Rusgjr 1\ BWS R

Total Page:16

File Type:pdf, Size:1020Kb

Rusgjr 1\ BWS R ISSN 0314-0598 SEPTEMBER 1980 VOL. 4 NO.6 ~ - I~ RUSGJr 1\ BWS r- SIDESHOW ALLEY CINDERELLA which will be presented FOR SYDNEY from November 7 to 22 at the Regent. Please note however that thesearesubscrip­ One of the highlights of this year's tion performances and subscription tickets Adelaide Festival was Robyn Archer's have already been allocated. Trust Members presentation with Robyn Nevin of her will receive preference over the general own creation SIDESHOW ALLEY. Side­ public in the allocation of the remaining show alleys were always an integral part of seats. Bookings at this concession pricecan the Royal Easter Show and the many other only be made through the AETT Member­ shows held around the country but during ship office on the enclosed booking coupon the past ten years with the introduction of and again it should reach us by October 1. pin ball machines and other similar enter­ tainments the alleys have almost disappear­ ed. The boxers, freak shows, magicians and bearded ladies were all gone from this CARLOS MONTOYA concert year's Royal Easter Show. Only the cupi Carlos Montoya was the first flamenco doll stands and a few laughing clowns guitarist to give a full concert recital of remained. Flamenco guitar music. Before that time It was the passing of these alleys that (in 1948) Flamenco guitarists had always worked with a singer or dancer and none inspired Robyn Archer to put together Valentina Kozlova SIDESHOW ALLEY. She has taken two of their music had been written down. old troupers from the alleys and with song RUSSIAN BALLET STAR Since then Montoya has established a and dance shown how they each come to FOR ANNA KARENINA formidable reputation as a flamenco gui­ terms with the fact that the only life they tarist and has recorded extensively in an have known is about to come to an end. The Austral ian Ballet's production of effort to capture at least some of this rich ANNA KARENINA to be presented at the art form. E Regent Theatre at the end of October will c:~ c: star Valentina Kozlova in the title role. to .,~ Until her defection in Los Angeles last ~ year Miss Kozlova was a Principal Artist In ... with the Bolshoi Ballet. She has since then Dl been in great demand as special guest artist with many ballet companies throughout -u.. .. the U.S.A.; she has also appeared with the .!:! London Festival Ballet and has just return­ "0o ed from a "sell-out" South American tour. .:., ~ ANNA KARENINA will be presented at .. the Regent Theatre between October 27 .. and November 3. All performances are '"c: non subscription and Trust Members have -..o the opportunity of preferential mail book­ ~ ing at a $4.00 concession. Please note that general public bookings open on October 1 so your booking should reach us before that date. Nancye Hayes Tickets are also available at a $5.50 >­ concession for the Austral ian Ballet's ~., continued page 4 continued page 2 ~ x --~ ______.-------------------------------------------------------------------------------------------- If you would like any further information about the facilities available to Trust members please ring the .I!! membership office on 357 1200 . :0 The Australian Elizabethan Theatre Trust, P.O. Box 137, Kings Cross, N.S.W. 2011 in~ ~ ~,~======~---------------------------------------------------------------------------------------- HIGHLIGHTS OF OPERA On September 28 the annual concert arranged by the Australian Opera Auditions Committee takes place at the Opera House. Artists appearing will be Robert Allman, (arranged by the Sydney Committee) Robert Gard, Clifford Grant, David Gray, Bruce Martin, Kathleen Moore and Ron Stevens. The Committee has been raising RACE DAY AT RANDWICK money for several years under the patron­ Wednesday October 8 at 11.30 a.m. age of Dame Joan Sutherland to assist young artists to develop their carreers. This Following the popularity of our day at year the past three winners of the Dame the races last year Members and their Joan Sutherland scholarship Eric friends are once again invited to join us Badcock, Anne Young and Lyndsay Mika - for lu ncheon and to watch the races wh ich will be joining starts of the Australian will include the Elizabethan Theatre Trust Opera in concert. Trust Members receive a handicap. President of the Members Com­ $2.00 concession and can reserve tickets mittee, Shirley Hay, will decorate the on the enclosed booking coupon. winning horse. We have taken the Blue Room in