All American

Total Page:16

File Type:pdf, Size:1020Kb

All American ALL AMERICAN A Musical Comedy in 2 acts, 22 scenes. Book by Mel Brooks; (based on the novel Professor Fodorski by Robert Lewis Taylor. Music by Charles Strouse. Lyrics by Lee Adams. Winter Gardens, Broadway - 19 February , 1962 - (80 perfs) SYNOPSIS The composers of Bye, Bye, Birdie have written another musical: this one set at a small, football-oriented college. Professor Fodorski arrives with other immigrants singing a naturalisation rag with such lines as Make us Hungarians/Into Rotarians/Change us Romanians/To Pennsylvanians. Frantic to please, Professor Fodorski finally reaches his sports minded students by stating his engineering concepts in football terms and, in the course of demonstrating a principle, turns a mousy student drudge named Bricker into a phenomenal kicker. (Your hip is the fulcrum, multiply by the force of the lever, your knee.) The team becomes a sensation, as do Bricker and the astonished Professor. This show makes a comment on education today by putting it in terms of a bright and marvellous musical comedy. This musical has one of the most beautiful love songs ever written for a musical, the haunting Once Upon a Time. STORY Act 1 A group of immigrants arrives via plane in New York (“Melt Us”). Among them is Professor Stanislaus Fodorski, who has accepted a position as Professor of Engineering at a small college. Taking a bus to the campus, he marvels at the panorama passing by (“What a Country!”). He is greeted by the school’s dean, Elizabeth Hawkes-Bullock. Surprised that the dean is a woman, he is even more surprised to learn he will be boarding in a room in her house. An accomplished author, he confesses doubt about his teaching skills, and she admits the school may not be strong academically, but needs more teachers who think of their students as “Our Children”. Two of those students are confined to their respective dorm rooms after Doctor Snoops, Professor of Comparative Religion, catches Ed Bricker climbing the ivy to visit Susan Thompson’s room (“Animal Attraction”). Fodorski’s first engineering class does not go over well with any of the students except Ed, who has always been interested in bridges (“We Speak the Same Language”). The professor’s fears about his teaching skills vanish when he watches his first football game, which he sees as an example of applied engineering (“I Can Teach Them!”). He starts incorporating football strategy into his lessons, and soon all his students are engaged and learning (“It’s Fun to Think”). The admiration between the Dean and the Professor grows, and one evening they reminisce about past romances (“Once Upon a Time”). Less happy is Susan, still confined to her dorm room and unable to join in the “Nightlife” fun on campus, but her mood changes when Ed appears on her balcony trellis. After a short visit, he climbs down the ivy, ecstatic about their growing affection for each other (“I’ve Just Seen Her”), and is almost caught again by Dr. Snoops, but Dean Hawkes-Booth’s sudden arrival allows Ed to slip away unnoticed. Fodorski visits the gym to give a pep talk to Ed and the rest of the football team (“Physical Fitness”). The team’s spirits are high on the day of the game against the school’s rivals (“The Fight Song”), but their performance on the field is terrible. Coach “Hulk” Stockworth is knocked out by a charging player from the other side, and the only one who can take over is Fodorski. Following his advice to think of his legs as a giant lever, Ed kicks a 98-yard field goal, winning the game. Act 2 Professor Fodorski’s sudden rise to fame has been noticed by Henderson, the owner of an advertising company called Exploiters Unlimited. Henderson plots to exploit the professor, make lots of money, then