Western Prepares for Homecoming
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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Pippin Buy Tickets
New York Subscribe to Time Out New York Search Things To Do Food & Drink Arts & Culture Film Music & Nightlife Shopping & Style City Guide Tickets & Offers Pippin Buy tickets Musicals Revival Music Box Theatre Until Sun Dec 22 Near Music Box Theatre Bars and Restaurants Shops pubs and cafés Photograph: Joan Marcus Paramount Bar and Grill Pippin Time Out rating: User ratings: Critics' pick Paramount Bar Rate this Comments 3 Time Out says Add + Marriott Marquis Hotel Thu Apr 25 2013 Like 406 Tweet 23 Theater review by Adam Feldman. Music Box Theatre (Broadway). 0 Book by Roger O. Hirson. Music and lyrics by Stephen Schwartz. Dir. Rum House Diane Paulus. With Matthew James Thomas, Patina Miller, Rachel Bay Jones. 2hrs 30mins. One intermission. The Living Room at the W Ladies and gentlemen, step right up to the greatest show of the Broadway season: Diane Paulus’s sensational cirque-noir revival of Pippin. Here, in all its grand and dubious glory, is musical-theater showmanship at its best, 1001 others, see all a thrilling evening of art and craftiness spiked with ambivalence about the nature of enthrallment. Chet Walker’s dances, which retain the pelvic thrust of Bob Fosse’s original choreography, are a viciously precise mockery of showbiz bump and grind, enacted by a sexy, sinister, improbably limber ensemble (in skintight carnival gear and medieval costumery). Circus elements created by Gypsy Snider—acrobatics, aerialism, contortionism, juggling, hula hoops—build momentum toward what the ringmaster assures us is “a climax you will remember for the rest of your lives.” That just might be true. -
Marcia Milgrom Dodge Curriculum Vita Overview
MARCIA MILGROM DODGE CURRICULUM VITA OVERVIEW • Freelance director and choreographer of classic and world premiere plays and musicals in Broadway, Off-Broadway, Regional, Summer Stock and University venues in the United States and abroad. More than 200 credits as director and/or choreographer. Also a published and produced playwright. • First woman Director/Choreographer hired by The John F. Kennedy Center for the Performing Arts to direct and choreograph a major musical. • Adjunct Faculty and Guest Director at American Musical and Dramatic Academy. Also at New York University’s CAP 21, Marymount Manhattan College, Fordham University and University at Buffalo. Responsibilities include teaching undergraduate classes in acting, musical theatre and dance, since 1996 • Member of Stage Directors and Choreographers Society (SDC), since 1979. Fourteen (14) years of Executive Board service. • BA from the University of Michigan; includes membership in the Michigan Repertory Theatre and M.U.S.K.E.T. • Member of Musical Theatre Educators Alliance-International (MTEA), an organization of teachers in musical theatre programs from the United States, England and Europe, since 2009. • Resident Director, Born For Broadway, Annual Charity Cabaret, Founder/Producer: Sarah Galli, since 2009 • Advisory Board Member, The Musical Theatre Initiative/Wright State University, since 2013 • Associate Artist, Bay Street Theatre, Sag Harbor, NY, since 2008 • The Skylight Artists Advisory Board, Skylight Theatre, Los Angeles, since 2014 • Resident Director, Phoenix Theatre Company at SUNY Purchase, 1993-1995 • Associate Member of the Dramatists Guild, 2001-2015 • Member of Actors Equity Association, 1979-1988 EDUCATION & TRAINING BA in SPEECH COMMUNICATIONS & THEATRE, University Of Michigan, 1977 Dance Minor - Modern techniques include Martha Graham, Merce Cunningham, Horton, Luigi, Ethnic dance. -
Joseph Mahowald
Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave. Suite 903 New York, NY 10019 Joseph Mahowald (212) 977-8502 Joseph Mahowald HARDEN-CURTIS ASSOCIATES 850 Seventh Ave., Suite 903 J OSEPH M AHOWALD New York, NY 10019 AEA/AFTRA/SAG (212) 977-8502 (212) 977-8420 FAX BROADWAY & OFF-BROADWAY THE PIRATE QUEEN (Original Cast) Chiefton O’Flaherty Hilton Theatre JEKYLL & HYDE Jekyll & Hyde Plymouth Theater LES MISÉRABLES Javert Imperial Theater DIFFERENT FIELDS (World Premiere) Aaron James New Victory Theater LES MISÉRABLES Enjolras Imperial Theatre LONE STAR LOVE (Original Cast Album) Frank Ford John Houseman Theater THE LITTLE PRINCE The Aviator John Houseman Theater THE PRINCE AND THE PAUPER Hugh Hendon The Lamb’s Theater NATIONAL TOUR LES MISÉRABLES Javert Marius Company, III National A GRAND NIGHT FOR SINGING Featured Soloist Pace Corp./101 Productions SAYONARA Ace Gruver TUTS/Seattle 5th Avenue Theater REGIONAL THEATRE (representative) BEAUTY AND THE BEAST The Beast Houston, Theater Under The Stars HUNCHBACK OF NOTRE DAME Captain Phoebus Fox/Magicworks -- The Rep. (TRT) BRIGADOON Tommy Albright Paper Mill Playhouse THE MERRY WIDOW (w/Judy Kaye) Danilo Paper Mill Playhouse SOME SWEET DAY Isaac Ingram Goodspeed Opera Co. CAROUSEL Billy Bigelow Westchester Broadway Theater GIGI Gaston Laschaille Westchester Broadway Theater ASSASSINS John Wilkes Booth Players Theater Columbus SHOWBOAT Gaylord Ravenal North Carolina Theater TAMING OF THE SHREW Lucentio Tennessee Repertory Theater (The Rep.) A MIDSUMMER NIGHTS DREAM Lysander Tennessee -
July 18, 1986
Jewish Historical R. I . Association 11 13 0 sessions Street Providence , RI 02906 THE ONLY ENGLISH-JEWISH WEEKLY IN R.I. AND SOUTHEAST MASS. VOLUME LXXIII, NUMBER 32 FRIDAY, JULY 18, 1986 35¢ PER COPY Teaching Hebrew In China Stan Bernstein: BEIJING, China (JTA) - The hours of Hebrew language Department of Oriental instruction, they attend other Searching For Life's Next Big Challenge Languages of Beijing University, classes for a total of 20 hours each China's premier institution here week. by Susan Bostian at the national capital, offers They are enrolled in a five-year Stanley Bernstein was surprised Japanese, Korean, Burmese, Thai, university program. After they and touched by the retirement Mongolian, Arabic - and now, master Hebrew, they will study party his friends and colleagues Modern Hebrew. Jewish history, modern Hebrew threw for him at the Providence When the Ministry of Culture literature, Judaism and related Marriott. Technically he is not decided that lvrit would be matters for 12 hours a week, plus really retiring, but when was the studied, some of the Chinese eight hours of other subjects. last time you were invited to a teachers of Arabic were expected Kita Alef uses BeAl Pe, a major life change/transition to teach Hebrew also. They had standard Hebrew teaching text party? That would have been the compiled a Chiriese-English and workbook. Each student has more appropriate name for the Hebrew dictionary by cutting taken a Hebrew name - Chana, celebration because Stanley apart the columns of Reuben Dan, Dinah, Gershom, Moshe, Bernstein, the Executive Director Alcalay's Hebrew-English Shula, Tsiporah, Uzi, Yitzhak and of the Providence Redevelopment dictionary, adding a column of Yosef. -
Sing a Musical Theatre Recital
