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CATALOGUE WELCOME to NAXOS JAZZ LEGENDS and NAXOS NOSTALGIA, Twin Compendiums Presenting the Best in Vintage Popular Music
NAXOS JAZZ LEGENDS/NOSTALGIA CATALOGUE WELCOME TO NAXOS JAZZ LEGENDS AND NAXOS NOSTALGIA, twin compendiums presenting the best in vintage popular music. Following in the footsteps of Naxos Historical, with its wealth of classical recordings from the golden age of the gramophone, these two upbeat labels put the stars of yesteryear back into the spotlight through glorious new restorations that capture their true essence as never before. NAXOS JAZZ LEGENDS documents the most vibrant period in the history of jazz, from the swinging ’20s to the innovative ’40s. Boasting a formidable roster of artists who forever changed the face of jazz, Naxos Jazz Legends focuses on the true giants of jazz, from the fathers of the early styles, to the queens of jazz vocalists and the great innovators of the 1940s and 1950s. NAXOS NOSTALGIA presents a similarly stunning line-up of all-time greats from the golden age of popular entertainment. Featuring the biggest stars of stage and screen performing some of the best- loved hits from the first half of the 20th century, this is a real treasure trove for fans to explore. RESTORING THE STARS OF THE PAST TO THEIR FORMER GLORY, by transforming old 78 rpm recordings into bright-sounding CDs, is an intricate task performed for Naxos by leading specialist producer-engineers using state-of-the-art-equipment. With vast personal collections at their disposal, as well as access to private and institutional libraries, they ensure that only the best available resources are used. The records are first cleaned using special equipment, carefully centred on a heavy-duty turntable, checked for the correct playing speed (often not 78 rpm), then played with the appropriate size of precision stylus. -
RNN-Based Generation of Polyphonic Music and Jazz Improvisation
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2018 RNN-Based Generation of Polyphonic Music and Jazz Improvisation Andrew Hannum University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Artificial Intelligence and Robotics Commons, and the Music Pedagogy Commons Recommended Citation Hannum, Andrew, "RNN-Based Generation of Polyphonic Music and Jazz Improvisation" (2018). Electronic Theses and Dissertations. 1532. https://digitalcommons.du.edu/etd/1532 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. RNN-based generation of polyphonic music and jazz improvisation A Thesis Presented to the Faculty of the Daniel Felix Ritchie School of Engineering and Computer Science In Partial Fulfillment of the Requirements for the Degree Master of Science by Andrew Hannum November 2018 Advisor: Mario A. Lopez c Copyright by Andrew Hannum 2018 All Rights Reserved Author: Andrew Hannum Title: RNN-based generation of polyphonic music and jazz improvisation Advisor: Mario A. Lopez Degree Date: November 2018 Abstract This paper presents techniques developed for algorithmic composition of both polyphonic music, and of simulated jazz improvisation, using multiple novel data sources and the character-based recurrent neural network architecture char- rnn. In addition, techniques and tooling are presented aimed at using the results of the algorithmic composition to create exercises for musical pedagogy. -
Django Reinhardt
Data » Personalities » Django Reinhardt http://romani.uni-graz.at/rombase Django Reinhardt Peter Wagner Today is the 1st of November, 1928, All Saint’s Day, late in the evening. The Reinhardt family shares this holiday with the souls of the deceased, particularly with a young one, only lately deceased, for whom the caravan has been decorated with artificial flowers. Young Django Reinhardt is returning from a concert, most probably preoccupied by an offer by Jack Holton, the English master of symphonic jazz, to move to him to England and play in his orchestra. Fate, however, had decreed otherwise. He lights the candles, and with them the flowers, and immediately the whole caravan catches fire; the family is glad to escape with their lives. For the young, promising musician, this incident is a catastrophe. His left leg is badly burnt, it will later have to be operated on, but what is worse, two fingers of his left hand remain unable to function, which is to lose the basis of existence for a goldsmith or a musician. But not Django Reinhardt. A fanatic love of music had already rooted in him, and a present – a guitar which should support his therapy – makes it break out. Notwithstanding his handicap, an inner need to express himself via music makes him return in all his virtuosity within one and a half years, equipped with additional, original means of expression. His new technique arouses amazement and curiosity with a whole generation of guitarists and musical researchers. It is difficult to judge the role of his handicap in this still significant– mainly among the Roma – school. -
