2017–2018 ANNUAL REVIEW

Kotler-Coville Glass Pavilion THANK YOU! GOVERNOR The Honorable Rick Scott The 2017–2018 year was unusual and extraordinary. It is my FLORIDA STATE UNIVERSITY John E. Thrasher pleasure to share with our valued supporters this publication President which highlights the many activities of the John and Mable Dr. Sally E. McRorie Ringling Museum of Art from July 2, 2017 to June 30, 2018. Provost On March 2nd, nearly 200 supporters of The Ringling gathered EXECUTIVE DIRECTOR Steven High for a special evening at Ca’ d’Zan as we announced publicly the details of The Ringling Inspires: Honoring the Legacy and Building BOARD OF DIRECTORS Nancy J. Parrish, Chair for the Future campaign. This historic $100 million comprehensive Judith F. Shank, Vice Chair campaign ensures the legacy of John and Mable Ringling remains Jeffrey R. Hotchkiss, Treasurer Sarah H. Pappas, Secretary preserved for future generations of the Sarasota community. As such, our 10,000 member households and foundation partners Ellen S. Berman Thomas J. Charters made record contributions to The Ringling this year to support Warren R. Colbert, Sr. a diverse selection of exhibitions, incredible performances, and Daniel J. Denton Rebecca Donelson educational opportunities which I am proud to highlight for you in Kenneth J. Feld Frances D. Fergusson this publication. Your support also helped us weather the challenge Darrel E. Flanel of Hurricane Irma, whose impact forced us to close to the public Margaret Dunwoody Hausberg Robert D. Hunter for nine days while we cleared our grounds and reestablished Thomas F. Icard, Jr. electrical power. This was the longest closure since the 1960s Dorothy C. Jenkins Thomas W. Jennings, Jr. but luckily, the impact of the storm was less than expected and James A. Joseph recovery efforts by our dedicated staff enabled us to be ready to Michael A. Kalman Nancy Kotler open once power was restored. Despite the storm, The Ringling’s Patricia R. Lombard attendance once again exceeded 400,000 visitors and our Lisa A. Merritt Tina Shao Napoli financial position is stronger than ever in our history. I hope you Michael R. Pender Margaret A. Rolando enjoy reviewing our accomplishments over the past year. Javi Suarez Edward M. Swan, Jr. Howard C. Tibbals Thank you, dear members, for your support and belief in Larry A. Wickless The Ringling and, as always, I hope to see you at The Ringling

EX-OFFICIO BOARD MEMBERS many times this season. David Schuler, Chair, Volunteer Services Advisory Council Leslie Young, Chair, Docent Advisory Council Elizabeth Dimmitt, Steven High Community Representative to the Board Executive Director

5401 Bay Shore Road The Ringling’s attendance once again Sarasota, FL 34243 941.359.5700 exceeded 400,000 visitors and our financial ringling.org position is stronger than ever in our history. Accredited by the American Alliance of Museums

Left: Curvae in Curvae (2012) by Beverly Pepper newly installed in front of the Museum of Art. Promised gift of Keith D. and Linda L. Monda.

2 ringling.org 3 FINANCES

The Ringling consistently demonstrates fiscal diligence by ending every year with a surplus.

Between 2011 to 2018 our budgets grew from $12.75 million to $20 million. With the 2017–2018 fiscal year, our operating funds ended the year at $20.6 million in revenue, exceeding our budget by 4%, $20 million in expenses, 1% increase over budgeted. With fund transfers for Acquisitions ($152,250), we ended the fiscal year with a surplus of $536,421.

ATTENDANCE 403,119 38% Earned Revenue VISITORS TOTAL REVENUE  37% Appropriated Funds $20,697,619 17% Endo wment & Donations

8% Membership IN TOTAL $20.6 M REVENUE $20.1 M EXPENSES

TOTAL 70% Program Expenses EXPENSE $536 K $20,161,198  28% Administrative Expenses SURPLUS 2% Fundraising Expenses $1.5 M DRAW FROM ENDOWMENTS

ENDOWMENTS

The Ringling’s combined endowments (The John & Mable Ringling Museum of Art Foundation and the Florida State University Foundation) at year-end totaled $38.9 million with the annual draw from the endowments this fiscal year of $1.5 million.

4 ringling.org 5 PERFORMANCE

The world premiere of Circus: Wandering City by the esteemed string quartet, 2017–2018 held the Grand Finale ETHEL was received with great acclaim while Chucho Valdés, the Grammy of The Ringling International Arts award winning Cuban pianist did not fail to please as he drew cheers from audiences that included many from the Latin community. In Bird’s Eye View, Festival. It was a year of dynamic the two-time Grammy winning Turtle Island Quartet, paid homage to the encounters and an exploration of visionary brilliance of jazz saxophonist Charlie Parker. The series concluded with I 25 Giri, a brilliantly talented middle-school choral ensemble from world music through the innovative Montebelluna, Treviso—just minutes from the village of Asolo, Italy. programming of New Stages. A final tabulation: more than 50 guest artists from eight nations were presented in thirteen genre-defying productions. Additionally, performances on screen and on stage were held in conjunction with exhibitions, such as Toni Dove: Embodied Machines, National Theatre Live, The Royal Ballet and Artist Series of Sarasota throughout the year. Furthermore, in conjunction ART OF The final Ringling with Ringling Underground a series of performances were curated featuring PERFORMANCE International Arts Festival local spoken word artist Cedric Hammed who lead spontaneous poetry presented twenty-five performances. Makoto Hirano and Danielle Gatto presented their latest performances of seven Booth, Phone Booth, which allowed participants to “phone” anyone alive/ stage productions over dead/fictitious using an old phone receiver. College students interpreted 50 four days. Programming the theme of the visual art exhibition Dangerous Women through dance as GUEST ARTISTS expanded throughout an homage to the paintings and etchings of the daring women that traveled The Ringling campus Left: SOMI, photo by Robert Allen Mayer from our galleries to the Frost Museum of Art in Miami. In total, over 150 extending out beyond the Below: ETHEL, photo by Zach Gross performances of 25 productions were staged throughout the year. 8 traditional theater venues NATIONS and featuring artists that were both local and from around the globe. The 13 Ringling Circus Museum PRODUCTIONS hosted Monica Bill Barnes & Company performing Happy Hour and Iranian playwright Nassim Soleimanpour’s White Rabbit Red Rabbit. Italy’s eVenti Verticali performed WANTED in the Asian Pavilion Courtyard, while the Turrell Skyspace and the Huntington Gallery of the Museum of Art were enlivened with contemporary IN TOTAL music performed by local ensemblenewSRQ. The Historic Asolo @ THE RINGLING Theater continued as the nucleus of the festival hosting a vibrant array of inventive artists such as Volker Gerling, who presented his intimate, yet broadly-revealing, “thumb cinema.” Sarasota native James McGinn presented the audience with Ing an Die an operatic 150 piece that confronted audiences with a restrained performativity PERFORMANCES of post-modernism, ballet and contemporary dance. From Zimbabwe came Nobuntu, the acclaimed a-cappella quintet with a program featuring Zimbabwean folksongs, Afro Jazz, and Gospel. 25 Nobuntu transcended racial, tribal, and religious boundaries and PRODUCTIONS brought Ringling audiences to their feet.

