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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
RECORD PRODUCER Introduction
RECORD PRODUCER Introduction .................................................................................. 03 contentsReasons to Study at ACM .................................................. 07 - 11 A Day in the Life of an ACM Student ................................ 13 Tutor Interview: Jon Gallen .............................................. 14 - 15 Alumnus Interview: Henry Watkins .............................. 16 - 17 The Leadership Team ............................................................ 18 ACM Extras ............................................................................. 20 - 21 Facilities & Sponsors ............................................................. 22 Metropolis .................................................................................... 23 All Courses ................................................................................. 24 Course Information .................................................................. 25 2 History remembers those who break the mould, introduce the world to brand new sounds, introduand sell countless records in the process – but without a talented producer’s Midas touch, many of your favourite songs and albums would have gone unheard or even unreleased. Behind a truly amazing band or artist, you’ll always find a guy or girl whose mastery of the recording studio enables them to turn something good into something great. To the average musician, essential stagesction like mixing and mastering often seem arcane and overwhelming – but a knowledgeable and skilled -
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Funk Soul Brother – Repertoire 2018
FUNK SOUL BROTHER – REPERTOIRE 2018 PARTY MUSIC & DANCE FLOOR FILLERS! A Little Less Conversation - Elvis Another One Bites The Dust - Queen Beat It - Michael Jackson Billie Jean - Michael Jackson Blame It On The Boogie - Jackson 5 Blurred Lines - Robin Thicke Cake By The Ocean - DNCE Canned Heat - Jamiroquai Car Wash - Rose Royce Cold Sweat - James Brown Cosmic Girl - Jamiroquai Dance To The Music - Sly & The Family Stone Don't Stop Til You Get Enough - Michael Jackson Get Down On It - Kool and the Gang Get Down Saturday Night - Oliver Cheatham Get Lucky - Daft Punk Get Up Offa That Thing - James Brown Good Times - Chic Groove Is In The Heart - Dee-Lite Happy - Pharrell Williams Higher And Higher - Jackie Wilson I Believe in Mircales - Jackson Sisters I Wish - Stevie Wonder It's Your Thing - The Isley Brothers Kiss - Prince Ladies Night - Kool and the Gang Lady Marmalade - Labelle Le Freak - Chic Let's Stay Together - Al Green (continued) +44 (0)1572 335108 • [email protected] • www.pureartists.co.uk Long Train Running - Doobie Brothers Locked Out of Heaven - Bruno Mars Love Shack - B52s Mercy - The Third Degree/Duffy Move On Up - Curtis Mayfield Move Your Feet - Junior Senior Mr Big Stuff - Jean Knight Mustang Sally - Wilson Pickett Papa’s Got A Brand New Bag - James Brown Pick Up The Pieces - Average White Band Play That Funky Music - Wild Cherry Rather Be - Clean Bandit ft. Jess Glynne Rehab - Amy Winehouse Respect - Aretha Franklin Signed Sealed Delivered - Stevie Wonder Sir Duke - Stevie Wonder Superstition - Stevie Wonder -
SONG LIST | Email [email protected] with Questions
