DOCSLIB.ORG

Auditorio Marcelino Camacho (CCOO) / Casa De América / DLRO Live / Lola Bar

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Auditorio Marcelino Camacho (CCOO) / Casa De América / DLRO Live / Lola Bar Festival Internacional de cine lésbico, gai y transexual Madrid º 15 Sedes Ateneo de Madrid / Fundación Ateneo Cultural 1ro de Mayo - Auditorio Marcelino Camacho (CCOO) / Casa de América / DLRO Live / Lola Bar Equipo LesGaiCineMad / LesGaiCineMad’s Team Director: Gerardo José Pérez Meliá Diseño / Design: Martín Casanova www.moebiuseditora.com Productor / Producer: Lucas Casanova Maquetación / Layout: Martín Casanova Responsable de Industria y Mercado / Head of Industry and Market: Mariel Maciá Subititulado / Subtitling: Tripio www.tripio.com.ar Germán Vaisman / Aimé Olguin / Lucila Pérez Lascano / Asistente de producción / Production Assitant: Ruth Hortal Martín Vaisman / Nicolás Levin / Tomás Rapalini Asistente de Invitados / Guest Services: Tania Galán Director Fancinegay: Pablo Cantero Garlito www.fancinegay.com Dirección Artística / Artistic Direction: Lucas Casanova / Mariel Maciá Director Al-Andalesgay: Raul González www.alandalesgay.com Apoyo a Festivales LGBT en Latinoamérica / Latin American LGBT Festivals Asistente de Programación / Programming Assistant: Alicia Diego Generoso / Support: Violeta Uman María Calsolaro Medios Oficiales / Official Media Partners: Odisea www.odiseaeditorial.com / Programadores / Programmers: Agustín López / Alejandro García / Álvaro Público www.publico.es / Shangay www.shangay.com Gómez Meana / Andrés Couceiro / Ángel Robles / Javier Saez / José Carlos Elvira / Juliette Champonier / Karin Loreto Avaria Pardo / Mariona Rodríguez / Miguel Patronato de la Fundación Triángulo / Triángulo Foundation Board Members: Albertos / Miguel Lafuente / Mónica Vigo / Víctor Huedo Plaza Miguel Ángel Sánchez Rodríguez José María Núñez Blanco Coordinadora de Voluntarios / Volunteer’s Coordinator: Karin Loreto Avaria Gerardo José Pérez Meliá Pardo www.fundaciontriangulo.es Dirección de Comunicación y Relaciones Públicas / Communication and PR El LesGaiCineMad es miembro de / LesGaiCineMad is member of: FILMAD Director: Natacha Nazer www.filmad.org / CineLGBT www.cinelgbt.com Prensa y Eventos / Press and Events: Carlos Sánchez Departamento de Prensa / Press Department: Laura Fernández / Javier Martínez / El equipo de este Festival está compuesto en un 97% por gente que dona Jorge Oliva / Ángel Castillo su tiempo para hacerlo posible. Gracias a esta colaboración desinteresada puedes disfrutar nuevamente del LesGaiCineMad / The Festival team is 97% Fotógrafa Oficial / Official Photographer: Carli S.T. people donating their time to make it possible. Thanks to this generous collaboration you can enjoy LesGaiCineMad again. Imagen del Festival / Festival Image: Pablo Bordenabe Directora del Trailer / Trailer Director: Violeta Uman Actores del Trailer / Trailer Actors: Andrea Carballo / Julia Martínez Rubio / Julián Tello / Juan Malka Catálogo / Catalogue: Ruth Hortal / Alicia Diego Generoso / María Calsolaro Traducciones Catálogo / Catalogue Translations: Javier López Martínez / Billy Ramos / Jorge Clemente / Javier Vázquez / Jennifer Armstrong / Monika Boo / Juliette Champonier / Raluca Istratescu / Marta Baralt / Manuel Ángel Arnas / Roberto Solone Boccardi / Luis Potts / Aída García Miret / Elisa Morales