After RIAF closed, our Art of Performance season continued with New Stages: A World of Music, a series of global music featuring ensembles from Europe, South America, and the US. Hailing from Sweden, Awake Love Orchestra made their US debut at The Ringling in November, presenting their unique fusion of music. Somi, a singer/songwriter, who calls Harlem’s vibrant immigrant community of “Little Africa” home, performed Petite Afrique a song cycle inspired by her experiences as a first generation American.

6 ringling.org 7 EXHIBITIONS

Skyway: A Contemporary Collaboration JUN 24 – OCT 15, 2017 This exhibition was not only a celebration of artistic practice in the Tampa Bay area, but also an exercise in collaboration as it was shared among three institutions: The John and Mable Ringling Museum of Art, Sarasota; the Museum of Fine Arts, St. Petersburg; and the Tampa Museum of Art. Working together, curators from these institutions provided context for the diversity of art being made in Hillsborough, Manatee, Pinellas, and Sarasota Counties. Works in the exhibition were selected from an open call by museum curators and a visiting juror.

Extraordinary Animals SEP 22, 2017 – JAN 14, 2018 Although not as highly advertised as their exotic counterparts, domesticated animals including dogs, cats, and birds are popular Photos, top to bottom: performers in the circus ring. Horses, pigs, and goats also have been Ai Weiwei: Circle of Animals/Zodiac Heads Ai Weiwei, Circle of Animals/Zodiac Heads: Bronze, trained to perform astonishing displays of intelligence and feats of JUN 9, 2017 – JUN 1, 2018 2010. Loaned courtesy of a Private Collection. Celestial Horse, China, Han dynasty (25-220 CE). skill. These animal acts rely on the combination of the familiar with Sculptor, photographer, installation artist, architect, and social Bronze with traces of polychrome, 44 ⅞ × 34 ½ × the unexpected to entertain. Posters celebrating the remarkable 14 ½ in. Gift of Ruth and Bruce Dayton, 2002.45. activist, Ai Weiwei is one of the most renowned artists working Photo: Minneapolis Institute of Art intelligence and highly developed skills of these four-legged today. This installation on the grounds of The Ringling featured 12 performers once covered walls and fences across America. bronze Zodiac Heads arranged in an arc at the western edge of the Museum of Art. Circle of Animals/Zodiac Heads was inspired by Aftermath: The Fallout of War in the Middle East the fabled fountain-clock of the Yuanming Yuan, an 18th-century OCT 15, 2017 – JAN 21, 2018 imperial retreat just outside Beijing. In 1860, the Yuanming Yuan was ransacked by French and British troops, and the heads were Active in the US and Middle East, the artists in this exhibition depict pillaged. In re-interpreting these objects on an oversized scale, Ai the conditions and people caught in the crossfire of wars in Iraq, Weiwei focuses attention on questions of looting and repatriation, Afghanistan, Syria, Lebanon, Libya, Palestine, and Israel from a variety while extending his ongoing exploration of the ‘fake’ and the copy of perspectives. The artists included in Aftermath are Lynsey Addario, in relation to the original. He states that each piece is “a copy of Jananne Al-Ani, Jennifer Karady, Gloriann Liu, Rania Matar, Eman an original, but not an exact copy—something that has its own Mohammed, Farah Nosh, Suzanne Opton, Michal Rovner, Stephen sensitive layer of languages, which are different, and that Dupont, Ben Lowy, and Simon Norfolk. Aftermath was organized by bear the mark of our time.” Organized by The Ringling the Samuel P. Harn Museum of Art at the University of Florida. together with the AW Asia Foundation, New York. Approaching the Border Eternal Offerings: Chinese Ritual Bronzes NOV 5, 2017 – JAN 21, 2018 from the Minneapolis Institute of Art Approaching the Border presented five international artists who JUN 9 – SEP 10, 2017 explore the complicated facets of the US-Mexico border, a zone where the political is intensely palpable. Their works meditate on the Demonstrating The Ringling’s continuing commitment to the social and political phenomena of the border and the significance of study of Asian art, Eternal Offerings showcased nearly 100 borders in an era when migration and the reemergence of nationalism Chinese bronze objects from the Minneapolis Institute of Art. are key global issues. Some of these artists stage their work in the The exhibition highlights the manner in which bronze objects physical space of the borderlands, in México or the US, and expose were employed to conduct religious rituals, record significant the sociopolitical realities that manifest on each side of the boundary. events, and represent elite status from the Shang through Other projects meditate on the power of borders as powerful signifiers Han dynasties (1600 BCE to 220 CE). Several of the works in and means of division as they construct national identity. the exhibition pointed to the various types of rituals—including ancestral, funereal, and musical—found in early Chinese dynasties. Eternal Offerings also demonstrates the significant Photos, top to bottom: role of inscriptions on bronzes, especially in the later Western Selina Román, Solar Flare II (detail), 2016. Archival inkjet print. Courtesy of the artist. © Selina Román Zhou dynasty (1046 – 771 BCE). Organized by the Minneapolis Donaldson Lithography Co., Alf F. Wheeler: Dog Act (detail), 1924. Tibbals Collection, ht2005017. Institute of Art. Ben Lowy, A car is torched, along with a Gaddafi loyalist encampment, in the roundabout outside the Bab al-Aziziya compound, Tripoli, Libya (detail), 2011. Archival pigment print. From the series iLibya: Uprising by iPhone. Loan and image courtesy of the photographer. Cristiana de Marchi, still from Doing and Undoing (Borders) (detail), 2013. Courtesy of the artist. © Cristiana de Marchi 8 COLLECTIONS

