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Discover Your Library St
St. Charles Public Library June – August 2017 Discover Your Library St. Charles Public Library News and Event Guide ST. CHARLES PUBLIC LIBRARY Interlibrary Loan: An Unrivaled Strength of Your Public Library When a St. Charles cardholder wants an item we don’t carry—perhaps it’s a winemaking book written in French, or a DVD of a 1950s TV show—we will pursue borrowing it from another facility, and have it delivered to our Library. It’s a service called Interlibrary Loan (ILL), and it’s one of the great strengths of a public library. No company or organization can duplicate our vast network of libraries, universities and museums willing to share valuable materials. While we borrow and lend almost 100,000 items per year through our local library consortium, some materials simply aren’t available from a nearby library. On any given day, we will also receive books, DVDs, CDs, sheet music and more from Peoria to Pittsburgh and Danville to Denver. Here in St. Charles, we are fortunate to have dedicated staff to fill these requests. “My favorite part of the job is the obscure items that requires digging,” said Interlibrary Loan Assistant, Holly Szpara. “Whether it’s their lifelong passion or a recent curiosity, we’re here to help our cardholders find what they need.” “Interlibrary Loan is an ideal solution for writers and researchers,” Szpara added. “It’s also great if you’re just feeling nostalgic to re-read your favorite book from when you were 16.” Interlibrary Loan requests regularly help a wide variety of our cardholders, from home schoolers and hobbyists to beekeepers and bloggers. -
The Kindness of Strangers
THE KINDNESS OF STRANGERS 9780465064748-HCtext1P.indd 1 12/16/19 8:06 AM 9780465064748-HCtext1P.indd 2 12/16/19 8:06 AM THE KINDNESS OF STRANGERS HOW A SELFISH APE INVENTED A NEW MORAL CODE MICHAEL MCCULLOUGH New York 9780465064748-HCtext1P.indd 3 12/16/19 8:06 AM Copyright © 2020 by Michael McCullough Cover design by TK Cover image © TK Cover copyright © 2020 Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Basic Books Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 www.basicbooks.com Printed in the United States of America First Edition: May 2020 Published by Basic Books, an imprint of Perseus Books, LLC, a subsidiary of Hachette Book Group, Inc. The Basic Books name and logo is a trademark of the Hachette Book Group. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. The publisher is not responsible for websites (or their content) that are not owned by the publisher. Print book interior design by Amy Quinn Library of Congress Cataloging-in-Publication Data has been applied for. -
Articles from 2016
Preview Shelf Articles for 2016 December 1, 2016 Discovering the Wild Heritage of the Nineteenth State By Dianne Combs It has been a wonderful year of celebration for the state of Indiana. Two hundred years of statehood! We have learned many things about our political and historical heritage, but I believe that Indiana still has many secrets that need to be learned. Here at the library we have some beautiful books that will help you explore the natural history of our great state. “The Natural Heritage of Indiana,” edited by Marion T. Jackson, takes us on a lively jaunt through the terrain of our great state. To my delight, the very first picture in Part One is of the “Honeycomb Rock” at Pine Hills Nature Preserve in the southwestern part of Montgomery County. Glaciation and its effects on our landscape are explained in detail, which helps me to understand all the rock formations I come across while exploring some of our nationally renowned state parks. Throughout this section, written by Henry Gray, we are taken on several tours of Indiana. He describes the terrain as if he were driving along highways and illustrates his discussion with appropriate topographical maps. Our soil and water, wetlands and caves — all these give our state its unique stamp on the map of our nation. Beautiful photographs of the flora and fauna of Indiana fill the pages of this coffee table book. I could spend hours just turning its pages, learning about the native plants and animals with which we share our land. We have recently acquired two copies of “A Place Called Turkey Run — A Celebration of Indiana’s Second State Park in Photographs and Words,” by Daniel P. -
The Lovely Serendipitous Experience of the Bookshop’: a Study of UK Bookselling Practices (1997-2014)
