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ENDURO EUROPEAN CHAMPIONSHIP FIM 350Cc (1990-97); 400Cc (1998-2003) ENDURO WORLD CHAMPIONSHIP
FIM 350cc/ 400cc ENDURO EUROPEAN/ WORLD CHAMPIONSHIPS FIM 350 cc RELIABILITY (1968-80)/ 350cc 4-T (1987-89) ENDURO EUROPEAN CHAMPIONSHIP FIM 350cc (1990-97); 400cc (1998-2003) ENDURO WORLD CHAMPIONSHIP Year Posn Rider Nationality Bike Points Wins 1968 1. Květoslav Mašita (1st) Czechoslovakia Jawa 2. Klaus Teuchert East Germany 3. Miroslav Vytlačil Czechoslovakia Jawa 1969 1. Květoslav Mašita (2nd) Czechoslovakia Jawa 2. Herbert Scheck West Germany 3. Karl-Heinz Wagner East Germany 4. Klaus Teuchert East Germany 1970 1. Květoslav Mašita (3rd) Czechoslovakia Jawa 2. Zdeněk Češpiva Czechoslovakia Jawa 3. Peter Uhlig West Germany 4. ? 5. Klaus Teuchert East Germany 1971 1. Květoslav Mašita (4th) Czechoslovakia Jawa 2. Peter Uhlig West Germany 3. Jaroslav Břiza Czechoslovakia Jawa 1972 1. Květoslav Mašita (5th) Czechoslovakia Jawa 2. Jiří Cisař Czechoslovakia 3. Jaroslav Břiza Czechoslovakia 1973 1. Květoslav Mašita (6th) Czechoslovakia Jawa 2. Jiří Cisař Czechoslovakia Jawa 3. Manfred Jäger East Germany MZ 4. ? 5. Carl-Henry Johansson Sweden 1974 1. Květoslav Mašita (7th) Czechoslovakia Jawa 3.6 2. Jiří Cisař Czechoslovakia Jawa 8.5 3. Manfred Jäger East Germany MZ 81.6 4. Augusto Taiocchi Italy KTM 83.0 5. Egbert Haas West Germany Maico 249.9 6. Edvardas Ramonas USSR Jawa 622.0 7. Zenon Wieczorek Poland Jawa 771.5 8. - 1 FIM 350cc/ 400cc ENDURO EUROPEAN/ WORLD CHAMPIONSHIPS 1975 1. Květoslav Mašita (8th) Czechoslovakia Jawa 2. Jiří Cisař Czechoslovakia Jawa 3. Uwe Köthe East Germany MZ 1976 1. Květoslav Mašita (9th) Czechoslovakia Jawa 60(84) 4 2. Jiří Cisař Czechoslovakia Jawa 51(61) 1 3. Jiří Pošik Czechoslovakia Jawa 38 1 4. -
CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale Di Venezia La Biennale Di Venezia President Presents Roberto Cicutto
LE MUSE INQUIETE WHEN LA BIENNALE DI VENEZIA MEETS HISTORY CENTRAL PAVILION, GIARDINI DELLA BIENNALE 29.08 — 8.12.2020 La Biennale di Venezia La Biennale di Venezia President presents Roberto Cicutto Board The Disquieted Muses. Luigi Brugnaro Vicepresidente When La Biennale di Venezia Meets History Claudia Ferrazzi Luca Zaia Auditors’ Committee Jair Lorenco Presidente Stefania Bortoletti Anna Maria Como in collaboration with Director General Istituto Luce-Cinecittà e Rai Teche Andrea Del Mercato and with AAMOD-Fondazione Archivio Audiovisivo del Movimento Operaio e Democratico Archivio Centrale dello Stato Archivio Ugo Mulas Bianconero Archivio Cameraphoto Epoche Fondazione Modena Arti Visive Galleria Nazionale d’Arte Moderna e Contemporanea IVESER Istituto Veneziano per la Storia della Resistenza e della Società Contemporanea LIMA Amsterdam Peggy Guggenheim Collection Tate Modern THE DISQUIETED MUSES… The title of the exhibition The Disquieted Muses. When La Biennale di Venezia Meets History does not just convey the content that visitors to the Central Pavilion in the Giardini della Biennale will encounter, but also a vision. Disquiet serves as a driving force behind research, which requires dialogue to verify its theories and needs history to absorb knowledge. This is what La Biennale does and will continue to do as it seeks to reinforce a methodology that creates even stronger bonds between its own disciplines. There are six Muses at the Biennale: Art, Architecture, Cinema, Theatre, Music and Dance, given a voice through the great events that fill Venice and the world every year. There are the places that serve as venues for all of La Biennale’s activities: the Giardini, the Arsenale, the Palazzo del Cinema and other cinemas on the Lido, the theatres, the city of Venice itself. -