Hank Willis Thomas: Branded/Unbranded FEB 11 – JUN 10, 2018 In 2016 The Ringling purchased eleven photographs from Hank Willis Thomas’s provocative series Unbranded: A Century of White Women, 1915–2015. The entire set of 100 digital chromogenic prints by Thomas, the internationally celebrated conceptual artist, reconsiders classic advertisements over the last 100 years—minus their original text. Released from any context, brand, product, or messaging, the previously subliminal images are free to speak more directly to what is being sold: the constructed identity and reinforced stereotypes of white women in the U.S. over time. To make the archival ads he has photographed even more accessible, Thomas has added new captions—some funny and irreverent, some ironic and pointed. By mining the past to create regrettably timeless representations of disempowered white women, Thomas confronts issues that continue to inform and circulate throughout our culture today. As Thomas commented in an interview with Time in 2011, “Part of advertising’s success is based on its ability to reinforce generalizations developed around race, gender and ethnicity which are generally false, but [these generalizations] can The Ringling is committed to being the center of sometimes be entertaining, sometimes true, and sometimes horrifying.” excellence not only in its research and education 36,181 Toni Dove: Embodied Machines but in its diverse collections that represent OBJECTS FEB 25 – MAR 20, 2018 European, Asian, and Contemporary/Modern Art Toni Dove: Embodied Machines, was the first survey of Dove’s pioneering work as well as historic objects from the Ca’ d’Zan which operates at the crossroads of live performance, interactive narrative, 485 and virtual reality. The exhibition explored more than 20 years of the artist’s estate and circus artifacts and posters. NEW ACQUISITIONS projects, from early installations through her interactive cinema and stage performances and concluding with her most recent experiments at the forefront of digital technology and robotics. Based in New York, Dove has been credited In alignment with the 2013–2018 strategic plan, as being one of the innovators of “interactive cinema.” Since the early 1990s, the collections department remains focused 451 she has been interested in creating immersive experiences where the boundary on collection accessibility, best practices in GIFTS between viewer and performer is blurred and the history of consumer culture object preservation and conservation, and the and capitalism is examined. Dove’s collaborative practice brings together establishment of partnerships/collaborations to vanguard visual artists, filmmakers, fashion designers, robotics engineers, stimulate collection-based research and learning 3 computer programmers, musicians, actors, and writers. Dove, acting as the opportunities. The collections staff also continues BEQUESTS creative architect of experience, transforms the traditional artist studio system to promote The Ringling as a progressive institution into a 21st-century idea incubator, using the work of art to inform technology. by implementing current trends, exploring new techniques, actively participating in conferences, 4 and serving on professional committees. A Kaleidoscope of Color: ITEMS PURCHASED The Costume Designs of Miles White At the end of the fiscal year, The Ringling collections APR 22 – AUG 5, 2018 included 36,181 objects and 485 new acquisitions Elephants transformed into swans, beautiful girls turned into birthday cakes, were accepted in FY 2017–18. More specifically, 3,330 and clowns became kings. These whimsical visions are captured in the drawings the museum received 451 gifts, 3 bequests, and OBJECTS DISPLAYED of the talented costume designer Miles White (1914-2000). Paired with 4 purchases. To ensure that prominent pieces original costumes and contemporary photographs, White’s spectacular drawings are added to the collection, The Ringling Board of evoke the adventurous era of design that emerged in mid-century American Directors recently approved the purchase of an 140 performance. This exhibition included original sketches, watercolors, 18th Century Japanese painting by Mori Tetsuzan OBJECTS LOANED swatchbooks, and other production documents. Some drawings were paired with and photographs by South African artist, Zanele actual wardrobe pieces and historical photographs. Over 500 of White’s original Muholi, to enhance the Asian and Contemporary/ sketches and watercolors are in the Tibbals Circus Collection at The Ringling. Modern collections. The total value of acquisitions 355 received in this fiscal year is $1,184,537.50 with OBJECTS BORROWED Photos, top to bottom: Tiger, Japanese, second quarter of 19th $751,537.50 as gifts, $400,000 as bequests and century. Hanging scroll; ink and colors on Hank Willis Thomas (American, born 1976), She’s somewhat of a drag, 1959/2015 (detail), 2015. silk. Museum purchase, 2018. SN11597 $124,000 as purchases. Digital chromogenic print. Museum purchase with funds provided by William and Jane Knapp, 2016. Courtesy of the artist and Jack Shainman Gallery, New York. © Hank Willis Thomas Toni Dove, The Dress That Eats Souls, artist’s studio, work in progress, segment 1950’s, 2017 (detail). © Toni Dove 10 Miles White, Lady Godiva, 1952. Watercolor and ink on paper. Tibbals Circus Collection, ht3000600. ringling.org 11 CONSERVATION

The Ringling is committed to providing best care and conservation treatment to the collection.

In 2016, the museum was awarded an IMLS grant to purchase and install new painting racks in the Education Vault and Conservation Laboratory, which enabled the documentation and rehousing of 130 paintings that had been stored in an off-site storage facility. In a span of four weeks in 2017, the collections staff successfully examined, stabilized, wrapped, and moved the paintings to an environmentally controlled storage area on The Ringling campus and performed emergency conservation treatment on 43 of the paintings. The staff also supervised other conservation projects that focused on treatment of the Ca’ d’Zan terra cotta, as well as 21 historic iron loggia lanterns, and 9 stone parapet sculptures at the Museum of Art. Condition surveys were completed for 75 outdoor stone and bronze sculptures in the Museum Courtyard, as well as for 60 Japanese prints (43 of these were conserved) and 12 watercolors (11 conserved). Treatment proposals were prepared for 90 paintings and 3D objects slated Photos, top to bottom: for Reinstallation in galleries 16, 17, and 18.