‘The Lovely Serendipitous Experience of the Bookshop’: A Study of UK Bookselling Practices (1997-2014). Scene from Black Books, ‘Elephants and Hens’, Series 3, Episode 2 Chantal Harding, S1399926 Book and Digital Media Studies Masters Thesis, University of Leiden Fleur Praal, MA & Prof. Dr. Adriaan van der Weel 28 July 2014 Word Count: 19,300 Table of Contents Introduction .................................................................................................................................................................... 3 Chapter One: There is Value in the Model ......................................................................................................... 10 Chapter Two: Change and the Bookshop .......................................................................................................... 17 Chapter Three: From Standardised to Customised ....................................................................................... 28 Chapter Four: The Community and Convergence .......................................................................................... 44 Conclusion .................................................................................................................................................................... 51 Bibliography: ............................................................................................................................................................... 54 Archival and Primary Sources: ....................................................................................................................... -
The Images Speak for Themselves? Reading Refugee Coffee-Table Books
Visual Studies, Vol. 21, No. 1, April 2006 The images speak for themselves? Reading refugee coffee-table books ANNA SZO¨ RE´NYI The practice of collecting photographs of refugees in ‘coffee- consuming images. This article is concerned with the table books’ is a practice of framing and thus inflecting the implications of such texts and of the statements, such as meanings of those images. The ‘refugee coffee-table books’ Kumin’s, by which they are framed. What, indeed, are discussed here each approach their topic with a particular the effects of portraying refugees through photography? style and emphasis. Nonetheless, while some individual And in what sense can these effects be understood as images offer productive readings which challenge messages from refugees ‘themselves’? If these images stereotypes of refugees, the format of the collections and the speak, on whose behalf do they speak and what do they accompanying written text work to produce spectacle say? rather than empathy in that they implicitly propagate a According to the attitude expressed by Kumin, world view divided along imperialist lines, in which the photographs have an immediacy and intimacy that audience is expected to occupy the position of privileged engages the viewer. In the worldwide project of arousing viewing agent while refugees are positioned as viewed sympathy for refugees, such photographs seem to offer a objects. field for the development and expression of empathy. They draw on the tradition of socially concerned To suffer is one thing; another thing is living photography which has sought to provide a factual with the photographed images of suffering. -
Limited Editions Club
g g OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow, making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books. Today, Oak Knoll Books is a thriving company that maintains an inventory of about 25,000 titles. Our main specialties continue to be books about bibliography, book collecting, book design, book illustration, book selling, bookbinding, bookplates, children’s books, Delaware books, fine press books, forgery, graphic arts, libraries, literary criticism, marbling, papermaking, printing history, publishing, typography & type specimens, and writing & calligraphy — plus books about the history of all of these fields. Oak Knoll Books is a member of the International League of Antiquarian Booksellers (ILAB — about 2,000 dealers in 22 countries) and the Antiquarian Booksellers Association of America (ABAA — over 450 dealers in the US). Their logos appear on all of our antiquarian catalogues and web pages. These logos mean that we guarantee accurate descriptions and customer satisfaction. Our founder, Bob Fleck, has long been a proponent of the ethical principles embodied by ILAB & the ABAA. He has taken a leadership role in both organizations and is a past president of both the ABAA and ILAB. We are located in the historic colonial town of New Castle (founded 1651), next to the Delaware River and have an open shop for visitors. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism. -
Beauty Knows No Borders