the Mem­ bers stand for our function which will MOVIE NEWS give everybody an excellent view of the Robert Gard course. Luncheon tickets are $12.00 each CHAPTE R II at Hoyts and entry to the enclosure is $5.00 for One of Neil Simon's most successful plays those Members not in possession of race CHAPTER II has been made into a film WHAT'S ON IN CANBERRA tickets. starring James Caan and Marsha Mason. Inspired by Simon's own second chapter THE BARBER OF SEVILLE LEURA GARDENS FESTIVAL in life the film is about George who is The director of the TNTheatre Company, suffering the trauma of losing a wife after Friday October 17 Brisbane, John Milson will produce Can­ twelve blissful years of marriage and Jennie berra Opera Society's next production - who is recovering from a recent divorce. The Blue Mountains in spring are always Rossini's BARBER OF SEVILLE. It plays Neither of them is looking for a new delightful and never more so than at the at the Can berra Theatre on October 8, 10 relationship. It is directed by Robert Moore time of the Leura Gardens Festival when and 11 and Trust Members receive a $1.00 and opens at Hoyts Entertainment Centre every garden is ablaze with colour. This concession a A Reserve tickets. year at the ·suggestion of one of our Mem­ on September 18. bers, Mr. Sowden who lives at Leura, we TOURING PRODUCTIONS are arranging a day visit to Leura to see the Everglades and some of the private fans find it difficult to decide whether he A number of productions mentioned in homes that are open to the public at this is a superb pianist with a dizzling wit or a this edition of Trust News and the August time of year. Luncheon will be taken at superb wit with a dazzling style at the key­ edition will be presented in Canberra as the Leura Golf Club. The tour departs at board. well as Sydney. First off on September is 8 a.m. from the Trust Office in Kings Cross classical guitarist Carlos Montoya. On Victor Borge will be appearing with and the all inclusive price is $20. September 24 he is followed by Juliet soprano Marilyn Mulvey at the Capital Prowse in her complete Las Vegas Show. ~================:J Theatre for five concerts only between Irish actress Fionnula Flanagan's portrayal r October 1 and 5. Your booking coupon is of JAMES JOYCE'S WOMEN plays on COMEDY IN MUSIC enclosed. September 29 and 30 and the Nanking Acrobatic Troupe from China pfaybetween WITH VICTOR BORGE October 13 and 16. Tickets for all perform­ "You'll laugh your heads off. Go to Borge ances can be obtained from the Canberra - the man and the evening are a delight." Theatre. See Showguide for details of concessions. So said Clive Barnes America's leading theatre critic of this Danish born musical comic who has done virtually everything from page 1 an entertainer can do. He's performed on radio, in films, on television, on Broadway, Montoya's concerts are made up of his in nightclubs, in large concert arenas, at own arrangements and original compos­ the White House, around the world and itions based on the Spanish gypsy tradition. even on Dial-A-Joke. He has conducted They are always tremendously exciting almost every major orchestra from the largely because he never plays an arrange­ Amsterdam Concertgebow to the New ment without adding something new - he York Philharmonic, released several LP's creates as her performs. Montoya's only of his 'Comedy in Music' routines and Sydney concert will be presented at the written a book, My Favourite Intermissions. Town Hall on Thursday September 18. Trust Members receive a $2.00 concession Borge's talents as a comedian and a musician and can purchase tickets from Mitchells­ are so remarkable that even his most devoted Bass in the city and at Grace Bros., stores. '-":--- - -.', ELIZABETHAN SYDNEY CHAMBER 'GROUP NEW MEMBER APPLICATION Chalwin Castle, Cremorne I would like to join the Trust My name and address is: Please send me : ........ tickets for performance on NAME .............................. ................... ... .. ... ............... .......... ............... Sunday Oct 19 @ $4.00 = $ ADDRESS .......................................... .. ...... .... ........................... .......... NAME .............. ................. .... ..... ......... ............ A :E.T.T. No ............... .. POSTC ODE .................. .............. TEL (day) ..... .................................. ADDRESS ... ............... .. ................... ..................... .. ........ ......................... TEL (n ight) ......... ......................... .. .. POSTCODE ................. TEL (day) .... .. .... .......... (night) ............. ... ........... I enclose my cheque/p.o. (made payable to A .E.T .T.) for I enclose a cheque/p.o. for $ 15 made payab le to A .E.T.T . $ .... ...... ................... .... w ith s.a.e. for return of t ickets. N.B. Membership valid f or twelve months from date of joining ----------------------------~--- ~ --------------------------------- MEMBER ACTIVITIES VICTOR BORGE - CAPITOL THEATRE Please send me RACE DAY AT RANDWICK Wednesday October 8 Performances: Wednesday October 1 - Saturday
