Bradford Young Director of Photography

Total Page:16

File Type:pdf, Size:1020Kb

Bradford Young Director of Photography Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net BRADFORD YOUNG DIRECTOR OF PHOTOGRAPHY FEATURE FILM DIRECTOR PRODUCER STORY OF YOUR LIFE Denis Villeneuve Film Nation Entertainment SELMA Ava DuVernay Harpo Films Nominated, Best Picture, Academy Awards (2015) Pathé & Plan B Nominated, Best Motion Picture, Director,Actor, Golden Globes (2015) Nominated, Best Feature, Director, Cinematography, Actor, Actress, Independent Spirit Awards (2015) A MOST VIOLENT YEAR J.C Chandor Before The Door Pictures Nominated, Best Supporting Actress, Golden Globes (2015) A24 PAWN SACRIFICE Edward Zwick Gail Katz Productions Official Selection, Toronto Film Festival (2014) MICA Entertainment AIN’T THEM BODIES SAINTS David Lowery Primary Productions & IFC Winner, Cinematography Award, Sundance Film Festival (2013) Parts & Labor MOTHER OF GEORGE Andrew Dosunmu Oscilloscope Pictures Winner, Cinematography Award, Sundance Film Festival (2013) Parts & Labor Official Selection, London Film Festival (2013) MIDDLE OF NOWHERE Ava DuVernay Participant Media Winner, John Cassavetes Award, Independent Spirit Awards (2013) Nominated, Best Debut, Camerimage Film Festival(2013) Winner, Best Director, Sundance Film Festival (2012) PARIAH Dee Rees Focus Features Winner, Cinematography Award, Sundance Film Festival (2011) Parts & Labor Winner, John Cassavetes Award, Independent Spirit Awards (2012) Official Selection, Toronto Film Festival (2011) RESTLESS CITY Andrew Dosunmu Clam Productions Official Selection, Sundance Film Festival (2011) ENTRE NOS Gloria La Morte Indie Pix Studios Winner Best Narrative, Tribeca Film Festival (2009) & Paola Mendoza Lucky Hat Entertainment MISSISSIPPI DAMNED Tina Mabry Morgan’s Mark DIRECTORS/COMMERCIALS KATHRYN BIGELOW NBA MARK ROMANEK Samsung DEREK CIANFRANCE Ketel One, Carhartt BRENT HARRIS Synovus MELINA MATSOUKAS Absolut Vodka BRIAN BELETIC Chase Bank, Samsung, Bridgestone AG ROJAS Dick’s Sporting Goods ISAIAH SERET Comcast JON BEASLEY & The Aesthete ISABELLE ALBUQUERQUE DIRECTORS/ MUSIC VIDEOS ISAIAH SERET MGMT “Cool Song #2”, Norah Jones “Happy Pills” CHRIS MILK Beck “Sound and Vision” KAHLIL JOSEPH Sue Jorge “Marcello in Limbo”, “Osun and the Dream” PRESS VARIETY 10 Cinematographers to Watch (2015) .
Recommended publications
  • Graphic Design and the Cinema: an Application of Graphic Design to the Art of Filmmaking
    The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Spring 5-2016 Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking Kacey B. Holifield University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Graphic Design Commons Recommended Citation Holifield, Kacey B., "Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking" (2016). Honors Theses. 403. https://aquila.usm.edu/honors_theses/403 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi Graphic Design and the Cinema: An Application of Graphic Design to the Art of Filmmaking by Kacey Brenn Holifield A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Fine Arts of Graphic Design in the Department of Art and Design May 2016 ii Approved by _______________________________ Jennifer Courts, Ph.D., Thesis Adviser Assistant Professor of Art History _______________________________ Howard M. Paine, Ph.D., Chair Department of Art and Design _______________________________ Ellen Weinauer, Ph.D., Dean Honors College iii Abstract When the public considers different art forms such as painting, drawing and sculpture, it is easy to understand the common elements that unite them. Each is a non- moving art form that begins at the drawing board.
