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Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
The Fingerprints of the “5” Royales Nearly 65 Years After Forming in Winston-Salem, the “5” Royales’ Impact on Popular Music Is Evident Today
The Fingerprints of the “5” Royales Nearly 65 years after forming in Winston-Salem, the “5” Royales’ impact on popular music is evident today. Start tracing the influences of some of today’s biggest acts, then trace the influence of those acts and, in many cases, the trail winds back to the “5” Royales. — Lisa O’Donnell CLARENCE PAUL SONGS VOCALS LOWMAN “PETE” PAULING An original member of the Royal Sons, the group that became the The Royales made a seamless transition from gospel to R&B, recording The Royales explored new terrain in the 1950s, merging the raw emotion of In the mid-1950s, Pauling took over the band’s guitar duties, adding a new, “5” Royales, Clarence Paul was the younger brother of Lowman Pauling. songs that included elements of doo-wop and pop. The band’s songs, gospel with the smooth R&B harmonies that were popular then. That new explosive dimension to the Royales’ sound. With his guitar slung down to He became an executive in the early days of Motown, serving as a mentor most of which were written by Lowman Pauling, have been recorded by a sound was embraced most prominently within the black community. Some his knees, Pauling electrified crowds with his showmanship and a crackling and friend to some of the top acts in music history. diverse array of artists. Here’s the path a few of their songs took: of those early listeners grew up to put their spin on the Royales’ sound. guitar style that hinted at the instrument’s role in the coming decades. -
Old Folks' Homes for Blacks During the Progressive Era
The Journal of Sociology & Social Welfare Volume 16 Issue 3 September Article 5 September 1989 Old Folks' Homes for Blacks During the Progressive Era Iris Carlton-Laney University of North Carolina, Charlotte Follow this and additional works at: https://scholarworks.wmich.edu/jssw Part of the Gerontology Commons, Race and Ethnicity Commons, and the Social Work Commons Recommended Citation Carlton-Laney, Iris (1989) "Old Folks' Homes for Blacks During the Progressive Era," The Journal of Sociology & Social Welfare: Vol. 16 : Iss. 3 , Article 5. Available at: https://scholarworks.wmich.edu/jssw/vol16/iss3/5 This Article is brought to you by the Western Michigan University School of Social Work. For more information, please contact [email protected]. Old Folks' Homes for Blacks During the Progressive Era* IRIS CARLTON-LANEY The University of North Carolina at Charlotte Department of Sociology, Anthropology and Social Work This paper discusses the development of old folks' homes for Blacks during the Progressive Era. Churches, women's clubs, and secret so- cieties played a major role in the development, funding, and operation of these institutions. These groups adhered to the doctrine of self-help and group solidarity which provided impetus for their charitable ac- tivities. The members of these organizations believed that leaving "'worthy" indigent Black aged to live out their last years in almshouses was cruel and intolerable. This paper highlights some of the efforts and many of the homes that were established for the Black aged through the cooperation and materialsupport of Black churches, women's clubs, and secret societies. The history of institutionalized care for the Black aged is a little researched area and deserves more attention than it has been given by social welfare historians. -
Doo-Wop (That Thing)”