get him deported. Back on campus, the big hero at the Homecoming Ball is Ed “Bricker-the-Kicker”, who accepts an award for his game-winning kick, claiming that “I Couldn’t Have Done It Alone.” Outside the ball, Fodorski proposes to the Dean, who happily accepts (“If I Were You”). Suddenly, Henderson appears with a different kind of proposal, to form a Fodorski Foundation, and after a little persuasion, the professor agrees (“Have a Dream”). The football team has been winning game after game, and they are soon heading for the Cotton Bowl. As their successes continue, Fodorski’s name is being used to endorse hundreds of products, and his face is on the cover of many magazines (“I’m Fascinating”). Ed Bricker’s ego has also grown with each win, and he has given up interest in engineering in favor of professional football. Ed has also lost interest in Susan, who pleads for help from the Dean. Feeling ignored by Fodorski, the Dean shows up in Ed’s dormitory with martinis and dressed seductively, planning to get him disqualified from the football team (“The Real Me”). Dr. Snoops arrives with the school president, who fires the Dean. Hearing the news, Fodorski is shocked, and realizes he needs to make things right (“Which Way?”). He benches Ed so the school will lose the Cotton Bowl, thwarting Ed’s hopes for a football career, and ruining Henderson as the Fodorski Foundation collapses. The two pairs of lovers reconcile, and with the dream of a football championship gone, the students go back to their studies, and Fodorski receives a letter granting his application for citizenship (“Finale”). CAST: 6m., 6w., flexible chorus Principals • Professor Fodorski • Elizabeth Hawkes-Bullock • Susan • Edwin Bricker • Henderson Airline Stewards; Immigration Officers; travellers, tour guides, etc. SCENES AND SETTINGS Act I Scene 1: Idlewild Airport, (New York). Today. Scene 2: New York and Panorama of America. Scene 3: Dean's Office, S.B.I.T. (Southern Baptist Institute of Technology) Scene 4: Football Field. Scene 5: Classroom, S.B.I.T. Scene 6: On the Campus. Scene 7: Classroom, S.B.I.T. Scene 8: Front Porch of Elizabeth's House. Scene 9: Front Porch of Girls' Dormitory. Scene 10: Susan's Room in Girls' Dormitory. Scene 11: On the Window of Susan's Room. Scene 12: Locker Room. Scene 13: Football Field and Stadium. Act II Scene 1: Office of Exploiters Unlimited. Scene 2: Exterior and Interior of Union Building, S.B.I.T. Scene 3: Fodorski's Seduction. Scene 4: On the Campus. Scene 5: Office of Fodorski Foundation. Scene 6: Bricker's Room in Boys' Dormitory. Scene 7: On the Campus. Scene 8: The Cotton Bowl. Scene 9: Classroom, S.B.I.T. MUSICAL NUMBERS: 1. Melt Us - Fodorski, Immigrants 2. What a Country! - Fodorski, Company 3. Our Children - Fodorski, Elizabeth 4. Animal Attraction - Susan, Edwin 5. Our Children (reprise) - Fodorski, Elizabeth 6. We Speak the Same Language - Fodorski, Edwin 7. I Can Teach Them! - Fodorski, Elizabeth, Edwin, Professor Dawson 8. It's Fun to Think - Fodorski, Professors, Students 9. Once Upon a Time Fodorski, Elizabeth 10. Nightlife - Susan, Girls 11. I've Just Seen Her Edwin 12. Once Upon a Time (reprise) - Susan 13. Physical Fitness - The Football Team 14. The Fight Song - Fodorski, the Football Team 15. What A Country! (reprise) - Fodorski, Company 16. I Couldn't Have Done It Alone - Edwin, Susan 17. If I Were You - Fodorski, Elizabeth 18. Have a Dream - Fodorski, Henderson, Company 19. I've Just Seen Him (reprise) - Susan 20. I'm Fascinating - Fodorski 21. Once Upon a Time (reprise) - Elizabeth 22. The Real Me - Elizabeth 23. It's Up to Me - Fodorski 24. The Fight Song (reprise) - Fodorski, Company 25. It's Fun to Think (reprise) - Company Orchestration available. DISCOGRAPHY: Original Cast Recording - Sony Broadway SK 48216.
