Schedule for Good Shepherd's 2017-2018 Film Series
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Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B. -
Classic Film Series
Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Winter/Spring 2016 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film Explore how film has tackled social conflict, morality, and the perennial struggles between right and wrong that are waged from the highest levels of government to the smallest local communities. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advanced reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society Members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Hannah Donoghue Assistant Manager of Public Programs | Kate Yurkovsky Public Programs Assistant Classic Film Series Film Classic 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, Publication Team: NEW-YORK HISTORICAL SOCIETY MUSEUM LIBRARY Justice in Film Friday, February 12, 7 pm Don Pollard Don Pollard Don Doran Marissa Harold Shapiro Glory | 1989 | 122 min. Historians Edna Greene Medford and David W. Blight, in conversation with Harold Holzer, present this Civil War epic that follows the first all-black regiment as they fight for racial equality among their fellow Union Army officers as well as against the Confederates. -
AFI PREVIEW Is Published by the Age 46
ISSUE 72 AFI SILVER THEATRE AND CULTURAL CENTER AFI.com/Silver JULY 2–SEPTEMBER 16, 2015 ‘90s Cinema Now Best of the ‘80s Ingrid Bergman Centennial Tell It Like It Is: Black Independents in New York Tell It Like It Is: Contents Black Independents in New York, 1968–1986 Tell It Like It Is: Black Independents in New York, 1968–1986 ........................2 July 4–September 5 Keepin’ It Real: ‘90s Cinema Now ............4 In early 1968, William Greaves began shooting in Central Park, and the resulting film, SYMBIOPSYCHOTAXIPLASM: TAKE ONE, came to be considered one of the major works of American independent cinema. Later that year, following Ingrid Bergman Centennial .......................9 a staff strike, WNET’s newly created program BLACK JOURNAL (with Greaves as executive producer) was established “under black editorial control,” becoming the first nationally syndicated newsmagazine of its kind, and home base for a Best of Totally Awesome: new generation of filmmakers redefining documentary. 1968 also marked the production of the first Hollywood studio film Great Films of the 1980s .....................13 directed by an African American, Gordon Park’s THE LEARNING TREE. Shortly thereafter, actor/playwright/screenwriter/ novelist Bill Gunn directed the studio-backed STOP, which remains unreleased by Warner Bros. to this day. Gunn, rejected Bugs Bunny 75th Anniversary ...............14 by the industry that had courted him, then directed the independent classic GANJA AND HESS, ushering in a new type of horror film — which Ishmael Reed called “what might be the country’s most intellectual and sophisticated horror films.” Calendar ............................................15 This survey is comprised of key films produced between 1968 and 1986, when Spike Lee’s first feature, the independently Special Engagements ............12-14, 16 produced SHE’S GOTTA HAVE IT, was released theatrically — and followed by a new era of studio filmmaking by black directors. -
Classic Film Series
Pay-as-you-wish Friday Nights CLASSIC PAID Non-Profit U.S. Postage Permit #1782 FILM SERIES White Plains, NY Fall 2019/Winter 2020 Pay-as-you-wish Friday Nights Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable filmmakers, writers, legal scholars, and historians. Justice in Film Explore how film has tackled social strife, morality, and the perennial struggle between right and wrong—conflicts that manifest across cultures and history. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advance reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society Members receive priority. Street) th For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Dale Gregory, Vice President for Public Programs | Alex Kassl, Deputy Director of Public Programs | Heather Whittaker, Manager of Public Programs | Catriona Schwartz, Public Programs Assistant Classic Film Series Film Classic Rose Creative Group Creative Rose 170 Central170 Park West at Richard Gilder (77 Way New NY York, 10024 Publication Team: Publication Design: Philip Bobbitt Richard Brody Gail Lumet Buckley Betty Sue Flowers Adam Gopnik Brigitte Lacombe Nancy Crampton Nancy Linda Greenhouse Dale Gregory Justice in Film Bob Herbert Michael Korda Friday, October 11, 7 pm Joanna Lee The Private Life of Henry VIII | 1933 | 97 min. Michael Korda, the nephew of the film’s director and son of the film’s art director, introduces the classic British biographical dramedy that follows the exploits of King Henry VIII as he navigates his infamous multiple marriages in Sheila Griffin Marissa Doran Marissa Don Pollard Don Kitty Katz the salacious, treacherous world of his own creation. -
Nostalgia THURS MOVIES
Movie Nostalgia THURSDAY MOVIES 10.00am (unless nofied) 6 February THE WAY WE WERE Barbra Streisand Robert Redford 13 February RUGGLES OF THE RED GAP Leo McCarey 20 February SAVE THE TIGER Jack Lemmon 27 February ONLY ANGELS HAVE WINGS Cary Grant Rita Hayworth 5 March ON GOLDEN POND Henry Fonda Katherine Hepburn 12 March QUARTET Dirk Bogarde 19 March CHARIOTS OF FIRE Nigel Havers 26 March THE WIFE Glen Close 2 April KRAMER VS KRAMER Meryl Streep Dus@n Hoffman 9 April TATIE DANIELLE 16 April THE GO BETWEEN Alan Bates Julie Chris@e 23 April IN THE BEDROOM Sissy Spacek 30 April ONE FLEW OVER THE CUCKOOS NEST Jack Nicolson 7 May BLACKBOARDS 14 May THE DEVILS PLAYGROUND 21 May LADIES IN BLACK 28 May THE EAGLE HAS LANDED Donald Sutherland Michael Caine 4 June GOODBYE MY CHIPS Robert Donat 11 June THE DAY OF THE JACKAL Edward Fox 18 June HEARTS OF THE WEST Jeff Bridges Edward Fox 25 June HARRY AND TONTO Art Carney 2 July LOVELESS 9 July THREE DAYS OF THE CONDOR Robert Redford 16 July HIGH NOON Gary Cooper 23 July COMING HOME Jane Fonda John Voight 30 July ARTHURS DYKE Pauline Quirk 6 August MARATHON MAN Dus@n Hoffman 13 August MAN OF ARA Robert Flaherty 20 August WOMEN IN LOVE Glenda Jackson Alan Bates 27 August LITTLE CHILDREN Kate Winslet 3 September NICHOLAS AND ALEXANDRA Michael Jayston (Part 1) 10 September NICHOLAS AND AEXANDRA (Part 2) 17 September GOOD VIBRATIONS 24 September THEY SHOOT HORSES DON’TTHEY Jane Fonda Gig Young 1 October WEEPIMG CAMEL 8 October NETWORK Peter Finch 15 October AMERICAN FRIENDS Michael Palin 22 October LOVE AMONG THE RUINS Katherine Hepburn 29 October ONE, TWO, THREE James Cagney 5 November THE NATURAL Robert Redford 12 November ON THE WATERFRONT Marlon Brando 19 November ALL THE PRESIDENT’S MEN Dus@n Hoffman Robert Redford 26 November DECENDANTS George Clooney BREAKDOWN OF MOIVIES TIME TITLE YEAR 1.58m THE WAY WE WERE DRAMA Robert Redford Barbra Streisand A poli@cal ac@ve jew meets a free lance WASP. -
Robert Donat, Film Acting and the 39 Steps (1935) Victoria Lowe, University of Manchester, UK
'Performing Hitchcock': Robert Donat, Film Acting and The 39 Steps (1935) Victoria Lowe, University of Manchester, UK This article offers a speculative exploration of performance in a Hitchcock film by looking in detail at Robert Donat's characterisation of Richard Hannay in The 39 Steps (1935). It has been argued that Hitchcock's preference for the actor who can do nothing well leads to a de- emphasising of the acting skill of his cast whilst foregrounding the technical elements such as editing and mise-en-scène in the construction of emotional effects (Ryall, 1996:159). Hitchcock's own attitude to actors is thought to be indicated by his oft-quoted claim that "actors should be treated like cattle." [1] However, this image of Hitchcock as a director unconcerned with the work of his actors seems to be contradicted both by the range of thoughtful and complex performances to be found in his films and by the testimonies of the actors themselves with regard to working with him. [2] In this article therefore, I will attempt to unpick some of the issues regarding performance in Hitchcock films through a detailed case study of Robert Donat and his performance in The 39 Steps. Initially, I will look at the development of Donat's star persona in the early 1930s and how during the making of The 39 Steps, writing about Donat in the press began to articulate performance as opposed to star discourses. I will then look at some of Donat's published and unpublished writing to determine the screen acting methodologies he was beginning to develop at the time. -
Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast: -
Classic Film Series Join Us for the New-York Historical Society’S Film Series, Featuring Opening Remarks by Notable Directors, Writers, Actors, and Historians
Pay-as-you-wish Friday Nights! CLASSIC PAID Non-Profit U.S. Postage U.S. Permit #1782 FILM SERIES White NY Plains, Winter/Spring 2017 Pay-as-you-wish Friday Nights! Bernard and Irene Schwartz Classic Film Series Join us for the New-York Historical Society’s film series, featuring opening remarks by notable directors, writers, actors, and historians. Justice in Film Explore how film has tackled social strife, morality, and the perennial struggle between right and wrong—conflicts that manifest across cultures and history. Entrance to the film series is included with Museum Admission during New-York Historical’s Pay-as-you-wish Friday Nights (6–8 pm). No advance reservations. Tickets are distributed on a first-come, first-served basis beginning at 6 pm. New-York Historical Society Members receive priority. For more information on our featured films and speakers, please visit nyhistory.org/programs or call (212) 485-9205. Dale Gregory Vice President for Public Programs | Alex Kassl Manager of Public Programs | Hannah Donoghue Assistant Manager of Public Programs | Kate Yurkovsky Public Programs Assistant Classic Film Series Film Classic 170 Central Park170 West at Richard Gilder (77th Way Street) NY 10024New York, Publication Team: Publication Don Pollard Don Don Pollard Don Sheila Griffin NEW-YORK HISTORICAL SOCIETY MarcusJoan Marissa Doran Marissa Harold Shapiro John CalabreseJohn MUSEUM LIBRARY Crampton Nancy Don Pollard Don Justice in Film Bustamante Billy Friday, February 10, 7 pm Lincoln | 2012 | 150 min. From top left: Harold Holzer, Edna Greene Medford, Linda Greenhouse, Robert Post, Kenji Yoshino, Gail Lumet Buckley, Louise Kerz Hirschfeld, Bob Herbert, Ron Simon, Dale Gregory, Set in 1865, this historical drama follows President Lincoln’s struggle to persuade Stuart Klawans, Kati Marton, Antonio Monda, Philip C. -
In Love with Fear the Critics
80 THE CRITICS A CRITIC AT LARGE make it ring true: movies were all he had. 6 The most suggestive commemoration I have found is the Hitchcock show at the IN LOVE WITH FEAR Museum of Modern Art in Oxford, En- gland. This includes a mockup of James How the master of suspense made fetishists of us all. Stewart’s bedroom in “Vertigo”; a rear- BY ANTHONY LANE projected, frame-by-frame screening of “Psycho”; and a beguiling series of looped montages by Christoph Girardet and HUNDRED years ago, on Au- us except our need to give him money Matthias Müller, entitled “The Phoenix gust 13, 1899, a boy was born. in return for the promise of temporary Tapes.” These are scraps of Hitchcock A He was the son of a greengrocer distress? The outward refinements of a crammed with objects and actions that we from Leytonstone, a small town in Essex, Hitchcock picture may be a delight, but have come to recognize as his imagina- which has since been swallowed by the they are frayed by emotional wear and tive property. One loop rifles through the sprawl of East London. Ten years earlier, tear; when Grace Kelly, in “Rear Win- following images: name cards, tiepins, another London boy was born; both dow,” is hunting for clues inside Ray- monograms, letters, keys, locks, drains, would migrate, both would end up as mond Burr’s apartment, and Burr appears the color red, spots, basins, washing, hair- knights of the realm they had vacated, in the corridor outside, James Stewart, cutting, hair-burning, fires, matchbooks, and both would grow wealthy in the plea- watching from across the courtyard, looks race cards, addresses, newspapers, music surable purveying of their obsessions. -
"Enhanced Filmography." Hitchcock's Appetites