“Respect is just a minimum”: Self-empowerment in Lauryn Hill’s “Doo-Wop (That Thing)” Maisie Hulbert University of Cambridge 3,995 words Maisie Hulbert Self-empowerment in Lauryn Hill In his 2016 Man Booker Prize winning satirical novel The Sellout, Paul Beatty’s narrator states that “the black experience used to come with lots of bullshit, but at least there was some fucking privacy” (p. 230). The global hip-hop industry admittedly circulates images of blackness that were once silenced, but on the terms of an economically and socially dominant order. The resulting fascination with stereotypes of blackness, essentialised by those in positions of corporate power, means hip-hop becomes an increasingly complex identity- forming tool for young people worldwide. From a series of case studies exploring young black women’s relationship to hip-hop, Lauren Leigh Kelly argues that many “construct their identities in relation to media representations of blackness and femininity in hip-hop music and culture” (2015, p. 530). However, the stereotypical images of blackness which are encouraged ignore elements of choice, empowerment and re-contextualisation in hip-hop whilst meeting the widespread demand for imagery of a racial “Other”. The often negative associations with such images denies individuals the opportunity to identify their own relationship towards them, independent of media scrutiny and judgement. Lauryn Hill’s “Doo Wop (That Thing)” “sounds gender” (Bradley, 2015) through lyrics, flow, and multimedia, working to empower black femininities with self-respect. I argue that Hill’s track voices specifically black female concerns, prioritising notions of community central to black feminist thought (Collins, 2009). -
8/1/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show
8/1/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Dance to the Music [Single 1968, influential in the formation and popularization of the musical subgenre of 2:59 Sly & the Family Stone Master] psychedelic soul and helped lay the groundwork for the development of funk music. Backslop 2:33 Baby Earl & The Trinidads Born in Memphis in 1928. Best known for his 1952 singles, "Booted", "No More Do The Chicken (Dance With 2:35 Rosco Gordon Doggin'" and "Just a Little Bit". In 1962, he gave up the music industry and moved to You) New York where he became a partner in a laundry business with his wife. 1965, it was the group's fourth single and the first to achieve success. Featured on Let Her Dance 2:33 Bobby Fuller Four the soundtrack of Fantastic Mr. Fox 1964. Carl Wilson's first recognised writing contribution to a Beach Boys single, his Dance, Dance, Dance 2:00 The Beach Boys contribution being the song's primary guitar riff and solo. Features Glen Campbell on acoustic guitar The 'Carolina Shag' is a partner dance done primarily to Beach Music (100-130+ The Shag (is Totally Cool) 2:13 Billy Graves beats per minute). Still is the state dance of Carolina. The Madison Time, Pt 1 3:08 Ray Bryant Combo Released in 1960, featured in the 1988 movie Hairspray. Twistin' The Night Away 2:44 Sam Cooke Written and recorded by Sam Cooke in 1962. Written by Johnny Otis and originally released as a single in 1958. Lyrics are about a Willie & the Hand Jive 2:37 Johnny Otis Show man who became famous for doing a dance with his hands 1983, from Canada. -
NEWS34-Gd7m.Pdf
news #34 MUNGOLIAN JETSET - MUNGODELICS Hot on the heels of 2011`s "Schlungs", the Jetsetters have kept those buttons busily pushed, and are already here with their next chapter installment, featuring 8 new nuggets entitled "Mungodelics". The album is essentially a psychodramatic sequel to the highly acclaimed "We Gave It All Away, Now We Are Taking It Back" album of 2009, as it is musically a blend of originals and remakes made into originals, as well as solo performances and external collaborations from the band`s musical core members, Knut Saevik and Paul "Strangefruit" Nyhus. All in all, "Mungodelics" musically summons everything that is hazy, dazy, underearthly and crazy. This is the Mungolian Jetset taking you on a ride through the seasons, and shifts of the days and nights, from the Cantina to the Ewok forest, via ritualistic dancing at Kilmin Taboour and stellar swimming in the galactic Goa. STS228CD/LP CDF/LP6 600116082824/600116082817 SMALLTOWN SUPERSOUND ANTIBALAS - S/T “Afrokalas. Det var Antibalas som satte I gang den andre afrobølgen. Nå vil de surfe den selv. Så afrikansk funky at det er vanskelig å sitte stille.” Dagens Næringsliv, Per A. Risnes Fifth Studio album by the leading Afrobeat ensemble from Brooklyn on the mighty Daptone imprint! A Must for fans of Fela Kuti, Tony Allen and the likes! "Rhythm is what makes a good afrobeat record," says Gabriel Roth, Daptone Records co-founder and producer of Antibalas' forthcoming self-titled LP. "Not just the rhythm section, but the rhythm of the horns, the rhythm of the vocals, the rhythm of the keyboards, everybody's rhythm. -
