Annual Report 2019–2020
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Seaborn Broughton & Walford Foundation Newsletter
Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date th 21 4 17 October 2013 Nan’s Letter Space Dear Friends As the year draws to a close and the holiday season ‘Rusty Bugles’ (1948) he found himself playing a approaches, it’s time to review some important recent part in Australian theatre history. John’s book theatrical events and consider the exciting shows ‘My Brief Strt Upon the Stage’ is an entertaining planned by Carol for your enjoyment over the next few account of underfunded life at the Independent, weeks, during the Festive Season and in the New Year. the excitement of opening night and the struggles encountered on tour with ‘Rusty Bugles’. My wife News From the Independent: In our previous Carolyn and I valued our 20-year friendship with Newsletter I mentioned the unexpected sale by the John. And as the Independent Theatre historian, AETT of the Independent Theatre (recently renamed Carolyn always acknowledged the value of John’s the Independent Music Centre) to Wenona, a reminiscences to the preparation of her doctoral neighbouring private independent, non-denominational thesis on Doris Fitton’s contribution to the day and boarding school for girls. However, I am cultural life of Sydney during the first half of the pleased to report that during my subsequent meeting twentieth century. A copy of John’s book and with the Principal of Wenona, Dr Briony Scott, I was Carolyn’s thesis are preserved alongside the many given to understand that the School’s future plans for valuable items that make up The SBW Foundation the Independent closely resemble the vision held by Dr Archives, Library & Performing Arts collections. -
MINERVA THEATRE Feasibility Study – Executive Summary
MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition. -
Ticketmaster Are Committed to Providing Priority Service for Patrons Requiring Accessible Seating
Ticketmaster are committed to providing priority service for patrons requiring accessible seating. While tickets for most events can be booked through Ticketmaster’s Accessible Seating Line on 1300 446 925, many venues have chosen to manage their own accessible ticketing. Companion card holders and patrons requiring wheelchair access can, therefore, book through the venue box office directly. Many of our venues also provide accessibility services for those with auditory or visual impairment as well as other communication or learning disorders. Please see below for all relevant information and contact details. Ticketmaster Accessible Seating Line Companion card holders and patrons requiring wheelchair accessible ticketing can book via Ticketmaster’s Accessible Seating Line 1300 446 925 for most events. This is a priority line with a team of dedicated operators who are specifically trained in accessibility ticketing. VIC (Wheelchair Access and Companion Cards) Arts Centre Melbourne – 1300 182 183 Festival Hall – 03 9329 9699 The Palms at Crown – 03 9292 5103 VIC (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues. If you require wheelchair access for these venues please contact them directly on the phone number listed. Malthouse Theatre – 03 9685 5111 Melbourne Recital Centre – 03 9699 3333 Marriner Venues as listed below – 03 9299 9800 Comedy Theatre Forum Theatre Regent Theatre Princess Theatre (Harry Potter and the Cursed Child) NSW (Wheelchair Access and Companion Cards) Sydney Lyric Theatre – 02 9509 3600 The Capitol Theatre – 02 9320 5000 The State Theatre – 02 9267 3234 Theatre Royal – 02 9221 3903 WIN Entertainment Centre – 02 4220 2884 WIN Stadium – 02 4220 2884 TAS (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues. -
Atkinson's Residence
Rod Blackmore’s AUSTRALASIAN THEATRE ORGANS New South Wales section Best known location: Regent Theatre, Sydney WurliTzer theatre organ Opus No. 1808 Style 260 3 manuals, 15 ranks now 3 manuals 16 ranks at John Atkinson’s residence, Hurstville NSW The Regent theatre in George Street, Sydney, was built by entrepreneurs J.C. Williamson’s, opening on 9th March 1928 and leased to the Hoyts circuit of cinemas. Regent theatres were flagships for Hoyts across the nation and were renowned for their lavish adornments. When the theatre opened it was equipped with a 2 manual 8 ranks WurliTzer theatre organ, style F, opus no. 1730 but this proved to be too small for the auditorium and was quickly relocated to the Plaza theatre, Melbourne (Victoria), there being enlarged to 12 ranks. It was replaced in the same year by opus no. 1808, a WurliTzer of 3 manuals and 15 ranks which had been on its way to the Capitol theatre in Perth (Western Australia.) The two organ chambers with timber walls were set high up behind the left and right hand sides of the proscenium. The console was originally on its own hoist in the left hand side of the orchestra pit, but when orchestras ceased to be employed in about 1949 the console was moved to centre position on the orchestra hoist. The sounds of the organ filled the auditorium with beautiful tones; to this author’s ear it was a sweeter-toned organ than the similar instrument (opus 1813) which was installed the same year at Sydney’s Capitol theatre. -
Rescuing the Regent Theatre