If! Sing A Musical Theatre Recital An Honors Thesis (HONRS 499) by Kevin M. McDaniel Thesis Advisor - Alexandra Christina Kocoshis Ball State University Muncie, Indiana April 2003 Expected Date of Graduation May 2004 - .;5pCo 1/ 1l1e :,i.s J-1) 215J - . Z4- Abstract A musical theatre recital is an unusual and creative project to undertake. While the majority of recitals are composed of classical works, a theatrical recital includes songs from the realm of musical theatre, and must include acting as well as the songs. It therefore develops a singer's vocal and physical performance. "If I Sing, " A Musical Theatre Recital was developed to expand and showcase my talents as a musical theatre major and performer. I chose songs that represented a variety of shows from the history of musical theatre, ranging from 1937 to the present. My goal was to educate those people who were not familiar with many musicals by helping them expand their knowledge of musicals. I did this by giving the audience members a tour of musical theatre history through the songs. Personally, my songs were choices that helped me expand my repertoire. While a few songs were ones that I have become accustomed to performing for years, most were songs that I have wanted to perform for a long while, but have never had the opportunity or reason. All the songs were personal favorites of mine, but were also songs that stretched me to my vocal limits. Several songs challenged me vocally, while others challenged my acting ability. Also, the recital was a challenge to sing. -
BSO Principal Pops Conductor Jack Everly Leads the BSO in “Do You Hear the People Sing?: Miss Saigon to Les Misérables,” April 19‐22
PRESS CONTACTS: Laura Farmer, 410.783.8024 [email protected] Alyssa Porambo, 410.783.8044 [email protected] BSO Principal Pops Conductor Jack Everly leads the BSO in “Do You Hear the People Sing?: Miss Saigon to Les Misérables,” April 19‐22 Baltimore, Md. (March 13, 2012) – Principal Pops Conductor Jack Everly leads the Baltimore Symphony Orchestra and Baltimore Choral Arts Society in a concert featuring popular favorites from musicals such as Les Misérables and Miss Saigon on Thursday, April 19 at 8 p.m. at the Music Center at Strathmore, Friday, April 20 at 8 p.m., Saturday, April 21 at 8 p.m. and Sunday, April 22 at 3 p.m. at the Joseph Meyerhoff Symphony Hall. Entitled “Do You Hear the People Sing,” this program celebrates music by two of the world’s most prolific writers of modern musical theatre, Alain Boublil and Claude‐Michel Schönberg, whose masterpiece Les Misérables is the longest‐running musical in the world. Also included in the program are selections from the award‐winning team’s shows Martin Guerre, Pirate Queen, and La Revolution Francaise. Please see below for complete program details. Based on a classical novel by Frenchman Victor Hugo, the cherished story of Les Misérables has captivated audiences for nearly a quarter century. The musical has been translated to 21 different languages among 41 countries and seen 43,000 professional performances to an estimated audience of 55 million people. Among its most memorable songs are “I Dreamed a Dream,” “On My Own,” “Bring Him Home” and “Do You Hear the People Sing.” Considered Schönberg and Boublil’s second major success, Miss Saigon is a modern retelling of Puccini’s Madame Butterfly – the American Lieutenant replaced by a GI, and Japanese geisha by a Vietnamese bar girl. -
Brave New World
Presents Brave New World The Musical Book by Music by Lyrics by Ben Andron Jonnie Rockwell Bill Russell & John McDaniel Based on the book by Aldous Huxley with Jason Edward Cook Robby Haltiwanger Marissa O’Donnell Justin Matthew Sargent Robin Skye and Maria Buchanan Alice Eacho Sean Michael Jaenicke Blake Logan Tyler McKenzie Kaylor Otwell Billy Steeves Marthaluz Velez Scenic Design Lighting Design Sound Design Andrew Mannion CJ Barnwell Matt Nielson Production Costume Design Props Design Technical Stage Manager George Martinat Jessica Tandy Director Andrea Jess Berkey Kammerud Catori Swann Music Direction Brad Simmons Music Supervision, Arrangements & Orchestrations John McDaniel Choreography by Ryan Kasprzak Directed by Thomas Caruso This production was made possible in part by BNW DEVELOPMENTAL, LLC. BLACK PANTONE 158 Production Staff Production Stage Manager ................................................ Andrea Jess Berkey* Assistant Stage Manager .......................................... Jessica Tandy Kammerud* Technical Director ......................................................................... Catori Swann Assistant Technical Director/Audio Engineer ...........................Kenneth Horgan Master Electricians ...................................Meghan Dougherty, Michael Lowery Electricians ..............................CM Garrison, Kenneth Horgan, Steven Maurer, Catori Swann, Brendan Warner Assistant to Costume Designer .................................................. Lauren Fortuna Assistant to Props .........................................................................Patrick -
YES’ Broadway’S Terrence Mann Theatre Icon Bob Moss
Volume LV Number 3 • Summer 2014 • $8.00 THE POWER OF ‘YES’ Broadway’s Terrence Mann Theatre Icon Bob Moss FIND THE THROUGH-LINE Playwright Wendy MacLeod MAKING A DIFFERENCE Daniel Banks, Adam McKinney Find Through-Line ... BFA Design and theatre technology | BFA Production and stage Management Design Your Future BA theatre | BFA theatre Performance and Musical theatre Act now! Photo: 2010 Production of Machinal, by Sophie Treadwell, Directed by Heather May. Contact: C OLLEGE OF L IBERAL A RTS Department of Theatre Dr. scott Phillips, chair, Department of theatre tel [email protected] 334.844.4748 www.auburnuniversitytheatre.org www.auburn.edu | Auburn University is an equal opportunity educational institution/employer. PLAY WEST PLAY TRE HEA CO T M G PA W N U Y UWG THEATRE COMPANY Exceptional Training in a Professional Environment P LAY WEST NAST Accredited Bachelor of Arts Degree in Theatre UWG THEATRE OFFERS: • Access to professional theatre artists Call 678-839-4700 or • Access to industry standard software in theatrical sound, lighting, costume, e-mail [email protected] and scenic design • Performance and design opportunities starting in freshman year for more information. • Design lab, lighting lab, sound recording studio, large scene shop, and new costume shop www.westga.edu/~theatre • Internship programs (local, national, international) • Practical experience in all facets of theatrical production • Student scripts from playwriting course are produced in regular season • Student-directed and designed theatre productions • Conference -
National Dance Institute TONIGHT's STAR PARTY IS DEDICATED to ONE of NATIONAL DANCE INSTITUTE's BRIGHTEST STARS
WELCOME TO NDI’S A STELLAR AUTUMN EVENING TO BENEFIT THE CHILDREN OF national dance institute TONIGHT'S STAR PARTY IS DEDICATED TO ONE OF NATIONAL DANCE INSTITUTE'S BRIGHTEST STARS SHE WAS OUR DREAM-MAKER, OUR CHAMPION, AND OUR DEAR FRIEND. SHE WILL BE MISSED BEYOND MEASURE. THANK YOU TO ALL THOSE WHO HAVE DONATED TO NDI SO GENEROUSLY IN HER NAME, AND ESPECIALLY ADP. Jacques d’Amboise Ellen Weinstein Traci Lester Founder & President Artistic Director Executive Director WELCOME YOU TO NDI'S HOSTED BY JOHN LITHGOW FEATURING THE CHILDREN OF NDI WITH GUEST STARS FROM BROADWAY & FILM CHARLOTTE D'AMBOISE & TERRENCE MANN ARIANA DEBOSE • TONY YAZBECK DANCE DANIEL ULBRICHT • LÉONARDO SANDOVAL DENYS DROZDYUK & ANTONINA SKOBINA LORENZO PAGANO & BLAKELEY WHITE-MCGUIRE WITH REMARKS BY JACQUES D'AMBOISE • CHITA RIVERA BILLY PORTER • MANDY PATINKIN & KATHRYN GRODY LLOYD KNIGHT • DHARON E. JONES Proceeds from this evening will support National Dance Institute's arts education programs for New York City school children. PROGRAM RUNS & LEAPS Featuring the NDI CELEBRATION TEAM Music “Why Dance...Because!“ Music by Martin Charnin Lyrics by Barbara Goldsmith Arranged by Jerome Korman Performed by the NDI Orchestra & Chorus Edited by Diego Rotmistrovsky WELCOME BY JOHN LITHGOW ANOTHER STAR Featuring the NDI CELEBRATION TEAM Choreography by Dufftin Garcia Music & Lyrics by Stevie Wonder Arranged by Yakir Ben-Hur Performed by the NDI Orchestra & Chorus Edited by Diego Rotmistrovsky JACQUES D’AMBOISE AN INTERVIEW WITH DANIEL ULBRICHT STARS AND STRIPES MALE VARIATION -