Lee Dewyze Adds Glam to Seventh HIT Idol Event by P.J
Partly cloudy Vote Nov. 7th, 2017 write in: High: 30 | Low: 19 | Details, page 2 Bill McDonald BESSEMER CITY COUNCIL # Experienced # Veteran # Community Minded Authorized and Paid for by Bill McDonald, 309 E. Silver St., Bessemer, MI 49911 DAILY GLOBE yourdailyglobe.com Monday, November 6, 2017 75 cents RINK RESURRECTION Lee DeWyze adds glam to seventh HIT Idol event By P.J. GLISSON [email protected] IRONWOOD — Hundreds of people filled the Historic Iron- wood Theatre Saturday as final- ists of this year’s HIT Idol com- petition entertained the crowd before and after learning who the six winners were. Adding to the fun was the par- ticipation of Lee DeWyze, Season 9 winner of “American Idol,” who performed with the contestants and also gave a concert of his own. Winners of the 2017 event were as follows: —Young Adult Category: Veronica Bolton and Kristine Mieloszyk, both of Ironwood; —High School Category: Dustin King of Ewen-Trout Creek and Breyanna Schutte of Ashland; and —Youth Category: Emily Den- Larry Holcombe/Daily Globe THE HIT Idol banner hangs above the Historic Ironwood Theater stage nis and Haley Mead, both of Hur- before Friday’s performance where 29 contestants competed in three ley. age categories. The winners were announced during Saturday’s per- Twenty-nine total contestants formance with American Idol Season 9 winner Lee DeWyze headlining had performed at the theatre on the event. Friday night, which was Part 1 of the two-night event, and the win- including the harmonic, opening his latest album, “Oil and ners gave an encore performance performance of the song “Proud,” Water,” which was released in Saturday night’s show. -
Court Sweet 16 Protocol Sheet 1
NAME: NAME: EVENT DATE: SWEET 16 PROTOCOL SHEET 1 Grandparent Grandparents Parents Siblings 1. 1. 2. 2. COURT GUEST OF HONOR : Escorted by: Court Entrance Song: Entrance Video: Entrance Song: Dance right away Sit for Toast Special Dance : With: Toast Mom Dad Other All forms must be filled out and submitted 3 weeks prior to your event to; [email protected] NAME: NAME: EVENT DATE: SWEET 16 REQUEST SHEET 2 COCKTAIL HOUR MUSICAL PREFERENCES: SELECT ONE STYLES: UPBEAT STANDARDS (SINATRA, DEAN MARTIN, TONY BENNET, MICHAEL BUBLE) NYC STYLE LOUNGE MUSIC (TRENDY NYC CONTEMPORARY) TROPICAL/BEACH MUSIC (BOB MARLEY, JIMMY BUFFET, LIGHT REGGAE, STEEL DRUM) LIGHT ROCK MIX (BILLY JOEL, BEATLES, SNOW PATROL, TRAIN, JASON MRAZ, ED SHEERAN) COUNTRY ( ZAC BROWN, DARIOUS RUCKER, KENNY CHESNEY) CUSTOM COCKTAIL PLAYLIST (PLEASE LISTS SOME SONGS & ARTISTS BELOW) FAVORITES (MUST PLAY): (LIST SONG & ARTIST) FAVORITES (MUST PLAY): (LIST SONG & ARTIST) 1. 8. 2. 9. 3. 10. 4. 11. 5. 12. 6. 13. 7. 14. DO “NOT”: PLAY LIST: SPECIAL ANNOUNCEMENTS OR DEDICATIONS: 1. 2. 3. 4. 5. All Forms must be filled out and submitted 3 weeks prior to your event to [email protected] NAME: NAME: DATE: SWEET 16 PROTOCOL SHEET 3 FAVORITE MUSIC GENRES: GLOBAL MUSIC GENRES: Swing Rap Worldwide Hits Standards (Rat pack) House Music (BPM) Salsa Lindies EDM Merengue 50’s Dance Country Bachata Doo Wop Top 40 Hits Cumbia 60’s Hits Todays Hits Rumba Rock-N-Roll (Oldies) Tango Motown Cha Cha 70’s Hits AUDIENCE PARTICIPATION: Mambo Classic Disco Electric Slide Italian 80’s Dance Hits Macarena -
1.10 Goes to Vendor