Cinta / Victor Huedo Plaza / Rodrigo Díaz 2 Contenidos / Contents Introducción / Introduction Sedes / Venues 04 Colaboradores / Collaborators 06 Normales y anormalidades / Normal And Abnormalities (Miguel Ángel Sánchez Rodríguez) 08 Espejos / Mirrors (Gerjo Pérez Meliá) 09 Programación / Programming 10 Exposición en el Auditorio Marcelino Camacho / Marcelino Camacho Auditorium Exhibit Mónica Vigo - GAGA Lips Collection 12 El Festival / The Festival Agradecimientos / Acknowledgements 14 Otros Festivales de la Fundación Triángulo / Other Fundación Triángulo Film Festivals 15 Red CineLGBT / CineLGBT Network 16 Sesiones Especiales / Special Sessions 17 Actividades Paralelas / Parallel Activities 17 Este año seguimos adelante sin el SFM (Spanish Film Market) / This year we move forward without the SFM (Spanish Film Market) 18 Películas en castellano / Films in Spanish 19 Encuentros Industria / Industry Meetings 20 Premio LesGai de Cine / LesGai Cinema Award: Sigfrid Monleón 21 Premio LesGai de Televisión / LesGai Television Award: Carlota Olcina / Marina San José 22 Premios / Awards 23 Jurado / Jury 24 Sección Oficial Competitiva / Official Competitive Section Largometrajes / Feature films 27 Documentales / Documentaries 47 Cortometrajes / Short Films 71 Artículos / Articles Dos en la carretera / Two on the road (Oscar Hernández) 95 Todas las películas son gays / All the movies are gay (Paloma Aznar) 98 El Hada Madrina / Fairy Godmother (Javier Martinez) 101 Indice por película / Index by film title 104 CONTENIDOS 3 Sedes / Venues FUNDACIÓN ATENEO CULTURAL 1º DE MAYO. ATENEO CIENTÍFICO, ARTÍSTICO Y LITERARIO AUDITORIO MARCELINO CAMACHO - CCOO DE MADRID Largometrajes y Cortometrajes en Competencia Largometrajes y Cortometrajes en Competencia. C/Lope de Vega, 40 (esq. Pº del Prado). Metros: C/ del Prado, 21. Metros: Sevilla y Sol. Banco y Atocha. Precio: 5,00 €. Precio: 5,00 €. Socios de Triángulo y Ateneo gratis SOLO Socios de Triángulo y CCOO gratis SOLO PRESENTANDO CARNET y hasta completar cupo PRESENTANDO CARNET y hasta completar cupo por sesión. Descuentos: en taquilla Estudiantes por sesión. Descuentos: en taquilla Estudiantes UCM, UAM, UC3M, y jubilados (4,00 €). UCM, UAM, UC3M, y jubilados (4,00 €). Puedes comprar tu abono en nuestros locales Puedes comprar tu abono en nuestros locales de venta anticipada (5 películas por 18€ o 3 de venta anticipada (5 películas por 18€ o 3 películas por 12€) que se pueden canjear hasta películas por 12€) que se pueden canjear hasta completar aforo. completar aforo. ATENEO CIENTÍFICO, ARTÍSTICO Y LITERARIO FUNDACIÓN ATENEO CULTURAL 1º DE MAYO. DE MADRID MARCELINO CAMACHO - CCOO AUDITORIUM Feature and Short Films in Competition. Feature films and Shorts in competition. 21 del Prado Street. Metro Stations: Sevilla and Sol. 40, Lope de Vega Street (intersection with Pº del Admission: 5,00 €. Prado). Metro Stations: Banco de España and Triángulo members and Ateneo free of charge Atocha. ONLY WITH CREDENTIAL and until full capacity Admission: 5,00 € is reached. Discounts: students from UCM, UAM, Triángulo members and CCOO free of charge UC3M and pensioners, 4,00 € at the ticket booth. ONLY WITH CREDENTIAL and until full capacity You can buy your special pass at our pre-sale is reached. Discounts: students from UCM, UAM, stores (5 movies for 18,00 € or 3 films for 12,00 UC3M and pensioners, 4,00 € at the ticket booth. €) that can be cashed until full capacity is You can buy your special pass at our pre-sale reached. stores (5 movies for 18,00 € or 3 films for 12,00 €) that can be cashed until full capacity is reached. 