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Punk : 40 Years & Not Dead Yet 40 Ans De No Future
MEDIATHEQUE DE SELESTAT 2, Espace Gilbert Estève 67604 SELESTAT Cedex Tél. 03.88.58.03.20 Fax 03.88.58.03.25 www.mediatheque-selestat.net Punk : 40 years & not dead yet 40 ans de No Future Discographie très sélective mais pas du tout objective ! SECTEUR MUSIQUE - Octobre 2017 Discographie consultable en ligne sur : www.mediatheque-selestat.net Définitions punk, adjectif invariable (anglais punk) Se dit d'un mouvement musical et culturel apparu en Grande-Bretagne vers 1975 et dont les adeptes affichent divers signes extérieurs de provocation (crâne rasé avec une seule bande de cheveux teints, chaînes, épingles de nourrice portées en pendentifs, etc.) afin de caricaturer la médiocrité de la société. (Larousse) punk, [poenk] nom et adjectif – 1973 ; mot angl. amér. « vaurien » ; pourri, délabré. Anglic. 1. N. m. Le punk : mouvement de contestation regroupant des jeunes qui affichent divers signes extérieurs de provocation (coiffure, vêtement) par dérision de l'ordre social. Adj. La musique punk. Les modes punk(s). 2. Un, une punk : adepte du punk. Les punks des années 80. On trouve parfois le fém. Punkette. (Le Petit Robert) Le punk, c'est avoir seize ans et dire non (Steve Severin, bassiste de Siouxsie & The Banshees) Le punk, c'est faire ce que l'on a envie de faire. C'est la liberté, la liberté totale, de ne pas être obligé de penser comme les autres, de vivre comme les autres. (Didier Wampas) Un peu d'histoire Le punk serait né à New-York dans les années 1974-1976 dans un petit club, le CBGB situé au 315 Bowery, à Manhattan. -
IN STILL ROOMS CONSTANTINE JONES the Operating System Print//Document
IN STILL ROOMS CONSTANTINE JONES the operating system print//document IN STILL ROOMS ISBN: 978-1-946031-86-0 Library of Congress Control Number: 2020933062 copyright © 2020 by Constantine Jones edited and designed by ELÆ [Lynne DeSilva-Johnson] is released under a Creative Commons CC-BY-NC-ND (Attribution, Non Commercial, No Derivatives) License: its reproduction is encouraged for those who otherwise could not aff ord its purchase in the case of academic, personal, and other creative usage from which no profi t will accrue. Complete rules and restrictions are available at: http://creativecommons.org/licenses/by-nc-nd/3.0/ For additional questions regarding reproduction, quotation, or to request a pdf for review contact [email protected] Th is text was set in avenir, minion pro, europa, and OCR standard. Books from Th e Operating System are distributed to the trade via Ingram, with additional production by Spencer Printing, in Honesdale, PA, in the USA. the operating system www.theoperatingsystem.org [email protected] IN STILL ROOMS for my mother & her mother & all the saints Aιωνία η mνήμη — “Eternal be their memory” Greek Orthodox hymn for the dead I N S I D E Dramatis Personae 13 OVERTURE Chorus 14 ACT I Heirloom 17 Chorus 73 Kairos 75 ACT II Mnemosynon 83 Chorus 110 Nostos 113 CODA Memory Eternal 121 * Gratitude Pages 137 Q&A—A Close-Quarters Epic 143 Bio 148 D R A M A T I S P E R S O N A E CHORUS of Southern ghosts in the house ELENI WARREN 35. Mother of twins Effie & Jr.; younger twin sister of Evan Warren EVAN WARREN 35. -
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MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in Remix, Tour, Remix, Tour on Wed: 09-13-06: 09:00 AM CDT | Permalink
Pitchfork: News#38521#38521#38521#38521#38521 Page 3 of 17 Girl Talk is on the road right now, with shows scheduled all the way through December. [MORE...] MP3: Girl Talk: Smash Your Head [Infinite Mixtape #22] Posted by Amy Phillips in remix, tour, remix, tour on Wed: 09-13-06: 09:00 AM CDT | Permalink Mission of Burma Documentary Coming to DVD Legendary Boston post-punks and Pitchfork Music Festival alums Mission of Burma have already proven their resurrected greatness, and now they will share the intimate details of their Lazarus story with the world. On November 21, MVD Visual will release Not a Photograph, a 70-minute documentary DVD about the band's 2002 reunion and the obstacles they had to overcome to make it the success it was and still is. Not a Photograph was directed by David Kleiler, Jr. and Jeff Iwanicki, and, in addition to the recent performances, it