RUBY VELLE & THE SOULPHONICS 2017 CURRENT SONG LIST | email [email protected] with questions CURRENT COVERS - In ALPHABETICAL ORDER CURRENT ORIGINALS 1. 25 Miles - Edwin Starr 1. Heartlite 2. A Change Gonna Come - Sam Cooke 2. My Dear 3. Ain’t It Funky Now - James Brown 3. The Man Says 4. Ain’t No Mountain High Enough - M.Gaye/T.Terrell 4. Soul of the Earth 5. Ain’t No Sunshine - Bill Withers 5. Medicine Spoon 6. Am I the Same Girl - Barbara Acklin 6. Longview 7. Baby I Love You- Aretha Franklin 7. Mr. Wrong 8. Baby It’s You - Smith 8. Coming Home to You 9. Bootleg - Booker T. & the MG’s (instrumental) 9. Feet on the Ground 10. Can We Pretend - Bill Withers 10. Looking for a Better Thing 11. Can’t Turn You Loose - Otis Redding 11. The Agenda 12. Chain of Fools- Aretha Franklin 12. Soul of the Earth 13. Champagne & Wine - Otis Redding/ Etta James 13. Its About Time 14. Cold Sweat - James Brown 14. Used Me again 15. Comin’ Home Baby - Mel Torme 15. I Tried 16. Darkness- Tab Benoit 16. Tried on A Smile 17. Fade Into You- Mazzy Star 17. Just Blink 18. Fever- Peggy Lee 18. Close the Book On Us 19. Georgia On My Mind - Ray Charles 19. Broken Women 20. Grab This Thing - The Markeys 20. Call My Name 21. Grapevine- Marvin Gaye/ Gladys Knight 21. Way Back When 22. Groove Me - King Floyd 22. Shackles 23. Hard Times - Baby Huey 23. Lost Lady Usa 24. Hava Nagila- Jewish Traditional Song 24. -
Funk Conspiracy Song List Sam & Dave
Funk Conspiracy Song List Sam & Dave - Soul Man Stevie Wonder - Superstition James Brown - Get on up (like a sex machine) Wilson Pickett - Mustang Sally Jackie Wilson - Higher and Higher Labelle - Lady Marmalade Aretha Franklin - Respect Rose Royce - Car wash Wild Cherry - Play that funky music white boy The Blues Brothers - Everybody needs somebody to love Dusty Springfield - Son of a preacher man Fontella Bass - Rescue Me James Brown - I feel good KC & Sunshine Band - That's the way I like it Trammps - Disco inferno The Jackson Five - Blame It On The Boogie The Jackson Five - I want you back The Jackson Five - ABC Stevie Wonder - Sir Duke Kool & the Gang - Celebration Ike & Tina Turner - Proud Mary Chuck Berry - You Never Can Tell Otis Redding - Hard to handle Stevie Wonder - Signed, sealed & delivered Curtis Mayfield - Move on up Jean Knight - Mr big stuff Otis Redding - Satisfaction Upside Down - Diana Ross Amy Winehouse - Valerie Beyonce - Crazy in love Gnarls Barkley - Crazy Joss Stone - Super duper love Candi Staton / Florence - You Got The Love Paulo Nutini - Pencil Full Of Lead Duffy - Mercy Jamiroquai - Cosmic Girl Michael Jackson - Billy Jean Deee Lite - Groove is in the heart Cee-Lo Green - Forget You Dolly Parton - 9 to 5 Bryan Adams - Summer Of '69 Stealer's Wheel - Stuck in the middle with you The Jam - Town called malice Take That - Relight My Fire The B-52's - Love Shack Van Morrison - Brown Eyed Girl Guns N' Roses - Sweet Child O' Mine Kings Of Leon - Sex On Fire The Killers - Mr Brightside Pink - Get the party started Cream/Spanky Wilson - Sunshine of your love Doors / Erma Franklin - Light my fire Journey - Don't Stop Believin' Queen - Don't Stop Me Now The Proclaimers - I'm Gonna Be (500 Miles) James - Sit Down Aerosmith - Walk this way Nancy Sinatra - These boots were made for walking . -
New Elvis Presley Album Christmas with Elvis and the Royal Philharmonic Orchestra to Be Released October 6 by Sony Music's Legacy Recordings
NEW ELVIS PRESLEY ALBUM CHRISTMAS WITH ELVIS AND THE ROYAL PHILHARMONIC ORCHESTRA TO BE RELEASED OCTOBER 6 BY SONY MUSIC'S LEGACY RECORDINGS Essential New Presley Seasonal Collection Unites Classic Elvis Holiday Performances with Brand-New Orchestral Accompaniment, Produced by Nick Patrick and Don Reedman Deluxe Version To Be Released November 24 # # # # # RCA Records and Legacy Recordings, the catalog division of Sony Music Entertainment, will celebrate the 2017 holiday season with the release of Elvis Presley - Christmas with Elvis and The Royal Philharmonic Orchestra on