Recommended publications
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • Young Frankenstein • May 10-15, 2011 • TPAC’S Andrew Jackson Hall
    OnStage The official playbill and performing arts magazine of the TENNESSEE PERFORMING ARTS CENTER HCA/TriStar Broadway at TPAC • TPAC Family Field Trip • TPAC Presents • TPAC’s Signature Series Young Frankenstein • May 10-15, 2011 • TPAC’s Andrew Jackson Hall www.tpac.org POWERING YOUR family time u plugged It’s often said that there are no small parts. At First Tennessee, we believe that there are no small dreams either. That’s why we offer a wide-range of financial services designed to help your family enjoy more of the things that matter most. So whether you’re looking for a convenient checking account or help with a home loan, our friendly staff is always available to play a supporting role. Banking products and services provided by First Tennessee Bank National Association. Member FDIC. ©2009 First Tennessee Bank National Association. www.firsttennessee.com Sure, it’s just a tire. Like the ancient redwood is just a tree. bridgestonetire.com 1-800-807-9555 tiresafety.com 11bridge5056 Arts 7.125x10.875.indd 1 1/28/11 1:46:37 PM REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what Wto do. We’re so thankful that we asked her doctor about Alive Hospice. They came into our home like family, helping Mom stay with us where she wanted to be. 1718 Patterson Street | Nashville, TN 37203 615-327-1085 or 800-327-1085 | www.alivehospice.org We provide loving care to people with life-threatening illnesses, support to their families, and service to the community in a spirit of enriching lives.
    [Show full text]
  • Adding Fizz to Minsky's Musical
    http://www.playbill.com/news/article/114832.html February 5, 2008 Drowsy's Martin and Nicholaw Are Adding Fizz to Minsky's Musical By Kenneth Jones The Night They Raided Minsky's, the long-gestating musical comedy with songs by Tony Award-winner Charles Strouse and lyricist Susan Birkenhead, has new additional collaborators — director-choreographer Casey Nicholaw and Tony Award-winning librettist Bob Martin. Nicholaw and Martin know from funny: They collaborated on the dizzy Broadway hit, The Drowsy Chaperone, which snagged Best Score and Best Book Tonys, as well as a nomination for Best Musical. Nicholaw is a three-time Tony nominee for choreographing Spamalot and for directing and choreographing Drowsy. (Like Drowsy, Minsky's is a period piece, set in the Jazz Age.) Charles Strouse The Night They Raided Minsky's, which a decade ago had Mike Ockrent, Susan Stroman and librettist Evan Hunter on board with an eye toward a premiere at the Ahmanson Theatre in Los Angeles, is still looking west to L.A., Playbill.com has learned. Producer Bob Boyett is attached to the property, and it's expected to be part of the Ahmanson's 2008-09 season, although no official announcement has been made. The Drowsy Chaperone and the current Broadway musical Curtains, two tradition-friendly musical comedies, both got their start at the Ahmanson prior to Broadway. Strouse, Birkenhead, Martin and Nicholaw have been working on Minsky's in Manhattan in recent months. The musical's creation hit turbulence when Crazy for You and Me and My Girl director Ockrent — a champion of the show, as well as a co-conceiver — took ill.