includes archival footage from the band's original incarnation, including a performance by the Moving Parts, bassist Clint Conley's and guitarist Roger Miller's first band together. And don't forget-- as previously reported, Miller will share his next Mission of Burma tour diary exclusively with Pitchfork. The tour begins this Friday, September 15, at Seattle's Crocodile Cafe. [MORE...] MP3: Mission of Burma: 2wice Posted by Dave Maher in dvd on Wed: 09-13-06: 07:00 AM CDT | Permalink The Pogues Get Expanded Reissue Treatment When the Pogues finished playing, you howled out for more. And, saints be praised, Rhino Records answered. Now grab a pint or two and get ready to curl up all over again with the Celtic folk-punk band's first five albums, like you've never quite heard them before. -
Dead Kennedys Too Drunk to Fuck Mp3, Flac, Wma
Dead Kennedys Too Drunk To Fuck mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Too Drunk To Fuck Country: UK Released: 1981 Style: Punk, Hardcore MP3 version RAR size: 1212 mb FLAC version RAR size: 1542 mb WMA version RAR size: 1728 mb Rating: 4.6 Votes: 986 Other Formats: DTS AU APE DMF MMF AA WAV Tracklist Hide Credits Too Drunk To Fuck A Written-By – Biafra* The Prey B Written-By – Biafra*, Pepperell* Companies, etc. Phonographic Copyright (p) – Cherry Red Records Ltd. Copyright (c) – Cherry Red Records Ltd. Distributed By – Pinnacle Printed By – GD Imprimerie Copyright (c) – Virgin Music (Publishing) Ltd. Pressed By – SNA Produced At – Alternative Tentacles Manufactured By – CPS Credits Artwork – James Wolf Lacquer Cut By – Porky Notes Sleeve: ℗ © 1981. Cherry Red Records Ltd. 53 Kensington Gardens SQ. London W2 4BA. Distributed by Pinnacle, Electron House, Cray Avenue, St. Mary's Cray, Orpington, Kent. Imprimé en France. GD Imprimérie Labels: An Alternative Tentacles Production. ℗ 1981 Cherry Red Records Ltd. © 1981 Virgin Music (Publishing) Ltd. Made in France. (Side B only!) Barcode and Other Identifiers Matrix / Runout (Runouts Side A): WHAT A SUCKER YOU MUST BE... ♫ [SNA stamped logo] 12 CHERRY 24 A¹ A PORKY PRIME CUT. Matrix / Runout (Runouts Side B): ...IF YOU BOUGHT THIS RECORD TWICE. ♫ [SNA stamped logo] 12 CHERRY 24 B¹ A PORKY PRIME CUT. Other versions Category Artist Title (Format) Label Category Country Year I.R.S. Records, Too Drunk To Fuck Virus 2 Dead Kennedys Alternative Virus 2 US 1981 (7", Single, 1st) -
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in Partial Fulfillment Of
“Whiskey in the Jar”: History and Transformation of a Classic Irish Song Masters Thesis Presented in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate School of The Ohio State University By Dana DeVlieger, B.A., M.A. Graduate Program in Music The Ohio State University 2016 Thesis Committee: Graeme M. Boone, Advisor Johanna Devaney Anna Gawboy Copyright by Dana Lauren DeVlieger 2016 Abstract “Whiskey in the Jar” is a traditional Irish song that is performed by musicians from many different musical genres. However, because there are influential recordings of the song performed in different styles, from folk to punk to metal, one begins to wonder what the role of the song’s Irish heritage is and whether or not it retains a sense of Irish identity in different iterations. The current project examines a corpus of 398 recordings of “Whiskey in the Jar” by artists from all over the world. By analyzing acoustic markers of Irishness, for example an Irish accent, as well as markers of other musical traditions, this study aims explores the different ways that the song has been performed and discusses the possible presence of an “Irish feel” on recordings that do not sound overtly Irish. ii Dedication Dedicated to my grandfather, Edward Blake, for instilling in our family a love of Irish music and a pride in our heritage iii Acknowledgments I would like to thank my advisor, Graeme Boone, for showing great and enthusiasm for this project and for offering advice and support throughout the process. I would also like to thank Johanna Devaney and Anna Gawboy for their valuable insight and ideas for future directions and ways to improve. -
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture
Obscene Gestures: Sexual Transgression and Late Twentieth-Century American Political Culture Patrick Scott Lawrence, PhD University of Connecticut, 2016 Tracing a cultural history from the 1970s to the 1990s, Obscene Gestures places popular and legal notions of obscenity in conversation with anti-consumerist and anti-capitalist resistance movements, women of color feminism, and LGBTQ activism. Since the 1973 Supreme Court ruling in Miller v. California, obscenity discourse has policed the shape of the nation by marking non-normative bodies as objectionable. The dissertation’s study of the cultural artifacts this discourse concerns opens by situating the history of literary obscenity alongside the key theories of sexuality, power, race, and knowledge. The first body chapter links the Miller ruling with 1970s-era neoconservative policies by considering some of the decade’s major novels, including Thomas Pynchon’s Gravity’s Rainbow (1973), revealing a home- front cultural politics that stymied dissent by classing as out of bounds many forms of political speech, including Huynh Cong Ut’s 1972 photo The Terror of War. Chapter Two builds upon the polarization this moment caused via an analysis of the feminist battles over pornography in the early 1980s. I juxtapose figures on both sides of this debate with works by women of color, such as Alice Walker’s The Color Purple (1983), that address the histories of embodiment that this debate tended to obscure. The occlusion of race in organizing around pornography parallels the role of possessive individualism in justifying racial wealth disparities during the Reagan administration, which the third chapter highlights. Working in the shadow of the 1986 Meese Commission report, this chapter interprets neoliberal economic policies as an enactment of racial indifference through the metaphors of sex and violence in The Bonfire of the Vanities (1987) and American Psycho (1990). -
Petitioners Rescue Poteat
. · · ' 1990 WfU Puhllcallons Board, All Roghts Reserved · · LD LDAND A&E Page 8 "COVERS mE CAMPUS UKE THE MAGNOLIAS." THuRsDAY, }ANUARY 18, 1996 .. U.· . mverstty Petitioners rescue Poteat lab Bv MArrnEw CoLEMAN but they are currently forced to Computer Center to find out what CoNTRIBliiiNG Rl;pQRTER work in one large area divided by was going on," she said. partitions. Also, one staff member After learning about the issue, ~losed by After student protest the Com works in a hallway. Belcher and senior Kim Magee, a puter Center reversed its decision "We desperately need some Poteat resident adviser also con to close Poteat House's computer place to put our staff, and Poteat cerned about the closing, posted a lab, which will remain open at least seemed to be the best place be petition to keep the lab open. Three blizz_ard for this semester. cause it's very close to Reynolda days later, they went to see Ken Bv DAN JoHNSON Last fall, the Computer .Center Hall," Dominick said. Zick, the vice president for student ComRIBUTINCi REPORrnR developed a need for more office The decision to close the lab was life and instructional resources. space after hiring additional per made with no student input, and "Basically my concern was that As students and teachers packed sonnel in accordance with the Plan computer users were notified of I wanted to voice the opinions of andplanned for the spring semester, for the Class of 2000. Jay the closing by a message that ap the residents of Poteat," Belcher Old Man Winter blanketed the East Dominick, the director ofinforma peared when they logged on. -
Venturing in the Slipstream
VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts. -
Electric-Rentbook-5.Pdf
England 2 Colombia 0 Electric Rentbook Issue 5 - September 2000 Winners 2 Discs I (each) 8 Ashville Terrace, Cross Hills, Keigh/ey, West Yorkshire, 8020 7LQ. Email: e/ectric.rentbook@talk2l .com Electric Rentman: Graham Scaife Contributors: Thomas Ovens Richard Ellis Ross McMichael Printers: Dixon Target, 21-25 Main Street, Cross Hills, Keighley, West Yorkshire BD20 STX. ongratulations to Steve Jones of Camborne in CCornwall and Jonathan Oak/ey from St. Acknowledgements: Neots in Cambridgeshire. Thank you to the following good They were the lucky winners of our competition to win a signed promo copy of England 2 Colombia O. people: Highly collectable, due to the fact that it isn't going Kirsty MacColI without whom to be released commercially. this fanzine would definitely not Thank you to all