Thesis Submission
Rebuilding a Culture: Studies in Italian Music after Fascism, 1943-1953 Peter Roderick PhD Music Department of Music, University of York March 2010 Abstract The devastation enacted on the Italian nation by Mussolini’s ventennio and the Second World War had cultural as well as political effects. Combined with the fading careers of the leading generazione dell’ottanta composers (Alfredo Casella, Gian Francesco Malipiero and Ildebrando Pizzetti), it led to a historical moment of perceived crisis and artistic vulnerability within Italian contemporary music. Yet by 1953, dodecaphony had swept the artistic establishment, musical theatre was beginning a renaissance, Italian composers featured prominently at the Darmstadt Ferienkurse , Milan was a pioneering frontier for electronic composition, and contemporary music journals and concerts had become major cultural loci. What happened to effect these monumental stylistic and historical transitions? In addressing this question, this thesis provides a series of studies on music and the politics of musical culture in this ten-year period. It charts Italy’s musical journey from the cultural destruction of the post-war period to its role in the early fifties within the meteoric international rise of the avant-garde artist as institutionally and governmentally-endorsed superman. Integrating stylistic and aesthetic analysis within a historicist framework, its chapters deal with topics such as the collective memory of fascism, internationalism, anti- fascist reaction, the appropriation of serialist aesthetics, the nature of Italian modernism in the ‘aftermath’, the Italian realist/formalist debates, the contradictory politics of musical ‘commitment’, and the growth of a ‘new-music’ culture. In demonstrating how the conflict of the Second World War and its diverse aftermath precipitated a pluralistic and increasingly avant-garde musical society in Italy, this study offers new insights into the transition between pre- and post-war modernist aesthetics and brings musicological focus onto an important but little-studied era. -
GENERAL CATALOGUE 2019 Our History Is Our Future
Ride Regina. Be one of us! P.C13D19EC GENERAL CATALOGUE 2019 Our history is our future. The Wall of Champions. In 2019, Regina will celebrate its Innocenti’s “Lambretta”. The original Bayliss, Biaggi, Lorenzo, Rossi, by combining innovation with an 100th anniversary. The company design of Lambretta did not have a Everts, Cairoli, Herlings, Eriksson, outstanding and consistently high quality 1949 Bruno Ruffo 250cc Class 1974 Phil Read 500cc Class 1987 Jorge Martinez 80cc Class 1995 Petteri Silvan Enduro 125cc 2003 Anders Eriksson Enduro 400cc 2011 Antonio Cairoli MX1 was founded in 1919, initially transmission by chain, but after the Prado, level has allowed Regina 1950 Umberto Masetti 500cc Class 1974 M. Rathmell Trial 1987 Virginio Ferrari TT F1 1995 Anders Eriksson Enduro 350cc 2003 Juha Salminen Enduro 500cc 2011 Ken Roczen MX2 1950 Bruno Ruffo 125cc Class 1975 Paolo Pileri 