Arthur Freed Gus -Arnheim Abe Lyman

Total Page:16

File Type:pdf, Size:1020Kb

Arthur Freed Gus -Arnheim Abe Lyman I CRIED FORYOU By ARTHUR FREED GUS -ARNHEIM and ABE LYMAN ':/ea/uved by DORIS RHODES MIIl!:.I!,,~~ MI!:U~II~. ~1f1l~. 1270 SIXTH AVENUE' NEW YORK H mELODIC ~ 7h, GEmS PERI &!' I Gil From the pen of VINCENT YOUMA ~ BO< WILLe TIME ON MY HANDS THE HE EVERY lyric by Harold Adamson and Mock Gordon Music by Vincent Youmans Slow,-but with defillite rhvtbm An exquisite song of sentiment ••• deserves Tim. OD my Vou iD Uly arm1:l_ its high -place in the Music Hall of Fame. bi Copyright 1930 by Vince'" Yc>umallS, I"c., N. Y. aM Miller Music, I/>C., N. Y. JOHNNY ( ar. MORE THAN YOU KNOW WILL Vt PRICE lyric by William Rose and Edward Eliscu $] Music by Vincent Youmans There is a poignant charm in this song that has made it a popular favorite for almost Mort than you k.aow. more thAIl you kDOW. love you a deaade. ..----,,------, ,,,.'6,.dgl' DRUMS IN MY HEART Copyright 1929 by Vancent Y<HI"'''''S, I",., N. Y. t>M Mille1' Music, Ittc., N. ¥r lyric by Edward Heyman b; Music by Vincent Youmans JONNNY( tV! RIU'RAIN INot 100/611) CHAS, t ia my heart_ I bear the drum. roll,_'---'" Strongly dramatic and colorful ••• Its rhythmic quality is'irresistible. PRICE 7 AT ~ MUSIC I COPY"l1ht 1931 by Vi"uttt YOlImallS, Inc., N. Y. aM Miller Music, Inc., N. Y. OBTAINABLE AT YOUR MUSIC DEALER'S Published by 1270 SIXTH AVENUE' NEW YORK I Cried For You 3 Arthur Freed By Gus Arnheim and IAbe Lyman Moderately 1'\ I I I I -- "I I J ~ - • ~~r -I • rvr IF' "-'j ,- -I 1 . "!f ~ ,., n ~ - f. ~ - ~ r Moderately r r F r 07 0 f'J mm ;m 4) ... -# I ... I re-mem- ber oth - er days how I used to weep a -ver things you How can I for - get the hours that I war - ried through Won - der - ing the I'l I I I ~ .. ~ ., .. ' .. • . .. ... .. -6' #- P ~I · I I I fo. ~ ~-/ - "U f.. f.. r .,.A7 f- Dm7 r B~ B~m r i o 0 0 B~7 0 0 0 o G9 0 0-9 0 07 0 07 0 F C70 mm~ ;m ~ mmmmm mm 1m mmmmmmm 41 , --- --. said to me I could-nt e - ven sleep_ You for-got your prom-is - es live-long day just what next thing to do.- In those days you nev- er thought , / n ~ . 4 Ii ~ .. I~ .. : l,:: 1t~ ~ qr I~ L-- qr' 11l,;1- :r r--!--r t · - ~ ., .J- I ~. I - ~ fo. f\ :4J D:nF; E7 A7 om D7"6- G 7 -r r D[?7 0 07(Fsus) 07 0 o 00 000 0 0 0 o 000 r 09 n mmmm 1m II mm mm mm mm mm 4J .... r II .. ev-'ry sin - gle vow. All you did was laugh at me butthingsaredif-frent now. an-y -thing of me· But the slave that was allyours and now at last is free. f'J I I I 4) #-1 ~ '1 '~r q1 "-'" q\!"J ~r I rttj r qf r r---=-r - r .. ~ I ~ h...J JL'jl ~",.. · - -6 P-6 ~"?; r "~" f f\ ""-:;st Copyright 1923 J't{ILLER MUSIC INC., 1270 Sixth Ave., New York, N. Y. CODE Cried lnlernatiomll Copyright Secured Made in U. S. A. 383-3 All rights reserved including public perfomlll1co lor profit. Fmaj7 ,\m7 4 F 0 000 D7 G7 Fmaj7 G1 0 0:) Gm7 mm m mm 0 00 C7 0 Chorus, Moderatel ~ mm 1m mm mm mm I Cried_ For You-- - ow it's your turn to r --- .