4 SEDES CASA DE AMÉRICA – SALA IBERIA DLRO LIVE Iberoamérica Diversa. Documentales y Cortometrajes en Competencia. Plaza de Cibeles. Metro: Banco de España. Precio: C/ Pelayo, 59. Metros: Chueca y Alonso Martínez. 3,00 €. Hasta completar aforo. Contribución para los proyectos culturales de la CASA DE AMÉRICA – IBERIA ROOM Fundación Triángulo en América Latina. Hasta Iberoamérica Diversa. completar aforo. Plaza de Cibeles. Metro Station: Banco de España. DLRO LIVE Admission: 3,00 €. Until full capacity is reached. Documentaries and Short Films in Competition. 59 Pelayo Street. Metro Stations: Chueca and LOLA BAR – SALA DE PROYECCIONES Alonso Martínez. Contribution for Fundación Documentales en Competencia. Triángulo cultural projects in Latin America. Until Bar Oficial del LesGaiCineMad. full capacity is reached. C/ Reina, 25. Metros: Gran Vía y Banco de España. Contribución para los proyectos culturales de la Fundación Triángulo en América Latina. Hasta completar aforo. LOLA BAR – SALA DE PROYECCIONES Documentaries in Competition. Official LesGaiCineMad Bar. 25 Reina Street. Metro Stations: Gran Vía and Banco de España. Contribution for Fundación Triángulo cultural projects in Latin America. Until full capacity is reached. SEDES 5 Colaboradores / Collaborators Apoyo Institucional / Institutional Support Patrocinadores / Sponsors Medios Oficiales / Official Media Organiza / Organizes 6 COLABORADORES Colaboradores / Collaborators Festivales amigos / Festival friends Sedes / Venues Medios colaboradores / Collaborating press Venta Anticipada / Advanced Sales COLABORADORES 7 Normales y anormalidades / Normal And Abnormalities Qué cuestionable es el concepto de normalidad ante la gran How questionable is the concept of normality in the face of diversidad de historias que vemos y vivimos en el LesGaiCin- the overwhelming diversity of stories that we see and live at eMad. Que riqueza la diversidad de personajes, qué complejas LesGaiCineMad. How rich and diverse are all the characters, las realidades de vida que nos hacen disfrutar los programa- how complex the real life scenarios that the Festival´s program- dores del Festival con su cuidada e internacional selección. Co- mers let us live with their careful and international selection. bra especial fuerza aquella frase: nada de lo humano me es It breaths new life on that old saying, by ancient roman writer ajeno del escritor romano Terencio (reconozcamos los créditos Terencio : “I am a man, I consider nothing that is human a la Wikipedia para buscar el autor, jeje). Pero, a pesar de lo alien to me” (Let´s give some credit to Wikipedia for helping cuestionable de lo que es y lo que no es normal, como seres hu- me find the author, ha!). But despite how questionable the dif- manos parece que necesitamos sentirnos parte de
Load more

Recommended publications
  • Earogenous Zones
