By Recording Artist

Total Page:16

File Type:pdf, Size:1020Kb

By Recording Artist Nelson Riddle, by recording artist Artist Title Arranger Album Inventory Call # Al Because of You Riddle, Nelson (copied score - not NR writing) SC + P 3907 Al In All This World Riddle, Nelson SC + P 3910 Al I've Never Seen Riddle, Nelson SC + P 3909 Al Now Riddle, Nelson SC + P 3911 Al Say You'll Wait For Me Riddle, Nelson SC + P 3912 Barry, Gene Soon Riddle, Nelson SC + P 9243 Barry, Gene When the Red, Red Robin Comes Bob-Bobbin' Along Riddle, Nelson SC + P 9244 Barry, Gene? I Want the Whole World to Love You Riddle, Nelson SC + P 9242 Barry, Gene? Lost Riddle, Nelson SC + P 9241 Baxter, Les When You Return Riddle, Nelson SC + P 3246 Baxter, Les & Art Morton? You Won't Forget Me Riddle, Nelson SC + P 3025 Baxter, Les? Lost In Meditation Riddle, Nelson SC 3562 Cathy Let The Chips Fall Riddle, Nelson SC 7128 Cathy Only When You're Lonely Riddle, Nelson SC 7133 Cathy Wind-Up, The Riddle, Nelson SC 7141 Cathy You Are Mine Riddle, Nelson SC 7142 Chevalier, Maurice Just One of Those Things Riddle, Nelson Can Can Prod 9843 Chevalier, Maurice & Louis Jordan Live and Let Live Riddle, Nelson Can Can Prod 9844 Cole, Nat "King" Adelita Riddle, Nelson SC + P 8241 Cole, Nat "King" Ain't She Sweet Riddle, Nelson SC 4819 Cole, Nat "King" Always In My Heart Riddle, Nelson SC + P 8239 Cole, Nat "King" Answer Me, My Love Riddle, Nelson SC 13206 Cole, Nat "King" Are You Disenchanted? Riddle, Nelson Wild Is Love Prod 10191 Cole, Nat "King" Ballerina Riddle, Nelson SC + P 7384 Cole, Nat "King" Beale St. Blues Riddle, Nelson SC + P 8061 Cole, Nat "King" Because of Rain Riddle, Nelson SC + P 3291 Cole, Nat "King" Beggar for the Blues Riddle, Nelson Wild Is Love Prod 10189 Cole, Nat "King" Can't Help It Riddle, Nelson SC + P 8213 Cole, Nat "King" Careless Love Riddle, Nelson SC + P 8060 Cole, Nat "King" Chantez Les Bas Riddle, Nelson SC + P 8065 Cole, Nat "King" China Gate Riddle, Nelson P, Prod 7630 Cole, Nat "King" Christmas Song (1953) Riddle, Nelson 2SC 4540 Cole, Nat "King" Do As I Like It Riddle, Nelson SC + P 8069 Cole, Nat "King" Early American Riddle, Nelson SC + P 3289 Cole, Nat "King" For A Moment of Your Love Riddle, Nelson SC 4556 Cole, Nat "King" Friendless Blues Riddle, Nelson SC + P 8058 Cole, Nat "King" Harlem Blues Riddle, Nelson SC + P 8064 Cole, Nat "King" He Who Hesitates Riddle, Nelson Wild Is Love Prod 10184 Cole, Nat "King" How Do I Go About It? Riddle, Nelson SC 4004 Cole, Nat "King" How Little We Know Riddle, Nelson P, Prod 7386 Cole, Nat "King" Hundreds and Thousands of Girls Riddle, Nelson Wild Is Love Prod 10194 Cole, Nat "King" I Envy Riddle, Nelson SC 4553 Cole, Nat "King" I'll Never Settle For Legs Riddle, Nelson SC + P 5008 Cole, Nat "King" I'm Shootin' High Riddle, Nelson P 7379 Cole, Nat "King" In Love Again Riddle, Nelson Wild Is Love Prod 10187 Cole, Nat "King" It's A Beautiful Evening Riddle, Nelson Wild Is Love Prod 10193 Cole, Nat "King" Joe Turner's Blues Riddle, Nelson Prod 8055 Cole, Nat "King" Just As Much As Ever Riddle, Nelson SC + P 8071 Cole, Nat "King" Las Mananitas Riddle, Nelson SC + P 8240 Cole, Nat "King" Lisbon Antigua Riddle, Nelson SC + P 8237 Cole, Nat "King" Little Boy That Santa Claus Forgot Riddle, Nelson SC 4543 