Collection accessibility is paramount to the museum experience. Sideboard with Blue China by The Ringling displayed 3,330 objects or 9% of the collection through artist Beth Lipman reinstalled in To remain current on the trends of best practices, the collections Conservation Intern cleaning the early the Kotler-Coville Glass Pavilion scheduled gallery rotations, object displays, and exhibitions. To attract a staff hosted workshops organized by the Florida Association of 1700s Watermelon Regatta painting Screenshot of eMuseum.ringling.org global audience to view and research objects, The Ringling continues to Museums and were collaborative partners for the Florida Historical populate eMuseum with digital collection records and images. Currently, Society annual conference. Staff shared their expertise with 87% of the collection has been digitized and 54% of these object respect to collections management and historic preservation with records include digital images. The Ringling has also loaned a total of fellow colleagues. They have also participated on committees or 140 objects to stimulate more interest in the permanent collections served as board members in the following organizations pertaining both nationally and internationally. The collections staff completed 13 to collections management, conservation, and exhibitions: the courier trips to museums in the United States, England, France, and Italy, Preparation, Art handling, Collections Care, Information Network which included the Royal Academy in London, England and the Musée (PACCIN), American Institute for Conservation of Historic and Artistic du Luxembourg in Paris, France. They also escorted artwork to The Works (AIC), the American Alliance of Museums (AAM) and the Metropolitan Museum of Art, Met Breuer in New York, and the Nasher American Association for State and Local History (AASLH). Museum of Art in Durham, NC. To showcase selected pieces from the European Collection and to reinforce our role as the State Art Museum Staff continues to explore new of Florida, The Ringling organized, Dangerous Women: Selections from ways to use technology. During the John and Mable Ringling Museum of Art, and offered it at cost to the the fiscal year, the collections Patricia & Phillip Frost Art Museum in Miami, FL and to The Cornell Fine department established a Art Museum in Winter Park, FL. As the State Art Museum of Florida, The partnership with the University Ringling maintains 16 loans at the Florida State University President’s of South Florida's Institute for House and 13 works at the Governor’s Mansion in Tallahassee, FL. Digital Exploration (IDEx) to encourage collection accessibility In collaboration with artists and other museums, The Ringling continues and to energize scholarly research to host and curate exhibitions that complement its diverse collections through the use of 3D printing and and promote cultural and social viewpoints through artistic expression. object scanning. This technology The museum borrowed 355 objects. For the opening of the new Kotler- will be used to research the Coville Glass Pavilion in January, the collections staff completed within museum’s Cypriot collection. two months the exhibit fabrication and installation of 48 glassworks from Hand-painted cast terra cotta replica to replace the museum’s Contemporary/Modern Art collection and private loans. an unsalvageable element at Ca’ d’Zan

12 ringling.org 13 EDUCATION

Education programming served over 115,000 people at The Ringling throughout the fiscal year. Over 8,000 facilitated tours and programs were offered by the Education department.

Through these diverse and wide reaching offerings, Education has been instrumental in facilitating learning through positive and engaging visitor experiences.

Through creative programs and the use of technology, the Education department removed barriers at the Museum for people with disabilities. Assistive listening devices, including induction neck loops, are now offered for all Ca’ d’Zan Mable’s tours and Museum of Art tours. These devices will be used in the Circus and on the Grounds tours EDUCATION in the future. The Ringling’s ongoing PROGRAMMING partnership with Southeastern Guide Above, left to right: Our Viewpoints lecture series continued to present notable guest scholars to our Dogs brings guide dog recipients to Visitors with low vision community in thoughtful discussions on exhibitions and our collections. Lectures the Museum of Art for an interactive explore the Original in 2017–18 included Talisein Thomas on Ai Weiwei, Rodney Huey on circus history, Circus Museum by touch dog-themed tour of the collection. Carol McCusker on the exhibition Aftermath, Jan Bardsley on gender politics in 115,000 Children participate in Education staff use visual description, a family program in the postwar Japan, and Vanessa Toulmin on the European circus. Our docent tour PEOPLE REACHED tactile diagrams of paintings, touching Museum of Art program brought the museum collections to life for over 87,000 visitors through of approved sculptures, and other engaging, conversational tours. Adult programs offered everything from Slow Art props to help the group “see” the works Day to lectures, artist talks, and gallery tours. We continued to support emerging 8,000 in their mind’s eye. In the 2018 fiscal museum professionals via our two resident graduate programs with FSU and hosted TOURS & EVENTS year, staff gave tours to 6 different five students at The Ringling for the academic year. classes of SEGD students, serving a total of 64 people (plus their dogs!). Family engagement and intergenerational learning in our Youth and Family programs 87,000 The Ringling also partners with continue to expand at a dramatic pace. We implemented new tour models and Lighthouse of Manasota, an organization that serves people who are A group from the expanded existing programming in order to better serve visitors of all ages. The VISITORS SERVED blind or low-vision. Educators use the same techniques (description, Lighthouse uses Education team began monthly Stroller Tours for adults with infants, creating a ON DOCENT TOURS tactile diagrams to tactile props, approved touching) to help bring the artwork to life. The "see" a painting low-stress environment in which new parents can enjoy the company of other adults. Museum hosted Lighthouse groups four times throughout the past Summer Museum of Art Mondays, free programs fiscal year, serving a total of 31 blind or low-vision individuals who that encourage participants to connect creative otherwise would not have been able to engage with the artwork. art-making projects to objects they observe in the FAMILY PROGRAMS Museum, were significantly expanded. This summer, The Ringling also provided American Sign Language interpreters on the revised program model allowed us to serve greater four different tours (including Museum of Art tours, Mable’s Tours, and numbers and increase program attendance by nearly 300% John’s Tours) to serve our Deaf patrons. We offer this service free of 300%! Our early literacy program Ringling Order of ATTENDANCE INCREASE charge upon request for anyone who needs it. Education staff also Art Readers (ROAR) served over 3,500 toddlers and host a Community Access Advisory Group, made up of people with parents. We also hosted regular Family Days on the various disabilities, to inform how the Museum develops accessible weekends that connected families to specific areas in 3,500 programming. This community group meets twice a year to provide the collections. valuable input about how The Ringling can continue to become a more ROAR ATTENDANCE inclusive institution. School and teacher programs are essential to The Ringling’s educational mission, and this year we The Education Department is continually working to promote our welcomed over 10,000 students for on-site field trips. strategic goal as a center for practice and presentation of art and Activities during School tours are always offered at no charge and include optional bussing funds for culture. Staff initiated a “Ringling Remix” program to celebrate Pride Museum of Art Monday schools in need. We offered several professional development training opportunities Month by inviting local drag queen Beneva Fruitville to co-lead a tour for teachers to support arts integration, including one in collaboration with the Circus with curatorial staff. This sold-out tour brought humor and delight to Arts Conservatory. The Ringling continued our partnership with Any Given Child and attendees as Beneva relayed her own unique take on our collection. hosted their teachers here several times to support arts-infused classroom learning.