Beauty Knows No Borders Banff National Park Alberta, Canada Beauty Knows No Borders Banff National Park Alberta, Canada Available Sizes: 16x20, 20x24, 30x40, 40x50, 50x62 Artist’s Choice: Della Terra, Charcoal with Black Linen Artist Proof: 50 / Limited Edition: 500 Beauty Knows No Borders Field Notes Banff National Park Alberta, Canada Camera: Arca Swiss 8x10 F-Line Camera Lens: 150mm This past summer I had the great pleasure of spending it entirely with my son. Aperture: f45.3 Toward the end of our time together we drove from our home in Oregon all the way Exposure: 1/4 Second up to Alaska on the Can-Am (Canadian-American) highway. After a week long back Film: Professional Fuji Astia 100f country stint in Denali I put him on the redeye flight home as school started the next morning. I wouldn’t trade our time together for anything - it was a blast. On the drive back home from Alaska I took my time going through Canada. I wasn’t in my home country anymore, I was the foreigner and I was about to have an epiphany. There are amazing nature sights to behold there - everywhere. The first snowfall of the season had just dusted the mountains. I starred in awe as the clouds parted and a beam of light touched the surface of this stunning mountain lake and illuminated the entire valley. Man’s pitiful attempt to place arbitrary lines upon the surface of the earth to retain what they believe to be ‘theirs’, and call them “borders”, yields because beauty knows nothing about that, beauty knows no borders. -
Spring Design/Borders—2 Books As Well As Other Educational and Entertainment Items
NEWS RELEASE Spring Design and Borders Announce eBook Agreement Borders to be eBook Seller for Alex eReader FREMONT, Calif./ANN ARBOR, Mich. – January 7, 2010 – Spring Design and Borders Group, Inc. (NYSE: BGP) today announced an agreement in principle to feature the upcoming Borders eBook store powered by Kobo on the new dual display Alex™ eReader later this year. The agreement in principle follows a recent announcement that Borders will launch a new eBook store on Borders.com as well as Borders- branded mobile eBook applications, powered by Kobo. The new Borders-branded eBook store will offer more than two million titles. “The combination of Borders’ leadership in the book industry and Spring Design’s innovation and experience in consumer electronics will create a world class service for eBook readers,” said Dr. Priscilla Lu, chief executive officer of Spring Design. “This partnership delivers one of the critical foundations of our business growth going forward,” Lu added. “Our agreement with Spring Design represents another step in our digital strategy, which continues to focus on offering book lovers—including our more than 35 million Borders Rewards loyalty program members—high quality content on the device of their choosing,” said Borders Group Chief Executive Officer Ron Marshall. “We look forward to bringing a world class eBook experience to Alex users.” The Alex eReader will initially be available February 22, 2010 for $359 in the online store at www.springdesign.com. About Spring Design: Spring Design Inc., founded in 2006, designs and delivers eReader products to the e-book market. Its Alex is the first eBook with full function browser on Android with dual screen, interactive multi-media eReader. -
How Do Literary Works Cross Borders (Or Not)? a Sociological Approach to World Literature
Journal of World Literature 1 (2016) 81–96 brill.com/jwl How Do Literary Works Cross Borders (or Not)? A Sociological Approach to World Literature Gisèle Sapiro cnrs and École des hautes études en sciences sociales [email protected] Abstract This paper analyzes the factors that trigger or hinder the circulation of literary works beyond their geographic and cultural borders, i.e. participating in the mechanisms of the production of World Literature. For the sake of analysis, these factors can be clas- sified into four categories: political (or more broadly ideological), economic, cultural and social. Being embodied by institutions and by individual agents, these factors can support or contradict one another, thus causing tensions and struggles. This paper ends with reflections on the two opposite tendencies that characterize the transnational lit- erary field: isomorphism and the differentiation logics. Keywords World Literature – sociology of literature – sociology of translation – international circulation of literature – field theory If we consider world literature as referring to those literary works that circulate beyond their national borders (Damrosch), then we have to ask how these works circulate, and what obstacles they encounter (Apter). These obstacles are not only linguistic; there are many social obstacles, just as there are social factors that trigger the circulation of texts regardless of their intrinsic value. A sociological approach is thus required in order to identify these factors and the mechanisms of production of World Literature as well as its specific hierarchies (Casanova). In a seminal paper on “[t]he social conditions of the circulation of ideas,” Pierre Bourdieu outlined a program for studying the strategies elaborated by individuals or groups implied in this process (Bourdieu “Social Conditions”). -
Used High End Coffee Table Books
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Top Coffee Table Books
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