Rescuing the Regent Theatre Louise Blake ‘Rescuing the Regent Theatre’, Provenance: The Journal of Public Record Office Victoria, issue no. 11, 2012. ISSN 1832-2522. Copyright © Louise Blake. This article has been peer reviewed. Louise Blake has had an interest in performing arts history since she discovered the PROMPT collection of theatre programmes at the National Library of Australia more than ten years ago. She has a post-graduate diploma in Cultural Heritage Management from the University of Canberra and a Masters in Biography and Life Writing from Monash University. Louise has indulged her interest in cultural heritage through her work at the National Library of Australia, National Museum of Australia and, more recently, as a reference officer at PROV. She is a member of Museums Australia’s performing arts special interest group, PASIG. In addition to the performing arts, her research interests include family history, biography, popular culture, and the natural history of New Zealand. Abstract Melbourne City Council bought the Regent and Plaza in order to control development around the site of the Melbourne’s Regent and Plaza theatres opened in proposed City Square on the corner of Swanston and Collins Street in 1929. For more than forty years, these Collins Streets. The theatres seemed destined to fall grand picture palaces were among Melbourne’s most victim to the wrecker’s ball. But if the 1960s was the treasured cinemas, favourites together with the Capitol decade of development, the 1970s was the decade Theatre in Swanston Street and the State Theatre of preservation. Protests against the demolition of in Flinders Street. -
BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart. -
Media Kit the World's Favourite Musical Returns
MEDIA KIT THE WORLD’S FAVOURITE MUSICAL RETURNS TO AUSTRALIA The world’s favourite musical has returned to Australia. The London Palladium production of The Wizard of Oz had its Australian Premiere in Brisbane at the Lyric Theatre, QPAC on 4 November 2017. It will play at the Capitol Theatre, Sydney from 30 December, the Festival Theatre, Adelaide from 3 April, and the Regent Theatre, Melbourne, from 15 May. Australia’s leading musical theatre star Anthony Warlow plays The Wizard and Professor Marvel, while Lucy Durack plays Glinda the Good Witch, and Jemma Rix is The Wicked Witch of the West. Rising star Samantha Dodemaide breaks out of the chorus to wear the ruby slippers of Dorothy Gale. Eli Cooper plays the role of the Scarecrow, Alex Rathgeber is the Tin Man, and John Xintavelonis plays the Lion. The ensemble cast includes Paul Hanlon as Uncle Henry and Sophie Weiss as Auntie Em, alongside Justin Anderson, Sheridan Anderson, Lewis Beer, Shay Debney, Sage Douglas, Mikey Halcrow, Zoe Ioannou, Bree Langridge, Rubin Matters, Scott Morris, Justine Puy, Michael Roache, Mitchell Roberts, Emma Russell, Dean Schulz, Darren Tyler, Caleb Vines, Stephanie Wall and Rachael Ward. “With Anthony Warlow, Lucy Durack and Jemma Rix starring, and the extraordinary Samantha Dodemaide in her breakout role as Dorothy, we have a matchless leading cast. I can’t wait to hear Samantha sing one of the most-beloved songs of all time, Over The Rainbow,” said producer John Frost. “This beautiful, sumptuous production was a huge hit in London, and audiences enjoyed revisiting the classic story that’s universally loved.” “I’m thrilled that Lucy and Jemma will reunite to play the roles that shot them to stardom in Wicked in this new Australian tour of The Wizard of Oz. -
JAFFAS DOWN the AISLES a Survey of Cinemas in Country Victoria
JAFFAS DOWN THE AISLES A Survey of Cinemas in Country Victoria For Heritage Victoria, June 2008 Heritage Matters Pty. Ltd. Architecture Planning Horticulture & Arboriculture P.O. BOX 261 Port Fairy Victoria Australia 3284 ABN: 48 007 179 437 ACN: 007 179 437 Tel: 03 5568 2623 Fax: 03 5568 2723 Mob: 0419 353 195 & 0409 136 816 Table of Contents 1. Executive Summary 2 2. Brief 2 3. Limitations of Study 2 4. The Study Team 3 5. Acknowledgements 3 6. Definitions 3 7. Method 3 8. Cinema distribution across Victoria 6 9. Outline History 6 The Beginning of Cinema 6 The ‘Explosion’ of Cinema 7 The Development of Cinema 8 Effect of Television from 1956 10 Proprietors, Chains, Distributors and Exhibitors 11 Intangible Heritage 12 Architecture 14 Building Types 17 Individual Architects and Firms 18 Builders 19 Equipment & Furnishings 19 10. Conclusions 20 Most serious Losses 20 Overall Findings 20 11. Recommendations 21 12. References 23 Appendix A — The Brief Appendix B — List of Identified Places Appendix C — Hermes datasheets for Places of State Significance Survey of Country Cinemas in Victoria Report 1. Executive Summary In June 2007, Heritage Matters Pty Ltd was commissioned by Heritage Victoria to undertake a survey of cinemas, in the past, more often called picture theatres in rural Victoria. The study was to build on existing research, including a survey of metropolitan cinemas undertaken several years before by Daniel Catrice in association with the National Trust of Australia (Vic), various regional heritage studies and nominations held by Heritage Victoria for places to be added to the Victorian Heritage Register. -
Hoyts Entertainment Centre
Document title: Hoyts Entertainment Centre, Sydney _______________ photo essay Author/s: Ross Thorne Summary / abstract: On 25th October 1973 I was invited to have lunch with Dale Turnbull, then head of Hoyts Theatres Ltd, at its office in the Plaza Theatre building, 610 George Street, Sydney. Also at lunch was Turnbull’s father-in-law, Ben Fuller Jnr with whom I conversed about his early life in the Ben and John Fuller the- atre entrepreneural business. The conversation turned to my theatre history interests and to a group that had been formed with psychologists -- the Architectural Psychology Research Unit. I explained how we were interested in how people used and perceived buildings. This must have sparked some inter- est. Dale Turnbull told me that Hoyts were building the first large multi-plex cinema building in Australia (almost oppo- site in George Street, on the Trocadero dance hall site). They had employed the Melbourne architectural firm of Grounds, Romberg and Boyd for the design of the centre with seven cinema auditoria together with a range of other facilities to make attending to see a film a pleasurable experience. The de- sign however was not a simple corridor of cinema auditoria, it The facade of the Hoyts Entertainment Centre rep- had two auditoria on the ground floor foyer level, and another resented the worst of the five off a mezzanine lobby above. Hoyt’s was worried about style of architecture of the how patrons, unused to at least seven films in seven auditoria, 1970s -- so-called “func- would become confused, and maybe go to the wrong audito- tional”, but simply banal rium for their film. -