14 ringling.org 15 COMMUNITY ENGAGEMENT

The important work of community engagement at all levels is a top priority of The Ringling. Through various partnerships and programs, the Museum continues to be a leading institution for inclusion, diversity, equality, and access.

This year the Community Foundation of Sarasota County generously provided grant funding to assist The Ringling with numerous community engagement initiatives. With this funding, The Ringling provided social and cultural learning experiences through our collections and special exhibitions, regular programming such as Conversations and our Gallery Walk and Talks, and even special events and programs during Art After 5. In March 2018, in conjunction with the Branded/Unbranded exhibition by artist Hank Willis Thomas, a conversation with the artist was held in the Museum’s Historic Asolo Theater. The conversation was followed by a reception and meet-and-greet with the artist. The funding from the Community Foundation of Sarasota County allowed the Museum to waive admission costs for this event, thus eliminating any financial barriers that might have prevented individuals from participating. The lecture was filled to capacity, and several local organizations both promoted and attended the event. The Conversation with the Artist Hank Willis Thomas explored themes focused on identity, history, and popular culture.

The Ringling program Where Everyone Belongs: Families Learning Together (WEB) began in 2017 as part of an organization-wide mission to increase inclusion and access to the museum. The program was designed to reach disadvantaged youth and their families while also fostering strong partnerships with the various non-profit Sarasota and Manatee county organizations who serve them. WEB offers free family-level museum memberships to the families who participate in on-site training days hosted by the program’s coordinator, Barancik Community Engagement Fellow Ana Juarez. These trainings provide participants with tools they need to feel confident visiting the museum on their own as a family, ensuring an enriching parent-child museum experience. Through the WEB program, The Ringling has now established WEB concluded its first year in June 2018, and within that ongoing partnerships with the time, in addition to establishing partnerships with the local following organizations/programs: nonprofits listed above, the program issued 192 free family- level museum membership to families and served 2,003 Easter Seals: Project Rainbow/Kids Night Out participants. A total of ten on-site trainings were held in the Forty Carrots: Partners in Play Harvest House: Home Again first year, and each training was individually tailored to meet Jewish Family and Children’s Service (JFCS): the specific needs of the families being served. On May 19, Healthy Families/Healthy Children, 2018, the Museum hosted its first WEB Family Festival to Camp Mariposa create a welcoming, celebratory environment for WEB family Newtown Estates Boys and Girls Club members. A total of 163 family members attended this event, Riverview High School’s Cyesis Teen with over 50 attendees from Forty Carrots, 38 from Jewish Parenting Program Sarasota Housing Authority: Family and Children Services, 25 from Visible Men Academy, Pathways to a Better Life and 19 from Easter Seals. Funding for the WEB: Where UnidosNow: Future Leaders Academy Everyone Belongs program is generously provided by the Visible Men Academy (VMA) Charles & Margery Barancik Foundation and the Community Foundation of Sarasota County.

Right: Hank Willis Thomas: Branded/Unbranded exhibition 16 ringling.org 17 RESEARCH FACILITIES & GROUNDS

PUBLICATIONS The Ringling published three major publications in 2017–18. The most significant was the publication of Italian, Spanish, and French Paintings in the Ringling Museum of Art. This five-year project presents the first comprehensive catalogue on The Ringling’s most significant European paintings in a major 600+ page publication. Authored by our former curator, Dr. Virginia Brilliant, this publication finally represents the high quality of the collection to scholars and the general public around the world. It is a major accomplishment for The Ringling. Toni Dove: Embodied Machines is the catalogue for The Ringling organized exhibition of the same name edited by curator Matthew McLendon. And Ca’ d’Zan: A Pictorial Guide is a new look at Ca’ d’Zan with beautiful new photography that is intended to be a visitor “must have” publication. Authored by Ron McCarty and edited by David Berry, this is Ron’s final publication on Ca’ d’Zan before his retirement this August. The Collection catalogue and Toni Dove were produced and distributed in association with SCALA Arts Publishers, London and New York.

Kotler-Coville Glass Pavilion ART LIBRARY Fiscal year 2018 was both challenging and rewarding for The Ringling. The Ringling Art Library supplied 819 books through Interlibrary The Museum weathered a major hurricane as well as welcomed the Loan to other academic and museum libraries. As a part of the FSU opening of a landmark venue. 1,358 library system, we also participate in a robust exchange of materials INTERLIBRARY with the Tallahassee campus, having filled 539 Interlibrary Loan The Ringling’s new Kotler-Coville Glass Pavilion, home to The Ringling’s LOAN REQUESTS requests during the past year for FSU’s faculty and students. 439 studio glass collection, opened to the public on January 22, 2018. people attended the Library’s Literati Book Club, Conversations The 5,500 square-foot building designed by Lewis & Whitlock was with the Library presentations, and tours of the Library. Members awarded the American Institute of Architects Florida Honor Award 439 of the public visited the Library 1,272 times during the past year of Excellence for Renovations and Additions and the Art Alliance for and 290 reference questions were answered and 301 college Contemporary Glass Honors Award presented at SOFA PROGRAM ATTENDEES students used the Library. Impressive use is made of the Library’s in Chicago this November. The building and collection General Collection; 2,630 titles were used within the library. One are the result of generous gifts and inspiration from of the foremost goals of the Art Library is to supply the scholarly Nancy and Phil Kotler and Warren and Margot Coville. 1,272 needs of The Ringling’s staff. In addition to the acquisition of books In addition to providing an innovative and captivating TIMES VISITED recommended by curators, educators, and conservators, the Library space for display of the collection, the Glass Pavilion filled 1,016 requests for resource materials for staff use from also serves to furnish a welcoming and accessible other institutions. Staff used the Library 2,420 times. The Library entrance to the Museum and the Historic Asolo Theater. 2,630 purchased 521 new titles with a special focus on the subjects of TITLES USED Asian Art and Studio Glass along with new additions to the already Hurricane Irma, the largest storm to hit Florida since recognized areas of excellence in Renaissance and Baroque Art. 1960, arrived at The Ringling during the early morning Our generous donors contributed 457 books during the past year. hours of September 10, 2017. In preparation for the storm, Ringling staff spent approximately 3,200 hours 521 The Ringling Library director participated in the Cross College moving venue by venue to ensure objects, buildings, ITEMS PURCHASED Alliance meeting regularly with the group of five academic library Pictured in front, left to right: and grounds were properly secured. Once Hurricane Irma had moved directors in order to share information and collaborate on joint Anna von Gehr, Margot and Warren Coville, through, staff immediately began recovery efforts expending a total Phil and Nancy Kotler, and Veronica Brady projects beneficial to all of the campuses and their students. of 5,400 hours clearing grounds, repairing several electrical and air Pictured in back, left to right: 457 Strong contacts have also been made with the art history Mark Pritchett, Jean and FSU President conditioning systems, and reinstalling collections into their venues. In John Thrasher, and Steven High, at the total, The Ringling sustained damages to several objects, grounds and BOOKS DONATED instructors at Ringling College of Art and Design and New College. opening of the Kotler-Coville Glass Pavilion gardens, buildings and systems totaling over $400,000 which will be reimbursed by various insurance coverages including FEMA funds.