    234 Index Index Note: Film/DVD titles are in italics; album titles are italic, with ‘album’ in parentheses; song titles are in quotation marks; book titles are italic; musical works are either in italics or quotation marks, with composer’s name in parentheses. A Rebours (Huysmans) 61 Asimov, Isaac 130 Abducted by the Daleks/Daloids 135 Assault on Precinct 13 228 Abe, Sada 91–101 Astaire, Fred 131 Abrams, J. 174 Astley, Edwin 104 Abu Ghraib 225, 233 ‘Astronomy Domine’ 81, 82 acousmêtre 6 Atkins, Michael 222 Acre, Billy White, see White Acre, Billy Augoyard, J.-F. 10 Adamson, Al 116 Aury, Dominique (aka Pauline Reage) 86 affect 2, 67, 76 Austin, Billy 215 African music 58 Austin Powers movies 46 Age of Innocence, The 64 Australian Classification Board 170 Ai no borei (‘Empire of Passion’) 100–1 Avon Science Fiction Reader (magazine) 104 Ai no korida (In the Realm of the Senses) 1, 4, Avon Theater, New York 78 7, 89–101 Aihara, Kyoko 100 ‘Baby Did A Bad Bad Thing’ 181–2 Algar, James 20 Bacchus, John 120, 128, 137 Alice in Wonderland (Lewis Carroll) 5, 70, 71, Bach, Johann Sebastian 62 74, 76, 84, 116 Bachelet, Pierre 68, 71, 72, 74 Alien 102 Bacon, Francis 54 Alien Probe 129 Bailey, Fenton 122, 136 Alien Probe II 129 Baker, Jack 143, 150 Alpha Blue 117–19, 120 Baker, Rick 114 Also sprach Zarathustra (Richard Strauss) 46, 112, Ballard, Hank, and the Midnighters 164 113 Band, Charles 126 Altman, Rick 2, 9, 194, 199 Bangs, Lester 141 Amateur Porn Star Killer 231 banjo 47 Amazing Stories (magazine) 103, 104 Barbano, Nicolas 35, 36 Amelie 86 Barbarella 5, 107–11, 113, 115, 119, 120, American National Parent/Teacher Association 147 122, 127, 134, 135, 136 Ampeauty (album) 233 Barbato, Randy 122, 136 Anal Cunt 219 Barbieri, Gato 54, 55, 57 … And God Created Woman, see Et Dieu créa Bardot, Brigitte 68, 107–8 la femme Barker, Raphael 204 Andersen, Gotha 32 Baron, Red 79 Anderson, Paul Thomas 153, 158 Barr, M.
    [Show full text]
  • Curso Escolar 2021 / 2022 Lista Provisional De Reserva a Ciclos
    Lista provisional de Reserva a Ciclos Formativos de Grado Superior por Título de Técnico de Formación Profesional Curso escolar 2021 / 2022 Centro : CIFP LOS GLADIOLOS (38016519) Estudio: 1º CFGS Dist. Servicios Socioculturales y a la Comunidad - Educación Infantil (LOE) El nº de plazas reservadas para alumnado repetidor o que promociona de un curso inferior es 9 Orden Alumno NIF CIAL Pet. Pre. D.Trab. D.Edad Puntos Cal. 1 Martín González, Inmaculada Concepción ***6625** A81T*****E 1 No 0 14573 0,00 7,90 2 Tafur Baena, Jésica Tatiana ***5212** A92B*****T 2 No 0 10747 0,00 7,83 3 Palmer Fernández, Johanna ***5395** *02B****0F 3 No 0 7094 0,00 7,80 4 Díaz Barrios, Laura Patricia ***2209** **3P**1*3W 3 No 0 13889 0,00 7,64 5 Dannerbauer-Hiyo Geb Hiyo Mendívil, Alexandra ****4276* ***A6**09T 1 No 0 17394 0,00 7,60 6 Díaz García, José Gregorio ***2567** *88L*5***T 4 No 0 11984 0,00 7,54 7 Izquierdo Ríos, Javier ***8136** *97C2****Z 3 No 0 8593 0,00 7,40 8 Angulo Díaz, Yolanda ***6499** *89X6****Z 1 No 0 11790 0,00 7,40 9 Barroso Hernández, Carmen Dolores ***6721** A9*T*7***D 1 No 0 9467 0,00 7,40 10 Díaz Soto, Yaiza Dolores ***7025** ***X67**2B 2 No 0 14710 0,00 7,30 11 Tejera Martín, Tamara ***6568** **9T7*0**X 4 No 0 11635 0,00 7,16 12 Toledo González, María Carolina ***1665** **5G6*1**A 1 No 0 16878 0,00 7,08 13 Rodríguez Yunes, Asier Cristóbal ***7370** A**B1***6D 3 No 0 12200 0,00 7,00 14 Perdomo Romero, Ainara ***1248** B**L6**0*N 2 No 0 7229 0,00 6,69 15 De Salas Tenoury, Verónica ***4629** *9*C**10*G 5 No 0 9344 0,00 6,60 16 Martín
    [Show full text]
  • Catalogo De Canciones 23/02/2015 15:28:34
