MITCH SEBASTIAN (Regie Und Choreografie)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Director/Choreographer Stadium
BRYN WALTERS Email: [email protected] UK Cell: + 44 7768 684447 Skype: brynwalters Address: 212a Tressillian Road, London, UK SE4 1XY director/choreographer stadium Juventus Stadium Inaugural Ceremony 2011 Show Director / Choreographer Responsibilities included: creative (and logistical) supervision, development and collaboration (with relevant departments) on all aspects of the show’s creative content (choreography, staging, script, music, costumes, props, lighting, technical elements, professional speciality performers etc). Preparation of Show Powerpoints. Liaison with executive production team. Planning and running of mass cast rehearsals. Producers: K-Events for Filmmaster Shakhtar 75th Anniversary Ceremony 2011 Show Director / Choreographer Responsibilities included: creative supervision, development and collaboration (with relevant departments) on all aspects of show creative content: choreography, script, show-flow, rehearsal-scheduling, costumes, props, scenic and technical elements, projection, lighting, music etc. Liaison with executive production team, stage-management and show-calling. Supervising team of 5 international choreographers. Development of all show choreographic charts. Preparation of Show Powerpoints. Running of mass volunteer (1,500 cast) and professional performer rehearsals. Producers: K-Events for Filmmaster 40th National Day for the Sultanate of Oman 2010 Assistant Mass Movement Choreographer Responsibilities included assisting at mass cast rehearsals. Total cast: 12,000 Director of Mass Movement: Steve -
MITCH SEBASTIAN Director/Choreographer
MITCH SEBASTIAN Director/Choreographer Sebastian was nominated for an Olivier Award and WhatsOnStage Award for writing and directing the West End hit show, RatPack Live from Las Vegas. He went on to direct the film for American television and twelve years later productions continue to play worldwide. Noted for conceiving and staging concert tours in stadiums around the world; he has also directed large-scale arena productions of Chicago throughout the Middle East and Asia. With over 30 years of experience in the industry, his career has taken him from performer to director to producer having worked with Cameron Mackintosh, Gillian Lynne, Peter Hall Theatre Company, Matthew Bourne and the maestro, Kurt Masur at the London Philharmonic Orchestra. In addition to his extensive experience as a performer in the West End appearing in Cats, Cabaret, Starlight Express, Les Miserables, and Follies, he also performed in pop videos and toured with Tina Turner, Elton John, Meatloaf, Pet Shop Boys, Boy George and Duran Duran. He directed and choreographed the Olivier Awards Ceremony and won a BAFTA Award as part of the creative team behind the children’s animation series, Yoko, Jakamoto Toto. Sebastian has collaborated with Paula Abdul in the USA to create a new entertainment, Cheer! for Broadway producers Richard Frankel Productions and with Hiroaki Omote in Japan to generate SAVIOUR IV multimedia series. In the UK, he produced, devised and directed The Opera Show before launching a World Tour in 2010. In 2007 he became Artistic director of Kilworth House Theatre, England’s leading Open-Air Theatre. Directing fifteen landmark musicals, he established the venue’s reputation for sold out seasons year on year. -
PIPPIN! Tell Us What You Thought of PIPPIN in a Single Tweet by Using Hashtag #ISAWPIPPIN
March 10-15, 2015 Grand Avenue takes me everywhere. — DON MACLACHLAN Tennessee Titans, Executive Vice President One Contact. 450 Cities Worldwide. Download OUR APP Call us today at 615.714.5466 or toll-free at 866.455.2823 to book on the go! or visit G RANDA VENUEW ORLDWIDE.COM GAT 127.13 | NA&E 7/13 GAT GAT127.13-NashvilleArtsAd_7.125x10.875_FINAL.indd 1 7/2/13 9:42 AM EVOLVED ESSENTIAL EPIC APPLE • ATHLETA • BURBERRY • THE CHEESECAKE FACTORY THE CONTAINER STORE • DAVID YURMAN • FREE PEOPLE • GUS MAYER JIMMY CHOO • KATE SPADE NEW YORK • LOUIS VUITTON MICHAEL KORS • OMEGA • RESTORATION HARDWARE • SEPHORA STUART WEITZMAN • TIFFANY & CO. • TORY BURCH • TUMI NORDSTROM • DILLARD’S • MACY’S OVER 100 SPECIALTY SHOPS & RESTAURANTS HILLSBORO PIKE, I-440 EXIT 3 • NASHVILLE, TN • SHOPGREENHILLS.COM GH235.SeptPaybillAdFpg.indd 1 6/16/14 9:58 AM At Bridgestone Americas, performance is in our blood. That’s why we’re proud to call Nashville home. You’ll fi nd more than 2,300 Bridgestone teammates hard at work and play in Nashville’s communities. Being involved is an important part of our business. It’s our passion. It’s our home. Find out more at www.BridgestoneAmericas.com B:7.375” T:7.125” S:6.625” BMW i B:11.125” S:10.375” T:10.875” GREEN STILL MEANS GO. When we set out to build an electric car, we set out to build a BMW. And we did just that with the fi rst-ever, all-electric BMW i3 with 170 hp and up to 110 electric miles on a single charge.* It aims to take driving to a whole new dimension—so hold tight, because where we’re going, there’s no looking back. -
Theatre in England Journal Sara Cohen Little Women (Lost Theatre
1 Theatre in England Journal Sara Cohen Little Women (Lost Theatre, 12/28/11) LOST Theatre’s musical Little Women presents the UK premiere of a show first announced (then as a concert event) in 2005—ironically, the very day a different Broadway musical Little Women closed for good. The Broadway Little Women featured a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland; reviewers from the New York Times1 and Village Voice2 accused the Broadway show of denying the audience time and space to connect to characters due to its quick-moving plot and the theatre’s colossal stage. It is only too tempting to read the LOST Theatre musical, directed by Nicola Samer with a book by Peter Layton and music and lyrics by Lionel Segal, as a rewrite of the Broadway show. In this light, the show is entirely successful. The set is cozy and intimate—homey off- white walls with splotches of color hand-painted across the walls. The theatre is closer to a thrust stage than a proscenium (though the open stage does not actually extend out into the audience), contributing to a closeness between the audience and the actors. The cast of the production is limited to a cast of eleven (fairly small for a musical), and the cast has very limited costume changes, at least for the leading actresses. These aspects of the production could have felt “low- budget;” instead they come off as intimate and home-made. They also allow for great surprise in the few times the show does indulge—a full-ensemble fantasy sequence as Jo imagines how she becomes a great author, for example, or the wonderfully atmospheric lighting (green leaf gobos for the fantasy sequence and the opening of act two, and purple and pink lights as Beth and Jo 1http://theatre2.nytimes.com/2005/01/24/theatre/reviews/24litt.html?ex=1167109200&en=8e47fe4758c0f427&ei=5 070 2http://www.villagevoice.com/2005-01-25/theatre/forced-marches/ 2 sing about the magic of their future lives).