18 ringling.org 19 ADVANCEMENT

With the unveiling of The Ringling Inspires: Honoring the Legacy and Building for the Future campaign, The Ringling achieved record growth in philanthropic giving this year raising over $17 million toward our ambitious $100 million campaign goal.

This transformational comprehensive campaign supports aspects of the Museum’s culture that continue to honor John and Mable Ringling— preserving its significant legacy and history through conservation MEMBERSHIP and restoration care of our collections, enhancing and developing new facilities, investing in the staff with the establishment of endowed positions, assisting in the creation of programming to provide access to 10,000 a diverse audience and community, and much more. Through The Ringling MEMBERSHIP Inspires, along with you—our amazing supporters—we are honoring HOUSEHOLDS John and Mable by preserving their legacy of philanthropy—one that leaves a compelling impression with visitors while also investing in 2017 – 2018 the Museum’s future. Thank you to the many individuals, foundations, MAJOR DONORS

and other key supporters who truly inspired this year with significant Francine J. Blum $1.2 M and generous gifts. The Ringling could not have had such a successful The Bolger Family Foundation IN REVENUE philanthropic year without all of our wonderful and dedicated donors. Ting Tsung and Wei Fong Chao Because of YOU, The Ringling has achieved Foundation Membership continues to thrive and met major milestones this year. Rebecca Donelson and Membership achieved a strategic goal of reaching over 10,000 huge success with The Ringling Inspires campaign! Robert C. Blattberg membership households, and contributed over $1,200,000 toward Leon R. and Margaret M. Ellin IN TOTAL • Launched the $100 Million campaign, The Ringling Inspires museum goals. The fall saw a very successful return on a 40,000 The Feld Family Foundation @ THE RINGLING • More than doubled annual fundraising piece acquisition direct mail effort, gaining over 800 new members. Florida State University • Grew Membership from 6,000 to 10,250 households These efforts have been so successful that the team plans to increase Florida State University Foundation • Grew the Legacy Society by 65% acquisition efforts in the coming year. The membership department Jeffrey R. Hotchkiss and $17.6 M was also integral throughout the spring and summer in the development • Created a formal Sponsorship Program for Exhibitions and Programs Elizabeth W. Winder RAISED and implementation of a new membership database system, Tessitura. • Created a New National Model for Reaching At-Risk Families Institute of Museum and Through the system, we hope to improve the member experience onsite • Launched a Community Engagement and Access initiative Library Services and online, and hope to continue to build toward more streamlined • Debuted the Ting Tsung and Wei Fong Chao Center for Asian Art, the The Koski Family Foundation communications, renewals, and acquisitions to members. Bolger Campiello, the David F. Bolger Playspace, the Kotler-Coville Nancy and Philip Kotler Glass Pavilion, the Charlotte and Charles Perret Performance Studio Laura Lobdell and Darrel E. Flanel and the Keith D. and Linda L. Monda Gallery for Contemporary Art Keith D. and Linda L. Monda • Endowed two signature curatorial positions Charles M. and Charlotte I. Perret Annual Fall & Giving Challenge Spring Appeal TOTAL RAISED FY 17/18 – $17,670,921 • Significant restoration of the historic home Ca’ d’Zan including the The John and Mable Ringling terra cotta decoration and the newly restored Bolger Reflecting Pool Museum of Art Foundation Sponsorships (Includes Membership) Membership • Nearly doubled the museum’s permanent collection through The Shank Family Foundation Grants & Circle Major Gifts $7,657,342 significant gifts of artwork and art acquisition funding Howard C. and Janice R. Tibbals Planned Gifts $1,070,102 Gifts of Artwork $6,107,509 Major Grants $593,780 Gifts Sponsorships $378,348 Gifts of Artwork Annual Fall & Spring Appeal $120,387 Pictured, left to right: Tom Jennings, Veronica Brady, Museum Membership $1,217,393 FSU Provost Sally McRorie, Keith and Linda Monda, Paul Planned Partner & Circle Membership $500,731 Hudson, Anna von Gehr, Mark Gifts Pritchett, and Steven High Giving Challenge $25,329 Howard and Janice Tibbals

20 ringling.org 21 THANK YOU FOR YOUR SUPPORT! ANNUAL GIVING JULY 1, 2017 – JUNE 30, 2018