    [Show full text]
  • View Program
    PLEASE KEEP ALL CELL PHONES AND PAGERS TURNED OFF WHEN IN THE THEATRE. THANK YOU. Please Note •Food and drink must not be brought into the theatre •The use of cameras or recording devices is strictly prohibited •Smoking is not permitted in the Noel Fine Arts Center •In the case of an emergency, ushers will assist audience members at each exit Theatre & Dance Department productions are partially funded by the Student Government Association The UWSP Department of Theatre & Dance is fully accredited by the National Association of Schools of Theatre and the National Association of Schools of Dance. 2012-2013 Theatre & Dance Faculty and Staff Jim Carpenter Alan Patrick Kenny Associate Lecturer of Theatre Assistant Professor of Theatre Sandy Childers Pamela Luedtke Assistant Professor of Theatre Lecturer of Dance Barbara Cirmo Tyler Marchant Cutter/Draper Assistant Professor of Theatre Ruth Daniels Gary G. Olsen Academic Department Associate Professor of Theatre Theatre & Dance Department Chair Wendy Dolan BFA Design Technology Coordinator Costume Shop Manager Associate Instruction Specialist Stephen Trovillion Smith Professor of Theatre Michael Estanich BFA Acting Program Coordinator Associate Professor of Dance Jeffrey Stephens Jared Hanlin Assistant Professor of Theatre Assistant Professor of Theatre BA/BS Drama Program Coordinator Jeannie Hill John Strassburg Associate Professor of Dance Dance Program Accompanist Joan Karlen Bradley Vieth Professor of Dance Assistant Professor of Theatre Dance Program Coordinator BFA Musical Theatre Coordinator Gregory Kaye Mike Trudeau Assistant Professor of Theatre Scene Shop Manager Associate Lecturer Director’s Notes For the final production of this year’s season and for my directorial debut as a new musical theatre faculty member at UWSP, I think we’ve definitely created a show that will go out with a BANG! The original film ofThe Producers in 1968 marked the directorial debut of Mel Brooks who won an Academy Award for his screenplay.
    [Show full text]
  • GYPSY Sure to “Entertain” Audiences July 10-19 “Everything’S Coming up Roses” at the Benedum Center
    FOR IMMEDIATE RELEASE Contact: Aja Jones 412-281-3973 ext. 224 [email protected] Images: Press Room User: pressroom Pswd: pittstadium GYPSY Sure to “Entertain” Audiences July 10-19 “Everything’s Coming Up Roses” at the Benedum Center Pittsburgh, PA ∙ July 2, 2015 – Join one-of-a-kind mother, Rose, and her two talented daughters as they search for fame in Pittsburgh CLO’s production of GYPSY, July 10-19 at the Benedum Center. This entertaining musical is complete with memorable performances, mother-daughter struggles and the hardships of show business life, all while set during the infamous vaudeville era. Featuring one show-stopping song after another such as “Everything’s Coming Up Roses,” “You Gotta Get a Gimmick” and “Let Me Entertain You,” GYPSY truly is “the greatest of all American musicals” (The New York Times). Based on the real-life memoirs of burlesque mega-star, Gypsy Rose Lee, GYPSY tells the story of the mother behind the curtain, Rose. Blinded by her own ambition, Rose pushes her two daughters to pave the way to stardom on vaudeville’s legendary circuit. Do not miss this “mother” of a big, Broadway musical! ABOUT THE CAST Kim Zimmer (Rose) attended Hope College for her undergraduate and continued her education at The American Conservatory Theatre in San Francisco. She’s best known for her portrayal of Reva Shayne on “Guiding Light” for which she received four Lead Actress Daytime Emmy® Awards along with 11 Nominations. Ms. Zimmer recently wrapped up her record-breaking tour with the First National Company of WICKED. Some of her favorite Regional and Off-Broadway credits include: Four Dogs and a Bone, Love, Loss, And What I Wore, Blood Brothers, Gypsy, Sunset Boulevard, Dirty Blonde, Curtains, Shirley Valentine and Lost Boy Found at Whole Foods.