Recommended publications
  • Seaborn Broughton & Walford Foundation Newsletter
    Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date th 21 4 17 October 2013 Nan’s Letter Space Dear Friends As the year draws to a close and the holiday season ‘Rusty Bugles’ (1948) he found himself playing a approaches, it’s time to review some important recent part in Australian theatre history. John’s book theatrical events and consider the exciting shows ‘My Brief Strt Upon the Stage’ is an entertaining planned by Carol for your enjoyment over the next few account of underfunded life at the Independent, weeks, during the Festive Season and in the New Year. the excitement of opening night and the struggles encountered on tour with ‘Rusty Bugles’. My wife News From the Independent: In our previous Carolyn and I valued our 20-year friendship with Newsletter I mentioned the unexpected sale by the John. And as the Independent Theatre historian, AETT of the Independent Theatre (recently renamed Carolyn always acknowledged the value of John’s the Independent Music Centre) to Wenona, a reminiscences to the preparation of her doctoral neighbouring private independent, non-denominational thesis on Doris Fitton’s contribution to the day and boarding school for girls. However, I am cultural life of Sydney during the first half of the pleased to report that during my subsequent meeting twentieth century. A copy of John’s book and with the Principal of Wenona, Dr Briony Scott, I was Carolyn’s thesis are preserved alongside the many given to understand that the School’s future plans for valuable items that make up The SBW Foundation the Independent closely resemble the vision held by Dr Archives, Library & Performing Arts collections.
    [Show full text]
  • Barry Humphries (1934 - ) 2
    AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century.
    [Show full text]
  • Melbourne Suburb of Northcote
    ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • Ticketmaster Are Committed to Providing Priority Service for Patrons Requiring Accessible Seating
    Ticketmaster are committed to providing priority service for patrons requiring accessible seating. While tickets for most events can be booked through Ticketmaster’s Accessible Seating Line on 1300 446 925, many venues have chosen to manage their own accessible ticketing. Companion card holders and patrons requiring wheelchair access can, therefore, book through the venue box office directly. Many of our venues also provide accessibility services for those with auditory or visual impairment as well as other communication or learning disorders. Please see below for all relevant information and contact details. Ticketmaster Accessible Seating Line Companion card holders and patrons requiring wheelchair accessible ticketing can book via Ticketmaster’s Accessible Seating Line 1300 446 925 for most events. This is a priority line with a team of dedicated operators who are specifically trained in accessibility ticketing. VIC (Wheelchair Access and Companion Cards) Arts Centre Melbourne – 1300 182 183 Festival Hall – 03 9329 9699 The Palms at Crown – 03 9292 5103 VIC (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues. If you require wheelchair access for these venues please contact them directly on the phone number listed. Malthouse Theatre – 03 9685 5111 Melbourne Recital Centre – 03 9699 3333 Marriner Venues as listed below – 03 9299 9800 Comedy Theatre Forum Theatre Regent Theatre Princess Theatre (Harry Potter and the Cursed Child) NSW (Wheelchair Access and Companion Cards) Sydney Lyric Theatre – 02 9509 3600 The Capitol Theatre – 02 9320 5000 The State Theatre – 02 9267 3234 Theatre Royal – 02 9221 3903 WIN Entertainment Centre – 02 4220 2884 WIN Stadium – 02 4220 2884 TAS (Wheelchair Access Only) Please note Ticketmaster Customer Service can book accessible seating and companion cards without wheelchair access for the following venues.