Friday, October 6. Christmas with Elvis and The Royal Philharmonic Orchestra brings together Elvis Presley’s best-loved yuletide performances from Elvis’ Christmas Album (1957) and Elvis Sings the Wonderful World of Christmas (1971) re-imagined with sublime and exquisite new arrangements performed by The Royal Philharmonic Orchestra. Produced by Nick Patrick and Don Reedman and recorded at Abbey Road Studio 2, Christmas with Elvis and The Royal Philharmonic Orchestra follows in the phenomenal worldwide success of 2015's If I Can Dream: Elvis Presley with The Royal Philharmonic Orchestra (which has sold more than 1.5 million copies) and last year's The Wonder Of You: Elvis Presley with The Royal Philharmonic Orchestra (which sold more than 800,000 copies worldwide). Christmas with Elvis and The Royal Philharmonic Orchestra will be released on CD, LP, and digital formats on Friday, October 6. A deluxe version of the album contains 4 bonus tracks (new symphonic versions of material from Elvis’ Peace In The Valley EP) and will be released on CD and digital formats Friday, November 24. -
ROCK 'DO: RESURGENCE of a RESILIENT SOUND in U.S., Fresh Spin Is Put on Format Globally, `No- Nonsense' Music Thrives a Billboard Staff Report
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) ZOb£-L0906 VO H3V38 9N01 V it 3AV W13 047L£ A1N331J9 A1NOW 5811 9Zt Z 005Z£0 100 lllnlririnnrlllnlnllnlnrinrllrinlrrrllrrlrll ZL9 0818 tZ00W3bL£339L080611 906 1I9I0-£ OIE1V taA0ONX8t THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT r MARCH 6, 1999 ROCK 'DO: RESURGENCE OF A RESILIENT SOUND In U.S., Fresh Spin Is Put On Format Globally, `No- Nonsense' Music Thrives A Billboard staff report. with a host of newer acts being pulled A Billboard international staff Yoshida says. in their wake. report. As Yoshida and others look for NEW YORK -In a business in which Likewise, there is no one defining new rock -oriented talent, up -and- nothing breeds like success, "musical sound to be heard Often masquerading coming rock acts such as currently trends" can be born fast and fade among the pack, only as different sub-gen- unsigned three -piece Feed are set- faster. The powerful resurgence of the defining rock vibe res, no-nonsense rock ting the template for intelligent, rock bands in the U.S. market -a and a general feeling continues to thrive in powerful Japanese rock (Global phenomenon evident at retail and that it's OK to make key markets. Music Pulse, Billboard, Feb. 6) with radio, on the charts, and at music noise again. "For the THE FLYS Here, Billboard cor- haunting art rock full of nuances. video outlets -does not fit the proto- last few years, it wasn't respondents take a Less restrained is thrashabilly trio typical mold, however, and shows no cool to say you were in a global sound -check of Guitar Wolf, whose crazed, over -the- signs of diminishing soon. -
Wavelength Midlo Center for New Orleans Studies
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 8-1985 Wavelength (August 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (August 1985) 58 https://scholarworks.uno.edu/wavelength/73 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. • • NEW ORLEANS MUSIC MAGAZINE THE STORY OF A REBEL AND HIS BIKE. ~ ( r. r. 4 I I I l PEE·WEE HERMAN Pee-wee~ 116 AD~etnlltle An ASPEN FILM SOCIETY I ROBERT SHAPIRO Production PEE-WEE HERMAN • PEE-WEE'S BIG ADVENTURE arstarring ELIZABETH DAILY • MARK HOLlON • DIANE SALINGER· JUDD OMEN music composed by DANNY ELFMAN executive producer WILLIAM E. McEUEN written by PHIL HARTMAN & PAUL REUBENS & MICHAEL VARHOL produced by ROBERT SHAPIRO and RICHARD GILBERT ABRAMSON directed by TIM BURTON [l]lr-="DOLBV~STERE0==""11® FROM WARNER BROS. ~ A WARNER COMMUNICATIONS COM PANY IPGIP'MEifTALGtBIUSYRSTEI-.1 lllloiEL£CTIDT!tPTIIU w C) ...sw ..... -..t... AIIItloht•"-'-~~'""-'""YNOT•turr-.E-~® The Adventure Begins Friday August 9th at a Theatre Near You. • • • r< '/JIV{)I(a JAU '' #/ . I .NA-Y k/OT .BE 1?.6C.Of?[J (({JJ, . THe 011/0~(£ J'ltL£ ISSUE NO. 58 • AUGUST 1985 f>U1111H<£ f'HE CR.t0/1 FOR. Of COURSE. t!JSPIR. ttJb f-IlS VERY R:W oF HIS' wl'm not sure. -