    [Show full text]
  • Broadside Publication Guidelines—Pg
    Vol. 34, No. 3 TLA’s 70th Anniversary Year Spring 2007 manager, John Corbin. Corbin’s assignments with the innovative but short-lived New Theatre in New York from 1910 to 1912 were virtually identical to those performed by dramaturgs in American companies Effective July 1, 2007, we welcome David Nochimson today, suggesting that the profession has a longer ([email protected]) (718-396-0758) as history in this country than is often supposed. TLA Secretary. We extend a warm thank you to Nancy Friedland ([email protected]) for her services as The first panel of the day, “Saving Face: Reconstructing Secretary which will continue through the end of June. Berlin and Hart’s Face the Music at Encores!,” dealt with research for the 2007 production of this 1932 PERFORMANCE RECLAMATION Broadway show by New York City Center Encores!, a company dedicated to the recovery of the scores of SYMPOSIUM bygone Broadway musical comedies. Encores! presents these works in concert performances, but On Friday, February 16, 2007 the Theatre Library recreates as closely as possible the sound and style of Association presented the second of its current series the originals. Because these productions were often of symposia, “Performance Reclamation: Research, considered by their creators to be disposable Discovery, and Interpretation.” Held at New York entertainments, original production material was not University’s Kimmel Center for University Life, hosted systematically preserved, and attempting to discover by NYU’s Fales Library and Special Collections, and what actually went on in performance can present a with generous support from the Gladys Krieble Delmas tremendous challenge.
    [Show full text]
  • Creative Teams Confirmed for All Five Goodspeed Musicals Productions in 2019 Season
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] CREATIVE TEAMS CONFIRMED FOR ALL FIVE GOODSPEED MUSICALS PRODUCTIONS IN 2019 SEASON • Director Jenn Thompson and Choreographer Patricia Wilcox –THE MUSIC MAN • • Director John Rando and Choreographer Chris Bailey – BECAUSE OF WINN DIXIE• •Director Gabriel Barre and Choreographer Marc Kimelman – BILLY EILLIOT • • Director Andrew Panton and Choreographer Emily-Jane Boyle – HI, MY NAME IS BEN • • Director Igor Goldin and Choreographer Marcos Santana – PASSING THROUGH • - SINGLE TICKETS ON SALE BEGINNING AT 10 A.M. SUNDAY FEBRUARY 17 - EAST HADDAM, CONN., FEBRUARY 15, 2019: Two-time Tony Award-winning Goodspeed Musicals has brought together an extraordinary group of artists to helm the five exciting productions planned this season: an All-American classic, a heart-warming musical tale, an electric dance-filled tuner, an extraordinary true story, and an inspirational journey that’s sure to inspire. Single tickets for all five shows set for Goodspeed’s 2019 season go on public sale this Sunday, February 17 at 10:00 a.m.. The first of three productions planned for The Goodspeed in East Haddam, CT will be the beloved classic Meredith Willson’s The Music Man, which will run from April 12 – June 16, 2019 [Official Press Opening May 1]. The production will be directed by Jenn Thompson, who directed the five-time Connecticut Critics Circle Award-nominated Goodspeed production of Bye Bye Birdie. Thompson also directed Goodspeed’s 2017 hit production of Oklahoma!.
    [Show full text]
  • Audienc E G Uide
    AUDIENCE GUIDE 2017 - 2018 | Our 58th Season Issue| 2 November 17—December 27, 2017 Music by Charles Strouse Lyrics by Martin Charnin Book by Thomas Meehan In 1977, one of the most popular comic What better time than the holidays to tell strips of all time, Harold Gray’s Little the heartwarming story of a strong, Orphan Annie, was adapted into one of independent, optimistic girl who never the most successful and beloved gives up. And who better to guide the Broadway musicals of all time, Annie. telling of this story than our director, Molly With music by Charles Strouse, lyrics Rhode? Molly is a longtime member of by Martin Charnin and book by Thomas the Skylight family as both an actor Meehan, the show opened on April 21, (Pump Boys and Dinettes, Cabaret, The IN THIS ISSUE 1977. It was an instant hit. Producers) and as director of two of our most popular and successful productions, New York Times critic Clive Barnes The Sound of Music and Les Miserables. Original Comic Strip wrote, “To dislike the new musical Molly brings a sharp intellect, tremendous Annie would be tantamount to disliking creativity and expertise gained from Composer and Authors motherhood, peanut butter, friendly working on both sides of the footlights. mongrel dogs and nostalgia. Annie is an The Depression intensely likable musical. You might even We think audiences will be impressed by call it lovable.” Orphanages the creativity and vision of the whole team who have worked together to Herbert Hoover and F.D.R. Annie won seven Tony awards: Best transform the Cabot stage into a rundown Musical, Best Score, Best Book, Best orphanage, a billionaire’s mansion, the Historical References Scenic Design, Best Costume Design, White House and a shantytown.