Bienvenue Juillet 2018.Indd
AGENDA Juillet 2018 Édité par la Direction du Tourisme et des Congrès SOMMAIRE CONTENTS PLAN PAR QUARTIERS | MAP OF NEIGHBOURHOODS | MAPPA PER QUARTIERI 2 SOMMARIO MENSUEL ÉDITÉ PAR AGENDA > MANIFESTATIONS | DIARY > EVENTS | AGENDA > MANIFESTAZIONI 12 MONTHLY PUBLICATION BY MENSILE EDITO DA | | Direction du Tourisme AGENDA > EXPOSITIONS DIARY > EXHIBITIONS AGENDA > MOSTRE 46 et des Congrès de la Principauté de Monaco INFORMATIONS UTILES | USEFUL INFORMATION | INFORMAZIONI UTILI 48 Athos Palace 2, rue de la Lüjerneta 98030 Monaco Cedex T. +377 92 16 61 16 www.visitmonaco.com [email protected] Dépôt légal : juillet 2018 RÉGIE PUBLICITAIRE ADVERTISING AGENCY REGIA PUBBLICITARIA Les Gémeaux 15, rue Honoré Labande 98000 Monaco T. +377 97 70 75 95 www.monaco-communication.mc [email protected] IMPRIMÉ PAR PRINTED BY STAMPATO DA Graphic Service Monaco NOTA BENE Le contenu informatif est susceptible de modifications. Retrouvez le programme des manifestations sur : www.visitmonaco.com This information is subject to change. Consult the programme of events at: www.visitmonaco.com Il contenuto informativo è suscettibile di modifiche. Ritrovate il programma delle manifestazioni su: www.visitmonaco.com Photo de couverture :Fotolia PLAN DE LA MAP OF THE MAPPA DEL PRINCIPAUTÉ PRINCIPALITY PRINCIPATO 2 Voir pages suivantes See next pages Vedere pagine seguenti Lieux de spectacles | Event locations s Monaco Le Grand Tour Luoghi di spettacolo (Arrêts du Bus panoramique) > p. 4-8 d H1 Monte-Carlo Golf Club a D3 Académie de Musique Prince Rainier III (La Turbie, Mont-Agel, alt. 810 m) > p. 8 de Monaco > p. 4 f D5 Musée Océanographique et Aquarium > p. 4 z G3 Auditorium Rainier III > p. -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
French Stewardship of Jazz: the Case of France Musique and France Culture
ABSTRACT Title: FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE Roscoe Seldon Suddarth, Master of Arts, 2008 Directed By: Richard G. King, Associate Professor, Musicology, School of Music The French treat jazz as “high art,” as their state radio stations France Musique and France Culture demonstrate. Jazz came to France in World War I with the US army, and became fashionable in the 1920s—treated as exotic African- American folklore. However, when France developed its own jazz players, notably Django Reinhardt and Stéphane Grappelli, jazz became accepted as a universal art. Two well-born Frenchmen, Hugues Panassié and Charles Delaunay, embraced jazz and propagated it through the Hot Club de France. After World War II, several highly educated commentators insured that jazz was taken seriously. French radio jazz gradually acquired the support of the French government. This thesis describes the major jazz programs of France Musique and France Culture, particularly the daily programs of Alain Gerber and Arnaud Merlin, and demonstrates how these programs display connoisseurship, erudition, thoroughness, critical insight, and dedication. France takes its “stewardship” of jazz seriously. FRENCH STEWARDSHIP OF JAZZ: THE CASE OF FRANCE MUSIQUE AND FRANCE CULTURE By Roscoe Seldon Suddarth Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2008 Advisory Committee: Associate Professor Richard King, Musicology Division, Chair Professor Robert Gibson, Director of the School of Music Professor Christopher Vadala, Director, Jazz Studies Program © Copyright by Roscoe Seldon Suddarth 2008 Foreword This thesis is the result of many years of listening to the jazz broadcasts of France Musique, the French national classical music station, and, to a lesser extent, France Culture, the national station for literary, historical, and artistic programs. -
Black North American and Caribbean Music in European Metropolises a Transnational Perspective of Paris and London Music Scenes (1920S-1950S)
Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s-1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 15 April 2019 European University Institute Department of History and Civilization Black North American and Caribbean Music in European Metropolises A Transnational Perspective of Paris and London Music Scenes (1920s- 1950s) Veronica Chincoli Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Professor Stéphane Van Damme, European University Institute Professor Laura Downs, European University Institute Professor Catherine Tackley, University of Liverpool Professor Pap Ndiaye, SciencesPo © Veronica Chincoli, 2019 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Researcher declaration to accompany the submission of written work Department of History and Civilization - Doctoral Programme I Veronica Chincoli certify that I am the author of the work “Black North American and Caribbean Music in European Metropolises: A Transnatioanl Perspective of Paris and London Music Scenes (1920s-1950s). I have presented for examination for the Ph.D. at the European University Institute. I also certify that this is solely my own original work, other than where I have clearly indicated, in this declaration and in the thesis, that it is the work of others. I warrant that I have obtained all the permissions required for using any material from other copyrighted publications. I certify that this work complies with the Code of Ethics in Academic Research issued by the European University Institute (IUE 332/2/10 (CA 297). -
Note Sulla Rappresentazione Musicale E Audiovisiva Di Marsiglia
04,2 I 2019 Archiv für Textmusikforschung Tra crimine e nostalgia: note sulla rappresentazione musicale e audiovisiva di Marsiglia Dario MARTINELLI (Kaunas)1 Summary Browsing through films and TV series located in Marseille, we notice how this city is often provided with recurrent topoi : the charming and nostalgic frontier/harbour city where an (often multi-ethnic) commu- nity of gangsters, sailors, adventurers and prostitutes comes and goes and engages in usually illegal activi- ties. Based on a sample of ca. 120 audiovisual texts, this article aims at emphasizing the consistency of significations conveyed by both visual and musical representations of the city of Marseille. As a case-study, the focus shall be the filmBorsalino , possibly the perfect synthesis of the above-mentioned topoi both on a visual-narrative and a musical level. Introduzione Geografia, storia, economia, performance, stile e retorica sono le sei principali contestualiz- zazioni del concetto di ‘autenticità’ che ho avuto modo di proporre in saggi come Martinelli 2010, 11-50 e 2016, 89-128. L’autenticazione di una data entità, ovvero, quel particolare processo che (a ragione o meno) ne assegna uno stato di autenticità combinando e sistema- tizzando caratteristiche e valori in maniera relativamente coerente (in altre parole: ideologiz- zando quell’entità), diventa particolarmente interessante quando quella entità è una città. Primo perché si tratta di un processo che coinvolge tutte e sei le contestualizzazioni, non solo quella geografica (che tuttavia, e ovviamente, rimane in primo piano), creando una ricca rete di relazioni tra i vari fattori coinvolti; secondo, perché i risultati di questo processo tendo- no a formare un gruppo di topoi culturali e mitici che spesso costituiscono la vera essenza dell’immagine pubblica e del soft power di quella città. -
Le Jazz Et Nice : Une Histoire De " Feeling "…
Le jazz et Nice : une histoire de " feeling "… Le jazz et Nice : une histoire de " feeling "… Prémices du jazz à Nice Dans les années 1920, la musique afro-américaine se répand à Paris sous la forme d’une musique de danse aux rythmes nouveaux et vivants qui séduisent la population meurtrie par la première guerre mondiale. En outre, dans les villes littorales des Alpes Maritimes, notamment à Nice, elle trouve, avec l’essor du tourisme autour de ces mêmes années, des facteurs favorables à son succès dans les lieux de divertissements et de spectacles. Le jazz, à Nice, préservera toujours des espaces permettant l’expression de ce caractère festif. L’effervescence musicale de la zone côtière méditerranéenne attire les musiciens des Etats-Unis mais aussi des autres régions françaises et favorise l’émergence d’une pépinière de musiciens locaux qui reste foisonnante jusqu’à nos jours. Le Negresco, le Savoy, le Ruhl et bien d’autres palaces au noms prestigieux, ainsi que les casinos, contribuent à la diffusion de la nouvelle musique. Parmi ces derniers, le Palais de la Méditerranée, œuvre de l’architecte Dalmas inaugurée en 1929, dont la façade monumentale de style " art déco " est encore visible aujourd’hui. Elle s’ouvrait sur une superbe salle de spectacle d’une capacité d’accueil de huit cents places où se produisaient les musiciens. Une profusion de cabarets et de dancings moins luxueux mais dont la part est tout aussi importante, draine une population noctambule vers la musique venue d’outre Atlantique. La prestation du jeune Louis Armstrong au Casino Municipal de Nice en 1935 révèle l’élaboration d’un style qui dorénavant attribue au soliste et à l’improvisation une part grandissante. -
Ac-Cent-Tchu-Ate the Positive Achin Hearted Blues After Youve Gone