May 20 - September, 2018 Vol. 27 No. 20 $2 $1.10 goes to vendor Pages 4 & 5 Pages 8 & 9 Pages 12 & 13 Country Lakeshake MAY Ruido Fest AUGUST Chicago House Music Conference and Festival Chicago Vegandale Lollapalooza Mole de Mayo Evanston Chamber Artisan Summerfest Art Walk & African Marketplace Chicago Gaelic Park Irish Fest Art in the Village Jeff Fest Belmont-Sheffield Music Fest Art Center's Festival of Fine Art Edgefest Maifest Chicago Ravenswood on Tap Chicago Brewing District's Dancing in the Streets Chicago Gospel Music Festival North Center Garden Walk Chicago Hot Dog Festival Do Division Streetfest Mamby on the Beach Ginza Holiday Festival Lincoln Park Greek Fest Family Fun Festival Retro on Roscoe profits Little Village Taste of Mexico Chicago is a Drag Festival Northalsted Market Days Millennium Art Festival Thirsty Ears Festival JUNE Logan Square Art Festival Clark After Dark Chicago Ale Fest Pride in the Park Evanston Art and Big Fork Festival Hyde Park Brew Fest Gay Pride Parade Glenwood Avenue Arts Fest Gold Coast Art Fair Chicago Mariachi Festival Chicago Air & Water Show 57th Street Art Fair Microbrew Review Porchfest Lakeview JULY Wright Ride The Millennium Park Summer Film Series Windy City Ribfest in Uptown Will County Fair Andersonville Midsommarfest International Festival of Life Logan Square Social Spring Awakening (African and Caribbean Festival) Taste of Greektown West Fest Skokie Backlot Bash M AY Pages 6 & 7 Chosen Few Old School Reunion Greenleaf Festival Chicago Blues Festival Chicago Botanical Garden Art Show -
Shag Rag July 2013
Shag Rag July 2013 A Proud Member of: Shag Rag July 2013 Vol. XIX, No. 7 Dedicated to the Preservation of the Carolina Shag and Beach Music PRESIDENT’S CORNER by Dave Bushey July! It’s here! The biggest Party of the Year! We’re talking about The Capital Classic! It’s an All-Weekend celebration of Beach Music, the Shag AND The Northern Virginia Shag Club. Put July 26-28 on your calendar. Come out and watch the Sam West, the 2013 National Shag Champion, and his wife Lisa demonstrate how we WISH we could dance. And then, watch our special guests, Shag Team Two Juniors, dance! Even Sam and Lisa are amazed at what THEY can do! And that’s not all! There will be Swing stars and Hand Dance stars and Line dance stars … and … and … workshops from all. And Free Pours (drinks) and Silent Auctions and Barrels of Booze, and did I say there were Free Pours?? Too much liquor? Well, stay at the Hilton Garden Inn. Classic Coordinator Angie Bushey has arranged for some 1990’s-style room rates. How about $69 per night!! With rates like that, why drive home?? And it’s a Reunion, too. This is our 20th year, so we’re celebrating. There will be hundreds of pictures – evidence of the shenanigans of Days Gone By. Come visit with the Founders of our Club! And even the DJ’s are reuniting! Jim Rose and Jerry Scott are returning to their favorite club and Dennis Gehley and Craig Jennings are joining them to take us down Memory Lane with all of our favorite Beach Music. -
THE JAY VONS the WORD LP + Mp3 / CD / Digital Release Date: November 22Nd, 2019
THE JAY VONS THE WORD LP + Mp3 / CD / Digital Release date: November 22nd, 2019 RECOMMENDED SONGS SHORT DESCRIPTION 1. The Word 2. Night (Was Stealing From The Sun) Hot tamale. Keen-eyed soul at its best. Savvy and sophisticated. 3. Changing Seasons Here is the accounting for taste. On any given night, The Jay Vons TRACK LIST are probably the best band in the world. 1. The Word 2. Night (Was Stealing From The Sun) — Swami John Reis (Hot Snakes, Rocket From The Crypt) 3. Changing Seasons 4. It Was Wrong To Love You 5. Never Take Me Back The gentlemen who enjoy a fine slice, a fine libation, and an even finer haircut are 6. Want You Tomorrow 7. Keep On Moving known as The Jay Vons. The Word showcases how this rhythmic tour-de-force blends 8. My Mama (She Was Right) their love for ‘60s rock and soul with a deftness born from decades of obsessive record 9. Take It This Far 10. Maybe I Loved You collecting and delivered by countless hours of writing and performing. The lead single, 11. Days Undone “The Word,” is a veritable blueprint for The Jay Vons’ sound: spooky organ, undeniable 12. Did You See Her groove, tasteful guitar, forlorn lyrics, all seasoned generously with handclaps and HIGHLIGHTS • Featuring members of Reigning Sound & percussion. Just imagine if The Brothers of Soul (Bridges, Knight, Eaton) produced a Naomi Shelton and the Gospel Queens. session by The Young Rascals and you’re getting warm. “Night (Was Stealing from the • “Never Take me Back” and “Maybe I Sun)” picks up the tempo with a fervor reminiscent of The Jam at their best — punchy Loved You” were both featured in the Network TV show “Lights Out”.