UCLA Electronic Theses and Dissertations
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The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966
UNIVERSITY OF CALIFORNIA Los Angeles “All The Women Are Meeting:” The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Yatta Winnie Kiazolu 2020 © Copyright by Yatta Winnie Kiazolu 2020 ABSTRACT OF THE DISSERTATION “All The Women Are Meeting:” The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966 by Yatta Kiazolu Doctor of Philosophy in History University of California, Los Angeles, 2020 Professor Brenda Stevenson, Chair In the postwar period, the National Council of Negro Women (NCNW), the largest African American women’s organization in the United States, positioned themselves as representatives of Black women’s interests on the world stage. Previous studies of founder Mary McLeod Bethune’s internationalism has highlighted her prominent role in this arena primarily through the United Nations, as well as the ways NCNW carried this legacy through their efforts to build relationships with women across the diaspora. But beyond highlighting their activism and the connections they made, the substance and meaning of these relationships as the Cold War and African independence introduced new political terrain has been underexplored. Africa’s prominence on the world stage by the late 1950s reinvigorated the need for Black diaspora activists to strengthen their relationships on the continent. Toward this end, NCNW leaders such Dorothy Ferebee, Vivian Mason, Dorothy Height forged connections with their counterparts across the Atlantic. African women such as Ghana’s Mabel Dove and Evelyn ii Amarteifio, Tanzania’s Lucy Lameck, among numerous others played critical roles within their respective independence movements. -
Women Visibility, Visuality and Gender Roles in Historical Perspectives in Africa
International Journal of Scientific Engineering and Research (IJSER) ISSN (Online): 2347-3878 Index Copernicus Value (2015): 56.67 | Impact Factor (2017): 5.156 Historicizing Gender and Images: Women Visibility, Visuality and Gender Roles in Historical Perspectives in Africa Alhassan Salifu [email protected] Abstract: The anti-colonial narratives in Africa tend to overshadow the contributions of the womenfolk. This paper takes a different approach to the history of the struggle against colonialism in Africa. The narratives from parts of the continent is replete with several roles played by women ranging from offering financial and moral support to freedom fighters, to taking part in the war front and also risking their lives to resupply and even hide freedom fighters from the colonial authorities seeking to arrest them. For these roles, those among them who were captured suffered the same fate as their male counterparts. After the attainment of independence however, the women were relegated to the background, with most of them winding into oblivion. The gendered roles of women which enabled them to part-take in the struggle to overthrow colonial rule in Africa need to be told. Keywords: Oblivion, matrilineage, regent and amazons 1. Introduction Lewis (2007)3 has it that women had ruled Kenya‟s Kikuyu matrilineal society for generations. The women In everyday parlance, the word gender refers to an thus have a place of reverence in Kikuyu oral history of individual‟s sex- i.e.; male or female. In this study, the their origins. Division of labour in Africa was based on sex term gender refers to the social concept regarding the role and age, with tasks of the woman mostly confined around of males and females in society. -
Rewriting Women Into Ghanaian History 1950-1966
University of Ghana http://ugspace.ug.edu.gh REWRITING WOMEN INTO GHANAIAN HISTORY 1950-1966 By ADWOA KWAKYEWAA OPONG 10170453 THIS THESIS IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON IN PARTIAL FULFILMENT OF THE REQUIREMENT FOR THE AWARD OF MPHIL HISTORY DEGREE. SEPTEMBER 2012 1 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Adwoa Kwakyewaa Opong, do hereby declare that except for reference to other people’s work which have been duly acknowledged, this work is the result of my own original research and that this has neither in whole nor partly been presented for another degree elsewhere. Adwoa Kwakyewaa Opong …………..................... Student Date ………………… Professor Irene K. Odotei ………………………...... Supervisor Date ………………… Professor Akosua Perbi ……………………………. Supervisor Date ………………… 2 University of Ghana http://ugspace.ug.edu.gh DEDICATION To my family and loved ones, especially my parents, Mr. and Mrs. Opong. 3 University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENT This thesis would not have been successful without the help and support of numerous people. I am indebted to my supervisors, Professors Irene K. Odotei and Akosua Perbi. I particularly appreciate the assistance of Professor Irene Odotei not only for her guidance and generosity throughout the research period but also for teaching me the essence of self discipline in graduate studies. Her time and patience are very much appreciated. My sincere gratitude also goes to the faculty, staff and all colleagues of the History department for nurturing and encouraging me throughout the research period. To Dr. D.E.K. Baku, Dr. Laura McGough and Professor Addo-Fening, I say thank you for helping in the shaping of my ideas and sharpening the focus of the research. -
Food and Nationalism in an Independent Ghana
Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 8-11-2015 Food and Nationalism in an Independent Ghana Brandi Miller Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Miller, Brandi, "Food and Nationalism in an Independent Ghana." Thesis, Georgia State University, 2015. https://scholarworks.gsu.edu/history_theses/93 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. FOOD AND NATIONALISM IN AN INDEPENDENT GHANA by BRANDI SIMPSON MILLER Under the Direction of Harcourt Fuller, PhD ABSTRACT In 1957 Ghana became the first nation in Sub-Saharan Africa to achieve independence from a European colonial power. During this time Kwame Nkrumah’s government concerned itself with the creation of a national identity that would speak to the new African Personality and Nkrumah’s Pan-African goals. In Nkrumah’s national project, regional cultural and economic contributions were at times subsumed. The absence of an identifiable national cuisine is a lens into ethnic conflict generated in part by the crafting of the national identity. I argue that in general the absence of a national cuisine represents the strength of the desire to maintain regional cultural boundaries in Ghana. Additionally, the structural challenges that Ghana faces, and apprehension surrounding its colonial legacy, impede the development of a national cuisine. INDEX WORDS: Cuisine, Ghana, Nationalism, Food ways, Globalization, Identity, Colonialism NATIONAL CUISINE IN AN INDEPENDENT GHANA by BRANDI SIMPSON MILLER A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the College of Arts and Sciences Georgia State University 2015 Copyright by Brandi D. -
West Africa's First Coup: Skinner, Kate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal West Africa's First Coup: Skinner, Kate Document Version Peer reviewed version Citation for published version (Harvard): Skinner, K 2019, 'West Africa's First Coup: neo-colonial and pan-African projects in Togo's "shadow archives"' African Studies Review. Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 28/05/2019 This is the accepted manuscript for a forthcoming publication in African Studies Review. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive. -
University of Birmingham West Africa's First Coup
University of Birmingham West Africa's first coup Skinner, Kate DOI: 10.1017/asr.2019.39 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Skinner, K 2019, 'West Africa's first coup: neo-colonial and pan-African projects in Togo's "shadow archives"', African Studies Review, vol. 63, no. 2, pp. 375-398. https://doi.org/10.1017/asr.2019.39 Link to publication on Research at Birmingham portal Publisher Rights Statement: This article has been published in a revised form in African Studies Review DOI: https://doi.org/10.1017/asr.2019.39. This version is free to view and download for private research and study only. Not for re- distribution, re-sale or use in derivative works. © African Studies Association 2019 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "All The Women Are Meeting:" The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966 Permalink https://escholarship.org/uc/item/18w326rh Author Kiazolu, Yatta Publication Date 2020 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “All The Women Are Meeting:” The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Yatta Winnie Kiazolu 2020 © Copyright by Yatta Winnie Kiazolu 2020 ABSTRACT OF THE DISSERTATION “All The Women Are Meeting:” The National Council of Negro Women, Emerging Africa, and Transnational Solidarity, 1935-1966 by Yatta Kiazolu Doctor of Philosophy in History University of California, Los Angeles, 2020 Professor Brenda Stevenson, Chair In the postwar period, the National Council of Negro Women (NCNW), the largest African American women’s organization in the United States, positioned themselves as representatives of Black women’s interests on the world stage. Previous studies of founder Mary McLeod Bethune’s internationalism has highlighted her prominent role in this arena primarily through the United Nations, as well as the ways NCNW carried this legacy through their efforts to build relationships with women across the diaspora. But beyond highlighting their activism and the connections they made, the substance and meaning of these relationships as the Cold War and African independence introduced new political terrain has been underexplored. Africa’s prominence on the world stage by the late 1950s reinvigorated the need for Black diaspora activists to strengthen their relationships on the continent. -
Youth and Popular Politics in Ghana, C. 1900-1979
"And still the Youth are coming": Youth and popular politics in Ghana, c. 1900-1979 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Asiedu-Acquah, Emmanuel. 2015. "And still the Youth are coming": Youth and popular politics in Ghana, c. 1900-1979. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467195 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “And still the Youth are coming”: Youth and popular politics in Ghana, c. 1900-1979 A dissertation presented by Emmanuel Asiedu-Acquah to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts May 2015 © 2015 Emmanuel Asiedu-Acquah All rights reserved. Dissertation Advisor: Professor Emmanuel Akyeampong Emmanuel Asiedu-Acquah “And still the Youth are coming”: Youth and popular politics in Ghana, c. 1900- 1979 Abstract This dissertation explores the significance of the youth in the popular politics of 20th- century Ghana. Based on two and half years of archival and field research in Ghana and Britain, the dissertation investigates the political agency of the youth, especially in the domains of youth associations, student politics, and popular culture. It also examines the structural factors in the colonial and postcolonial periods that shaped youth political engagement, and how youth worked within and without these structural frames to shape popular politics. -
