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DYT Profile.Pdf
Display Your Talent ➢ Casting About DYT :- TVC / Digital Advt, Web Series, Films, Music Videos etc. DYT is a one stop source for talent. On this website which has more than 6000 artist , you can promote ➢ Modeling your talent, and showcase your DYT Link to various Prints, Catalogues, E- Commerce Shoot, Events, Ramps etc. Production Houses. You can upload your audition links on DYT Channel. The Clients can use filters on profile page to shortlist talent code numbers which ➢ Management / Promotion helps them in locking the same for their shoot. Celebrity Management and Online Promotion of Models and Talents can also visit DYT Mumbai office for free self Auditions which can be added as a link on their Artists on various Social Media Platforms. profile which helps in updating profile for regular work . If you have the Talent DYT has a vision to get ➢ Productions you work provided you update your DYT Account regularly. In short DYT works towards the goal to Advt. Films, Web Series, Feature Films, Short Films, TV Shows get work for talents in an organised manner. etc. Our Clients It’s our confidence that clients who once work with us, will never look elsewhere. ONGOING Some of our ongoing projects… • 2nd Season Web Series “Pyaar On The Rocks” For Filmy Fiction. • Producing a Sports Film with Director “Dhruv Lather”. • Regular Prints and Catalogue Shoots . • Brand Ambassador Pitching for an online apparel Brand • Regular On Going TVC Projects. • Casting for an Anchor for a well known Brand. What our clients / Talent say? Riya Sen - Actress / Celebrity Sundip Ved - DYTM5217 (Actor / Anchor) It was my pleasure to work with DYT as a Brand Ambassador for one I would only recommend Agency DYT to all the Talents who run of their Prestigious Project / Brand “Lumisun”. -
`250 / £5.99 / $10 Pb Isbn: 978-93-85285-45-5
ISBN: 978-93-85285-45-5 FICTION `250 / £5.99 / $10 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com FICTION `250 / £5.99 / $10 ISBN: 978-93-85285-45-5 Size: 216 x 140 mm 264pp, Book print paper Black and white Paperback by Vinod Pande n a small North Indian town one night, a nurse disappears while visiting a Ipatient. The police smells abduction, but there is no demand for ransom. The CBI and police are at their wit’s end when the mysterious layers of the story begin to unfold through the painful reflections of the ones closest to the protagonist. What emerges is a moving saga of a young girl of the Nat tribe...Saanvri’s tale is about decadence in high palaces of power; the story VINOD PANDE has walked many a path: a of a woman who learns to use the wanton carnality in men, both as a means civil servant with the British Government, of material gratification and a weapon for ascendancy, in a society that uses a broadcaster with the BBC, the maker of and abuses her. It is also about the three most important people in her life, several documentaries and ad-films, he all of who use her with impunity—the one she wed, the one she loved and helmed one of the popular TV networks launched during the late nineties and ran his the one she chose to manipulate with unbridled impudence—paving the own advertising agency in London. -
Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
Courses Title