    [Show full text]
  • Winter 2016 January – May 2016 OVERVIEW All Year, Winter 2016 at All Free the Power Plant
    exhibitions / programs / events 1 Winter 2016 January – May 2016 OVERVIEW all year, Winter 2016 at all free The Power Plant As we enter the The Power Plant’s first For our Winter 2016 Season, The Power The Power Plant remains committed to welcom- Plant is pleased to present three solo ing a diverse public, and our seasonal roster exhibition season of 2016, we pause of education and public programs provide more to acknowledge the importance of the exhibitions by artists Patrick Bernatchez, opportunities to engage wider audiences with aLL YEAR, aLL FREE program. Leslie Hewitt and Aude Moreau, along- our current exhibitions. We welcome our French- speaking visitors to engage with artist Aude Thanks to the support of BMO Financial Group, side our Fleck Clerestory Commission Moreau and curator Louise Déry in our In Conver- the gallery is able to eliminate admission fees, by Carlos Amorales. sation series, a lecture presented in French with enabling all visitors, young and old, to access Alliance Française de Toronto. The season’s our exhibitions. Carlos Amorales’ Black Cloud, which launched our International Lecture Series will bring Sven Lütticken, Join us again this Winter and all year long at Fall 2015 Fleck Clerestory Commission Program, German author and lecturer of art history at the The Power Plant, where admission is always FREE. recreates an ecological phenomenon of the Industrial Vrije Universiteit Amsterdam, and James Lingwood Revolution by attaching thousands of black moths and Michael Morris, Co-Directors of London-based to the gallery walls, recalling The Power Plant’s past arts organisation Artangel, to Toronto.
    [Show full text]
  • Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY
    Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY Blade Runner 2049 To be released October 6, 2017 Feature film Director Dune in development Feature film Director The Son in development Feature film Director Arrival 2016 Feature film Director AWARDS Academy Awards - Won Oscar Best Achievement in Sound Editing Sylvain Bellemare - Nominated Oscar Best Motion Picture of the Year Shawn Levy, Dan Levine, Aaron Ryder, David Linde/ Best Achievement in Directing Denis Villeneuve/ Best Adapted Screenplay Eric Heisserer/ Best Achievement in Cinematography Bradford Young/ Best Achievement in Film Editing Joe Walker/ Best Achievement in Sound Mixing Bernard Gariépy Strobl, Claude La Haye/ Best Achievement in Production Design Patrice Vermette (production design), Paul Hotte (set decoration), 2017, USA BAFTA Awards - Won, BAFTA Film Award Best Sound Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare/ Nominated BAFTA Film Award Best Film Dan Levine, Shawn Levy, David Linde, Aaron Ryder/ Best Leading Actress Amy Adams/ Nominated David Lean Award for Direction Denis Villeneuve/ Nominated, BAFTA Film Award Best Screenplay (Adapted) Eric Heisserer/ Best Cinematography Bradford Young/ Best Editing Joe Walker/ Original Music Jóhann Jóhannsson/ Best Achievement in Special Visual Effects Louis Morin, UK, 2017 AFI Awards – Won AFI Awards for Movie of the Year, USA, 2017 ARRIVAL signals cinema's unique ability to bend time, space and the mind. Denis Villeneuve's cerebral celebration of communication - fueled by Eric Heisserer's monumental script - is grounded in unstoppable emotion. As the fearless few who step forward for first contact, Amy Adams, Jeremy Renner and Forest Whitaker prove the imperative for finding a means to connect - with awe- inspiring aliens, nations in our global community and the knowledge that even the inevitable loss that lies ahead is worth living.
    [Show full text]
  • Announcement
    Announcement 73 articles, 2016-05-17 06:03 1 Remembering Martin Friedman (1925–2016) — Magazine — (1.04/2) Walker Art Center Martin Friedman, the director of the Walker Art Center from 1961 to 1990, passed away May 9, 2016, at age 90... 2016-05-16 21:33 15KB www.walkerart.org 2 Sotheby’s to Offer Picasso’s Cubist Masterwork ‘Femme assise’ in London Sotheby’s will offer Pablo Picasso’s seminal early cubist portrait “Femme assise” 1909, one (1.03/2) of the artist’s most important cubist works, during its June 21 Impressionist & Modern Art Evening Sale in London. 2016-05-16 19:34 1KB www.blouinartinfo.com 3 Curator’s Choice: Koyo Kouoh Koyo Kouoh is the curator of EVA International, Ireland’s Biennial. 2016-05-16 22:07 2KB www.blouinartinfo.com (1.02/2) 4 Editors' Picks: 8 Art Events to See This Week From sound artists dismantling power structures at the New Museum to Terrence Koh's art world return, we've got your itinerary covered. 2016-05-16 17:06 5KB news.artnet.com (1.02/2) 5 EU Withdraws Italy's Cultural Funding The EU has withdrawn $57.6 million in cultural funds after several southern regional authorities failed to spend the money. 2016-05-16 15:49 3KB news.artnet.com (1.02/2) 6 anglepoise scales-up its 1930s desk light with giant lamp collection anglepoise debuts the 'giant collection' of triple scale desk lamps during new york design (1.00/2) week 2016 at ICFF. 2016-05-17 00:15 1KB www.designboom.com 7 Jonathan Saunders Named Chief Creative Officer at DVF Saunders takes up first official role after shuttering business.