Cole, Nat "King" Little Fingers Riddle, Nelson SC 4552 Cole, Nat "King" Lovelight Riddle, Nelson SC 3553 Cole, Nat "King" Lovesville Riddle, Nelson To Whom It My Concern SC + P 8214 Cole, Nat "King" Love-Wise Riddle, Nelson Prod 8411 Cole, Nat "King" Magic is the Moonlight Riddle, Nelson SC + P 8238 Cole, Nat "King" Maria Elena Riddle, Nelson SC + P 8236 Cole, Nat "King" Marilyn Riddle, Nelson SC 4830 Cole, Nat "King" Memphis Blues Riddle, Nelson SC + P 8059 Cole, Nat "King" Morning Star Riddle, Nelson SC + P 8062 Cole, Nat "King" Mother Nature Riddle, Nelson SC 4195 Cole, Nat "King" My First and Last Love Riddle, Nelson SC 3552 Cole, Nat "King" Noche De Ronda Riddle, Nelson SC 8215 Cole, Nat "King" One Sun Riddle, Nelson P 7394 Cole, Nat "King" Pick Up Riddle, Nelson Wild Is Love Prod 10190 Cole, Nat "King" Return To Paradise Riddle, Nelson SC 4493 Cole, Nat "King" Rheingold Riddle, Nelson SC + P 8066 Cole, Nat "King" Rheingold (Honeysuckle Rose) Riddle, Nelson SC + P 8067 Cole, Nat "King" Rheingold Beer Commercial (Ab & G versions) Riddle, Nelson SC + P 8068 Cole, Nat "King" Should I? Riddle, Nelson Drums 7383 Cole, Nat "King" Sleeping Beauty Riddle, Nelson SC 4006 Cole, Nat "King" Small Towns are Smile Towns Riddle, Nelson SC 4014 Cole, Nat "King" Someone In Love Riddle, Nelson P, Prod 7382 Cole, Nat "King" St. Louis Blues Riddle, Nelson SC 8054 Cole, Nat "King" Stay Riddle, Nelson SC + P 8063 Cole, Nat "King" Stay With It Riddle, Nelson Wild Is Love Prod 10186 Cole, Nat "King" Sweet William Riddle, Nelson SC 4005 Cole, Nat "King" Tangerine Riddle, Nelson P 7380 Cole, Nat "King" Tell Her in the Morning Riddle, Nelson Wild Is Love Prod 10192 Cole, Nat "King" Things Riddle, Nelson SC + P 5006 Cole, Nat "King" Too Much Riddle, Nelson SC + P 8212 Cole, Nat "King" Too Soon Riddle, Nelson SC 4015 Cole, Nat "King" True Blue Lou Riddle, Nelson P, Prod 7381 Cole, Nat "King" What To Do Riddle, Nelson SC 4820 Cole, Nat "King" When I Fall In Love Riddle, Nelson SC + P 8304 Cole, Nat "King" When I'm Alone Riddle, Nelson SC 4194 Cole, Nat "King" When Rock and Roll Came To Trinidad Riddle, Nelson Nat 7631 Cole, Nat "King" Why Riddle, Nelson SC 4554 Cole, Nat "King" Why Can't We Try Again? Riddle, Nelson SC 4492 Cole, Nat "King" World of No Return Riddle, Nelson Wild Is Love Prod 10188 Cole, Nat "King" Wouldn't You Know? Riddle, Nelson Wild Is Love Prod 10185 Cole, Nat "King" Yellow Dog Blues Riddle, Nelson Prod 8056 Cole, Nat "King" You're Wrong, All Wrong Riddle, Nelson SC 4542 Dinning, Lou Again And Again Riddle, Nelson SC 3860 Dinning, Lou Torment Riddle, Nelson SC 3861 Garland, Judy Day In, Day Out Riddle, Nelson Judy In Love Prod 8154 Garland, Judy This is It Riddle, Nelson Judy In Love Prod 8153 Hutton, Betty Goin' Steady Riddle, Nelson SC 4489 Hutton, Betty Long Way, The Riddle, Nelson SC 4490 Hutton, Betty No Matter How You Say Goodbye Riddle, Nelson SC 4491 Hutton, Betty Wanderin' Eyes Riddle, Nelson SC 4488 Jordan, Louis You Do Something To Me Riddle, Nelson Can Can Prod 9851 June Tattoo Riddle, Nelson SC 3987 Leonetti, Tommy And Still I Love You Riddle, Nelson 2716 SC 4772 Leonetti, Tommy Every Minute Of The Day Riddle, Nelson SC 4769 Leonetti, Tommy Gone Away Riddle, Nelson SC 4770 Leonetti, Tommy I Only Have Eyes For You Riddle, Nelson