    CATALOGO DE CANCIONES 23/02/2015 15:28:34 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN92987 £1 FISH MAN ONE POUND FISH IN80017 101 DALMATIONS CRUELLA DE VIL IN80018 10CC DONNA IN92379 10CC DON'T TURN ME AWAY IN80019 10CC DREADLOCK HOLIDAY IN92380 10CC FEEL THE LOVE IN92381 10CC FOOD FOR THOUGHT IN92382 10CC GOOD MORNING JUDGE IN80020 10CC I'M MANDY IN80021 10CC I'M NOT IN LOVE IN92383 10CC LIFE IS A MINESTRONE IN92384 10CC ONE TWO FIVE IN92385 10CC PEOPLE IN LOVE IN92386 10CC SILLY LOVE IN80023 10CC THE THINGS WE DO FOR LOVE IN80024 10CC WALL STREET SHUFFLE IN92387 10CC WOMAN IN LOVE IN80025 1910 FRUITGUM CO SIMON SAYS IN80026 1927 COMPULSORY HERO IN80027 1927 IF I COULD IN89409 1927 THAT'S WHEN I THINK OF YOU IN80028 1999 MAN UNITED SQUAD LIFT IT HIGH (ALL ABOUT BELIEF) IN80029 2 EVISA OH LA LA LA IN80030 2 PAC FEAT DR DRE CALIFORNIA LOVE IN80031 2 UNLIMITED NO LIMIT IN80032 21ST CENTURY GIRLS 21ST CENTURY GIRLS IN91367 2ND BAPTIST CHURCH (LAUREN RISE UP JAMES CAMEY) IN92842 2PAC CHANGES IN92841 2PAC DEAR MAMA IN92399 3 DOORS DOWN HERE WITHOUT YOU IN89406 3 DOORS DOWN KRYPTONITE IN90644 30 SECONDS TO MARS CLOSER TO THE EDGE IN91291 30 SECONDS TO MARS FROM YESTERDAY IN90160 30 SECONDS TO MARS KINGS AND QUEENS IN91290 30 SECONDS TO MARS THE KILL IN93248 30 SECONDS TO MARS UP IN THE AIR (CLEAN VERSION) IN93249 30 SECONDS TO MARS UP IN THE AIR (EXPLICIT VERSION) IN91498 38 SPECIAL HOLD ON LOOSELY IN26754 3OH! 3 FEAT KATY PERRY STARSTRUKK IN89722 3OH!3 DON'T TRUST ME IN90099 3OH!3 FEAT KATY PERRY STARSTRUKK Page 1 CODIGO INTERPRETE TITULO IN90533
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode.
    [Show full text]
  • Baremo Provisional Accesos: 1, 2
    PROCESO SELECTIVO AL CUERPO DE PROFESORES DE MUSICA Y ARTES ESCENICAS Y PROCEDIMIENTOS DE ADQUISICIÓN DE NUEVAS ESPECIALIDADES POR LOS FUNCIONARIOS DE CARRERA DEL MENCIONADO CUERPO CONVOCADOS POR RESOLUCIÓN DE 11 DE MARZO DE 2020 LISTA PROVISIONAL DE BAREMACIÓN ORDENADO ALFABÉTICAMENTE ACCESO/S 1 y 2 Fecha: 14/06/2021 Página: 2 de 120 SECUNDARIA CUERPO: 0594 - PROFESORES DE MUSICA Y ARTES ESCENICAS ESPECIALIDAD: 401 - ACORDEON ACCESO: 1 y 2 - TURNO LIBRE D.N.I. Apellidos y Nombre Total 1. 1.1. 1.1.1. 1.1.2. 1.2. 1.2.1. 1.2.2. 1.3. 1.3.1. 1.3.2. 1.4. 1.4.1. 1.4.2. 2. 2.1. 2.2. 2.3. 2.4. 3. 3.1. 3.2. 3.3. 3.3.1. 3.3.2. 3.4. 3.5. 3.6. *****7460 CALLEJO VALLEDOR, EDUARDO 10,0000 6,1250 6,1250 5,6000/8 0,5250/9 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 2,0000 1,0000 1,0000 0,0000 0,0000 2,0000 2,0000 0,0000 0,0000 0,0000 0,0000 0,0000 0,2000 0,0000 *****2515 GONZALEZ LOPEZ, NOELIA 4,7625 0,2625 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 0,2625 0,1500/1 0,1125/9 0,0000 0,0000/0 0,0000/0 2,5000 1,5000 1,0000 0,0000 0,0000 2,0000 2,0000 0,0000 0,0000 0,0000 0,0000 0,0000 0,2200 0,0000 *****1089 GORDO SANCHEZ, DAVID 10,0000 7,0000 7,0000 7,0000/12 0,0000/10 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 1,2000 1,0000 0,0000 0,0000 0,2000 2,0000 2,0000 0,1750 0,0000 0,0000 0,0000 1,0000 2,0000 0,0000 *****5061 JIMENEZ DEL RIO, RAUL 10,0000 7,0000 7,0000 7,0000/12 0,0000/0 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 0,0000 0,0000/0 0,0000/0 1,0000 1,0000 0,0000 0,0000 0,0000
    [Show full text]
  • The Origin of Love Tour Songs and Stories of Hedwig with Special Guest Amber Martin Featuring the Songs of Hedwig by Stephen Trask Produced by Arktype