    [Show full text]
  • 89Th Oscars® Nominations Announced
    MEDIA CONTACT Academy Publicity [email protected] January 24, 2017 FOR IMMEDIATE RELEASE Editor’s Note: Nominations press kit and video content available here 89TH OSCARS® NOMINATIONS ANNOUNCED LOS ANGELES, CA — Academy President Cheryl Boone Isaacs, joined by Oscar®-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards® nominations today (January 24). This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23. For a complete list of nominees, visit the official Oscars website, www.oscar.com. Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees. Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21. To access the complete nominations press kit, visit www.oscars.org/press/press-kits. The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m.
    [Show full text]
  • SHOOT Digital PDF Version, May 17, 2013, Volume 54, Number 5
    AICE Award www.shootonline.com May 17, 2013 $7.00 Winners; Hall of Fame 6 Producer Perspective: House of Cards 8 w Directo Ne rs T S The Next Generation O h O o w H S c a e s h of Filmmakers e T • • SHOOT’s 11th Annual New Directors Showcase; T he 13 Meet The Class of 2013 15 Class of 20 Cinematographers & Cameras Series 10 Short Takes 4 Perspectives The Leading Publication For Commercial, Branded Content & Entertainment Production May 17, 2013 spot.com.mentary By Robert Goldrich Volume 54 • Number 5 www.SHOOTonline.com EDITORIAL Publisher & Editorial Director Flashback Roberta Griefer 203.227.1699 ext. 13 [email protected] Editor Robert Goldrich Our ongoing, long- Angeles. The situation was dire as cystic um, Robbyn sent an email to me a couple 323.960.8035 ext. 6681 [email protected] running Flashback fibrosis had significantly decreased Rob- of weeks ago, noting that the 10-year an- Contributor feature looking back at byn’s pulmonary functions and her life niversary of her lung lobes transplant is Christine Champagne SHOOT headlines five was in jeopardy. fast approaching. “Not too bad, right?” ADVERTISING Display Advertisng Inquires and 10 years ago provides perspective, a Thankfully, we followed up with good she wrote. [email protected] 203.227.1699 ext. 13 stroll down memory lane, and occasion- news just four months later as two of her It’s a happy flashback and a reality/pri- Advertising Production ally a chuckle or two as we see how things brothers proved to be a transplant match ority check for us, serving as a reminder Gerald Giannone have changed or not changed, progressed and Robbyn was recovering nicely—to of what’s truly important, particularly as 203.227.1699 ext.
    [Show full text]
  • Pariah (2011): Coming out in the Middle
    Swarthmore College Works Film & Media Studies Faculty Works Film & Media Studies 2015 Pariah (2011): Coming Out In The Middle Patricia White Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-film-media Part of the Film and Media Studies Commons Recommended Citation Patricia White. (2015). "Pariah (2011): Coming Out In The Middle". US Independent Film After 1989: Possible Films. 133-143. https://works.swarthmore.edu/fac-film-media/50 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Film & Media Studies Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. chapter 13 Pariah (2011): Coming Out in the Middle Patricia White arly headlines from the 2011 Sundance Film Festival trumpeted Focus EFeatures’ acquisition of Dee Rees’ Pariah after the film screened on the festival’s opening night. The deal offered by the specialty division of Universal was reported to be in the ‘seven figure range’ (Fleming 2011). The film’s executive producer Spike Lee, the launch at the hit- making festival and the studio- affiliated distributor put this case study firmly within the realm of commercial- independent cinema that has evolved in the US since the 1980s (see Perkins 2012). Yet Pariah is as oriented toward community as it is toward commerce, and festival buzz is only one dimension of its publicity. Made by first- time director Dee Rees for under US$500,000, Pariah tells the story of a sensitive African American lesbian’s coming of age and to terms with parental and peer expectations in current- day Brooklyn.