HIMACHAL PRADESH UNIVERSITY NAAC Accredited 'A' Grade University "Examination Wing-Unit - V" NOTIFICATION NO. :7-17/2012-HPU(Exam-II)/- Dated: - 26th August, 2019. Result Gazette Notification in respect of B.Ed. 3rd Semester Examination held in February, 2019. The result of each candidate has been shown in the result Notification against their names. Abbreviations used in this notification stands hereunder: - Marks Means Pass AB -DO- Absent R -DO- Re-appear RL (A) -DO- Result later on due to awards CS -DO- Candidature suspended due to Fee/ Late Fee, Regd. No. of this University and other requirements RL (UMC) -DO- Result later on due to Unfair Means Cases Courses Title IX-B Pedagogy of School Subject (Part-I) School Internship/Practice Teaching (i) Teaching of Physical Sciences XI-A Skill in Teaching (School Subject-1) (ii) Teaching of Life Sciences XI-B Skill in Teaching (School Subject-2) (iii) Teaching of Mathematics (iv) Teaching of Social Sciences (v) Teaching of Commerce (vi) Teaching of English (vii) Teaching of Hindi (viii) Teaching of Sanskrit Note: - In case if there is any error in the Gazette Notification, the same will be rectified/modified by the office later on. 1 College_Name:- Roll Result Regd. No. Student Name Father's Name No. 53056 15-BGK-06 MEENAKSHI ANIL KUMAR 238 54244 TANYA OBEROI SURESH OBEROI CS Registration 54709 15-KCBS-04 SUMAN KUMARI SARWAN KOUNDAL 254 58728 09-PSa-787 ANITA KUMARI LAIQ RAM 260 59913 NAROTAM SINGH NARPAT RAM RL(IA) 60514 16-DDUB-08 PURNIMA SHARMA PIAR CHAND SHARMA 266 61174 13-GPL-834 SANTOSH KUMARI PRITAM CHAND 247 61369 13-JNR-547 PARTEEK CHANDEL DILBAG SINGH CHANDEL 260 61858 16-BGN-10 BIMLA DEVI PAL SINGH RL(IA) 62131 11-MA-872 UMA DEVI KANSHI RAM 240 62142 09-HP-224 BALKESH KHAN ZAHID KHAN 288 62173 09-DCK-3 POOJA VERMA TEK CHAND VERMA RL(IA) 62177 REETU KUMARI BHARMA NAND RL(IA) 62183 04-NN-360 SUBHASH CHAND SURAT RAM 215 62184 98-GK-69 SWAROOPI DEVI SHRI DHAULU RAM 222 62189 12-NN-443 VISHAL TOMAR ASHOK KUMAR TOMAR 214 2 College_Name:- Roll Result Regd. -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Amfar India to Benefit Amfar, the Foundation for AIDS Research
amfAR India To Benefit amfAR, The Foundation for AIDS Research November 2014 Mumbai, India Event Produced by Andy Boose / AAB Productions A Golden Opportunity amfAR held its inaugural Indian fundraising gala in Mumbai in November 2013. The event was hosted by amfAR Global Fundraising Chairman Sharon Stone, and Bollywood stars Aishwarya Rai Bachchan and Abhishek Bachchan. It was chaired by amfAR Chairman Kenneth Cole, Vikram Chatwal, Anuj Gupta, Rocky Malhotra, and Hilary Swank. Memorable Moments The black-tie event, presented by Dr. Cyrus Poonawalla and held at The Taj Mahal Palace Hotel, featured a cocktail reception, dinner, and an exquisite gold-themed fashion show that showcased three of India’s most important fashion designers -- Rohit Bal, Abu Jani- Sandeep Khosla, and Tarun Tahiliani. The evening concluded with a spirited performance by pop sensation Ke$ha, whose Hilary Swank for amfAR India songs included her hits Animal, We R Who We R, and Tik Tok. Among the Guests Neeta Ambani, Torquhil Campbell, Duke of Argyll, Sonal Chauhan, Venugopal Dhoot, Nargis Fakhri, Sunil Gavaskar, Parmeshwar Godrej, Lisa Haydon, Dimple Kapadia, Tikka Kapurthala, Nandita Mahtani, Rocky The Love Gold Fashion Show for amfAR India Abhishek Bachchan, Sharon Stone, Nita Ambani, and Aishwarya Rai Bachchan for amfAR India Malhotra, Dino Morea, among many others. Kenneth Cole and Sharon Stone for amfAR India Total Media Impressions: 2.4 Billion Total Media Value: $1.6 Million Aishwarya Rai Bachchan for amfAR India The Love Gold Fashion Show for amfAR India A Star-Studded Cast amfAR’s fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Study on Customer's Perception Towards a Digital Marketing