SC 4771 Leonetti, Tommy I'm Available Riddle, Nelson 2716 SC 4775 Leonetti, Tommy Love Is The Thing Riddle, Nelson SC 4774 Leonetti, Tommy No You Riddle, Nelson SC 4768 Leonetti, Tommy Now Riddle, Nelson SC 4773 Lewis, Jerry Crazy Words - Crazy Tune Riddle, Nelson 2141 SC + P 3906 Lewis, Jerry I Can't Carry A Tune Riddle, Nelson P 3905 Lewis, Jerry I Love Girls Riddle, Nelson 1868 SC 3623 Lewis, Jerry Lay Somethin' On the Bar Riddle, Nelson 1868 SC 3622 Lewis, Jerry Say What They Mean Riddle, Nelson SC 3991 Lewis, Jerry Somebody Goofed Riddle, Nelson SC 3989 Lewis, Jerry Strictly For the Birds Riddle, Nelson 2317 SC + P 3904 Lewis, Jerry Y-Y-Y-Yup! Riddle, Nelson 2576 SC 4445 Lewis, Jerry & "Patty" If You Loved Me Truly Riddle, Nelson 2481 SC 4438 MacKinsie, Giselle One Who Broke My Heart, The Riddle, Nelson SC + P 13718 MacKinsie, Giselle Song of Songs, The Riddle, Nelson SC 4549 MacKinsie, Giselle Walkin' Tune, A Riddle, Nelson SC + P 4550 Manning, Bob Any Questions? Riddle, Nelson SC 4792 Manning, Bob Goodbye Riddle, Nelson SC 4791 Manning, Bob I Wasn't There With You Riddle, Nelson SC 4788 Manning, Bob That's A Me N' My Love Riddle, Nelson SC 4790 Manning, Bob Why Didn't You Tell Me? Riddle, Nelson SC 4789 Martin, Dean For Sentimental Reasons, (I Love You) Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11336 Martin, Dean A Hundred Years From Today Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11334 Martin, Dean Ain't That A Kick in the Head (D & Eb versions) Riddle, Nelson 4420 1SC(Eb) + 2P 9941 Martin, Dean All in a Night's Work Riddle, Nelson 4551 SC + P 10811 Martin, Dean Amor Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11327 Martin, Dean Be An Angel Riddle, Nelson unissued SC + P 10715 Martin, Dean Bella Bella Bambina Riddle, Nelson unissued SC + P 10712 Martin, Dean Bella Bimba, (Ma Come Bali) Riddle, Nelson 1811 SC 3592 Martin, Dean Bet-I-Cha Riddle, Nelson 2071 SC 3857 Martin, Dean Blue Smoke (Kohu-Auwahi) Riddle, Nelson 1885 SC 3641 Martin, Dean Cha Cha Cha D'Amour (aka "Melodie D'Amour") Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11329 Martin, Dean Girl Named Mary and a Boy Named Bill, A Riddle, Nelson Dean Martin Sings SC 4163 Martin, Dean Guiggiola Riddle, Nelson unissued SC + P 10713 Martin, Dean Hangin' Around With You Riddle, Nelson 1797 SC 3560 Martin, Dean Hear My Heart (Sente le Coure) Riddle, Nelson unissued SC + P 10714 Martin, Dean Heaven Can Wait Riddle, Nelson This Time I'm Swingin' ST 1442 SC + P 9945 Martin, Dean Hominy Grits Riddle, Nelson 2165 SC 3974 Martin, Dean I Can't Believe That You're In Love With Me Riddle, Nelson This Time I'm Swingin' ST 1442 SC + P 9944 Martin, Dean I Feel A Song Comin' On Riddle, Nelson Dean Martin Sings SC 4161 Martin, Dean I Feel Like a Feather in the Breeze Riddle, Nelson Dean Martin Sings SC 4162 Martin, Dean I Love You Much Too Much Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11330 Martin, Dean I Wish You Love Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11333 Martin, Dean If Love Is Good To Me Riddle, Nelson Cha Cha de Amor ST 1702 SC + P 11337 Martin, Dean Imagination
Recommended publications
  • Groove Doctors - Song List