    FOR IMMEDIATE RELEASE CAP UCLA presents John Cameron Mitchell The Origin Of Love Tour Songs and Stories of Hedwig With special guest Amber Martin Featuring the songs of Hedwig by Stephen Trask Produced by ArKtype April 11 at The Theatre at Ace Hotel, DTLA “The Origin of Love [is] a punk-rock live behind the music episode of sorts and a gift to Hedwig heads everywhere.” — DC Theatre Scene UCLA’s Center for the Art of Performance (CAP UCLA) presents John Cameron Mitchell’s The Origin Of Love Tour on Saturday, April 11, at The Theatre at Ace Hotel in Downtown LA. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101 and the Royce Hall box office. The Origin of Love Tour investigates Hedwig and The Angry Inch’s origins following 25- years of worldwide influence as one of alt-culture’s most beloved and enduring creations, and John Cameron Mitchell’s ideas and relationships to show business. In addition to songs from the gender-bending rock musical that opened off-Broadway in 1998, released as an acclaimed film in 2001, won the Tony Award for best musical revival in 2014, and has spawned legions of adoring “Hed-Head’s” worldwide, the audience will learn about Mitchell’s rebellion against Broadway tropes, meeting songwriter Trask and his beloved bandmember Jack who became his boyfriend, growing up queer in a military family, Platonic and Gnostic Christian philosophy and its connection to non- binary gender expression, and the influence of Lou Reed and David Bowie. Mitchell also performs songs from his podcast series Anthem: Homunculus and his last film, the punk-era How to Talk to Girls at Parties, as well as his recent acclaimed EP of Lou Reed covers with Eyelids and Peter Buck entitled “Turning Time Around.” New York Vocalist, Cabaret Star and Comedic Monologist Amber Martin joins Mitchell along with very special guests in this rousing performance.
    [Show full text]
  • Uk / 2018 / 1.66 / 5.1
    HIGH LIFE 110 min / Germany – France – USA – Poland – UK / 2018 / 1.66 / 5.1 EVA DIEDERIX [email protected] SILVIA SIMONUTTI [email protected] FANNY BEAUVILLE [email protected] OLPHA BEN SALAH [email protected] PHOTOS AND PRESS KIT CAN BE DOWNLOADED FROM https://www.wildbunch.biz/movie/high-life/ Deep space. Monte and his daughter Willow live together aboard a spacecraft, in complete isolation. A man whose strict self-discipline is a shield against desire, Monte fathered her against his will. His sperm was used to inseminate the young woman who gave birth to her. They were members of a crew of prisoners – death row inmates. Guinea pigs sent on a mission. Now only Monte and Willow remain. Through his daughter, he experiences the birth of an all-powerful love. Together, father and daughter approach their destination – the black hole in which time and space cease to exist. How did High Life come about? A while back, an English producer asked me if I wanted to participate in a collection of films called Femmes Fatales. At first, I wasn’t that interested, but after thinking it over, I agreed. The project took ages to get off the ground. There was no money. It took 6 or 7 years to hammer out a coproduction: France, Germany, Poland and eventually America. During that time, I went to England and the States to meet with actors. The actor I dreamed of for the lead role of Monte was Philip Seymour Hoffman, because of his age, his weariness – but he died mid- route.
