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Daft Punk, La Toile Et Le Disco: Revival Culturel a L'heure Du Numerique
Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique Philippe Poirrier To cite this version: Philippe Poirrier. Daft Punk, la Toile et le disco: Revival culturel a l’heure du numerique. French Cultural Studies, SAGE Publications, 2015, 26 (3), pp.368-381. 10.1177/0957155815587245. halshs- 01232799 HAL Id: halshs-01232799 https://halshs.archives-ouvertes.fr/halshs-01232799 Submitted on 24 Nov 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. © Philippe Poirrier, « Daft Punk, la Toile et le disco. Revival culturel à l’heure du numérique », French Cultural Studies, août 2015, n° 26-3, p. 368-381. Daft Punk, la Toile et le disco Revival culturel à l’heure du numérique PHILIPPE POIRRIER Université de Bourgogne 26 janvier 2014, Los Angeles, 56e cérémonie des Grammy Awards : le duo français de musique électronique Daft Punk remporte cinq récompenses, dont celle de meilleur album de l’année pour Random Access Memories, et celle de meilleur enregistrement pour leur single Get Lucky ; leur prestation live, la première depuis la sortie de l’album, avec le concours de Stevie Wonder, transforme le Staples Center, le temps du titre Get Lucky, en discothèque. -
The BG News March 03, 2021
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 3-3-2021 The BG News March 03, 2021 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation State University, Bowling Green, "The BG News March 03, 2021" (2021). BG News (Student Newspaper). 9156. https://scholarworks.bgsu.edu/bg-news/9156 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Book is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. bg Raisin’ news An independent student press serving the campus and surrounding community, the Wage ESTABLISHED 1920 Bowling Green State University Wednesday, March 3, 2021 Volume 100, Issue 23 Minimum wage effects on student employees | Page 11 Tree No Leaves Support Volleyball: releases women-owned strong start new album businesses in BG to season Page 5 Page 8 Page 9 PHOTO BY JOSH APPEL VIA UNSPLASH BG-0303-01.indd 1 3/2/21 7:36 PM BG NEWS March 3, 2021 | PAGE 2 Great Selection Close to Campus Great Prices BGSU ON HIGH ALERT JOHN NEWLOVE DHS National Terrorism Announcement REAL ESTATE, INC. Steve Iwanek | Reporter Michigan, and Nation of Islam in Toledo Ohio (not to be mistaken with Masjid of Al- “We are not immune to On Jan. 27 the Department of Homeland Islam Mosque in Toledo). Security announced a domestic terrorism “We are a public institution and people violent behavior in this alert projected to last for weeks. -
The Fan Data Goldmine Sam Hunt’S Second Studio Full-Length, and First in Over Five Years, Southside Sales (Up 21%) in the Tracking Week
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 24, 2021 Page 1 of 30 Leader; Travis Denning Makes History INSIDE The Fan Data Goldmine Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debuts at No. 1 on Billboard’s lionBY audienceTATIANA impressions, CIRISANO up 16%). Top Country• Spotify’s Albums Music chart dated April 18. In its first week (ending April 9), it earnedLeaders 46,000 onequivalent the album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingStreaming to Nielsen Giant’s Music/MRC JessieData. Reyez loves to text, especially with fans.and Ustotal- Countryand Airplay Community No. 1 as “Catch” allows (Big you Machine to do that, Label especially Group) ascends Southside‘Audio-First’ marks Future: Hunt’s seconding No.a phone 1 on the number assigned through the celebrity when you’re2-1, not increasing touring,” 13% says to 36.6Reyez million co-manager, impressions. chart andExclusive fourth top 10. It followstext-messaging freshman LP startup Community and shared on her Mauricio Ruiz.Young’s “Using first every of six digital chart outletentries, that “Sleep you canWith- Montevallo, which arrived at thesocial summit media in No accounts,- the singer-songwriter makes to make sureout you’re You,” stillreached engaging No. -
Humanism After All? Daft Punk's Existentialist