Ac-cent-tchu-ate The Positive Baltimore Bluesette Achin Hearted Blues Barbados Bluesology After Youve Gone Basin Street Blues Bluin The Blues Afternoon In Paris Battle Hymn Of The Republic Body And Soul Again Baubles Bangles And Beads Bohemia After Dark Aggravatin Papa Be My Love Bouncing With Bud Ah-leu-cha Beale Street Blues Bourbon Street Parade Aint Cha Glad Beale Street Mama Breeze And J Aint Misbehavin Beau Koo Jack Breezin Along With The Breeze Aint She Sweet Beautiful Love Broadway Air Mail Special BeBop Brother Can You Spare A Dime Airegin Because Of You Brown Sugar Alabama Jubilee Begin The Beguine Buddy Boldens Blues Alabamy Bound Bei Mir Bist Du Schoen Buddys Habits Alexanders Ragtime Band Believe It Beloved Budo Alice Blue Gown Bemsha Swing Bugle Boy March All Alone Bernies Tune Bugle Call Rag All Gods Chillun Got Rhythm Besame Mucho But Beautiful All I Do Is Dream Of You Besie Couldnt Help It But Not For Me All My Life Best Things In Life Are Free Button Up Your Overcoat All Of Me Between The Devil And The Deep Buzzy All Of You Blue Sea By The Beautiful Sea All Or Nothing At All Bewitched By The Light Of The Silvery Moon All That Meat And No Potatoes Beyond The Blue Horizon By The River Sainte Marie All The Things You Are Biden’ My Time By The Waters Of Minnetonka All Through The Night Big Butter And Egg Man Bye And Bye All Too Soon Big Noise From Winnetka Bye Bye Blackbird Alligator Crawl Bill Bailey Bye Bye Blues Almost Like Being In Love Billie Boy C Jam Blues Alone Billies Bounce Cakewalking Babies From Home Alone Together -
Ten Who Died in 2012 See Page 7 2 City Pulse • December 26, 2012
FREE a newspaper for the rest of us www.lansingcitypulse.com Dec. 26, 2012-Jan. 1, 2013 The poet the rapper the businessman the farmer the scientist the maid the waitress the actress two teachers World War II and five million cups of coffee Ten who died in 2012 See page 7 2 www.lansingcitypulse.com City Pulse • December 26, 2012 CAPITAL AREA DISTRICT LIBRARIES LOVE THY NEIGHBOR This holiday season, buy THY the tablet or eReader… Gay | Straight | Atheist | Jew Muslim | Christian | Homeless get the books free! Rich | Democrat | Republican Use your CADL card to download Black | White | Brown our eBooks and eAudiobooks. Male | Female | Trans NEIGHBOR • Compatible with Kindle, Nook, iPad and many other devices WE’RE WILLING TO GIVE IT A TRY • Available 24/7 • Never overdue 125 S. Pennsylvania Ave. Worship Service Pilgrim Congregational Sunday 10AM We’ll even throw in free, United Church of Christ (517) 484-7434 Lansing MI personalized help to get www.PilgrimUCC.com you started! Visit cadl.org/download 20% OFF for details. your entire PURCHASE SU CASA EXPIRES 12/31/2012 SOME EXCLUSIONS APPLY MUST PRESENT BOUTIQUE COUPON WITH PURCHASE FAMILY OWNED & OPERATED SINCE 1974 Hosted by SHOP LOCAL! Berl Schwartz NOW OPEN SUNDAYS NOON TO 5:00P.M. THROUGH CHRISTMAS! Newsmakers PART II Over 38 years serving Lansing & still smokin’! Lansing’s oldest & most unique boutique. 517.487.9090 • 1041 N. Cedar • Lansing, MI • www.sucasajewelers.com TIM BARRON EVERY WEEKDAY MORNING 6AM-9AM Ari Adler Spokesman for Republican Speaker of the House Jase Bolger Lynn Martinez Former Democratic state representative Walt Sorg City Pulse contributor Susan Demas Senate reporter, MIRS Comcast Ch. -
Enrico Crolla “Henri”
1 The GUITAR of ENRICO CROLLA “HENRI” Solographers: Christian Dangleterre & Jan Evensmo Last update: June 20, 2020 2 Born: Napoli (Naples), Italy, Feb. 26, 1920 Died: Paris, Oct. 17, 1960 Introduction: What Oslo Jazz Circle knew about French jazz when I grew up there can be summed up with one name: Django Reinhardt. It took my good friend and guitarist Jon Larsen, the motor and godfather behind the string swing rejuvenation in the 1980s, to point out that France had so much more to offer with regard to jazz guitar. Henri Crolla is a perfect example! History: Born to a family of itinerant Neapolitan musicians, he moved with his family to Porte de Choisy in France 1922 following the rise of fascism in Italy. One of his neighbours was a young Django Reinhardt, with whose family he became close. He died in Paris from lung cancer (ref. Wikipedia). 3 HENRI CROLLA SOLOGRAPHY JOSEPH REINHARDT ET SON ENSEMBLE Paris, April 1944 Claude Laurence alias Andre Hodeir (vln), Joseph Reinhardt solo (g), G.Milpat alias Henri Crolla (g), Marcel Fabre (b), Pierre Fouad (dm), Odette Pacou (vo). Two titles were recorded for French Decca, but no guitar soli by HC. LEO CHAULIAC TRIO Paris, July 2-4, 1946 Leo Chauliac (p), Henri Crolla (g), Emmanuel Soudieux (b). Gerard Levecque (cl), Pierre Fouad (dm) added on some titles. Fourteen titles were recorded for French Pacific 5000-5006, four have been available (5003-5004): 1544-2 Three Little Beans Solo 32 bars. (FM) 1545-2 Bouncing Boogie Woogie Solo 24 bars. (M) 1547-2 Margie Solo 32 bars.