the people who entered the be possible. competition, once again a terrific response, and Lisa-Jane Musselbrook at Major don't despair if you weren't a winner this time Minor Management, for her because coming up in future issues of Electric Rentbook we'll have more chances to win Kirsty continued support and help above goodies. and beyond the call of duty. Pete Glenister for taking time out The answers to the questions are as follows:- to answer my questions . I. Kirsty's first single, which was successfully covered by Tracey Ullman was They Don't Know. Teletext on Channel 4 for the 2. A New England was a cover of Billy Bragg's reviews of all issues of ER thus far. song. David Hyde for continued use of 3. -
Psychobilly Psychosis and the Garage Disease in Athens
IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Psychobilly Psychosis and the Garage Disease in Athens Michael Tsangaris, University of Piraeus, Greece Konstantina Agrafioti, Aristotle University of Thessaloniki, Greece Abstract The complexity and the bizarre nature of Psychobilly as a music genre and as a music collectivity make it very convenient for reconsidering several views in relation to subcultures, neo-tribes and scenes. More specifically, the case of Greek Psychobilly can categorically present how subcultural trends can be disseminated across gender, social classes and national borders. This study aims to trace historically the scene of Psychobilly in Athens based on typical ethnographic research and analytic autoethnography. The research question is: Which are the necessary elements that can determine the existence of a local music scene? Supported by semi-structured interviews, the study examines how individuals related to the Psychobilly subculture comprehend what constitutes the Greek Psychobilly scene. Although it can be questionable whether there ever was a Psychobilly scene in Athens, there were always small circles in existence into which people drifted and stayed for quite a while, constituting the pure core of the Greek Psychobilly subculture. Keywords: psychobilly, music genres, Athens, Post-subcultural Theory 31 IAFOR Journal of Cultural Studies Volume 5 – Issue 1 – Spring 2020 Introduction According to the American Countercultures Encyclopaedia, Psychobilly is a subculture that emerged in the 1980s from the unlikely combination of rockabilly and punk rock. The provocative and sometimes outrageous style associated with psychobillies (also known as “psychos”) mixes the blue-collar rawness and rebellion of 1950s rockabilly with the confrontational do-it-yourself style of 1970s punk rock, a syncretism infused with themes from monster and horror films, campy sci-fi movies, and even professional wrestling” (Wojcik, 2013, p. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Crock of Gold: a Few Rounds with Shane Macgowan
MAGNOLIA PICTURES, HANWAY FILMS BBC MUSIC WARNER MUSIC ENTERTAINMENT INFINITUM NIHIL / NITRATE FILM JOHNNY DEPP PRESENTS IN ASSOCIATION WITH BBC MUSIC, WARNER MUSIC AND HANWAY FILMS With Participation of Screen Ireland A NITRATE FILM / INFINITUM NIHIL PRODUCTION CROCK OF GOLD: A FEW ROUNDS WITH SHANE MACGOWAN Directed by Julien Temple 124 minutes Official Selection 2020 San Sebastian International Film Festival – World Premiere FINAL PRESS NOTES Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: George Nicholis Steve Beeman Michael Lawson Rebecca Fisher Falco Ink [email protected] Magnolia Pictures 475 Park Avenue South (212) 924-6701 phone New York, NY 10016 [email protected] (212) 445-7100 phone [email protected] 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com Foreword If future generations look back at what it was truly like to be both human and alive in the late 20th century, they will be hard put to find a more powerful and enlightening testament than the songs of Shane McGowan. In a world where music has become increasingly sanitized and unable to venture beneath the surface clichés of human emotion, Shane’s songs stand out in ever greater relief. None has bared their soul like Shane McGowan. His unique ability to plumb the dark recesses of the human soul, while in the very same breath celebrating its capacity to find healing transcendence, in both love and the sublime mysteries of existence, goes a long way to making sense of who we actually are.