    [Show full text]
  • KW January February.Indd
    Niles Senior CENTER january/february 2014 naturally active New Year’s Resolutions... “Take“Take BetterBetter CareCare “Socialize ofof Myself”Myself” More” Health PreventionPrevention Men’s or Women’s Club pagepap geg 5 pages 6 & 13 HealthyHealthy HHearteart FFairair pagepagege 1122 “Save Money” Take a Bite Out of Your Bills page 12 “Exercise More” Line Dance, Tai Chi, “Learn Something New” Resistance, and more! Introduction to Facebook page 4 & 11 page 11 ...we can help you keep them! monday tuesday wednesday thursday friday 2 1 2 3 9:00 All American 9:00 Sharps & Medication january J 9:30 Issues in the News Collection 10:00 Social Mahjongg 9:00 Drop-In Art Happy 10:45 Yoga in Chairs 10:15 Beg Tai Chi AN 1:00 Drop-In Ceramics 12:00 Welcome Noon Year! 1:00 Drop-In Woodcarving Celebration 2:00 Concert Video Series: 1:00 Open Computer U A 2014 Rod Stewart Lab 1:30 Weight Management R Y Group 6 7 8 9 10 9:00 Using Weights 10:00 Choral Group 10:00 Flexibility 9:00 All American 9:00 Int Tai Chi 9:00 Drop-In Art 10:00 Social Mahjongg 11:00 The Magic Piano of 9:30 Issues in the News 9:00 Drop-In Art 9:00 AARP Driver’s Safety 1:00 Line Dance Ferrante & Teicher 10:00 Health Prevention: 10:15 Tai Chi Demo 10:30 Pain Management 1:00 Social Bridge 1:30 Computer Interest Medicare & YOU! 12:00 Lite Lunch & Movie: 1:00 Open Computer Lab 1:30 Resistance Bands Group 10:00 Social Mahjongg Lee Daniels’ The Butler 2:00 Ventra: The new 10:45 Yoga in Chairs 1:00 Open Computer way to pay on the 1:00 Drop-In Ceramics Lab CTA/RTA 1:00 Drop-In Woodcarving 2:00 Classic
    [Show full text]
  • National Film Registry Titles Listed Alphabetically
    National Film Registry Titles Selected 1989-2017, Listed Alphabetically Year Year Title Released Inducted 3:10 to Yuma 1957 2012 The 7th Voyage of Sinbad 1958 2008 12 Angry Men 1957 2007 13 Lakes 2004 2014 20,000 Leagues Under the Sea 1916 2016 42nd Street 1933 1998 2001: A Space Odyssey 1968 1991 Abbott and Costello Meet Frankenstein 1948 2001 Ace in the Hole (aka Big Carnival, The) 1951 2017 Adam’s Rib 1949 1992 The Adventures of Robin Hood 1938 1995 The African Queen 1951 1994 Airplane! 1980 2010 Alien 1979 2002 All About Eve 1950 1990 All My Babies 1953 2002 All Quiet on the Western Front 1930 1990 All That Heaven Allows 1955 1995 All That Jazz 1979 2001 All the King’s Men 1949 2001 All the President’s Men 1976 2010 Allures 1961 2011 America, America 1963 2001 American Graffiti 1973 1995 An American in Paris 1951 1993 Anatomy of a Murder 1959 2012 Annie Hall 1977 1992 Antonia: A Portrait of the Woman 1974 2003 The Apartment 1960 1994 Apocalypse Now 1979 2000 Applause 1929 2006 The Asphalt Jungle 1950 2008 Atlantic City 1980 2003 The Atomic Café 1982 2016 The Augustas 1930s-1950s 2012 The Awful Truth 1937 1996 National Film Registry Titles Selected 1989-2017, Listed Alphabetically Year Year Title Released Inducted Baby Face 1933 2005 Back to the Future 1985 2007 The Bad and the Beautiful 1952 2002 Badlands 1973 1993 Ball of Fire 1941 2016 Bambi 1942 2011 The Band Wagon 1953 1995 The Bank Dick 1940 1992 The Bargain 1914 2010 The Battle of San Pietro 1945 1991 The Beau Brummels 1928 2016 Beauty and the Beast 1991 2002 Being There 1979
    [Show full text]
  • First It Was a Movie, Then It Was a Broadway Musical. Now It's Going to Be a Broadway Musical Movie. I Think the Next Th
