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REMI ROUGH Remi Rough (b. London, 1971) SELECTED SOLO EXHIBITIONS 2018 Volume, MOCA London. London, UK Interlude (With Peter Lamb & Charley Peters, House of St Barnabas. London UK Morning Dynamics, External mural project with MTRHK and Swir Properties Arts. Hong Kong Syncopation (With LX One), Zimmerling & Jungfleisch. Saarbrucken, DE 2017 Sound pigments, Magda Danysz Gallery, Paris FR Symphony of systematic minimalism, Wunderkammen Gallery, Rome IT 2016 Post, Speertstra. Bursins CH 2015 Home, Scream Gallery. London UK 2014 Motivational Therapy, Whitewalls Gallery. San Francisco US Further Adventures In Abstraction, Soze Gallery. Los Angeles US Flow with John ‘Crash’ Matos, Dorian Grey Gallery. New York US 2013 Excuse my French with RCF1, Galerie Celal. Paris FR 2012 In the presence of Angels, Soze Gallery. Los Angeles US How to use colour & manipulate people, Unit 44 Gallery. Newcastle UK 2011 Selected Moments with Stormie Mills, Unit 44 Gallery. Newcastle UK A (with Steve More), Blackall Studios. London UK 2009 ProjectRoom (with Jaybo), ProjectRoom. Berlin DE Lost colours and alibis, Urban Angel Gallery. London UK 2008 Coded Language, Peacock Visual Arts. Aberdeen UK 2007 Repetition, Rhythm & Rough, Nancy Victor Gallery. London UK SELECTED GROUP EXHIBITIONS 2019 Graffuturism Paris, L’Alternatif. Paris FR 2018 Art from the streets, Art Science Museum, Singapore. 2017 Compendium, Treason Gallery, Seattle US Re-Define, Dallas Contemporary, Dallas US 2016 Jidar, Museé Mohammed VI. Rabat, MA MB6 Marrakech Biennale, Marrakech, MA 2015 15 Classes, St Jean De Luz FR Street Art, Fine Art, Pace Gallery London UK Public Provocations, Colab Gallery. Weil am Rhein DE Masters of Street Art, Magda Danysz Gallery. London UK Ambiguity, Zimmerling & Jungfleisch. Saarbrucken DE Urban Art Biennale, The Volklinger Huette Museum. Volklinger DE 2013 From lines into abstraction, Yves Laroche Gallery. Montreal CA Unfolding, David Bloch Gallery. Marrakech MA Graffuturism, Openspace Gallery. Paris FR Urban Art Biennale, Völklingen Museum. Völklingen DE 2012 Graffuturism, Soze Gallery. Los Angeles US Futurism 2.0, Blackall Studios. London UK .

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Feature Article} {Profile}
{PROFILE} {PROFILE} {FEATURE ARTICLE} {PROFILE} 28 {OUTLINE} ISSUE 4, 2013 Photo Credit: Sharon Givoni {FEATURE ARTICLE} Street Art: Another Brick in the Copyright Wall “A visual conversation between many voices”, street art is “colourful, raw, witty” 1 and thought-provoking... however perhaps most importantly, a potential new source of income for illustrators. Here, Melbourne-based copyright lawyer, Sharon Givoni, considers how the laws relating to street art may be relevant to illustrators. She tries to make you “street smart” in an environment where increasingly such creations are not only tolerated, but even celebrated. 1 Street Art Melbourne, Lou Chamberlin, Explore Australia Publishing Pty Ltd, 2013, Comments made on the back cover. It canvasses: 1. copyright issues; 2. moral rights laws; and 3. the conflict between intellectual property and real property. Why this topic? One only needs to drive down the streets of Melbourne to realise that urban art is so ubiquitous that the city has been unofficially dubbed the stencil graffiti capital. Street art has rapidly gained momentum as an art form in its own right. So much so that Melbourne-based street artist Luke Cornish (aka E.L.K.) was an Archibald finalist in 2012 with his street art inspired stencilled portrait.1 The work, according to Bonham’s Auction House, was recently sold at auction for AUD $34,160.00.2 Stencil seen in the London suburb of Shoreditch. Photo Credit: Chris Scott Artist: Unknown It is therefore becoming increasingly important that illustra- tors working within the street art scene understand how the law (particularly copyright law) may apply.
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Street Art – Legally Speaking
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P7464a-7480A Mrs Liza Harvey; Ms Margaret Quirk; Dr Tony Buti; Ms Simone Mcgurk; Mr Peter Tinley
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