The Disappearing of Hannah Kudjoe Nationalism, Feminism, and the Tyrannies of History
2009 The Disappearing of Hannah Kudjoe Nationalism, Feminism, and the Tyrannies of History Jean Allman Hannah Kudjoe was Ghana’s leading woman nationalist in the struggle for independence from British colonial rule in the 1940s and 1950s. As Ghana celebrated a half century of independence in 2007 and the heroes of that struggle were publicly honored by street naming ceremonies, the unveiling of statues, and historical reenactments, Hannah Kudjoe’s name was nowhere to be found. Who was Hannah Kudjoe and how could such a high-profile, formidable, and well-connected nationalist leader be forgotten so quickly? Employing an agnotological approach to women’s history that interrogates the construction of ignorance and sanctioned forgetting, this article traces the processes by which Hannah Kudjoe “got disappeared,” and the ways in which feminist and nationalist histories have conspired in her disappearing. n 6 March 2007, the West African nation of Ghana, with all due pomp and circumstance, celebrated the fiftieth anniversary of its indepen- denceO from British colonial rule, achieved under the leadership of Dr. Kwame Nkrumah and the Convention People’s Party (CPP). The govern- ment’s Ghana@50 secretariat orchestrated an extraordinary schedule of events around the theme “Championing African Excellence,” as Ghanaian jubilants, visitors, and dignitaries were treated to music festivals, parades, fashion shows, beauty pageants, fireworks, and historical reenactments.1 The so-called “Big Six”—Kwame Nkrumah, William Ofori-Atta, J. B. Danquah, Ako Adjei, Obetsebi Lamptey, and Edward Akufo Addo—long heralded as galvanizing the masses in the postwar struggle against British imperialism because of their arrest in the wake of the 1948 riots, won pride of place in the Ghana@50 commemorations, as statues were unveiled and streets and roundabouts renamed in their honor.2 Yet nowhere among those commemo- rated was the name of a single woman. -
University of Florida Thesis Or Dissertation Formatting
WE HAVE ALWAYS BEEN FASHIONABLE: EMBODYING COSMOPOLITANSIM AND NATIONALISM THROUGH FASHION IN ACCRA, GHANA By CHRISTOPHER RICHARDS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2014 1 © 2014 Christopher Richards 2 To my Grandfather, who always believed I could accomplish anything. Now that the dissertation is finished, who knows what’s next…maybe the Oval Office? 3 ACKNOWLEDGMENTS It would be impossible to acknowledge every individual that helped shaped this dissertation, so please know that if you contributed to this project in any way, I am appreciative for what you’ve done. First and foremost, I owe my deepest gratitude to the Ghanaian fashion designers who participated in my research: Aisha Obuobi, Ajepomaa Mensah, Aya Morrison, Brigitte Merki, Kabutey Dzietror, Sumaya Mohammad, Nelly Aboagye, Beatrice Arthur, Ben Nonterah, Kofi Ansah, Joyce Ababio, Mawuli Okudzeto, Titi Ademola, and Adoley Addo. They welcomed me into their studios, boutiques, and personal lives, ensuring that I was properly integrated in Accra’s vibrant fashion community. Their willingness to continually answer my questions and their candidness regarding Accra’s fashion culture allowed me to expand my research in unexpected directions, creating a more nuanced and comprehensive dissertation. Designers Ben Nonterah and Beatrice Arthur deserve special thanks for being my unofficial “protectors” in Accra. When I found myself in troubling situations (which only happened twice), Nonterah and Arthur came to my rescue. The personal assistants and shop managers of the aforementioned designers were equally instrumental in my research. -
Kwame Nkrumah and Ali Mazrui: an Analysis of the 1967 Transition Debate
Kwame Nkrumah and Ali Mazrui: An Analysis of the 1967 Transition Debate by Michael O. West, Ph.D. [email protected] Professor, Sociology, Africana Studies, History Binghamton University State University of New York, Binghamton, NY Abstract Kwame Nkrumah was the single most consequential figure of African descent in the global movement for decolonization in the middle decades of the twentieth century as well as one of the most noted pan- Africanists of all time. Ali Mazrui was one of the most famous intellectuals of African descent of the twentieth century. Nkrumah lost state power in Ghana in 1966, at the very moment that Mazrui began to emerge as a scholar. The two were joined discursively in a (in)famous article that Mazrui wrote on Nkrumah’s fall. Entitled “Nkrumah: The Leninist Czar,” this article became the source of major controversy in Black intellectual and political circles worldwide. The article also provided the foundation for a decades-long engagement of Nkrumah’s ideas by Mazrui, during the course of which the latter came to a much greater intellectual appreciation of the former. More broadly, the controversy set in train by Mazrui’s article was one of the outstanding pan-African debates of the postcolonial era. -0-0- Kwame Nkrumah was the single most consequential figure of African descent in the global movement for decolonization, which swept colonialism from the greater part of Asia and Africa after World War II. Nkrumah began his career as an anticolonial agitator in the British colony of the Gold Coast in 1947. Exactly a decade later, in 1957, the colony attained sovereign nationhood under the leadership of his Convention People’s Party, the most storied anticolonial movement in Africa.