PARRHESIA NUMBER 8 • 2009 • 76–88 HUMANISM AFTER ALL? DAFT PUNK’S EXISTENTIALIST CRITIQUE OF TRANSHUMANISM Chad Parkhill INTRODUCTION The French dance music production duo Daft Punk have, since the pre-release publicity for their second album, Discovery (2001), used their music (and the accompanying paratexts of video clips, publicity photos, liner notes, and the costume and stage design of their tours) as an occasion to meditate on the relationship between technology and the human. Although their early efforts at exploring this relationship seem at best naïve—they initially claimed that an accident in their recording studio in September 1999 had transformed them into robots1—their later texts, such as the video clips that accompany their third album, Human After All (2005), display an increasing level of sophistication, not only in artistic but also in philosophical terms. Despite the fact that their music and its commercial success rely extensively on technologies of sound manipulation, digital reproduction, and new forms of online media, Daft Punk’s recent examinations of the relationship between technology and the human are, to say the least, ambivalent. On the one hand, songs such as “Technologic” can be read as paeans to the possibilities that technology opens up to human existence, and the fact that the song was swiftly seized upon by advertising executives to sell Apple’s iPod music player would support such a reading. On the other hand, the visual codes and semiotics of the song’s video clip suggest that Daft Punk’s vision of the technological is a much darker one than Apple might like to embrace.2 Nowhere else in the duo’s oeuvre is their take on technology and the human more developed in its details and more ambivalent in its message than in their debut feature-length film, Electroma (2007). -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
DJ – Titres Incontournables
DJ – Titres incontournables Ce listing de titres constamment réactualisé , il vous ait destiné afin de surligner avec un code couleur ce que vous préférez afin de vous garantir une personnalisation totale de votre soirée . Si vous le souhaitez , il vaut mieux nous appeler pour vous envoyer sur votre mail la version la plus récente . Vous pouvez aussi rajouter des choses qui n’apparaissent pas et nous nous chargeons de trouver cela pour vous . Des que cette inventaire est achevé par vos soins , nous renvoyer par mail ce fichier adapté à vos souhaits 2018 bruno mars – finesse dj-snake-magenta-riddim-audio ed-sheeran-perfect-official-music-video liam-payne-rita-ora-for-you-fifty-shades-freed luis-fonsi-demi-lovato-echame-la-culpa ofenbach-vs-nick-waterhouse-katchi-official-video vitaa-un-peu-de-reve-en-duo-avec-claudio-capeo-clip-officiel 2017 amir-on-dirait april-ivy-be-ok arigato-massai-dont-let-go-feat-tessa-b- basic-tape-so-good-feat-danny-shah bastille-good-grief bastille-things-we-lost-in-the-fire bigflo-oli-demain-nouveau-son-alors-alors bormin-feat-chelsea-perkins-night-and-day burak-yeter-tuesday-ft-danelle-sandoval calum-scott-dancing-on-my-own-1-mic-1-take celine-dion-encore-un-soir charlie-puth-attention charlie-puth-we-dont-talk-anymore-feat-selena-gomez clean-bandit-rockabye-ft-sean-paul-anne-marie dj-khaled-im-the-one-ft-justin-bieber-quavo-chance-the-rapper-lil-wayne dj-snake-let-me-love-you-ft-justin-bieber enrique-iglesias-subeme-la-radio-remix-remixlyric-video-ft-cnco feder-feat-alex-aiono-lordly give-you-up-feat-klp-crayon -
I the ROLE of MUSIC THEORY in MUSIC PRODUCTION AND