    [Show full text]
  • Atkinson's Residence
    Rod Blackmore’s AUSTRALASIAN THEATRE ORGANS New South Wales section Best known location: Regent Theatre, Sydney WurliTzer theatre organ Opus No. 1808 Style 260 3 manuals, 15 ranks now 3 manuals 16 ranks at John Atkinson’s residence, Hurstville NSW The Regent theatre in George Street, Sydney, was built by entrepreneurs J.C. Williamson’s, opening on 9th March 1928 and leased to the Hoyts circuit of cinemas. Regent theatres were flagships for Hoyts across the nation and were renowned for their lavish adornments. When the theatre opened it was equipped with a 2 manual 8 ranks WurliTzer theatre organ, style F, opus no. 1730 but this proved to be too small for the auditorium and was quickly relocated to the Plaza theatre, Melbourne (Victoria), there being enlarged to 12 ranks. It was replaced in the same year by opus no. 1808, a WurliTzer of 3 manuals and 15 ranks which had been on its way to the Capitol theatre in Perth (Western Australia.) The two organ chambers with timber walls were set high up behind the left and right hand sides of the proscenium. The console was originally on its own hoist in the left hand side of the orchestra pit, but when orchestras ceased to be employed in about 1949 the console was moved to centre position on the orchestra hoist. The sounds of the organ filled the auditorium with beautiful tones; to this author’s ear it was a sweeter-toned organ than the similar instrument (opus 1813) which was installed the same year at Sydney’s Capitol theatre.
    [Show full text]
  • Rescuing the Regent Theatre
    Rescuing the Regent Theatre Louise Blake ‘Rescuing the Regent Theatre’, Provenance: The Journal of Public Record Office Victoria, issue no. 11, 2012. ISSN 1832-2522. Copyright © Louise Blake. This article has been peer reviewed. Louise Blake has had an interest in performing arts history since she discovered the PROMPT collection of theatre programmes at the National Library of Australia more than ten years ago. She has a post-graduate diploma in Cultural Heritage Management from the University of Canberra and a Masters in Biography and Life Writing from Monash University. Louise has indulged her interest in cultural heritage through her work at the National Library of Australia, National Museum of Australia and, more recently, as a reference officer at PROV. She is a member of Museums Australia’s performing arts special interest group, PASIG. In addition to the performing arts, her research interests include family history, biography, popular culture, and the natural history of New Zealand. Abstract Melbourne City Council bought the Regent and Plaza in order to control development around the site of the Melbourne’s Regent and Plaza theatres opened in proposed City Square on the corner of Swanston and Collins Street in 1929. For more than forty years, these Collins Streets. The theatres seemed destined to fall grand picture palaces were among Melbourne’s most victim to the wrecker’s ball. But if the 1960s was the treasured cinemas, favourites together with the Capitol decade of development, the 1970s was the decade Theatre in Swanston Street and the State Theatre of preservation. Protests against the demolition of in Flinders Street.
    [Show full text]
  • Seaborn Broughton & Walford Foundation Newsletter
    Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 22 1 16th January 2014 Chairman’s Letter (incorporating Nan’s Letter Space) Dear Friends Congratulations to playwright Reg Cribb who won On behalf of the Board and Staff of the SBW Foundation the $20,000 award for his play Buried Country. may I wish you, your family and friends a Happy New This joyous, irreverent, theatrical and musical Year. May your 2014 be brimful of good health and journey is based on the story of Jimmy Little and theatrical delights. other indigenous country and Western pioneers such as Bobby Mcleod and boxer Lionel Rose who fought FESTIVAL OF SYDNEY: January is a vibrant month in to be accepted on their own terms. Reg has a the Sydney performing arts calendar. The Sydney Festival background as an actor and musician. His plays have has burst onto the scene with a dazzling choice of been performed nationally and internationally have engaging and provocative productions, events, free won many awards including the Rodney Seaborn performances and installations. I have been impressed by Playwrights Award in 2010. We were most gratified the enthusiasm of Festival Director Lieven Bertels and his to hear Reg’s acceptance speech: ‘The Rodney team who have organized an eclectic array of Seaborn Award is going to allow me to craft and entertainment, with a Festival Village in Hyde Park and a hone Buried Country into the stageworthy piece it schedule catering for all ages and tastes.