125cc Class 1987 John Van Den Berk 125cc MX 1995 Jordi Tarrés Trial 2004 James Toseland WSBK 2011 Greg Hancock Speedway manufacturing chains and freewheels problems experienced with the cardan and Remes to be a market leader, 1951 Carlo Ubbiali 125cc Class 1975 Walter Villa 250cc Class 1987 Jordi Tarrés Trial 1995 Kari Tiainen Enduro 500cc 2004 Stefan Everts MX1 2012 Marc Marquez Moto 2 for bicycles. In those days, the transmission, the company asked for appreciated the enabling it to serve 1951 Bruno Ruffo 250cc Class 1975 R. Steinhausen/J. Huber Sidecar 1988 Jorge Martinez 80cc Class 1996 Max Biaggi 250cc Class 2004 Juha Salminen Enduro 2 2012 Max Biaggi WSBK -
Enduro World Championship Classification - Overall Gp Germany
Enduro World Championship Classification - Overall Gp Germany O CL RIDER MOTORCYCLE NAT FMN TEAM POINTS SPAIN PORTUGAL ITALY FRANCE SWEDEN SLOVAKIA GREECE GERMANY 1 E2 Juha SALMINEN KTM FIN SML KTM Racing 343 22 20 25 25 12 20 25 25 25 22 22 25 25 25 25 2 E3 Samuli ARO KTM FIN SML KTM Racing 300 16 22 15 22 22 25 14 18 22 22 20 20 20 20 22 3 E1 Stefan MERRIMAN Yamaha AUS FMI UFO Corse Yamaha Belgarda 292 20 11 18 9 25 7 25 15 15 13 25 25 22 22 20 20 4 E3 David KNIGHT KTM GBR ACU D3 Racing 276 18 18 20 16 15 22 11 22 20 20 16 18 16 13 13 18 5 E3 Ivan CERVANTES KTM SPA RFME KTM Farioli 222 25 25 22 20 20 4 13 6 14 18 4 15 13 11 6 6 6 E3 Mika AHOLA Husqvarna FIN SML Husqvarna CH Racing 196 13 13 16 15 4 20 8 20 16 10 12 11 8 14 16 7 E2 Paul EDMONDSON Honda GBR ACU Honda Racing Fast Eddy 173 9 6 3 14 18 13 1 14 5 12 13 11 7 9 16 22 8 E1 Simone ALBERGONI Honda ITA FMI Honda HM Zanardo 164 6 14 12 7 10 10 1 9 18 14 15 18 15 15 9 E1 Bartos OBLUCKI Yamaha POL FMI UFO Corse Yamaha Belgarda 156 7 2 9 6 13 6 22 12 9 2 14 9 18 15 12 10 E3 Anders ERIKSSON Husqvarna SWE SVEMO Husqvarna CH Racing 156 12 15 11 13 11 18 12 15 2 10 12 7 9 9 11 E2 Arnau VILANOVA Honda SPA RFME Honda MOTORGAS 144 15 12 7 10 2 13 10 8 11 13 1 10 18 14 12 E3 Marko TARKKALA Husaberg FIN SML Husaberg Motor AB Sweden 131 14 16 14 18 10 18 9 5 9 5 13 13 E1 Petteri SILVAN KTM FIN SML KTM Racing 130 10 10 6 8 5 16 16 2 6 5 6 14 14 4 8 14 E2 Alessandro BOTTURI KTM ITA FMI KTM Farioli 98 11 5 13 11 16 2 11 12 16 1 15 E3 Bjorne CARLSSON Husaberg SWE SVEMO Husaberg Motor AB Sweden 83 -
Download Myriam Zerbi – a Flow of Music
FONDAZIONE GIORGIO CINI ISTITUTO ITALIANO ANTONIO VIVALDI MYRIAM ZERBI A FLOW OF MUSIC ANTONIO VIVALDI AT THE ORIGINS OF A REDISCOVERY VENEZIA FONDAZIONE GIORGIO CINI 2020 This book recounts the circumstances leading up to the foundation of the Istituto Italiano Antonio Vivaldi, established by Antonio Fanna and Angelo Ephrikian on 23 January 1947. It retraces the sometimes surprising adventures in postwar Italy that took the two protagonists from the dream of reviving the Red Priest’s music to the publication of his complete instrumental works. Using the le琀ers of the leading players, contemporary press reports and the personal memories of one of the founders, the author reconstructs the Istituto’s vicissitudes focusing especially on its first years, full of high emotions, enterprise and tenacity, in a war-torn country where a desire for renewal was everywhere palpable, through to 1978 when it was donated by Antonio Fanna to become part of the Fondazione Giorgio Cini in Venice. The story, which is enlivened with a copious apparatus of images