- Gm7 F6 C7+ F6 F Am7 C9 0 0 0 0 Cdim mm mmm0 II mm0 mmc+ mm mo mm cry 0 - ver me.- - Ev - 'ry road has a = ~­ r G~ D dim C1<Fsus) C7 0 C7 0 C7 0 dim C' ~ m m m ~m turn mg That's one thing you're learn ing Fmaj6 Am7 D7 G7 Fmaj' G7 F 00 0 0 00 0 00 Gm7 mm m ;m ~ mm mm mm mm 1 Cried__ For You-- - \Vhat a fool I ......-----T- ~====: ===- 383-3 A7 G I> .\7 D D7 5 C7 0 Gm60 000 000 em6 CI'm 0 0 0 0 0 7 C ':> 0 o ~ 1'\ mm mm mm mm m mm ml m ,J used Ito be. ow I found two eye.' just a , 1'\ I I I II I I I \ ' f0.- r ~ r ffjt- r r 'r I 1 I I < ~ ---- ~se I J J--J J....---j 1--1 I :ECT I · -- :T -6 1----. I 1 ________ 1 ~ r ~ i ~ ~r +c. DKS FmB Dm6 o Coo oD7 G90 F o 0 F G9 0 ELiGHT ~RT ;m ~mm OF 1'\ mm mml;..;..;....... mmmm CHILD 'J • lit-tIe bit blu - er, I' found a - heart just a lit- tIe bit tru- , 1'\ II I I I , TI ....... 1'4 IJ__ 1 t:::::' 4- ~y vr ~r IVr r-q < 1 .---- r--- -- I · ~c.. -6 ~ - ~ - I I ~RUflLE -.r --- I I aOOIN Fmaj7 F o G7 Fmaj7 OONEr • 1'\ mm m- mil m .J v· "-" _VI - er. I Cried_ For You ow it's ~ fI I ....---....... ~ ~ ....... 40 :;,. ~. ~ r -, I /- I c.. I ~~r .~ I f/ ~l ..::=:.-1 < ~ r = .-.. I =r- I I I · ,." r - ~ - ~ .. ------. ~ i r --r r Gm7 Gm7 I Bb9 C7 0 C9 1. F C7 0 o F ~ ; .~ ~ ~ I'l mm mm· mmmm 1m m mm · . 4~ --. your turn to cry 0 - ver me.---- - me. -- _. b~: I'l I ';;;-1 I 1--- r TI J .: · . t .) ~ .. ~ • ~ -p- ~$. ., - I vi < lit. "IT t _ ..., .-..ff',/t·2:' t · · - ~ -:J: • • 383-3 ANY PEB8OI'f WHO WtLLPULLY A"D FOR PROnT COPIES THE WHOLE OR Al'IIIIY PART OF WARMINGI TR£ WORDS OR JlC.U81C OF"nI.l8 8ONC.8BALLBE LIABLE TO CRrN.I'fAL PROSECUTION UNDE"A THE UNITED STATES COPYRIGHT LAWs.. C.pturing the spirit of the deep South, its beauty and charm has rnade it a universal favorite WITHOUT A SONG GREAT Lyric by William Rose and Edward Eliscu· Music by Vincent Youmans Slow (Andante) With grtatt:rpression butflot dragg!! A r,..P ----. .. V With-out a song __ the day would nev-er end; WIth-out a t:\ ___ A I - - ------ sonGS V '1r--:;~ ~ I- V r~~)'7--- ~ ~lP legato 1"-- J,--.... ~~ ~'9- THAT WILL LIVE -I V --. •'fih. .~ FOREVER C.,pight /919 ~)' Vi""n' Y"mG"s, I",,, N. Y, G~ Mill.,. Monr. I"r" N. Y. by A dynamic. vigorously rhythrnic song of exaltation •• '. vibrant with life and color GREAT DAY Lyric by William Rose and Edward Eliscu Music by Vincent Youmans Moderato VinCEnT When youre doWn _ and out Lift up yOUT head_ and shout YOUmAnS * Lyrically and melodically superb •••• long that will literally live "thru the y••,.- OBTAINABLE THROUGH THE YEARS lyric by Edward Heyman Music by Vincent Youmans AT YOUR MUSIC DEALER'S I'll take my place, be • side you, p ::,.; c ..,;n,"t 1911 by Jli"C'~,.t !"UU'kU'I', ".r., N. Y. 4M Miller' M"tk, 114C., N. Y. Published by 1270 SIXTH AVENUE • NEW YORK , / .".
Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • Bestselling Musical Compositions (1913-32) and Their Seu in Cinema (1968-2007) Paul J
    University of Chicago Law School Chicago Unbound Coase-Sandor Working Paper Series in Law and Coase-Sandor Institute for Law and Economics Economics 2008 Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their seU in Cinema (1968-2007) Paul J. Heald Follow this and additional works at: https://chicagounbound.uchicago.edu/law_and_economics Part of the Law Commons Recommended Citation Paul J. Heald, "Testing the Over- and Under-Exploitation Hypothesis: Bestselling Musical Compositions (1913-32) and Their sU e in Cinema (1968-2007)" (John M. Olin Program in Law and Economics Working Paper No. 429, 2008). This Working Paper is brought to you for free and open access by the Coase-Sandor Institute for Law and Economics at Chicago Unbound. It has been accepted for inclusion in Coase-Sandor Working Paper Series in Law and Economics by an authorized administrator of Chicago Unbound. For more information, please contact [email protected]. CHICAGO JOHN M. OLIN LAW & ECONOMICS WORKING PAPER NO. 429 (2D SERIES) PUBLIC LAW AND LEGAL THEORY WORKING PAPER NO. 234 TESTING THE OVER‐ AND UNDER‐EXPLOITATION HYPOTHESIS: BESTSELLING MUSICAL COMPOSITIONS (1913–32) AND THEIR USE IN CINEMA (1968–2007) Paul J. Heald THE LAW SCHOOL THE UNIVERSITY OF CHICAGO September 2008 This paper can be downloaded without charge at the John M. Olin Program in Law and Economics Working Paper Series: http://www.law.uchicago.edu/Lawecon/index.html and at the Public Law and Legal Theory Working Paper Series: http://www.law.uchicago.edu/academics/publiclaw/index.html and The Social Science Research Network Electronic Paper Collection.
    [Show full text]
  • Sing-Along Words for Greenbelt Songs
    SEVEN-SONG SING-ALONG Beginner’s Luck: Toe-Tapping Tunes From Greenbelt’s First Year (I’VE GOT) BEGINNER’S LUCK Music by George Gershwin • Lyrics by Ira Gershwin From Shall We Dance (1937) I’ve got beginner’s luck The first time that I’m in love, I’m in love with you Gosh, I’m lucky! I’ve got beginner’s luck They told me beginners win, now I know it’s true Gosh, I’m fortunate! This thing we’ve begun Is much more than a pastime For this time is the one Where the first time is the last time I’ve got beginner’s luck Lucky through and through ‘Cause the first time that I’m in love, I’m in love with you BLOSSOMS ON BROADWAY Music by Ralph Rainger • Lyrics by Leo Robin From Blossoms On Broadway (1937) There are blossoms on Broadway when I’m walking with you Blossoms where trees never grew I forget the crowd and the loud rumble of cars And all the bright lights turn into stars There is magic on Broadway when you’re smiling at me Magic my heart never knew What a joy to be blissfully wandering through The blossoms on Broadway with you I WANT TO BE HAPPY Music by Vincent Youmans • Lyrics by Irving Caesar From No, No, Nanette (1925) I want to be happy But I won’t be happy Till I make you happy, too Life’s really worth living When we are mirth giving Why can’t I give some to you? When skies are gray and you say you are blue I’ll send the sun smiling through I want to be happy But I won’t be happy Till I make you happy, too BLUE SKIES Music and Lyrics by Irving Berlin From Betsy (1926) I was blue just as blue as I could be Every day was a cloudy day for me Then good luck came a-knocking at my door Skies were gray, but they’re not gray anymore Blue skies Smiling at me Nothing but blue skies do I see Bluebirds singing a song Nothing but blue birds all day long Never saw the sun shining so bright Never saw things going so right Noticing the days hurrying by When you’re in love, my how they fly Blue days All of them gone Nothing but blue skies from now on AVALON Music and Lyrics by Al Jolson, Vincent Rose and B.G.
