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Official Albums Chart Rules
Rules for Chart Eligibility Albums January 2020 Official Charts Operations Team 020 7620 7450 [email protected] www.officialcharts.com Rules for Chart Eligibility January 2020 INTRODUCTION The following Chart Rules exist to determine eligibility for entry into the Official UK Album Charts. The aim of the Rules is to protect the integrity of the Charts and to ensure that they are an accurate reflection of the popularity of each recording by reference to genuine transactions. The Rules apply equally to all companies issuing and/or distributing recordings. They set out the conditions on which an album will be eligible for inclusion in the Chart. The rules also apply to the UK’s Official genre charts, subject to variation where appropriate. It should be noted that record companies and distributors remain free to package and market their products in any way they choose. However, releases which do not comply with the Rules will not be eligible to be included in the Chart. The Chart Rules are issued by the Official Charts Company in conjunction with the Chart Supervisory Committee (CSC) under the supervision of the Official Charts Company board. The Official Charts Company is responsible for interpreting and applying the Chart Rules on a day-to-day basis under the supervision of the CSC. The Official Charts Company may, at its discretion, refer any matter concerning the interpretation of the Chart Rules with respect to one or more recordings to the CSC, a designated sub-committee of the CSC or the board, for a decision. The decision of the board will be final. -
Years and Years
Years and Years Years & Years are a three-piece synthpop band, founded in London. Years & Years’ music has been described as electropop, mixing R&B and 1990s house elements. The band’s first studio album,Communion , debuted at number one on the UK Albums Chart in July 2015 and was the fastest-selling debut album of the year from a UK signed band. Their biggest hit single King reached number one in the UK Singles Chart in March 2015, and peaked within the top ten of the charts in Australia, Austria, Bulgaria, Denmark, Germany, Luxembourg, the Netherlands, Ireland and Switzerland. Martha Kinn of Machine Management reflects on how Momentum made a difference to the rapid success of Years & Years. We were at a point where we’d reached the end of the line in terms of what we could do with our own resources. We had a real vision. We had a bit of a fan-base forming; they started to write amazing songs. We wanted to keep going independently. I remember the question (in the Momentum form) “where do you see the band in 3 years time”? We achieved that and more… Momentum funding enabled the band – then unsigned - to go on tour and campaign to further build their audience and profile. The vision was: To have a top ten single and album; to be commercially and creatively credible. We wanted to sell out Brixton. We ended up doing Brixton twice. Martha sees Momentum funding as giving the band additional space and time to develop – its sound, audience and profile – before being signed by a label: The funding gave us an extended life of independence. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
The Rockmelons
DYNAMITE – SONG LIST I GOTTA FEELING (Black Eyed Peas) SEPTEMBER (Earth, Wind & Fire) I LOVE THE NIGHT LIFE (Alicia Bridges) SET FIRE TO THE RAIN (Adelle) AIN'T NO SUNSHINE (The Rockmelons) I WAS MADE FOR LOVING YOU (Kiss) SEX ON FIRE (Kings of Leon)S AIN'T NOBODY (Chaka Khan) I WILL SURVIVE (Gloria Gaynor) HACKLES (Mary Mary) SHAKE YOUR ALL OF ME (John Legend) I WISH (Stevie Wonder) BOOTY (KC & The Sunshine Band) ALL OF ME (Michael Buble) IF I AIN'T GOT YOU (Alicia Keys) SHAKE YOUR TAILFEATHER (The Blues Brothers) APRIL SUN (Dragon) IF YOU COULD READ MY MIND (Studio 54) SIGN SEALED DELIVERED (Stevie Wonder) BEAUTIFUL (Disco Montego) INTO THE GROOVE (Madonna) SIMPLY THE BEST (Tina Turner) BEEN AROUND THE WORLD (Lisa Stansfield) INTO THE NIGHT (Santana) SING IT BACK (Moloko) BILLIE JEAN (Michael Jackson) JUST THE WAY YOU ARE (Bruno Mars) SMOOTH (Santana) BROADWAY (George Benson) KHE SANH (Cold Chisel) SO WHAT (Pink) BOOGIE OOGIE OOGIE (A Taste of Honey) KIDS (Kylie Minogue & Robbie Williams) SOMEONE LIKE YOU (Adele) BROWN EYED GIRL (Van Morrison) KILLING ME SOFTLY (The Fugees) STAYING ALIVE (Bee Gees) CAN'T GET ENOUGH OF YOUR LOVE (Barry White) KISS (Tom Jones) STILL HAVEN'T FOUND WHAT I'M LOOKING FOR (U2) CAN'T GET YOU OUT OF MY HEAD (Kylie Monique) KNOCK ON WOOD (Amii Stewart) SUMMER OF '69 (Bryan Adams) CHAIN OF FOOLS (Aretha Franklin) LA BAMBA (Los Lobos) SUNDAY MORNING (Maroon 5) CLOSER (Ne-Yo)CRAZY (Gnarls Barkley) LADY MARMALADE (Patti La Belle) SUPERSTITION (Stevie Wonder) CRAZY IN LOVE (Beyonce) LE FREAK (Chic) SUPA DUPA LOVE (Joss -
A Very Small Ledge: a Personal Reflection Jessica Couch University of Kentucky
Kaleidoscope Volume 1 Article 7 2002 A Very Small Ledge: A Personal Reflection Jessica Couch University of Kentucky Follow this and additional works at: https://uknowledge.uky.edu/kaleidoscope Part of the Creative Writing Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Couch, Jessica (2002) "A Very Small Ledge: A Personal Reflection," Kaleidoscope: Vol. 1, Article 7. Available at: https://uknowledge.uky.edu/kaleidoscope/vol1/iss1/7 This Article is brought to you for free and open access by the The Office of Undergraduate Research at UKnowledge. It has been accepted for inclusion in Kaleidoscope by an authorized editor of UKnowledge. For more information, please contact [email protected]. AUTHOR Jessica Couch I am a junior English major and Women’s Studies A Very Small Ledge minor. For the three semesters that I have been at UK, I have been on the Dean’s List with a 4.0 average. Also, I A Personal Reflection just received a $1000 merit scholarship from the College of Arts and Sciences. In this personal essay, “A Very Small Ledge,” I reflect upon the alcoholism prevalent in my closest relatives, while also examining my own drinking habits. I juxta- pose anecdotes of family members with my own experi- Somewhere, spiraling in the tightened coils of my ences of alcohol. In the end, I conclude that my family’s genetic code, a hidden culprit attaches with in- habits, however detrimental, do not curb my own. In exorable force to my x chromosomes like a rabid this self examination, I realize that I choose to live on a dog to a helpless child — the dominantly diseased very small ledge. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Longneck Bottle
Longneck Bottle Count: 64 Wall: 4 Level: Intermediate Choreographer: Alan Haywood (UK) - January 2008 Music: Longneck Bottle - Garth Brooks : (Album: The Ultimate Hits) Intro – quick start (4 seconds only), start on the word ‘bottle’ Section 1 L back, hold, rock back R, recover L, R forward lockstep, hold 1 - 2 Step back onto left, hold for one count 3 - 4 Rock back onto right, recover weight forward onto left 5 – 6 - 7 - 8 Step forward onto right, lock left behind right, right forward, hold for one count Section 2 L forward slow mambo, hold, triple ½ R, hold 1 – 2 – 3 - 4 Rock forward onto left, recover weight onto right, step left next to right, hold for one count 5 – 6 – 7 – 8 Make a ½ turn right stepping right left right, hold for one count (6 o’clock) Section 3 2 x slow vaudervilles 1 – 2 – 3 – 4 Cross step left over right, right side, touch left heel diagonally left, step left next to right 5 – 6 – 7 - 8 Cross step right over left, left side, touch right heel diagonally right, step right next to left Section 4 L forward slow mambo, hold, R behind, L ¼ L, ½ L, hold 1 – 2 – 3 – 4 Rock forward onto left, recover weight onto right, step left next to right, hold for one count 5 – 6 Step right behind left, step left ¼ left 7 - 8 Pivot ½ turn left stepping back onto right, hold for one count (9 o’clock) RESTART HERE WALLS 2 & 5 Section 5 L back, hold, rock back R, recover L, R side rock, recover L, cross R over, hold 1 - 2 Step back onto left, hold for one count 3 - 4 Rock back onto right, recover weight forward onto left 5 – 6 Rock right -