and documents, unfolds through the personal testimonies of those involved: Angelo Ephrikian, who dreamed the original dream, Antonio Fanna, who laid the practical foundations of the Istituto and ran it for 昀fty years, Alfredo Gallinari the enabling benefactor, who until now has remained, by his own wish, anonymous, Francesco Continetto, the copyist, who transcribed over 昀ve hundred of Vivaldi’s manuscripts, Gian Francesco Malipiero, the Istituto’s artistic director and editor of the greater part of the Venetian composer’s music, and Eugenio Clause琀i the enlightened head of the music publisher Casa Ricordi. -
Hinweis / Notice
Hinweis / Notice Diese Liste der RISM-Bibliothekssigel ist seit November 2011 nicht mehr aktuell und wird nicht mehr aktualisiert. Bitte wenden Sie sich an den Online-Verzeichnis der RISM-Bibliothekssigel unter http://www.rism.info/de/rism-bibliothekssigel/ oder http://www.rism.info/ ************ This list of RISM library sigla was replaced by a searchable online database in November 2011 and this list is no longer being maintained. For the most current RISM library sigla, please consult the Online Directory of RISM Library Sigla at http://www.rism.info/en/sigla/ or http://www.rism.info/ Sigla = Country plus Library Sigla (such as: F-Pn = France, Paris, Bibliothèque nationale) 1 ABBREVIATIONS: [A/I], [A/II], [B], [C], [N-Grove] = Sigla appears in RISM Serie A/I etc. (In: ...) = The music stocks of this library are stored in the given library. (Dpt. in: ...) = Deposit in = The music stocks of this library are stored on loan in the given library. A – Austria A Admont, Benediktinerstift <http://www.stiftadmont.at> AD [B] → A AL Altenburg, Benediktinerabtei ALT Altmünster (am Traunsee), Historisches Notenarchiv der Pfarrkirche BRa Bregenz, Vorarlberger Landesarchiv BRk – Kapuzinerkloster BRz – Bibliothek der Zisterzienserabtei Mehrerau DO Dorfbeuren, Pfarramt E [B] → Ee Ed Eisenstadt, Domarchiv <http://www.martinus.at/dompfarre/> Ee – Fürstlich Esterhazysches Musikarchiv <http://www.schloss-esterhazy.at/> Eh – Haydn-Museum <http://www.haydn-zentrum.at/> Ek – Stadtpfarrkirche El – Burgenländisches Landesmuseum <http://www.landesmuseum-burgenland.at/> -
Boston Symphony Orchestra Concert Programs, Summer, 1981
* / r- ' * f%P V ; ^\ X y 4T s intermission wz T _F I am concerned about next year's soaring vacation costs. T F A Berkshire "summer" whets my appetite for other Berkshire seasons. T F I like the best of two worlds. The Berkshires now, March in the sun. Did you find yourself checking "TRUE" more than once? IDLA! Share your vacation dream with "The Fox". I he Ponds <it foxhollow offers the ultimate in affordable time-shared vacations: a famous 230-acre country estate- turned resort. I ovely lake, sailing, riding, tennis, pool, posh dining; evening entertainment. Your own home with breathtaking views; exquisitely furnished, even a private ja< U//I. Arid the ( lin< her: you ( <in trade at 240 exchange resorts worldwide- and never pay escalating rates again! Out-Fox Vacation Inflation. Make an appointment for a personal tour with wine and f herse wel( orne. Phone <41 '>) 637-2706, M.iss. toll-free 800-292-6631 Ouf-of-st.ite 800-628-8840 Route 7, Lenox, Mass. 0124\\ Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundredth Season, 1980-81 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Philip K. Allen, Vice-President Mrs. Harris Fahnestock, Vice-President Leo L. Beranek, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden E. Morton Jennings, Jr. Irving W. Rabb Mrs. John M. Bradley Edward M. Kennedy Paul C. Reardon Mrs. Norman L. Cahners George H. -