    [Show full text]
  • 15-3703H I Want to Be Happy (SATB) Shackley
    2 I Want to Be Happy (Selections from the Broadway Musical,“No, No, Nanette”) SATB and Piano* Lyrics by Irving Caesar Music by Vincent Youmans and Otto Harbach Arranged by Larry Shackley 1 With flair = ca. 92 h 2 œ. ˙ œ. ˙ œ. œ & 2 œœ ˙˙ œœ ˙˙ œœ œœ f ? 2 2 œ ˙ œ ˙ œ œ œ. ˙ œ. ˙ œ. œ 3 SA “I Want to Be Happy” f & ˙ ˙ œ w ∑ œI want toœ be hapœ - py, TB f ? œ ˙ œ ˙ œ œ w ∑ w ˙ œ. ˙ œ. ˙ œ. œ & ww ˙˙ Ó œœ ˙˙ œœ ˙˙ œœ œœ >œ >œ >œ ? œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ ˙ œ œ > > > œ 7 œ > œ. ˙ œ. ˙ œ. œ & ˙ ˙ œ œ Œ ˙ ˙ butœ I won’tœ be hapœ - py till˙ ˙I make˙ ˙ ˙ ˙ ? œ ˙ œ ˙ œ œ œ Œ ˙ ˙ ˙ ˙ ww ˙˙ & w ˙ Ó ˙ ˙ ˙˙ ˙ ˙ ˙ ˙ ˙˙ >œ >œ > ? œ œ œ œ œ w ˙ ˙ œ œ œ œ œ œ œ ˙ > œ > > w ˙ Duration:œ approx. 4:30 > > *Also available: Performance/Accompaniment CD (99/4082H). © 2020 Heritage Music Press, a division of The Lorenz Corporation. All rights reserved. Printed in U.S.A. Unauthorized reproduction of this publication is a criminal offense subject to prosecution. Copying this music is illegal. A license from CCLI or OneLicense does not grant permission to copy. 15/3703H-2 www.lorenz.com SW 3 2 Easy shuffle = ca. 112( = ) 3 11 molto rit. q q q q e U F ˙ 4 b & w ˙ 4 w ∑ b bb youw hap˙ - py˙ too!w w U F w ˙ ˙ w ? 4 w ∑ b b 4 3 b b Easy shuffle = ca.