2019 Acp Bulletin
The Society of AUSTRALIAN CINEMA PIONEERS BULLETIN NOVEMBER 2019 IN THIS ISSUE: FROM THE PRESIDENT • Messages from the President and the individual liability from Directors and all Society President-Elect members, and the Society now has an ACN, making it easier to do business with our suppliers and key supporters. However the change does • State Presidents not affect the basically informal way the Society runs. • National Cinema Pioneer The only formal change is that the Society of the Year now has a Constitution which, together with any applicable ASIC regulations, defines the • State Pioneers of the Year Society’s objects and sets out its rules. The Constitution is accessible via the Society’s • Our generous donors website and Facebook pages. The website link is: https://www.cinemapioneers.com.au/wp-content/ uploads/2019/10/TSOACP-Ltd-Constitution- • Society contacts and FINAL-with-Schedules-1-and-2-300818-MU.pdf information As previously, the Society is governed and • Notice of Inaugural managed by its Directors who serve on the National Executive Committee chaired by the Annual General Meeting National President. Additionally, each State Branch (two of which incorporate the Territories) • Dates for State functions has a President and committee. • The Cinema ID Card & TIM READ The National Executive Committee consists of NATIONAL PRESIDENT the National President, the National President how to use it Elect, the 6 State Branch Presidents, up to 10 Incorporation Process Finalised former National Presidents and any elected • New Members additional directors. I wrote in this column last year that Sandra And, there is now an Annual General Meeting • In Memoriam Alexander, our National Secretary Treasurer would be lodging an application with ASIC for members which this year is being held for the Society to become incorporated as a on 28 November 2019 in Sydney. -
Annual Report LPA’S Strategic Plan 2011–2014 Strategic Priorities
2013 – 2014 Annual Report LPA’s Strategic Plan 2011–2014 Strategic Priorities Workplace Relations Develop and review Industry Vision Codes and Guidelines Lead industry vision and Ensure the growth and long term sustainability of policy for the industry Consumer education and protection the Australian live performance industry. Develop our long range industrial Membership Services, relations policy position Communications and Events Strategic Intent Negotiate new industrial agreements Strengthen Membership consistent with our policy position engagement As the peak body for the broad live performance industry LPA will and which reflect the global and continue to meet the needs and interests of Members through digital environment Ensure Members are well informed about, and can easily access, LPA the delivery of core services, communication and influence. Develop best practice frameworks resources Support industry WH&S Encourage Member engagement compliance and practice around key industry issues and policy positions Strategic flagship areas for LPA in the next three years are: Advise and support Members on new industrial relations best practice Continue to provide quality Policy and Strategy Membership services َ Use Industry knowledge to position and influence Build knowledge and information Deliver Professional Development including a national Producer Use the knowledge we have developed and continue to build this about the industry Development Program resource to represent and advance the business interests of the industry. -
New South Wales
Location Name Venue Type Opened Closed Current Status ABERDARE Aberdare Hall Public Hall Unknown - Street Address -> address details required Country ........................................................................................................................................................................................ ABERDARE Star Cinema 1924 1958 Destroyed byInc. Street Address -> 904 Aberdare Road. Country Alternative Names -> Aberdare Picture Theatre ........................................................................................................................................................................................ ABERDEEN Civic Cinema 1927 1966 Demolished Street Address -> Great Northern Road Country Alternative Names -> Civic Open Air, Rink Picture Theatre (c1930s), McFarlane Pictures ........................................................................................................................................................................................ ABERDEEN Institute Mechanics 1954 c1960Australia (for Unknown - Street Address -> Aberdeen East (no postcode) Country ........................................................................................................................................................................................of ABERDEEN Memorial Hall Mechanics 1927 Demolished Street Address -> Great Northern Road (cnr Moray St.) Country Alternative Names -> School of Arts, Aberdeen Talkies .......................................................................................................................................................................................