Fim Enduro 3 World Championship
FIM ENDURO 3 WORLD CHAMPIONSHIP FIM ENDURO 3 WORLD CHAMPIONSHIP (290 cc-500 cc 2T/475-600 cc 4T) Year Posn Rider Nationality Bike Points Wins 2004 1. Samuli Aro (1st) Finland KTM 355 11 2. David Knight UK KTM 346 2 3. Iván Cervantes Spain KTM 312 3 4. Mika Ahola Finland Husqvarna 273 5. Anders Eriksson Sweden Husqvarna 242 6. Marko Tarkkala Finland Husaberg 220 7. Björne Carlsson Sweden Husaberg 218 8. Sébastien Guillaume France Gas Gas 164 9. Jani Laaksonen Finland Gas Gas 143 10. Swen Enderlein † Germany KTM 110 11. Christoph Seifert Germany KTM 89 12. Laurent Bouffioux France Husaberg 84 13. Niklas Gustafsson Sweden Husaberg 79 14. Larry Gustafsson Sweden Husaberg 64 15. Jordi Durán Spain KTM 57 16. Tobias Auerswald Germany Husqvarna 56 17. Werner Müller Austria KTM 56 18. Xacob Agra Spain Husqvarna 43 19. Daniel Johansson Sweden Gas Gas 36 20. Ralf Scheidhauer Germany KTM 27 2005 1. David Knight (1st) UK KTM 427 17 2. Marko Tarkkala Finland KTM 357 1 3. Sébastien Guillaume France Gas Gas 325 4. Mika Ahola Finland Husqvarna 302 5. Alessandro Zanni Italy Honda 285 6. Xavier Galindo Spain Husqvarna 277 7. Alessio Paoli Italy TM 240 8. Vít’a Kuklik Czech Republic KTM 193 9. Thierry Klutz Belgium Gas Gas 172 10. Mario Rinaldi Italy Husaberg 161 11. Marcus Kehr Germany KTM 147 12. Michal Rudolf Czech Republic KTM 127 13. Daniel Persson Sweden Husaberg 125 14. Maurizio Magherini Italy Beta 109 15. Tobias Auerswald Germany Husqvarna 69 16. Gerard Farrés Spain Husqvarna 61 17. -
7. 350Cc-400Cc Reliability-Enduro
FIM 350cc/ 400cc ENDURO EUROPEAN/ WORLD CHAMPIONSHIPS FIM 350 cc RELIABILITY (1968-80)/ 350cc 4-T (1987-89) ENDURO EUROPEAN CHAMPIONSHIP FIM 350cc (1990-97); 400cc (1998-2003) ENDURO WORLD CHAMPIONSHIP Year Posn Rider Nationality Bike Points Wins 1968 1. Květoslav Mašita (1st) Czechoslovakia Jawa 2. Klaus Teuchert East Germany 3. Miroslav Vytlačil Czechoslovakia Jawa 1969 1. Květoslav Mašita (2nd) Czechoslovakia Jawa 2. Herbert Scheck West Germany 3. Karl-Heinz Wagner East Germany 4. Klaus Teuchert East Germany 1970 1. Květoslav Mašita (3rd) Czechoslovakia Jawa 2. Zdeněk Češpiva Czechoslovakia Jawa 3. Peter Uhlig West Germany 4. ? 5. Klaus Teuchert East Germany 1971 1. Květoslav Mašita (4th) Czechoslovakia Jawa 2. Peter Uhlig West Germany 3. Jaroslav Břiza Czechoslovakia Jawa 1972 1. Květoslav Mašita (5th) Czechoslovakia Jawa 2. Jiří Cisař Czechoslovakia 3. Jaroslav Břiza Czechoslovakia 1973 1. Květoslav Mašita (6th) Czechoslovakia Jawa 2. Jiří Cisař Czechoslovakia Jawa 3. Manfred Jäger East Germany MZ 4. ? 5. Carl-Henry Johansson Sweden 1974 1. Květoslav Mašita (7th) Czechoslovakia Jawa 3.6 2. Jiří Cisař Czechoslovakia Jawa 8.5 3. Manfred Jäger East Germany MZ 81.6 4. Augusto Taiocchi Italy KTM 83.0 5. Egbert Haas West Germany Maico 249.9 6. Edvardas Ramonas USSR Jawa 622.0 7. Zenon Wieczorek Poland Jawa 771.5 8. - 1 FIM 350cc/ 400cc ENDURO EUROPEAN/ WORLD CHAMPIONSHIPS 1975 1. Květoslav Mašita (8th) Czechoslovakia Jawa 0 2. Jiří Cisař Czechoslovakia Jawa 21.5 3. Uwe Köthe East Germany MZ 232.75 4. Egbert Haas West Germany Maico 360.5 5. Carl-Henry Johansson Sweden KTM 811.05 6. Harald Sturm East Germany MZ 850.7 7. -
