues Harp [Harp] – John MayallGuitar – Billy PeekPercussion – Paulinho Da 5:51 CostaWritten-By – Grainger*, Cregan*, Stewart* Slow Side You Keep Me Hangin' On B1 8:21 Arranged By [Strings] – Del NewmanWritten-By – Holland, Dozier, Holland* (If Loving You Is Wrong) I Don't Want To Be Right Arranged By [Strings] – Del NewmanDrums – Roger BethelmyElectric Piano – David B2 4:12 FosterGuitar – Steve CropperSaxophone – Phil KenzieWritten-By – Hampton*, Banks*, Jackson* You Really Got A Nerve B3 4:48 Written-By – Grainger*, Stewart* I Was Only Joking B4 5:55 Written-By – Grainger*, Stewart* Companies, etc. Published By – Jobete Music (UK) Ltd. Published By – Island Music Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Skylark Music Ltd. Credits Bass – Phil Chen Drums – Carmine Appice (tracks: A1 to B1, B3, B4) Engineer – Andy Johns Engineer [Mastering] – Lee Hulko Guitar – Gary Grainger (tracks: A1, A2, A4, B1, B3, B4), Jim Cregan Lacquer Cut By – AC* Mastered By – Arun Chakraverty Organ – John Jarvis Photography By [Cover] – David Alexander Photography By [Sleeve] – Kent Gavin Piano – John Jarvis Producer – Tom Dowd Notes Side "A" (otherwise known as "Fast Side") Riva Music Ltd (1-3), Riva Music Ltd/Skylark Music/Warner Bros.
    [Show full text]
  • Interview with Bonnie Gallanter
    Backstage Pass Volume 4 Issue 1 Article 2 2021 Interview with Bonnie Gallanter Dylan Bliss [email protected] Dylan Bliss is currently a Music Industry Studies major at University of the Pacific expected ot graduate in 2024. She is mainly interested in tour management and live events, but ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Bliss, Dylan (2021) "Interview with Bonnie Gallanter," Backstage Pass: Vol. 4 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol4/iss1/2 This Industry Profile is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Bliss: Interview with Bonnie Gallanter Industry Profile: Event Producer, Bonnie Gallanter By Dylan Bliss Bonnie Gallanter, President of Muse Artist Management, is a talent manager, music consultant and event producer for high profile music, film, and television clients. Gallanter is currently the Director of the Women’s International Music Network and Co-Producer of the She Rocks Awards, Events and Showcases.
    [Show full text]