    [Show full text]
  • (38011169) 2020/2021 Lacenso 03/02/21 1/43
    EOI LOS CRISTIANOS (38011169) 2020/2021 LISTAS DE ALUMNADO (MÚLTIPLES OPCIONES) Censo del alumnado matriculado en el curso 2020 Grupos Seleccionados Enseñanza Estudio Grupo Nº Or. Apellidos, Nombre Fecha Nac. C.I.A.L. NIF/NIE/Pas. 1 Aaouad Dahouz, Naoual 05/02/2003 *****5121* ***1758** 2 Abadía Escámez, Rocío 21/01/1986 *****1112* ***6135** 3 Abarca Condori de Lombardi, Yudith del Rosario 28/09/1988 *****8106* ****2871* 4 Abbracchio , Bruno 21/05/1998 *****1102* ****6576* 5 Abdelah Al-Lal, Yasmina 16/05/1994 *****6008* ***0438** 6 Abdelhamid Montesinos, María Zarifa 28/05/1975 *****8109* ***1817** 7 Aboul Hosn Ramirez, Nadia Tifani 06/10/1998 *****6111* ****2570* 8 Abraca Condori, Daysi Elizaberth 28/09/1989 *****8109* ****7099* 9 Abramkin , Artem 02/07/1992 *****2108* ****9694* 10 Abramkina , Anastasiia 17/10/1991 *****7104* ****9722* 11 Abreu Díaz, Irene 26/10/1998 *****6018* ***9627** 12 Abréu González, Idaira 07/02/1993 *****7007* ***3483** 13 Abreu Morales, Elena 05/05/1982 *****5111* ***2158** 14 Abud Adamez, Gladiris Altagracia 14/11/1983 *****4113* ***8339** 15 Aceredo Teetu, Viviana Carolina 23/07/2001 *****3106* ***1357** 16 Acosta Afonso, Zebensuí 28/10/1983 *****8111* ***3048** 17 Acosta De Velásquez, Zulema del Valle 11/07/1960 *****1104* ****0525* 18 Acosta González, Yurena 28/01/1979 *****8105* ***0754** 19 Acosta Hernández, Óscar Jesús 05/01/1986 *****5012* ***3448** 20 Acosta Morales, Andrés Alberto 19/09/1995 *****9100* ***4976** 21 Acquistapace , José María 31/08/2005 *****1103* ****7851* 22 Adamczewska , Joanna Yildiz
    [Show full text]
  • Ethics and Politics in New Extreme Films
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online ETHICS AND POLITICS IN NEW EXTREME FILMS Submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy By Oliver Kenny Department of Film Queen Mary University of London I, Oliver Kenny, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the elec- tronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information de- rived from it may be published without the prior written consent of the author. Signature: Date: 20th December 2017 2 Abstract This thesis investigates a corpus of controversial, mainly European films from 1998 to 2013, to determine which features have led to their critical description as ‘new extreme’ films and according to what ethical framework ‘new extreme’ films operate.