    GROOVE DOCTORS - SONG LIST VOCAL STANDARDS A KISS TO BUILD A DREAM ON ALL THE WAY AT LAST AS TIME GOES BY BEYOND THE SEA BUT NOT FOR ME CHEEK TO CHEEK COME FLY WITH ME COME RAIN AND COME SHINE DO NOTHING TILL YOU HEAR FROM ME DOWN IN BRAZIL EAST OF THE SUN EMBRACEABLE YOU FLY ME TO THE MOON GREEN DOLPIN STREET HEART ANDSOUL HERE’S THAT RAINY DAY HOW HIGH THE MOON I CONCENTRATE ON YOU I LEFT MY HEART IN SAN FRANCISCO I LOVE BEIN HERE WITH YOU ISN’T IT ROMANTIC I THOUGHT ABOUT YOU IT DON’T MEAN A THING I’VE GOT THE WORLD ON A STRING I’VE GOT YOU UNDER MY SKIN I WANNA BE AROUND LET’S FALL IN LOVE LIKE A LOVER LIKE SOMEONE IN LOVE LOVE AND MARRIAGE LOVE DANCE MASQUERADE MISTY MOONDANCE MY FUNNY VALENTINE MY ONE AND ONLY LOVE MY ROMANCE NEW YORK NEW YORK NEW YORK STATE OF MIND NIGHT AND DAY VOCAL STANDARDS OLD DEVIL MOON ON THE SUNNY SIDE OF THE STREET OUR LOVE IS HERE TO STAY PIANO MAN RUBY RUBY SCOTCH AND SODA SINCE I FELL FOR YOU SOMEONE TO WATCH OVER ME SPEAK LOW STARDUST STEPPIN OUT WITH MY BABY STOMPIN AT THE SAVOY SUMMERTIME SUMMER WINDS TEACH ME TONIGHT THAT’S ALL THE BEST IS YET TO COME THE GOOD LIFE THE NEARNESS OF YOU THE SECOND TIME AROUND THE VERY THOUGHT OF YOU THE WAY YOU LOOK TONIGHT THERE WILL NEVER BE ANOTHER YOU TIME AFTER TIME UNFORGETTABLE WATCH WHAT HAPPENS WHAT A WONDERFUL WORLD WHAT ARE YOU DOIN NEW YEARS EVE WHEN I FALL IN LOVE WITCHCRAFT YOU DON’T KNOW ME YOU’D BE SO NICE TO COME HOME TO YOUR NOBODY TILL SOMEBODY LOVES YOU POP AND BALLADS ANOTHER STAR A SONG FOR YOU BACK AT ONE COPACABANA DADDY’S LITTLE GIRL FEEL LIKE
    [Show full text]
  • Pioneers of the Concept Album
    Fancy Meeting You Here: Pioneers of the Concept Album Todd Decker Abstract: The introduction of the long-playing record in 1948 was the most aesthetically signi½cant tech- nological change in the century of the recorded music disc. The new format challenged record producers and recording artists of the 1950s to group sets of songs into marketable wholes and led to a ½rst generation of concept albums that predate more celebrated examples by rock bands from the 1960s. Two strategies used to unify concept albums in the 1950s stand out. The ½rst brought together performers unlikely to col- laborate in the world of live music making. The second strategy featured well-known singers in song- writer- or performer-centered albums of songs from the 1920s, 1930s, and 1940s recorded in contemporary musical styles. Recording artists discussed include Fred Astaire, Ella Fitzgerald, and Rosemary Clooney, among others. After setting the speed dial to 33 1/3, many Amer- icans christened their multiple-speed phonographs with the original cast album of Rodgers and Hammer - stein’s South Paci½c (1949) in the new long-playing record (lp) format. The South Paci½c cast album begins in dramatic fashion with the jagged leaps of the show tune “Bali Hai” arranged for the show’s large pit orchestra: suitable fanfare for the revolu- tion in popular music that followed the wide public adoption of the lp. Reportedly selling more than one million copies, the South Paci½c lp helped launch Columbia Records’ innovative new recorded music format, which, along with its longer playing TODD DECKER is an Associate time, also delivered better sound quality than the Professor of Musicology at Wash- 78s that had been the industry standard for the pre- ington University in St.