$1,000,000+ $10,000–24,999 (continued) $2,500–4,999 (continued) $1,000–1,499 $1,000–1,499 (continued) Legacy Society (continued) Ting Tsung and Wei Fong Chao Foundation Laurence A. and Patricia A. Merriman Diana S. Clagett Noreen Ackerman Patrice and Roy Sommerhalter Scott Merrifield Nutter and Florida State University Richard H. and Betty A. Nimtz Judith E. Daykin Mark G. and Gail Appel Thomas and Rhonda Stoughton Charles George Hattendorf Florida State University Foundation Northern Trust Bank Neil P. and Sandra W. DeFeo Alexandra Armstrong and Jerry J. McCoy Wesley W. and Nancy B. Stukenberg Wilmer I. Pearson Keith D. and Linda L. Monda Peck Stacpoole Foundation Elizabeth L. Dimmitt and Piers Davies Leo and Louise Benatar Sylvia M. Thompson Michael R. and Marie Pender The John and Mable Ringling The Perlman Family Foundation Anita Dunn and Robert F. Bauer Margaret S. Bennett Paul and Cathy Tomass Dennis L. Pierce and David A. Schuler Museum of Art Foundation PNC Bank George R. Ellis Robert A. and Willa M. Bernhard Garrett A. Turner Foundation Fund of Virginia W. Powel Trust The Shank Family Foundation Publix Super Markets Charities George W. and Susan W. Evans Robert G. and Marlene C. Blalock the Manatee Community Foundation Nancy and Peter Reinheimer Judith Rudges Michael E. and Kathleen C. France Jenne K. Britell and Scott H. Nelson William H. and Beverly Van Duzer Norman* and Pam Reiter $100,000–999,999 John and Tana Sandefur Foundation Edmund F. and Patricia A. Garno Kathleen J. and Michael H. Brown Elisabeth Waters John and Mable Ringling* Mayra N. and John F. Schmidt Jeffrey S. and Lenore Gould Judy K. Cahn David C. Weinstein and Clare Villari James and Sharon Roth Francine J. Blum Judith F. and Stephen G. Shank Patrick J. Hennigan Miles S. and Barbara J. Capron Peter A. Whealton T. Marshall Rousseau The Bolger Family Foundation Zuheir and Susan R. Sofia Giselle and Benjamin Huberman Cavanaugh and Company R. Elton and Gordon A. White Tana and John Sandefur* Department of State, Division of So Staged Event Design + Rentals Thomas F. and Cameron B. Icard John A. and Lorna R. Clarke John A. and Penelope A. Wilson Roberta and Louis Schaumleffel Historical Resources WUSF Public Media Mary B. and James A. Joseph Donald E. and Barbara R. Clements Charles Zajaczkowski Ulla R. Searing and Arthur F. Searing* Rebecca Donelson and Robert C. Blattberg Alexandra Jupin and John W. Bean The Manny & Ruthy Cohen Foundation Dr. David E. Seil* Leon R. and Margaret M. Ellin $5,000–9,999 Marcia S. and Michael H. Klein Saul B. and Naomi R. Cohen Debra J. and Stephen F. Short The Feld Family Foundation Beverly L. Koski Peggy C. Allen and Steven C. Dixon Thomas and Rosemary Costello Hudson C. and Anne R. Smith Jeffrey R. Hotchkiss and Elizabeth W. Winder Diana Lager Steven D. and Lucia F. Almquist Deborah W. and Thomas J. Degnan Mary C. Smolenski Institute of Museum and Library Services Harry Leopold and Audrey B. Robbins LEGACY SOCIETY Barbara J. Arch Deutsche Bank Trust Company Louise B. Sulzberger* The Koski Family Foundation Robert A. and Mary K. Levenson Robert G. and Sara R. Arthur David and Kimberly S. Dunn Margery B. Tate Nancy and Philip Kotler George F. and Susan D. Loesel Stephen Leonard Johnston Adam Trust Donna and Jon Boscia Edward D. and Annette M. Eliasberg Howard and Janice Tibbals Laura Lobdell and Darrel E. Flanel Eva Marie McKee and Robert H. Cole Martha J. Allen Katheryne K. Bosse Ronald R. and Sharon W. Erickson Michael and Karen Urette Charles M. and Charlotte I. Perret Blair C. and Joy McMillan Miranda and Robert Anderson Travis B. and Kathleen C. Brown Cliff and Susie Walters Howard C. and Janice R. Tibbals Jonathan E. and Michelle Mitchell Robert A. and Anne M. Essner Barbara and Martin* Arch Barbara U. Campo Robert* and Kate Wickham Tracy T. and Brian J. Morra Joyce K. and William C. Fletcher Judy Axe* Council on Library & Information Resources Barbara Zdziarski Karl E. and Ann Newkirk Norman C. and Shari E. Frost Janet and Larry Bandera $25,000–99,999 The Cowles Charitable Trust Ingrid C. Nutter George I. and Patricia L. Gondelman Suzanne Barbee and Vic Hotho Cumberland Advisors Zella I. And Janius F. Allen Fund Abraham Ostrovsky and Christine Hughes Raymond S. and Leah D. Greenberg Ruth D. Bernat* Herta K. Cuneo* Janet N. and Larry R. Bandera Nancy J. and Charles M. Parrish Jay P. and Marianne T. Hartig Ellen Berman John F. Cuneo, Jr. Charles and Margery Barancik Foundation Peterson-Lager Education Fund Susan N. Heyman and Michael M. White Mary T. Bessemer* GIFTS TO THE Daniel J. Denton David W. and Mary S. Benfer Peter S. and Joanne Powers Lee F. Hinkle Robert G. and Marlene Blalock Milford M. Desenberg Kathleen S. Brooks Family Foundation Alice W. Rau Stewart L. Horn Francine Blum David L. and Elizabeth J. Emison COLLECTION Community Foundation of Sarasota County Judith Rosenblum and Larry Willets Christopher and Sandra E. Hutchins Barrie Blue Frances D. Fergusson and John D. Bradbury Gulf Coast Community Foundation Marilyn and Steven M. Rothschild Terry Hynes Dr. Susan M. Brainerd and Alan R. Quinby The J. Paul Getty Trust Madeleine H. Berman Steven S. High and Lisa Lee-High Burton M. and Gail Sack Paul R. and Roberta E. Ingrassia Domenica Cipollone and Henry Warren The Albert Goodstein Family Foundation Gordon Brodfuehrer Robert D. and Marie C. Hunter Patricia F. and Bill Schmitt The Jelks Family Foundation Eleene L. Cohen* Ruth R. Gorton Mabel Hobart Cabot Patricia R. and James M. Lombard Simply Gourmet Caterers Stanton B. and Nancy W. Kaplan Mark and Margaret D. Hausberg Collinsworth Family Foundation Yolande Candel J. Richard and Cornelia L. Matson Jane T. and Samuel L. Skogstad Elaine Keating | Keating Family Foundation