    [Show full text]
  • The Great American Songbook in the Classical Voice Studio
    THE GREAT AMERICAN SONGBOOK IN THE CLASSICAL VOICE STUDIO BY KATHERINE POLIT Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May, 2014 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music. ___________________________________ Patricia Wise, Research Director and Chair __________________________________ Gary Arvin __________________________________ Raymond Fellman __________________________________ Marietta Simpson ii For My Grandmothers, Patricia Phillips and Leah Polit iii ACKNOWLEDGMENTS I wish to express my sincerest thanks to the members of my committee—Professor Patricia Wise, Professor Gary Arvin, Professor Marietta Simpson and Professor Raymond Fellman—whose time and help on this project has been invaluable. I would like to especially thank Professor Wise for guiding me through my education at Indiana University. I am honored to have her as a teacher, mentor and friend. I am also grateful to Professor Arvin for helping me in variety of roles. He has been an exemplary vocal coach and mentor throughout my studies. I would like to give special thanks to Mary Ann Hart, who stepped in to help throughout my qualifying examinations, as well as Dr. Ayana Smith, who served as my minor field advisor. Finally, I would like to thank my family for their love and support throughout my many degrees. Your unwavering encouragement is the reason I have been
    [Show full text]
  • Jimmy Mchugh Collection of Sheet Music Title
    Cal State LA Special Collections & Archives Jimmy McHugh Collection of Sheet Music Title: Jimmy McHugh Collection of Sheet Music Collection Number: 1989.001 Creator: Jimmy McHugh Music Inc Dates: 1894 - 1969 Extent: 8 linear ft. Repository: California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections and Archives Location: Special Collections & Archives, Palmer, 4th floor Room 4048 - A Provenance: Donated by Lucille Meyers. Processing Information: Processed by Jennifer McCrackan 2017 Arrangement: The collection is organized into three series: I. Musical and Movie Scores; II. Other Scores; III. Doucments; IV: LP Record. Copyright: Jimmy McHugh Musical Scores Collection is the physical property of California State University, Los Angeles, John F. Kennedy Memorial Library, Special Collections and Archives. Preferred Citation: Folder title, Series, Box number, Collection title, followed by Special Collections and Archives, John F. Kennedy Memorial Library, California State University, Los Angeles Historical/Biographical Note Jimmy Francis McHugh was born in Boston, Massachusetts on July 10th, 1893 and is hailed as one of the most popular Irish-American songwriters since Victor Herbert. His father was a plumber and his mother was an accomplished pianist. His career began when he was promoted from a office boy to a rehearsal pianist at the Boston Opera House. As his desire was to write and perform “popular” music, he left the job in 1917 to become a pianist and song plugger in Boston with the Irving Berlin publishing company. In 1921, he moved to New York after getting married and started working for Jack Mills Inc. where he published his first song, Emaline.
    [Show full text]
  • Monterey Jazz Festival
    DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob;
    [Show full text]
  • Merwyn Looks Back at Ish Kabibble
    ) , , I THE AMICA NEWS BULLETIN AMICA SUBSCRIPTION RATES: - Continuing Members: $15.00 Dues - Published by the Automatic Musical Instrument Collectors' Association. a non-profit club devoted to the restoration, New & Lapsed Members: 15.00 Dues 5 distribution and enjoyment of musical instruments using perforated plus 5.00 Application Fee I paper music rolls. 20.00 Contributions: All subjects of interest to readers of the bulletin are encouraged and invited by the publisher. All articles must be received by the 15th of the preceding month. Every attempt will be made to publish all articles of general interest to AMICA members OFFICERS at the earliest possible time and at the discretion of the publisher. Advertisements: Personal ads by members are accepted and inserted in the Bulletin Board section at a rate of 5¢ per word. $1.00 minimum. Businesses and persons wishing more space may use the following guidelines: PRESIDENT - Advertising rate is $10 per quarter page or multiple thereof. Frank Loob - Camera-ready copy must reach the publisher by the 15th of the preceding month. VICE-PRESIDENT BiI! Mintz - All ads will appear on the last pages of the Bulletin, at the discretion of the publisher. SECRETARY Publication of business advertising in no w.., implies AMICA's endorsement of any commercial operltion. However. AMICA Isadora Koff reserves the right to refuse any ad that is not in keeping with AMICA's general standards or if complaints are received indicating that said business does not serve the best interests of the members BULLETIN of AMI CA. according to its goals and by·laws.