    [Show full text]
  • Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit.
    [Show full text]
  • Dancer's Gazette
    Book 31/32, Quarterly #2 December 2008-January- February 2009 Convention 2009 Curt & Tammy Worlock, Program Chairs for the 2009 convention have released the follow- ing list of confirmed teachers and clinicians for the upcoming convention in Joplin. There will be more to come. Be sure to mark your calendars as you won’t want to miss this event! George & Pam Hurd Richard Lamberty Brent & Judy Moore Ron & Mary Noble Mark & Pam Prow Kay & Joy Read Gert-Jan & Susie Rotscheid (Netherlands) Michael & Regina Schmidt (Germany) Kenji & Nobuko Shibata (Japan) Curt & Tammy Worlock Check Website Often Just a quick reminder to check the official website of the organization at www.icbda.com for updated information on a variety of topics. The webmasters have spent countless hours de- signing an informative website for your use and benefit. 2008 Election of Officers Voting for the Executive Officers and the Board of Directors will be conducted on the ICBDA website. Members wishing to vote by mail ballot must submit a request for a voting packet. The request must be by letter to the Elections Chaircouple (Marlyn and Michele Batcheller) and must be sent before March 1, 2009. Their address is 314 Hilltop Lane, Port Matilda, PA, ASSOCIATION 16870. Instructions for website voting will be posted in this space in the Quarterly #3 news- letter (March-April-May 2009). Inside This Issue: Special points of interest: New Members .......................................... 2 Recent Choreographies ......................... 2-5 2009 ICBDA Elections Golden Torch ........................................... 5 2009 Golden Torch Nominations Executive Board Nominations ................. 6 Farewells 2009 Convention Flyer ........................... 7 2009 Hall of Fame Ballot ........................
    [Show full text]
  • Leonard Cohen JENNIFER WARNES by Bob Mersereau
    “Her voice is like the California weather. It’s infused with sunshine, but there’s an earthquake behind it.” — Leonard Cohen JENNIFER WARNES By Bob Mersereau Jennifer Warnes is an American singer and songwriter. She is best known for her rich distinctive voice, her interpretations of work by James Taylor, Leonard Cohen, and Buffy Sainte Marie, and for her association with the soundtracks of a number of popular films during the 1970s, ‘80s and ‘90s. Her biggest hits were “Up Where We Belong” (a duet with Joe Cocker, from the 1983 film An Officer and a Gentleman), which won the duo a Grammy, a Golden Globe, and took the Oscar for Best Original e Song. Then another duet, this time with Righteous Brothers Bill Medley, also topped the charts with ’(I've Had) The Time Of My Life’ from Dirty Dancing, which won an Oscar, a Grammy, and a Golden Globe. That was the third Oscar-winning song Warnes had sung in her career, following 1979's ‘It Goes Like It Goes’ from Norma Rae. Those three wins tie her with Frank Sinatra, and only one behind the great Bing Crosby for having more Oscar-winning songs. 1 “If it took Warnes a long time to commit to making an album again, the clarity and confidence of her performances on “Another Time, Another Place” validate her decision with style and grace.” — Associated Press It can be overwhelming, all the negativity coming at us. There's the constant flood of bad news, social media chatter, and the seemingly daily doses of disappointment.