The Jeffrey Horvitz Foundation Thomas E. Coundit Carol Chilk Dean R. and Patty L. Miller Hudson C. and Anne R. Smith Donna Kelleher Icard, Merrill, Cullis, Timm, Furen & Ginsburg, P.A. Herta K. Cuneo* Charles and Robyn Citrin Michael R. and Marie L. Pender Lois Stulberg Marian S. Kessler Innovative Dining, LLC John F. Cuneo Jr. Judith Daykin Richard G. and Margaret V. Pepe SunTrust Bank Robert Kittyle and Todd Stephenson Robert P. and Ann R. Jackson Linnie E. Dalbeck Memorial Foundation David Disend Sarasota County TDC and Barbara A. and Robert Swan Heidi T. Jacobson Latelle M. and Alice K. LaFollette W. H. Chris Darlington* and Nilsa Fraser Sarasota County Arts Council Edward M. and Claudia Swan Nancy S. Kojima Cathy L. Layton and Stephen D. Russell Eleanor L. Merritt-Darlington Thomas Hackett and Joseph Bonvissuto Sarasota Magazine John G. & Anna Maria Troiano Foundation David R. Kotok and Christine Schlesinger Jill R. Lenhart-Ramsey Daniel Denton Gerald Hill Mary C. Smolenski Michael E. and Karen G. Urette Marilyn G. and Ivan Kushen Henrietta L. Levins Rebecca Donelson and Robert C. Blattberg Josephine W. Kixmiller SRQ Media Group Steven J. and Karen A. Lee Clifford L. and Susan E. Walters John N. and Katherine Lilly Joanne Dowell Trust Nancy and Philip Kotler Tableseide Restaurant Group Gus Lobenwein Memorial Fund Lynnette J. and David Werning Robert L. and Sara J. Lumpkins Margaret & Leon Ellin Robert Mangold and Nakashima Hiroko James J. Whalen Macy's Louis C. and Elizabeth M. Wery Jeanne D. Manser David M. and Margaret M. Essenfeld Michael Mattis and Judy Hochberg Larry A. Wickless and Carole Crosby Tina S. and Daniel Napoli Evelyn N. Markle and Benjamin L. Meluskey Donald Fosselman Dean and Patty Miller New England Foundation for the Arts $1,500–2,499 Ellyn A. McColgan Arnold* and Priscilla Greenfield Richard and Margaret Pepe $10,000–24,999 Sarah H. and George Pappas Gregory S. and Lori A. McMillan Nancy A. Gross Selina Roman O'Brien Antoine Fund at the Margaret A. Rolando Donald D. and Marcia L. Miller Laurie Harrison Michael Stevenson Fine Art Ltd Debra Ahmari and Roberto Gonzalez Community Foundation of Sarasota County Bernice M. Sapirstein Davis Jean and Ronald E. Milligan Joanne Hastings* Howard and Janice Tibbals Paul C. Allen James D. and Sara A. Bagley Ina L. Schnell Richard A. and Pamela R. Mones Janet E. Hevey* Maryann P. and James A. Armour Joseph L. Bracco Thomas J. Wilson Betty F. Schoenbaum Earl F. and Charmian E. Noel Steven High and Lisa Lee-High Sylvia S. Barber Susan M. Brainerd and Alan R. Quinby Edward M. and Mary M. Schreck David H. and Marjorie L. Osborn Jeffrey Hotchkiss and Elizabeth Winder John E. Baum Nicholas L. and Dedie B. Coch Sarah S. and Robert J. Theis James J. and Alice M. Padilla Dustin Becker Collinsworth Family Foundation Terry and Andrea Honroth Douglas B. Thweatt Marjorie L. Pflaum Sondra K. and Gerald L. Biller Marcia D. and Michael V. Corrigan Paul and Jennifer Hudson GIFTS TO THE Willis A. Smith Construction Polpo Pizza Company LLC Michael and Kathy Bush Janice M. Heck Huisking Family Howard E. Reinheimer Louis W. and Mabel H. Cabot Everette I. and Sherry Howell Heidi Turner Jacobson* $2,500–4,999 ART LIBRARY Thomas J. and Ann J. Charters Frank D. Kistler Mitchel and Debra Rhoads Christine L. Jennings Barry D. and Elise C. Robbins Robyn L. and Charles M. Citrin Sam Alfstad and Nancy Mina John P. and Judith G. Lynch Patricia and Senator Robert* Johnson Mabel Hobart Cabot Orville W. and Mindy A. Rollins Linnie E. Dalbeck Memorial Foundation Dennis W. and Trudy D. Archer Eleanor L. Merritt-Darlington Susan K. Johnson Robyn and Charles Citrin Michael D. and Chandra K. Rudd Kenneth J. and Bonnie T. Feld Suzanne S. Barbee and Vic A. Hotho Nancy G. Morgan Robert* and Beverly Koski Claudia Cuomo, in memory of Dr. Glenn Cuomo Uzi and Varda Ruskin Fete Catering & Ballroom Ellen S. Berman Raymond J. and Maralyn Morrissey Gunther L. Less* Brian Dursum Frederic W. and Louise D. Rust The Gardener Foundation Donald H. and Barbara K. Bernstein Wilmer I. Pearson Virginia F. Linscott* Angel Hissom Michael M. and Judith Scharf Hampton Inn and Suites/ BLVD Sarasota Jacqueline Preis Laura Lobdell and Darrel E. Flanel Anne Roberts, in memory of Dr. Warren Roberts Robert and Marcia Schaub Sarasota Bradenton Airport Rose Marie Bowles Dennis A. Revicki and Mary Lou Poe Patricia R. and James M. Lombard Pat and Bob Sullivan Keith Scholl Paul G. and Jennifer L. Hudson Terry O. Brackett Edward W. and Helen D. Rhawn Winona H. Lowe* Yongying Liu Charles L. Huisking | The Huisking Foundation Barbara Brizdle Maureen C. and Edward A. Russell Nancy C. Seely Thomas B. MacCabe Jr.* Dorothy C. and Charles H. Jenkins Marenda Brown-Stitzer and Howard T. Stitzer Maureen L. Shea and Alan Rosenfield Walter D. Serwatka and Constance L. Holcomb Joy McCann* Marietta F. Lee Kristine B. Bundrant Barbara J. and Arnold B. Siemer Harvey M. and Betty A. Shapiro John W. Markham III Arthur L. and Marcella A. Levin JoAnn M. and Don G. Burhart Elizabeth A. Stewart Robert C. Sharpe Estate of Joseph A. McGarrity Susan W. and Ted M. Sherman Thomas B. and Allison B. Luzier Marc and Michaele Butlein Thomas and Hwei L. Sung Joan McKniff in honor of Mr. Ridha Bouaziz and those who wish to remain anonymous. Joy McCann Foundation Kathryn A. and Robert J.* Carr Diran and Virginia Y. Tashian William G. and Paula P. Smith Wilda Q. Meier Thomas E. and Paula G. McInerney Thor and Patricia Cheyne Frank and Anita S. Zimmerman Les R. and Judith N. Smout Keith D. and Linda L. Monda *Deceased

22 ringling.org 23 THANK YOU TO OUR VOLUNTEERS!

520 VOLUNTEERS 55,443 HOURS SERVED

EQUAL TO 27 FTE $1.3 M DONATION

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