    [Show full text]
  • Catalogo De Canciones 27/05/2021 21:55:24
    CATALOGO DE CANCIONES 27/05/2021 21:55:24 IDIOMA: Inglés CODIGO INTERPRETE TITULO IN2846 10 CC I'M NOT IN LOVE IN23195 10 CC RUBBERS BULLETS IN23198 10 CC THE THING WE DO FOR LOVE IN23222 10 CC WALL STREET IN23190 101 DALMATIES CRUELLA DE VILLE IN23191 112 DANCE WHIT ME IN23957 112 U ALREADY KNOW IN23197 1910 FRUITGUM SIMON SAYS IN27657 1975 CHOCOL IN27628 1975 CITY IN28220 1975 LOVE ME IN27448 1975 ROBBERS IN28963 1975 SILENCE IS SCARY IN28305 1975 SOMBODY ELSE IN27812 1975 THE SOUND IN28722 1975 TOOTIMETOOTIMETOOTIME IN28298 1975 UGH IN4257 2 EVISA OH LA LA LA IN4216 2 PAC FEATURING DR DRE CALIFORNIA LOVE IN1254 2 STARS 2 STARS IN26557 2 UNLIMITED DO WHAT'S GOOD FOR ME IN2648 2 UNLIMITED HERE I GO IN2709 2 UNLIMITED LET THE BEAT CONTROL YOUR BODY IN2852 2 UNLIMITED MAGIC FRIEND IN2853 2 UNLIMITED MAXIMUM OVERDRIVE IN4255 2 UNLIMITED NO LIMITS IN4352 2 UNLIMITED THE REAL THINGS IN2884 2 UNLIMITED TRIBAL DANCE IN26539 2 UNLIMITED TWILIGHT ZONE IN23184 21 ST CENTURY GIRLS 21 ST CENTURY GIRLS IN29075 24K GOLDEN MOOD IN25589 3 DOOR DOWN BEHIND THOSE EYES IN21826 3 DOORS DOWN AWAY FROM THE SUN IN20121 3 DOORS DOWN BE LIKE THAT IN20132 3 DOORS DOWN HERE WHITOUT YOU IN3753 3 DOORS DOWN KRYPTONITE IN20062 3 DOORS DOWN LET ME GO IN26681 3 DOORS DOWN LIVE FOR TODAY IN20047 3 OF HEART ARIZONA RAIN IN20046 3 T ANYTHING IN28680 30 SECONDS TO MARS RESCUE ME IN23073 30HL3 DON'T TRUST ME Page 1 CODIGO INTERPRETE TITULO IN26660 311 DON'T TREAD ON ME IN20076 35 L TAKE IT EASY IN23852 38 SPECIAL TEACHER, TEACHER IN4953 3OH 3 FEAT KATY PERRY STARSTRUKK
    [Show full text]
  • Cada Vez Más Vizcaínos Piden La Renta Básica, Y La Cobran Más Tiempo
    Deportes Páginas 12 a 14 «EN EL ALL STAR SELECCIÓN ALONSO, La prensa inglesa LENTO TEMBLARÉ» y Villa coinciden: Hizo 133 vueltas Entrevista a Rudy Fernández la roja, la mejor consuR29yel antes de la gran cita con los del mundo mejores de la NBA peor tiempo Cada vez más vizcaínos piden la renta básica, El primer diario que no se vende y la cobran más tiempo Viernes 13 FEBRERO DE 2009. AÑO X. NÚMERO 2090 Un total de 28.048 personas reciben el subsidio. La cifra ha crecido un 16,6% en el último año. Y casi la mitad lleva unos seis años recibiendo esta ayuda, desde 640 Vizcaya pide ‘distribuir’ a los menores inmigrantes en todas las comunidades euros mensuales. La Diputación reconoce que la situación «se ha cronificado». 2 En 2008 llegaron aquí 440 jóvenes. Sólo en Canarias hay más. Muchos apenas tienen 15 años de edad. 2 El tripartito se quedaría a tres escaños de lograr la mayoría absoluta Según el CIS. El PNV sería la fuerza más vota- da. El PSE-EE obtendría sólo un parlamentario menos que los jeltzales. El PP perdería escaños. 4 Ametzola tendrá en 2010 apartamentos en alquiler para menores de 35 años Pagarán de renta 230 euros al mes, podrán estar 5 años y compartirán espacios con sus vecinos. 3 Las chavalas vascas toleran mejor que ellos las conductas homosexuales A la mitad de los chicos les parece mal que per- sonas del mismo sexo se besen en público. 3 JORGE PARÍS JUAN HERRERO / EFE De carpintero en Senegal a ‘mantero’ encarcelado Euskadi, otra vez anegada En España hay 63 manteros en prisión.
    [Show full text]