This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN -
Chord-Book-Official-CSL-2018
1 Table of Contents Shabbat Z’mirot .................................................................................................................................... 5 Kabbalat Shabbat/Maariv .................................................................................................................... 6 Shacharit............................................................................................................................................... 12 Havdalah .............................................................................................................................................. 20 Prayer for the State of Israel .............................................................................................................. 23 Prayer for our Country....................................................................................................................... 23 Hatikvah ............................................................................................................................................... 24 59th Street Bridge Song [Feelin’ Groovy] ............................................................................................. 25 After the Gold Rush............................................................................................................................... 26 All My Loving....................................................................................................................................... 27 American Pie ........................................................................................................................................ -
THE OFFICIAI UK SINGLES CHART | *0Wèêêêm TOP 75 7 MARCH 1998 111 ■1 |Ê» 5N ^A Iartist? L(Producer)
THE OFFICIAI UK SINGLES CHART | *0WèêêêM TOP 75 7 MARCH 1998 111 ■1 |Ê» 5n ^a IArtist? L(Producer) . Publisher (Wnter} Label QD/Cass (Distributor)7712* ê„ |^ i„ ArtistTille (Producer) Publisher (Writer) Label CD/Cass (Distributor)7"/ir riTLES A-Z P H m™ FROZEN Maverick W 0433CD/W 0433C (W)| oQQ o lî^îll(nfwI QMANueon pefl BEHIND (R,iey| Various THE IRIIey/Woliers/Gailher/Smith) MUSIC InterscopelNDSSSeZ/lNC95562(BMG) -/INT 95562 39 = 3 PLANET LOVE ^ ^ ^ ^ ^ PositivaconvssncnvM(El 2 2 ! MYHEARTpWILL£OON ★ m Epte 6655472W55474/-/-ISM) 40 ' jBAMBOOGIEG f ^ vc Recordings VCRD2afl/CRCM(| oO , 2 ComershopBR1MFUL (Sinph) OF Wiiija/Momentum ASHA • ISinqh) wiiiiawijsiCD/wusiMciv)WIJ 81/- 41 - 2 GOOD ENOUGH (LA VACHER w Ma^rky/Big Lte MLKO 5/MLKC MP) ÛInëwI1 1 THE BALLAD OFTOM JONES GutCDGumcAGUTtsW) 3 SEXY BOY ^ ^ Virgin VSCDl 1672/VSC^I67^Ej T" Space wilh Cerys of Cataionia (Wheatley) Gut/Hit & Run (Scott/Space) -/- 42 »26 g4 2 TRULY MADLY DEEPLY Colombie66M22/6656024ISMI 43 5 AaronCRAZY Conor LITTLE (Ca.ollal Sony PARTY ATV/tdnmn GIRL M.,,a,mo Ultra iCnalrn Pop/Edcl0099645 ri./Ann'ra,,;,:! ULT/I)099519 ULT(P) C 3 5 DOCTOR JONES* UnivemalUMD80457/UMC80457IBMG) 44 30 3 LOCAL BOY IN THE PHOTOGRAPH • ■ zkr'* 7 jNEw] HOW 00 1 LIVE ^ ^ ' CurbCUBCX30/CUB2 30(GRPV/F) 45 [NEW] MIYAKO HIDEAWAY ( ^ LondonLONGO^oJMF) Oi) [Nra/lLiïHÎJ RobynSHOW (Pop/Martin) NIE LOVE Heavy Rotalion/Cheiron/BMG (Robyii/Mattinlrca74321555032/74321555034 -/74321555031 ibmgi HU/ifiiNFwl UlEllJ BlackMARBLES Grape (Sabre/Volaitis/Rydef) Distilîed/WC/EMl/MCAIRydef/Sabre/'Manmado)RadioactiveRAXTO33/-(BMG) -/RAXTSS HSB"";:. " i 32 LEGEND OF A COWGIRL Columbia665601S/66560I4/-/-(SMI/ g s 2 BE A10NE NO MORE ^ No^we^743215^38OT4M3215M74(BMG) 47 7 Irrani Coppola (Mangini) BMG/Peermiisic/Tsanoddnos/Ens:qn/AsT.bei'<'?amous.Dono-/an (Cocpoîa/Manqin-Aeach) | z.