    [Show full text]
  • BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE
    LYRIC THEATRE, QPAC BRISBANE Media Kıt STRICTLYBALLROOMTHEMUSICAL.COM MEDIA RELEASE THE STORY THAT INSPIRED THE WORLD TO DANCE Global Creature PRESENTS Baz Luhrmann’ STRICTLY BALLROOM THE MUSICAL DIRECTED BY BAZ LUHRMANN BASED ON THE MUCH LOVED AUSTRALIAN FILM BRISBANE SEASON CONFIRMED AT THE QUEENSLAND PERFORMING ARTS CENTRE FROM SEPTEMBER 2015 Global Creatures confi rmed today that Baz Luhrmann’s much-loved hit show STRICTLY BALLROOM THE MUSICAL will open in Brisbane at the Lyric Theatre, Queensland Performing Arts Centre (QPAC) in September 2015. STRICTLY BALLROOM THE MUSICAL had its Global Premiere on Saturday 12 April at the Sydney Lyric Theatre, The Star and is currently playing at Her Majesty’s Theatre, Melbourne. This new production is staged by the original creative team behind the classic 1992 fi lm, including director and co-writer Baz Luhrmann, set and costume designer Catherine Martin, choreographer John “Cha Cha” O’Connell and co-writer Craig Pearce. Playing the pivotal roles of ‘Scott Hastings’ and ‘Fran’ is Thomas Lacey and Phoebe Panaretos who lead an outstanding Australian cast of 43 including Bob Baines as Les Kendall, Drew Forsythe as Doug Hastings, Natalie Gamsu as Abuela, Robert Grubb as Barry Fife, Fernando Mira as Rico, Heather Mitchell as Shirley Hastings and Mark Owen-Taylor as JJ Silvers. STRICTLY BALLROOM THE MUSICAL features break-into-song numbers created from original classics from the fi lm, Love is in the Air, Perhaps Perhaps Perhaps, and Time After Time as well as some wonderful new songs by artists such as Eddie Perfect and Sia. STRICTLY BALLROOM THE MUSICAL is the inspiring story of a championship ballroom dancer who defi es all the rules to follow his heart.
    [Show full text]
  • Seaborn Broughton & Walford Foundation Newsletter
    Seaborn Broughton & Walford Foundation Newsletter 925 Botany Rd Rosebery NSW 2018 Phone - 9955 5444 Email – [email protected] For bookings please call Carol Martin -on 9955 5444 Monday to Thursday - 10am - 4pm Volume Number Issue Number Date 21 1 31st January 2013 Nan’s Letter Space Dear Friends On behalf of the Board, Staff and Volunteers of the Although Billie Brown AM had once humorously SBW Foundation, I extend our very best wishes to you described himself as ‘a sweaty old character actor’, for a very Happy New Year. However, these New Year he was, in fact, a significant presence whether on greetings are tempered with profound sadness as we stage, in film or television. Those of us who saw his pay tribute to the late Dr Peter William Stafford performances in The Judas Kiss and The Histrionic Broughton who passed away on 11th December 2012 in realized we were watching great, unforgettable acting his 91st year. A distinguished founding Director of the at its towering best. The work of many fine actors Seaborn, Broughton & Walford Foundation and a dear will inevitably fade into the mists of time but Billie cousin of Dr Rodney Seaborn, Peter was a generous Brown will shine on as true stars do. donor and great supporter of our Foundation and its activities. Despite bouts of ill health in recent years, The Sydney Theatre Awards were also held this Peter regularly attended functions with his wife month. Among the many winners were Belvoir’s Deirdre. He will be greatly missed. We extend our Medea for best Direction (Anne-Louise Sarks) Best deepest sympathies to Deirdre, and to Peter’s brother, Actress (Blazey Best) Best New Australian Work, Philip, and family.