Performance History
Season Show Title Venue Play/Musical Run Dates Authors 1933-1934 Queen’s Husband, The Play Robert E. Sherwood 1934-1935 As Husbands Go Play Rachel Crothers 1937-1938 Ladies of the Jury Play Frederick Ballard 1938-1939 Her Master’s Voice Play Clare Kummer 1938-1939 Mystery at Greenfingers Play J.B. Priestly 1938-1939 Room Service Play Marx Brothers 1938-1939 Susan and God Play Rachel Crothers 1938-1939 Lightnin’ Play Winchell Smith & Frank Bacon 1939-1939 Yes, My Darling Daughter Play Mark Reed 1939-1940 What a Life Play Clifford Goldsmith 1939-1940 On Approval Play Frederick Lonsdale 1939-1940 You Can’t Take It With You Play George S. Kaufman & Moss Hart 1939-1940 Distinguished Gathering Play James Parish 1939-1940 Brother Rat Play John Monks, Jr. & Fred F. Finklehoffe 1939-1940 Personal Appearance Play Lawrence Riley 1939-1940 Boy Meets Girl Play Sam & Bella Spewack 1939-1940 Merchant of Yonkers, The Play Thornton Wilder 1940-1941 Scarlet Pimpernel, The Play Baroness Orczy & Montague Barstow 1940-1941 Margin For Error Play Clare Boothe Luce 1940-1941 George Washington Slept Here Play George S. Kaufman & Moss Hart 1940-1941 Vivacious Lady Play P.J. Wolfson & Ernest Pagano 1940-1941 See My Lawyer Play Richard Maibaum & Harry Clork 1940-1941 Leighton Ltd. Play 1941-1942 Charley’s Aunt Play Brandon Thomas 1941-1942 Man Who Came To Dinner, The Play George S. Kaufman & Moss Hart 1941-1942 Flying Gerardos, The Play Kenyon Nicholson & Charles Robinson 1941-1942 Father’s Day Play Oliver Hailey Robert Wallsten & Mignon G. Eber- 1941-1942 Eight O’Clock Tuesday Play hart 1941-1942 No Time For Comedy Play S. -
MUSICAL THEATRE a History
MUSICAL THEATRE A History John Kenrick This book is dedicated to Mary Pinizzotto Kenrick Marotta and Frank Crosio. Neither my life nor this book would be possible without their unfailing support. CONTENTS Acknowledgments 9 Introduction “Let’s Start at the Very Beginning . .” 11 1 Ancient Times to 1850—“Playgoers, I Bid You Welcome!” 18 2 Continental Operetta (1840–1900)— “Typical of France” 35 3 American Explorations (1624–1880)— “The Music of Something Beginning” 50 4 Gilbert and Sullivan (1880–1900)— “Object All Sublime” 75 5 The Birth of Musical Comedy (1880–1899)— “It Belong’d to My Father Before I Was Born” 95 6 A New Century (1900–1913)—“Whisper of How I’m Yearning” 111 7 American Ascendance (1914–1919)—“In a Class Beyond Compare” 134 8 Al Jolson—“The World’s Greatest Entertainer” 156 9 The Jazz Age (1920–1929)—“I Want to Be Happy” 168 10 Depression Era Miracles (1930–1940)— “Trouble’s Just a Bubble” 207 11 A New Beginning (1940–1950)—“They Couldn’t Pick a Better Time” 238 8 CONTENTS 12 Broadway Takes Stage (1950–1963)— “The Street Where You Live” 265 13 Rock Rolls In (1960–1970)—“Soon It’s Gonna Rain” 298 14 New Directions (1970–1979)—“Vary My Days” 318 15 Spectacles and Boardrooms—“As If We Never Said Goodbye” 342 16 Musical Comedy Returns (The 2000s)— “Where Did We Go Right?” 370 Suggested Reading: An Annotated Bibliography 383 Recommended Web Resources 394 Index 395 ACKNOWLEDGMENTS It would be impossible for me to thank all the people who have inspired, assisted, and cajoled me in the process of creating this book, but a few curtain calls are in order.