    [Show full text]
  • TITEL ARTIST LÄNGD År/ANM Come Take My Hand 2 Brothers on The
    TITEL ARTIST LÄNGD År/ANM Come Take My Hand 2 Brothers On The 4th Floor 00:03:17 1995 Do What's Good For Me 2 Unlimited 00:03:50 1995 Shimmy Shake (Radio Mix) 740 Boyz 00:03:35 1995 La Dolce Vita (Sound Factory 2018 Mix) After Dark 00:03:25 2018 Let's Go Party After Dark (SoundFactory Radio Mix) After Dark 00:03:50 2018 Min Bästa Vän After Dark 00:03:23 2018 Nå't På Gång After Dark 00:04:03 2018 Party After Dark After Dark 00:03:26 2018 The Big Spenders Suite (Radio Edit) After Dark 00:03:22 2018 Älska Mig After Dark 00:03:53 2018 Love Love Love Agnes 00:03:00 2009 Banjo Picking Man Agö Fyr 00:02:21 1977 Because You Come To Me Al Tornello 00:02:20 2021 Black Is The Color Of My True Love's Hair Al Tornello 00:02:51 2021 None But The Lonely Heart Al Tornello 00:02:01 2021 Oh Marie Al Tornello 00:01:48 2021 On The Road To Mandalay Al Tornello 00:02:39 2021 When You Were Sweet Sixteen Al Tornello 00:02:50 2021 Tampico Alberto Ruiz And His Orchestra 00:02:29 1968 Stay The Night Alcazar 00:03:01 2009 Wrap Me Up Alex Party 00:03:45 1995 Wrap Me Up (Radio Edit) Alex Party 00:03:45 1995 Balladen Om Ole Høiland Alf Cranner 00:01:52 1970 Blåklokkeleiken Alf Prøysen 00:02:56 1955 Fjellsangen Alfred Maurstad 00:02:50 1939 Bailá Bailá Alvaro Estrella 00:02:56 2021 La Rumba Alvaro Gomez-Orozco And His Orchestra 00:04:42 1986 Los Morenos Ambros Seelos And His Orchestra 00:03:18 1989 Memory Ambros Seelos And His Orchestra 00:03:14 1986 Yours (Quiereme Mucho) Ambros Seelos And His Orchestra 00:02:44 1985 Mambo Fever Ambrose & His Orchestra 00:02:34 1989 It's My Life Amy Diamond 00:03:05 2009 Askan Är Den Bästa Jorden Ana Diaz 00:02:34 2020 Fait Accompli Ana Diaz 00:03:01 2020 Regnet Ana Diaz 00:03:30 2020 Vara Vänner Ana Diaz 00:03:21 2020 Vår Lilla Stad Ana Diaz 00:03:16 2020 3 Chorales for Organ: No.
    [Show full text]
  • A Sinatra Sampler Rosemary Clooney; and Any Number Arranged by Nelson Riddle
    largely impressive new albums, in-been embroiled in more controver-renewed ballads, that enable him to cluding the three -volume "Trilogy."sies than ever with the press and pol-lift a concert hall by its roots and Once again there was a new Sinatra,iticians (usually concerning his al-swing it as though all time but his had with a loamier voice, a hard-earnedleged Mafia connections). He hascome to a halt. and expressive tremor in the lowmore than his share of enemies; they Frank Sinatra remains unique, the notes, a stoic determination to useare apparently immune to the innatemaster explicator of the complexity aesthetically the trappings of age-decency and pride of craft that allowand power of American popular sibilance, wavering, harshness. him to bring the contradictory ele-songs, the entertainer as shaman. He Sinatra cannot be said to have mel-ments in his personality to bear onis both the founder of his tradition lowed much in recent years. He'sachingly personal and persistentlyand its principal heir. 0 FRANK SINA TRA: A SELECTED DISCOGRAPHY ALMOST all of the albums listed here them Young at Heart and The Lady is O I Remember Tommy(FS -1003), are still available, but a few are a Tramp) and otherwise interesting arranged by Sy Oliver. simply the most recent releases of performances (notably a version of OSinatra & Strings(FS -1004), significant Sinatra recordings. They Where or When that begins with pitch arranged by Don Costa. are grouped chronologically by label problems but achieves a stunning OAll Alone(FS -1007), arranged by affiliation. climax) are not included, this limited Gordon Jenkins.