McKittrick, Casey. "Enhanced Filmography." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 176–192. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781501311642.0013>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 17:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. Enhanced Filmography 1) The Pleasure Garden (1925) Screenplay : Eliot Stannard, based on the novel The Pleasure Garden by Oliver Sandys Producer : Michael Balcon, Erich Pommer, Bavaria Film, Gainsborough Pictures, M ü nchner Lichtspielkunst AG (Emelka) Runtime : 75 minutes Cast : Virginia Valli, Carmelita Geraghty, Miles Mander, John Stuart, Ferdinand Martini, Florence Helminger During two intercut dinner table sequences, two couples sit with tea sets and small plates in front of them; the couple that is eating and drinking end up falling in love. 2) The Lodger (also titled The Lodger: A Story of the London Fog ) (1927) Screenplay : Eliot Stannard, Alfred Hitchcock (uncredited), based on the novel The Lodger and the play Who Is He? , both by Marie Belloc Lowndes Producer : Gainsborough Pictures, Carlyle Blackwell Productions, Michael Balcon, Carlyle Blackwell Runtime : 68 minutes Cast : Marie Ault, Arthur Chesney, June, Malcolm Keen, Ivor Novello When the Lodger (Ivor Novello) arrives at the Buntings ’ boardinghouse, he immediately requests some bread, butter, and a glass of milk. Hitchcock wanted to suggest that he was preserving his waifi sh fi gure. 3) Downhill ( When Boys Leave Home ) (1927) Screenplay : Constance Collier (play), Ivor Novello (play), Eliot Stannard (adaptation) Producer : Gainsborough Pictures, Michael Balcon, C. -
"Medical Movies" PATCH ADAMS (1998)
A list of "Medical Movies" PATCH ADAMS (1998) Robin Williams as eponymous hero who thinks making patients laugh is the secret of success. WHAT ABOUT BOB? (1991) Frank Oz. A truly hilarious film about a patient and his shrink with Bill Murray and Richard Dreyfuss. DOC HOLLYWOOD (1991) Michael J Fox learns to love small town life as the resident physician. THE OFFICER’S WARD (2000) Excellent French film set in WW1 about a badly wounded officer. MY LIFE WITHOUT ME (2002) Recent indie American film about a young woman coming to terms with her imminent death LORENZO’S OIL (1990) Excellent medical drama based on true story about parents looking for a cure for their terminally ill son AN ANGEL AT MY TABLE (1990) Based on true story about NZ novelist's early life WIT (2001) Emma Thompson stars as a terminally ill patient in excellent HBO movie. MY LEFT FOOT (1991) Starring Daniel Day–Lewis as a young man with cerebral palsy COMING HOME (1978) A post -Vietnam film dealing with the impact of war and spinal injury BORN ON THE FOURTH OF JULY (1989) Also a film about the effects of war and disability AWAKENINGS (1990) Based on the book by Oliver Sacks about a long-term institution for people with Parkinson’s disease. WASTELANDS (1993) Starring Anthony Hopkins as the writer CS Lewis and the death of his wife from cancer WHAT'S EATING GILBERT GRAPE (1993) About a dysfunctional family and Leonardo DiCaprio as a boy with autism. THE CITADEL (1938) Directed by King Vidor. -
Girl with Green Eyes on Talking Pictures TV Starring Peter Finch, Rita Tushingham, Lynn Redgrave and Julian Glover, Girl with Green Eyes Was Directed by Desmond Davis
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Monday 7th October 2019 FREESAT 306 | VIRGIN 445 Girl with Green Eyes on Talking Pictures TV Starring Peter Finch, Rita Tushingham, Lynn Redgrave and Julian Glover, Girl with Green Eyes was directed by Desmond Davis. Edna O’Brien adapted the screenplay from her own novel, The Lonely Girl. The tender story follows a young, naive country girl’s romance with a sophisticated older man. Touching and humorous, the film is beautifully played, Rita Tushingham and Peter Finch are perfect in their roles. Premieres Sunday 13th October at 10pm. The Imperial War Museum Film Archive TPTV are delighted to be working with the Imperial War Museum, making their archive available to a wider audience, and showcasing some unseen gems. This week we are featuring A Diary For Timothy (1945), The New Lot (1943) and We Serve (1942). We have a put a programme license agreement in place in order to show the films, which is an exciting and unique opportunity for the channel. Mon 7th Oct 19 14:35 Tues 8th Oct 19 22:00 Law and Disorder (1958) The Lovers! (1973) Comedy directed by Charles Comedy directed by Herbert Wise. Crichton. Stars: Michael Redgrave, Starring: Richard Beckinsale, Robert Morley, Ronald Squire. Paula Wilcox, Joan Scott, Susan Colin’s clergyman father is actually Littler, Anthony Naylor. Geoffrey a confidence trickster. When Colin and Beryl want to fall in love, like studies law, his father retires, but Adam & Eve, but Adam & Eve soon he’s involved in smuggling..