Turkish Journal of Computer and Mathematics Education Vol.12 No.11 (2021), 4631-4635 Research Article Study on Customer’s Perception towards a Digital Marketing Company Dr. Sridevi K.B1, Sankara Lingam S2, Robin S, Ishrad Ali A3, Deepthi Shivani P4 1Professor, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 2Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 3Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 4Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore 5Student, School of Management, Sri Krishna College of Engineering and Technology, Coimbatore Article History: Received: 11 January 2021; Revised: 12 February 2021; Accepted: 27 March 2021; Published online: 10 May 2021 Abstract: Digital marketing is also known as Internet (or) Online advertising, it is a form of marketing and advertising that involves sending promotional marketing messages to customers through the Internet. Email marketing, search engine marketing (SEM), Social media marketing, a variety of display ads (including online banner ads), and smartphone advertising are all part of it. Internet advertising, like other types of advertising, often includes both a publisher and an advertiser. The publisher incorporates ads into its online material, and the advertiser produces the advertisements to be shown on the publisher's content. Advertising agencies who help to create and position ad copy, an ad server that produces the ad and records statistics, and advertising associates that do in-dependent promotional work for the advertising company all are possible participants. And in this study the Perception of the customer is to analyse that how they satisfied about the work of the company that they designed the digital marketing product for an organization or customer for digital advertising purpose and for promotion purpose to market their product or brand to advertise on the market to attract customers. -
FICCI FRAMES: a Brief Introduction the FICCI Media & Entertainment
FICCI FRAMES: A Brief Introduction The FICCI Media & Entertainment Committee, headed by the legendary Late Yash Chopra, one of the prominent film producers in India, comprising visionary thought leaders of the Indian entertainment industry, first met in 1999. An idea was born which crystallized into the first FICCI FRAMES, a platform and a voice for the entire Indian media and entertainment industry. The first ever industry report giving numbers to this industry was brought out by FICCI and is updated every year. Over the last 19 years, FICCI FRAMES, the most definitive annual global convention on the entertainment business in Asia, has grown in strength, stature and horizon. FRAMES not only facilitates communication and exchange between key industry figures, influencers and policy makers, it is also an unparalleled platform for the exchange of ideas and knowledge between individuals, countries and conglomerates. FRAMES has brought together more the 400,000 professionals from India and abroad representing the various sectors of the industry. The three eventful days of FRAMES are pulsating with activity – sessions, keynotes, workshops, masterclasses, policy roundtables, B2B meetings, exhibition, cultural evening, networking events and a meeting of the best minds in the business under a single umbrella. 20 th Edition of FICCI FRAMES: March 12 th -14 th , 2019 FRAMES 2019 will be the landmark 20 th Edition of FRAMES reflecting the richness of the platform which it has acquired over the years. Like every year, the world’s media and entertainment industry will be in attendance at FRAMES 2019, with nearly 2,000 Indian and over 600 foreign delegates representing the entire gamut of the sector, including Film, Broadcast (TV & Radio), Digital Entertainment, Animation, Gaming, VFX, etc. -
Details of Research Scholars - Pursuing