    [Show full text]
  • Jukebox Decades – 100 Hits Ultimate Soul
    JUKEBOX DECADES – 100 HITS ULTIMATE SOUL Disc One - Title Artist Disc Two - Title Artist 01 Ain’t No Sunshine Bill Withers 01 Be My Baby The Ronettes 02 How ‘Bout Us Champaign 02 Captain Of Your Ship Reparata 03 Sexual Healing Marvin Gaye 03 Band Of Gold Freda Payne 04 Me & Mrs. Jones Billy Paul 04 Midnight Train To Georgia Gladys Knight 05 If You Don’t Know Me Harold Melvin 05 Piece of My Heart Erma Franklin 06 Turn Off The Lights Teddy Pendergrass 06 Woman In Love The Three Degrees 07 A Little Bit Of Something Little Richard 07 I Need Your Love So Desperately Peaches 08 Tears On My Pillow Johnny Nash 08 I’ll Never Love This Way Again D Warwick 09 Cause You’re Mine Vibrations 09 Do What You Gotta Do Nina Simone 10 So Amazing Luther Vandross 10 Mockingbird Aretha Franklin 11 You’re More Than A Number The Drifters 11 That’s What Friends Are For D Williams 12 Hold Back The Night The Tramps 12 All My Lovin’ Cheryl Lynn 13 Let Love Come Between Us James 13 From His Woman To You Barbara Mason 14 After The Love Has Gone Earth Wind & Fire 14 Personally Jackie Moore 15 Mind Blowing Decisions Heatwave 15 Every Night Phoebe Snow 16 Brandy The O’ Jays 16 Saturday Love Cherrelle 17 Just Be Good To Me The S.O.S Band 17 I Need You Pointer Sisters 18 Ready Or Not Here I The Delfonics 18 Are You Lonely For Me Freddie Scott 19 Home Is Where The Heart Is B Womack 19 People The Tymes 20 Birth The Peddlers 20 Don’t Walk Away General Johnson Disc Three - Title Artist Disc Four - Title Artist 01 Till Tomorrow Marvin Gaye 01 Lean On Me Bill Withers 02 Here
    [Show full text]
  • Répertoire Myriam Phiro
    Répertoire Myriam Phiro French Jazz April in Paris Assez Belleville rendez-vous C’est magnifique C’est si bon Chanson d’automne Douce France Fais-moi mal, Johnny Les feuilles mortes (Autumn leaves) For me, formidable Give him the ooh la la Hier encore I love Paris I won’t dance (Je n’danse pas) Il m’a prise en ses bras (I got lost in his arms) La javanaise J’ai ta main J’attendrai J’ai deux amours J’aime les filles Jardin d’hiver Je m’suis fait tout p’tit Je ne veux pas travailler Je t’appartiens (Let it be me) Mademoiselle chante le blues Mam’selle Ménilmontant La mer (Beyond the sea) Mon homme (My man) Mon mec à moi Moulins de mon cœur Petite fleur Plus je t’embrasse Pour un flirt Que reste-t-il de nos amours ? (I wish you love) Samba de mon coeur qui bat Seule ce soir Syracuse Tico tico Tout doucement Une jolie fleur dans une peau de vache Zou bisou bisou American Jazz After you’ve gone Ain’t misbehavin All I do is dream of you All of me All the things you are Almost like being in love Alone together Amapola Anything goes At last Autumn in NY Bei mir bist du Schon Between the devil and the deep blue sea Blue moon Blue skies Body & soul Boulevard of broken dreams But not for me Bye bye Blackbird Caravan Cheek to cheek Come fly with me Corcovado Cry me a river Day in, day out Deep purple Don’t get around much anymore Dream a little dream of me Embraceable you Emily Estate Everything happens to me Exactly like you Fascinating rhythm Feeling good Fever Fly me to the moon Georgia on my mind Girl from Ipanema Golden earrings Hard day’s night
    [Show full text]
  • He Sang One for the Ages
    MASTERPIECE He Sang One for the Ages Frank Sinatra recorded the definitive version of the sorrowful saloon song ‘One for My Baby (and One More for the Road)’ in 1958. By John Edward Hasse Published originally in The Wall Street Journal, Nov. 2, 2019 One of the premier popular music recordings resulted in no small part from the failed romances of two musical figures: lyricist Johnny Mercer and singer Frank Sinatra. Both also loved their liquor, this song’s sub-theme. It’s quarter to three, There’s no one in the place except you and me, So, set ’em up, Joe... One for My Baby (and One More for the Road) was written by Mercer and composer Harold Arlen. From dissimilar backgrounds, they shared a deep devotion to jazz and blues, and became each other’s best-matched collaborator. Mercer boasted a remarkable grasp of American vernacular language. He was something of a musical polymath—lyricist, singer, record company executive (co-founder of Capitol Records) and talent scout. He was also unhappily married while in love with Johnny Mercer young Judy Garland, who became a muse for some of his most resplendent lyrics—I Remember You and Skylark. When she broke off the relationship, he was devastated and evidently channeled his grief into One for My Baby, written for a largely forgotten 1943 film, The Sky’s the Limit. Arlen wrote the music first—with a winding chromatic melody, a change of key, and an uncommon length of 58 bars instead of the usual 32. Mercer fit his lyrics to the tune impeccably, creating a dramatic monologue that’s a masterpiece of urban loneliness and loss.