    “First it was a movie, then it was a Broadway musical. Now it’s going to be a Broadway musical movie. I think the next thing will probably be claymation.” -Mel Brooks Production Notes From the brilliantly twisted mind of MEL BROOKS comes a scheme so clever, so bold and so disturbingly simple that it can’t possibly go wrong: Step One: You start with Broadway’s smash hit The Producers—The New Mel Brooks Musical, winner of a record-breaking 12 Tony Awards, and based on Mel Brooks’ Oscar®- winning 1968 film The Producers. Step Two: You have two major film studios, Universal Pictures and Columbia Pictures, join forces to bring the musical play to the big screen. Step Three: You enlist the phenomenal SUSAN STROMAN, winner of five Tony Awards, including two for directing and choreographing The Producers—The New Mel Brooks Musical on Broadway, to make her motion picture directorial debut with the film version. Step Four: You bring the original Tony Award-winning stars, NATHAN LANE and MATTHEW BRODERICK, back to recreate their signature roles and surround them with two of Hollywood’s biggest talents, Academy Award® nominee UMA THURMAN and comic superstar WILL FERRELL. And before you can say “Step Five,” you have the makings of the big, fun-filled, laugh-a- minute musical movie event audiences have been waiting for: The Producers. Only one person in the world could have conceived of such a plan: the incomparable Mel Brooks, whose fabulous career comes full circle with this new film version of The Producers. The Producers – Production Information 2 Brooks was already a television veteran when he made his feature film directorial and writing debut with The Producers in 1968.
    [Show full text]
  • Bye Bye Birdie Glossary
    GOODSPEED MUSICALS AUDIENCE INSIGHTS MICHAEL GENNARO Executive Director MICHAEL P. PRICE Founding Director presents Book by MICHAEL STEWART Music by CHARLES STROUSE Lyrics by LEE ADAMS Originally produced by EDWARD PADULA Scenic Design by Costume Design by Lighting Design by TOBIN OST DAVID TOSER PHILIP S. ROSENBERG Projection Design by Sound Design by Wig & Hair Design by DANIEL BOONE JAY HILTON MARK ADAM RAMPMEYER Assistant Music Director Orchestrations by Dance Arrangements by F. WADE RUSSO DAN DELANGE DAVID KRANE Production Manager Production Stage Manager Casting by R. GLEN GRUSMARK BRADLEY G. SPACHMAN STUART HOWARD & PAUL HARDT Associate Producer Line Producer General Manager BOB ALWINE DONNA LYNN COOPER HILTON RACHEL TISCHLER Music Direction by MICHAEL O'FLAHERTY Choreographed by PATRICIA WILCOX Directed by JENN THOMPSON JUNE 24 - SEPT 4, 2016 THE GOODSPEED TABLE OF CONTENTS Character & Show Synopsis................................................................................................................................................................4 Bye Bye Birdie Glossary..........................................................................................................................................................................6 Meet the Writers.....................................................................................................................................................................................8 Director's Vision....................................................................................................................................................................................10
    [Show full text]