    [Show full text]
  • 89Th ACADEMY AWARDS® BALLOT
    89th ACADEMY AWARDS® BALLOT Check out live results during the IMDb LIVE Viewing Party, an Academy Awards companion show, at 5 p.m. Feb. 26 on IMDb.com. Name ¨ B BEST ACHIEVEMENT BEST ACHIEVEMENT The Lobster 14 20 Yorgos Lanthimos and Efthymis Filippou IN COSTUME DESIGN IN VISUAL EFFECTS ¨ Manchester by the Sea ¨ Allied ¨ Deepwater Horizon Total Correct Kenneth Lonergan Joanna Johnston Craig Hammack, Jason H. Snell, ¨ 20th Century Women ¨ Fantastic Beasts and Jason Billington and Burt Dalton /24 Mike Mills Where to Find Them ¨ Doctor Strange Colleen Atwood Stephane Ceretti, Richard Bluff, BEST ADAPTED ¨ Florence Foster Jenkins Vincent Cirelli and Paul Corbould BEST MOTION PICTURE 08 01 Consolata Boyle ¨ OF THE YEAR SCREENPLAY The Jungle Book Robert Legato, Adam Valdez, ¨ Arrival ¨ Jackie ¨ Arrival Madeline Fontaine Andrew R. Jones and Dan Lemmon Shawn Levy, Dan Levine, Aaron Ryder Eric Heisserer ¨ La La Land ¨ Kubo and the Two Strings and David Linde ¨ Fences Mary Zophres Steve Emerson, Oliver Jones, Brian McLean ¨ August Wilson Fences and Brad Schiff Todd Black, Scott Rudin and Denzel Washington ¨ Hidden Figures Allison Schroeder and Theodore Melfi BEST ACHIEVEMENT IN ¨ Rogue One ¨ Hacksaw Ridge 15 John Knoll, Mohen Leo, Hal T. Hickel and ¨ Lion MAKEUP AND HAIRSTYLING Bill Mechanic and David Permut Neil Corbould Luke Davies ¨ ¨ Hell or High Water A Man Called Ove ¨ Moonlight Eva Von Bahr and Love Larson Carla Hacken and Julie Yorn BEST DOCUMENTARY Barry Jenkins and Tarell Alvin McCraney ¨ Star Trek Beyond 21 ¨ Hidden Figures FEATURE Peter
    [Show full text]
  • BLACKWING7 from Tribe7
    BLACKWING7 from Tribe7 Black Blackwing7 Brushed Aluminum Blackwing7 Binary Top view BLACKWING7 Specs BLACKWING7 Primes Focal lengths 27, 37, 47, 57, 77, 107, 137 mm Tuneable optics. Seven focal lengths in the initial set. A choice of Aperture T1.9 -T22 for all 3 looks. Custom tuning by design and by appointment. Looks S: Medium focus roll-off, medium flare BLACKWING7 prime lenses will be available to order exclu- T: Heavy focus roll-off, medium flare sively from TRIBE7 beginning March 2019, with production X: Heaviest focus roll-off, high flare deliveries starting in Summer 2019. Additional focal lengths— Lens Coating Single and multi-layer anti-glare including wide angle, macro, close focus and faster T-stop ver- Anti-reflection Fixed on S version sions—will be developed during late 2019 and ship in 2020. Tuneable on S, T, X versions BLACKWING7 binaries Iris 14 blades, Circular Ten sets of first-edition lenses will ship from March 2019 to se- Image Circle 48mm Ø Full Illumination (Full Frame / VV format) lect clients: initially 37, 57 and 77 mm, with the rest delivering by Illumination 60mm Ø (65mm Format Coverage, except September 2019. The BLACKWING7 binaries are slightly faster 27mm) at T1.8, but have the same response and overall image qualities as Image Distortion Within -4% to + 0.5% (FF /VV) final production lenses. The housings have a polished aluminium Transmission 420nm to 680nm waveband finish. They have T-tuned characteristics with exaggerated flaring Breathing < 4% magnification shift from ∞ to close focus because of selective lens element coating. Mount PL mount (other options on request) Focus Scale Windowed left / right, Imperial (Metric on request) Looks & Pricing Focus Barrel 270° rotation • S-tuned BLACKWING7 lenses begin at US$ 10,000 each.