VINAYAKA MISSION’S KIRUPANANDA VARIYAR ENGINEERING COLLEGE, SALEM A Constituent College of Vinayaka Mission’s Research Foundation (Deemed to be University) DETAILS OF RESEARCH SCHOLARS - PURSUING Mode of Ph. D. Registration Name of the S.No. Faculty Department Name of the Candidate (Full Time/Part Number/Referenc Title of the Research Supervisor Time) e Number Performance Dashboard for Computer 1 Science S. Vimaladevi Dr. A. Nagappan Part Time COMAP11B01 Distance Learners Through Cloud Applications Computing Computer 2 Science Sayyada Sara Banu Dr. A. Nagappan Part Time CA17O 01 Yet to be finalized Applications Electronics and Engineering & Communicatio 3 A. Malarvizhi Dr. A. Nagappan Part Time ECE18JUL03 Yet to be finalized Technology n Engineering Removal of Organic Pollutants in 4 Science Chemistry Mr.I.Ameet Basha Dr.T.Shanthi Part Time CHEM 16 A01 Waste Water with Green Adsorbents July 2011– BIO 11 Evaluation of Preventive Effect of B05 / Morin on Ultraviolet-B Induced 5 Science Biochemistry Mrs.C.Anjugam Dr. M. Sridevi Part Time Biochemistry Photocarcinogenesis in Swiss Albino Department Mice Biosynthesis & Characterization of Silver Nanoparticles by Endophytic Engineering & 6 Biotechnology Mrs.C.Nirmala Dr. M. Sridevi Part Time BIOTECH17-O 01 Microorganisms Isolated from Technology medicinal plants and its anticancer activity Isolation and characterization of active principle(s) from a medicinal 7 Science Biochemistry Mr. K.Velumani Dr. M. Sridevi Part Time BIOCHEM 17 O 01 plant and its effects on stz-induced diabetic rats CHEM15A01 Assessment of Heavy Metal 8 Science Chemistry K. Ramesh Kumar Dr. V. Anbazhagan Part Time VMU/PH.D/409/2 Concentration and their Effect in Soil 014 CHEM17B01 Synthesis, Characterization and 9 Science Chemistry K.K. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Matters Listed for 15.02.2021 Court No. 02 Division Bench-Ii Hon'ble Mr.Justice Vipin Sanghi Hon'ble Ms.Justice Rekha Palli (Physical Court Hearing)
MATTERS LISTED FOR 15.02.2021 COURT NO. 02 DIVISION BENCH-II HON'BLE MR.JUSTICE VIPIN SANGHI HON'BLE MS.JUSTICE REKHA PALLI (PHYSICAL COURT HEARING) [NOTE:1. IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED, PLEASE CONTACT, MR LOKPAL(8448937563) COURT MASTER TO HON’BLE MR. JUSTICE VIPIN SANGHI & ANAND PINANI, COURT MASTER (9868111406)& MR. BHUPENDER SHARMA, ACM(9871183231) MR. LAXMAN RANA, RESTORER(9654708075)TO HON'BLE MS.JUSTICE REKHA PALLI. FRESH MATTERS & APPLICATIONS ______________________________ 19. W.P.(C) 2008/2021 SOORAJ KUMAR GAURAV BAHL CM APPL. 5878/2021 Vs. DCB BANK LTD & ORS. CM APPL. 5879/2021 ADVOCATE DETAILS FOR ABOVE CASE gaurav bahal and tarun sharma([email protected])(9811132858)(Petitioner) GAURAVBAHL([email protected])(9811132858)(Petitioner) dcb bank ltd([email protected])()(Respondent) vikas chadha([email protected])()(Respondent) SOORAJ KUMAR([email protected])()(Respondent) THE LD NAIB TEHSILDAR([email protected])()(Respondent) GIRDHAR TRADING CO([email protected])()(Respondent) DCB BANK LTD([email protected])()(Respondent) VIKAS CHADHA([email protected])()(Respondent) MATTERS LISTED FOR 15.02.2021 DIVISION BENCH-III HON'BLE MR.JUSTICE SIDDHARTH MRIDUL HON'BLE MR.JUSTICE ANUP JAIRAM BHAMBHANI [NOTE: IN CASE ANY ASSISTANCE REGARDING VIRTUAL HEARING IS REQUIRED,PLEASE CONTACT, MR.PANKAJ VATS(PH: 9667722088) COURT MASTER TO HMJ SIDDHARTH MRIDUL & MR. VIJAY PAL SINGH(PH:- 9818553302) COURT MASTER TO HON’BLE MR. JUSTICE ANUP JAIRAM BHAMBHANI.] CORRIGENDUM DELETION NOTE REGARDING CRL.A.530/2018 SHOWN IN THE SUPPLEMENTARY CAUSE LIST MAY BE TREATED AS DELETED. THE MATTER I.E. CRL.A.530/2018 SHALL BE TAKEN UP AT SL.NO.3 AS SHOWN IN THE SUPPLEMENTARY CAUSE LIST TODAY ITSELF.