Such As: F-Pn = France, Paris, Bibliothèque Nationale) 1 ABBREVIATIONS: [A/I], [A/II], [B], [C], [N-Grove] = Sigla Appears in RISM Serie A/I Etc
Sigla = Country plus Library Sigla (such as: F-Pn = France, Paris, Bibliothèque nationale) 1 ABBREVIATIONS: [A/I], [A/II], [B], [C], [N-Grove] = Sigla appears in RISM Serie A/I etc. (In: ...) = The music stocks of this library are stored in the given library. (Dpt. in: ...) = Deposit in = the music stocks of this library are stored on loan in the given library. A – Austria A Admont, Benediktinerstift <http://www.stiftadmont.at> AD [B] → A AL Altenburg, Benediktinerabtei BRa Bregenz, Vorarlberger Landesarchiv BRk – Kapuzinerkloster BRz – Bibliothek der Zisterzienserabtei Mehrerau DO Dorfbeuren, Pfarramt E [B] → Ee Ed Eisenstadt, Domarchiv <http://www.martinus.at/dompfarre/> Ee – Fürstlich Esterhazysches Musikarchiv <http://www.schloss-esterhazy.at/> Eh – Haydn-Museum <http://www.haydn-zentrum.at/> Ek – Stadtpfarrkirche El – Burgenländisches Landesmuseum <http://www.landesmuseum-burgenland.at/> EG Eisgarn, Probstei <http://www.kirche-top.org> ENG Engelhardszell, Trappistenklosters, Bibliothek ETgoëss Ebenthal bei Klagenfurt, Privatbibliothek Goëss F Schwaz, St. Georgenberg, Benediktinerstift, Bibliothek FB Fischbach, Pfarrkirche FEk [B] → FKk FEs [B] → FKs FK Feldkirch, Domarchiv <http://www.feldkirch.at/diverses/musiksammlung/musikhandschriften/content> FKk – Kapuzinerkloster FKs – Jesuitengymnasium Stella Matutina (In: A-FKst) FKst – Stadtbibliothek, Musiksammlung <www.feldkirch.at/rathaus/bibliothek/musiksammlung> FRE Fresach, Evangelisches Diözesanmuseum FRI Friesach, Stadtmuseum Gd Graz, Bibliothek des Bischöflichen Seckauer Ordinariats -
Project "Anima Veneziana". Antonio Vivaldi. Biography
Notes to the revised edition This chapter contains various supplementary observations on points made in earlier chapters. (p. 1) As predicted, new discoveries have not been slow in arriving. In 1978 Mario Rinaldi announced to the international Vivaldi conference held in Venice his discovery of the libretto to a lost oratorio, La vittoria navale, RV 782, performed in Vicenza on 8 June 1713. In 1982 I unearthed fragments of unknown Vivaldi works in the library of the Conservatorio ‘Benedetto Marcello’, Venice: two cello concertos (RV 787 and 788), a concerto for violin and cello (RV Anh. 91), a violin concerto (RV 790), a sinfonia (RV 786), and a Confitebor in B flat major (RV 789), as well as a new version for single coro (RV 795) of the familiar Beatus vir in C major, RV 597. All these were works supplied to the Pietà in 1738–9.1 In 1991 Peter Ryom reported finding a complete score of RV 795 in the Saxon State Library, Dresden; its earlier detection had been hindered by the fact that the manuscript bore the name of Galuppi.2 In the early 1980s two new violin sonatas (RV 7 and 785) were discovered by Maurizio Grattoni in Udine.3 The music of the flute concerto RV 783, previously known only from a musical incipit, turned up in Schwerin as recently as 1990. (p. 8) In 1982 the first volumes of the Nuova edizione critica (New Critical Edition) appeared. This series, published by Ricordi on behalf of the 1 The find is described in Michael Talbot, ‘A Vivaldi Discovery at the Conservatorio “Benedetto Marcello” ’, Informazioni e studi vivaldiani, vol.