    [Show full text]
  • Ella Fitzgerald Collection of Sheet Music, 1897-1991
    http://oac.cdlib.org/findaid/ark:/13030/tf2p300477 No online items Ella Fitzgerald collection of sheet music, 1897-1991 Finding aid prepared by Rebecca Bucher, Melissa Haley, Doug Johnson, 2015; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2002 The Regents of the University of California. All rights reserved. Ella Fitzgerald collection of sheet PASC-M 135 1 music, 1897-1991 Title: Ella Fitzgerald collection of sheet music Collection number: PASC-M 135 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 13.0 linear ft.(32 flat boxes and 1 1/2 document boxes) Date (inclusive): 1897-1991 Abstract: This collection consists of primarily of published sheet music collected by singer Ella Fitzgerald. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. creator: Fitzgerald, Ella Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Bestselling Musical Compositions (1913-32) and Their Use in Cinema (1968-2007)
    TESTING THE OVER- AND UNDER-EXPLOITATION HYPOTHESES: BESTSELLING MUSICAL COMPOSITIONS (1913-32) AND THEIR USE IN CINEMA (1968-2007) Paul J. Heald* University of Georgia Abstract Some economists assert that as valuable works transition from copyrighted status and fall into the public domain they will be underexploited and their value dissipated. Others insist instead that without an owner to control their use, valuable public domain works will be overexploited or otherwise debased. This study of the most valuable musical compositions from 1913-32 demonstrates that neither hypothesis is true as it applies to the exploitation of songs in movies from 1968-2007. When compositions fall into the public domain, they are more likely to be exploited in movies, suggesting no under-exploitation. And the rate of exploitation of these public domain songs is no greater than that of copyrighted songs, indicating no congestion externality. The absence of market failure is likely due to producer and consumer self-regulation. Some economists assert that the public suffers when valuable copyrighted works fall into the public domain. One concern is under-exploitation, the possibility that a work without an owner will not be adequately distributed or otherwise made available to the public. According to Landes and Posner, “[A]n absence of copyright protection for intangible works may lead to inefficiencies because . of impaired incentives to invest in maintaining and exploiting these works.”1 Congress,2 the courts,3 and the Copyright *Thank you to Liz Wheeler for her work as my research assistant. 1 William M. Landes and Richard A. Posner, Indefinitely Renewable Copyright, 70 U.
    [Show full text]
  • No, No, Nanette
    No, No, Nanette http://www.printthis.clickability.com/pt/cpt?action=cpt&title=No,+No,+... Powered by SAVE THIS | EMAIL THIS | Close Downey Civic Light Opera at the Downey Theatre Reviewed by Les Spindle October 07, 2010 In 1971, Burt Shevelove adapted and directed a hit Broadway revival of this melodic 1925 tuner, revisiting the nonsensical yet exuberant conventions of early musical comedy, while subtly updating the piece with a tongue-in-cheek tone. Director Marsha Moode's resurrection of the Shevelove version—now close to a relic, as well—plays the material more straight than satirical. What's wrong with offering unapologetically escapist entertainment in an era filled with despair and unrest? The approach is fine and the results are generally effective, greatly energized by choreographer Janet Renslow's ebullient production numbers and Hector Salazar's rousing music direction and conducting. Otto Harbach and Frank Mandel's libretto is a series of inconsequential plot threads barely holding songs and dance segments together. Demure ingénue Nanette (Andrea Dodson) and her fiancé, Tom (the appealing Derek Rubiano, substituting for Peter Schueller), face obstacles to their romance. Meanwhile, Jimmy Smith (William T. Lewis), the wealthy uncle who is raising Nanette, is conniving to hide his three extramarital flings from his wife, Sue (the amusing Julie Simpson). Everyone ends up in Atlantic City, where madcap mix-ups ensue. The Harbach–Irving Caesar– Vincent Youmans score is among the sprightliest ever to grace a vintage musical confection. Highlighted by the infectious "I Want to Be Happy" and the classic love duet "Tea for Two," the songs remain blissfully enjoyable, and Renslow and her talented troupe of gypsies make the most of them.
    [Show full text]
  • Broadway Sheet Music Collection Print Collection 31 Finding Aid Prepared by Siduri Beckman
    Broadway sheet music collection Print Collection 31 Finding aid prepared by Siduri Beckman. Last updated on July 26, 2016. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2016 June 28 Broadway sheet music collection Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................5 Collection Inventory...................................................................................................................................... 7 - Page 2 - Broadway sheet music collection Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Title Broadway sheet music collection Call number Print Collection 31 Date [inclusive] 1918-1929 Extent 2 linear feet (6 boxes) Language English Language Note The bulk of the material is
    [Show full text]