    [Show full text]
  • Sinatra's Little Brown Book
    SINATRA’S LITTLE BROWN BOOK An address book said to have been Frank Sinatra’s reveals the extent of his influence and connections—and why his first attempted retirement was so short-lived. BY WILL FRIEDWALD PHOTOGRAPHY BY HENRY LEUTWYLER HINK OF THE MOST legendary, exclusive parties of the the doldrums.” Once he started performing again, he was primarily past century: Truman Capote’s Black and White Ball or a stage artist and, following a trend started by top rock acts, played Vanity Fair’s Oscar party. Imagine the guest list. Now sports stadiums and other huge venues with a combination of classic think of the man comedian Alan King once described songs and newer material. as an event unto himself. The only thing Frank Sinatra Sinatra’s little book, dating from several years into his comeback, had to do to set a room buzzing was walk into it. What illustrates how his return seems almost inevitable in hindsight. Tdid his guest list look like? We no longer have to wonder. Photographer Midway through, four incongruous names sum up the eclectic range of Henry Leutwyler has documented a personal phone book said to be his social circle: Tony Mottola, Sinatra’s preferred guitarist for most Sinatra’s—every entry from his personal assistant to two U.S. presi- of this period; Ed McMahon, Johnny Carson’s Tonight Show sidekick; dents—in a collection of still-life images to be published as Hi There!, a Wayne Newton, a Vegas mainstay; and, notably, “Nixon, Pres.” Sinatra monograph out in June from Steidl.
    [Show full text]
  • 'The House I Lived In' 24 Hours of Being Frank in Sinatra's Palm Springs Hideaway by J.R
    'The House I Lived In' 24 hours of being Frank in Sinatra's Palm Springs hideaway By J.R. Moehringer, Times Staff Writer March 26, 2006 The man showing you around the house, and he's perfectly nice but you wish he'd just leave. You've come here to commune with the owner of the house and it's a communion for two—three's a crowd. You've got just 24 hours, a mere 1,440 minutes, and every minute spent with this man, this property manager, is a minute wasted. Now he's leading you into the kitchen, pointing out the micro- wave. Microwave? Is he serious? Finally he hands you the keys and says he'll be back this time tomorrow. "Enjoy," he says, and you watch him drive away, the big electric gate closing slowly behind him, and all at once it's still and silent in the house, except for the voice of Frank Sinatra. Not the Sinatra piped into every room via the hidden master stereo, which the property manager has switched on for your benefit, but the real Sinatra: You hear the haunting echo of his speaking voice, because this was Si- natra's house, his home, and for one shining "night and day," you're the guest of his ghost. Twin Palms, the four-bedroom, 4,500-square-foot mini-mansion where Sinatra lived from 1947 until about 1954, sits plainly and unassumingly a mile from busy downtown Palm Springs, right off one of the city's main drags. Back when Palm Springs was a drowsy desert village, Sinatra commissioned the house to be built as the primary residence for his family, and he wanted it built fast.
    [Show full text]