THE ROLE OF MUSIC THEORY IN MUSIC PRODUCTION AND ENGINEERING by GEORGE A. WIEDERKEHR A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2015 i THESIS APPROVAL PAGE Student: George A. Wiederkehr Title: The Role of Music Theory in Music Production and Engineering This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the School of Music and Dance by: Jack Boss Chair Stephen Rodgers Member Lance Miller Member and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2015 ii © 2015 George A. Wiederkehr This work is licensed under a Creative Commons Attribution (United States) License. iii THESIS ABSTRACT George A. Wiederkehr Master of Arts School of Music and Dance September 2015 Title: The Role of Music Theory in Music Production and Engineering Due to technological advancements, the role of the musician has changed dramatically in the 20 th and 21 st centuries. For the composer or songwriter especially, it is becoming increasingly expected for them to have some familiarity with music production and engineering, so that they are able to provide a finished product to employers, clients, or listeners. One goal of a successful production or engineered recording is to most effectively portray the recorded material. Music theory, and specifically analysis, has the ability to reveal important or expressive characteristics in a musical work. -
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Daft Punk Random Access Memories 2013 Japan Deluxe Edition
Daft Punk - Random Access Memories (2013) [Japan Deluxe Edition] Daft Punk - Random Access Memories (2013) [Japan Deluxe Edition] 1 / 4 2 / 4 ... (Japan) UICN-1034/5, 2 x SHM-CD (2013); Daft Punk, Random Access Memories, Columbia Records/Sony Music Japan SICP-3817, CD ... CD; John Coltrane, Coltrane, Impulse!, 589 567-2, 'Deluxe Edition', 2 x CD (1962/2002); Jorgos .... Daft Punk – Random Access Memories (2013) [LE Box USB Drive 24bit . ... Download daft punk random access memories japan flac torrent . ... Daft punk ram deluxe box set edition. ... codec flac rip type tracks bitrate lossless ... by PopWrapped Admin October 14, 2013 0 comment ... met at a disco” tweeted UK choirmaster Gareth Malone of Daft Punk's Random Access Memories. Daft Punk - Random Access Memories (Deluxe Box Set Edition). ... Cassette tape used: Sony Type IV (metal) C-64CDX4C, made in Japan. ... (C) 2013 Daft Life Limited under exclusive license to Columbia Records, a Division of Sony Music .... DAFT PUNK - Random Access Memories (incl. ... Special offers and product promotions ... 2013 Japanese pressing includes one bonus track, 'Horizon. ... You CANNOT get the digital version of this album without doing Amazon's MP3 RIP .... "Get Lucky", the lead single of their 2013 album Random Access Memory, was a ... The duo hasn't released a new album since 2013's “Random Access Memories,” which won ... Daft Punk have shared a new deluxe edition of their TRON: Legacy ... Sg Special, Japanese Female Names, 2 Drawer Storage Cabinet Walmart, .... Daft Punk's Random Access Memories – Deluxe Box Set Edition is coming and I ... Janelle Rodriguez (@Jan_Joy_Rod) October 11, 2013 .. -
Instant Crush Daft Punk Download Mp3
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Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
One Bruised Apple
University of Southern Maine USM Digital Commons Stonecoast MFA Student Scholarship 2017 One Bruised Apple Stacie McCall Whitaker University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/stonecoast Part of the English Language and Literature Commons Recommended Citation Whitaker, Stacie McCall, "One Bruised Apple" (2017). Stonecoast MFA. 29. https://digitalcommons.usm.maine.edu/stonecoast/29 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in Stonecoast MFA by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. One Bruised Apple __________________ A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS UNIVERSITY OF SOUTHERN MAINE STONECOAST MFA IN CREATIVE WRITING BY Stacie McCall Whitaker __________________ 2017 Abstract The Quinn Family is always moving, and sixteen-year-old Sadie is determined to find out what they’re running from. In yet another new neighborhood, Sadie is befriended by a group of teens seemingly plagued by the same sense of tragedy that shrouds the Quinn family. Sadie quickly falls for Trenton, a young black man, in a town and family that forbids interracial relationships. As their relationship develops and is ultimately exposed, the Quinn family secrets unravel and Sadie is left questioning all that she thought she knew about herself, her family, and the world. iii Acknowledgements To my incredible family: Jeremy, Tyler, Koralynn, Damon, and Ivan for your support, encouragement, sacrifice, and patience.