Federal Preemption of State-Law Voice Misappropriation Claims, 11
THE JOHN MARSHALL REVIEW OF INTELLECTUAL PROPERTY LAW THE PARADOX THAT WASN ’T: FEDERAL PREEMPTION OF STATE -LAW VOICE MISAPPROPRIATION CLAIMS ZACHARY M. VAUGHAN ABSTRACT There exists in the law of copyright preemption what some have identified as a paradox: that in certain cases involving claims for voice misappropriation in which a plaintiff’s voice has merely been imitated , claims have been allowed to proceed, while other cases that involve actual uses of a plaintiff’s voice—that is, samples from sound recordings—have been held to be preempted by the federal Copyright Act. This article argues that this apparent paradox is actually no conflict at all. After a brief background section, this article collects and explains cases, discusses the strengths and weaknesses of one possible harmonization of the case law presented by one of the preeminent copyright scholars in America today, then proposes a new way to think about the cases, and explains why what seems like a conflict at first glance is actually correct, both as a matter of federal preemption law and as a normative matter. Copyright © 2012 The John Marshall Law School Cite as Zachary M. Vaughan, The Paradox That Wasn’t: Federal Preemption of State- law Voice Misappropriation Claims , 11 J. MARSHALL REV . INTELL . PROP . L. 694 (2012). THE PARADOX THAT WASN ’T: FEDERAL PREEMPTION OF STATE -LAW VOICE MISAPPROPRIATION CLAIMS ZACHARY M. VAUGHAN INTRODUCTION ................................................................................................................ 695 I. LEGAL -
Record World Survey of Theother Services That Give the Label Andividual Marketplace
Hits of the Week SINGLES ALBUMS DARYL HALL & J014114 OATES, "PRIVATEQUINCY JONES FEATURING JAMES IN -BOB DYLAN, "SHOT OF LOVE." EYES" (prod. by HaII-Oates) (writ- GRAM, "JUST ONCE" (prod. byDylan opts for a raw, bluesy sound this ers: Hall-Pash-Alien-Allen) (Fust Jones) (writers: Mann -Weill) (ATV/time around, underscored by the promi- Buzza/Hot-Chai Six Continents, BMI) Mann & Weill, BMI) (4:29). Major popnence of Clydie King's sympathetic (3:29). As hot as anyone in pop music stations have already fallen in lovevocal soul and the gutsy playing of today, the tireless tandem offers this with Ingram's touching vocals, andKortchmar, Keitner, etc. "Heart of Mine," perfectly -crafted title cut from their others are quickly following suit. It's a"Trouble" and the title cut are three rea- forthcoming LP. An out -of -the -box beautiful ballad from "The Dude" LP.sons why every new Dylan LP is an smash. RCA 12296. A&M 2357. event. Columbia TC 37496. LITTLE RIVER BAND, "THE NIGHT OWLS"THE FOUR TOPS, "WHEN SHE WAS MYARETHA FRANKLIN. "LOVE ALL (prod. by Martin} (writer: Goble) GItL" (prod. by Wolfert) (writers: THE HURT AWAY." With the title single (Colgems-EMIF, ASCAP) (3:45). Blatte-Gottlieb) (MCA, ASCAP) (a duet with George Benson) leading the Wayne Nelson, LRB's new bassist, (3:25). The legendary quartet makes way, Aretha's latest collaboration with makes an impressive lead vocal an auspicious label debut with this producer Arif Mardin will leave her fans debut while the band's trademark rich infectious dancer. Levi Stubbs is atmore than satisfied.