    [Show full text]
  • Media Kit the World's Favourite Musical Returns
    MEDIA KIT THE WORLD’S FAVOURITE MUSICAL RETURNS TO AUSTRALIA The world’s favourite musical has returned to Australia. The London Palladium production of The Wizard of Oz had its Australian Premiere in Brisbane at the Lyric Theatre, QPAC on 4 November 2017. It will play at the Capitol Theatre, Sydney from 30 December, the Festival Theatre, Adelaide from 3 April, and the Regent Theatre, Melbourne, from 15 May. Australia’s leading musical theatre star Anthony Warlow plays The Wizard and Professor Marvel, while Lucy Durack plays Glinda the Good Witch, and Jemma Rix is The Wicked Witch of the West. Rising star Samantha Dodemaide breaks out of the chorus to wear the ruby slippers of Dorothy Gale. Eli Cooper plays the role of the Scarecrow, Alex Rathgeber is the Tin Man, and John Xintavelonis plays the Lion. The ensemble cast includes Paul Hanlon as Uncle Henry and Sophie Weiss as Auntie Em, alongside Justin Anderson, Sheridan Anderson, Lewis Beer, Shay Debney, Sage Douglas, Mikey Halcrow, Zoe Ioannou, Bree Langridge, Rubin Matters, Scott Morris, Justine Puy, Michael Roache, Mitchell Roberts, Emma Russell, Dean Schulz, Darren Tyler, Caleb Vines, Stephanie Wall and Rachael Ward. “With Anthony Warlow, Lucy Durack and Jemma Rix starring, and the extraordinary Samantha Dodemaide in her breakout role as Dorothy, we have a matchless leading cast. I can’t wait to hear Samantha sing one of the most-beloved songs of all time, Over The Rainbow,” said producer John Frost. “This beautiful, sumptuous production was a huge hit in London, and audiences enjoyed revisiting the classic story that’s universally loved.” “I’m thrilled that Lucy and Jemma will reunite to play the roles that shot them to stardom in Wicked in this new Australian tour of The Wizard of Oz.
    [Show full text]
  • JAFFAS DOWN the AISLES a Survey of Cinemas in Country Victoria
    JAFFAS DOWN THE AISLES A Survey of Cinemas in Country Victoria For Heritage Victoria, June 2008 Heritage Matters Pty. Ltd. Architecture Planning Horticulture & Arboriculture P.O. BOX 261 Port Fairy Victoria Australia 3284 ABN: 48 007 179 437 ACN: 007 179 437 Tel: 03 5568 2623 Fax: 03 5568 2723 Mob: 0419 353 195 & 0409 136 816 Table of Contents 1. Executive Summary 2 2. Brief 2 3. Limitations of Study 2 4. The Study Team 3 5. Acknowledgements 3 6. Definitions 3 7. Method 3 8. Cinema distribution across Victoria 6 9. Outline History 6 The Beginning of Cinema 6 The ‘Explosion’ of Cinema 7 The Development of Cinema 8 Effect of Television from 1956 10 Proprietors, Chains, Distributors and Exhibitors 11 Intangible Heritage 12 Architecture 14 Building Types 17 Individual Architects and Firms 18 Builders 19 Equipment & Furnishings 19 10. Conclusions 20 Most serious Losses 20 Overall Findings 20 11. Recommendations 21 12. References 23 Appendix A — The Brief Appendix B — List of Identified Places Appendix C — Hermes datasheets for Places of State Significance Survey of Country Cinemas in Victoria Report 1. Executive Summary In June 2007, Heritage Matters Pty Ltd was commissioned by Heritage Victoria to undertake a survey of cinemas, in the past, more often called picture theatres in rural Victoria. The study was to build on existing research, including a survey of metropolitan cinemas undertaken several years before by Daniel Catrice in association with the National Trust of Australia (Vic), various regional heritage studies and nominations held by Heritage Victoria for places to be added to the Victorian Heritage Register.
    [Show full text]