    [Show full text]
  • Middle of Nowhere
    MIDDLE OF NOWHERE Written and Directed by Ava DuVernay WINNER! BEST DIRECTOR AWARD SUNDANCE FILM FESTIVAL 2012 PRESS CONTACT: Tilane Jones | AFFRM | 818.995.0050 | [email protected] PRESS QUOTES NEW YORK TIMES January 27, 2012 | "Amazing Child, Typical Grown-Ups" by Manohla Dargis "Further under the radar though far more successful is "Middle of Nowhere," a heartfelt, slow to build, slow to burn drama from Ava DuVernay about a young married woman, Ruby (Emayatzy Corinealdi), keeping body and soul together while her husband, Derek (Omari Hardwick), serves out his sentence in a California prison. Working with the terrific cinematographer Bradford Young, Ms. DuVernay fills her movie with long shots and meticulously framed images of casual beauty that reflect the quietly evolving inner life of her heroine." LOS ANGELES TIMES January 30, 2012 | "Sundance Film Festival: From 'Beasts' to 'Ice,' wonder wins out" by Kenny Turan "…At the other end of the spectrum is "Middle of Nowhere," winner of the U.S. drama directing prize for Ava DuVernay. This is classic filmmaking of a completely different sort…" THE HOLLYWOOD REPORTER January 20, 2012 | Review by John DeFore "Strong performances and a restrained script sell drama about a couple separated by prison walls. Solidly crafted by budding writer-director Ava DuVernay, it should find a warm reception at fests and in a niche theatrical run." LOS ANGELES TIMES January 20, 2012 | "Meaty Roles for Black Actors in MIDDLE OF NOWHERE" "It's a real challenge to find African American characters with depth," Oyelowo said at a post-screening Q&A, "But when I read this, it was just like 'Do the Right Thing,' or 'She's Gotta Have It,' the characters just lept off the page...
    [Show full text]
  • Nyc | 2010 Watch It
    Presented By SEPTEMBER 15-19 | NYC | 2010 WATCH IT. FEEL IT. REPORTING A half-hour special featuring Steve Harvey. PREMIERES SUNDAY, SEPTEMBER 26 10P/9c CONNECTING Major Guests. Big laughs. Thanks to Mo’Nique, late night feels good again. ALL-NEW EPISODES PREMIERE OcTOBER 4 WEEKNIGHTS 11P/10c REPRESENTING This awards show has the year’s best in hip hop down to a science. Watch the elements ignite. HOSTED BY MIKE EPPS PREMIERES TUESDAY, OcTOBER 12 8P/7c CELEBRATING Don’t miss this one-of-a kind tribute to our phenomenal sisters. SEPTEMBER 15-19 PREMIERES SUNDAY, NOVEMBER 7 8P/7c | NYC | 2010 UW10_ProgrammingAd.indd 1 BET.com 9/8/10 11:31 AM 2010 URBANWORLD FILM FESTIVAL FIVE YEARS LATER. FACING ANOTHER MAN-MADE DISASTER BUT STILL MARCHING ON. Festival Sponsors 4 Founder & Staff 5 Letter From The Executive Producer 6 Letter From The Presenting Sponsor 9 Schedule Of Events 14 Venues Map 15 Urbanworld Digital 16 Live Screenplay Readings 18 Special Screenings 21 Narrative Features 34 Documentary Features 41 Narrative Shorts 46 Documentary Shorts 66 Festival Jurors 72 Screening Schedule 78 Print Source Index 80 Acknowledgements 86 A SPIKE LEE JOINT ® THE FOLLOW-UP TO THE EMMY-WINNING “WHEN THE LEVEES BROKE” SEE IT ANYTIME ON HBO ON DEMAND® © 2010 Home Box Office, Inc. All rights reserved. HBO® and related channels and service marks are the property of Home Box Office, Inc. TABLE OF CONTENTS | 3 2010 URBANWORLD FILM FESTIVAL 2010 URBANWORLD FILM FESTIVAL FESTIVAL AMBASSADOR PRESENTING SPONSOR Kerry Washington FOUNDER Stacy Spikes EXECUTIVE PRODUCER
    [Show full text]
  • FDT Free Access
    The Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmV- VVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge Format- Full FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVV- VistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFTheJon Fauer ASC Big PictureLeica FormatLarge FormatFull FrameFull Format65mmVVVistaVisionVistaVisionish24x36LFThe
    [Show full text]