British Museum Exhibit on St. Thomas Becket Gives Sympathetic Look at Past
British Museum exhibit on St. Thomas Becket gives sympathetic look at past LONDON (CNS) — In a gallery of The British Museum, light plays on an array of medieval crosses, reliquaries and manuscripts, as an audiovisual display reenacts one of English history’s most notorious crimes. At the center, three stained-glass windows, painstakingly transferred from Canterbury Cathedral, convey images from the fabled afterlife of St. Thomas Becket (1120-1170), next to badges and keepsakes left by generations of pilgrims at his place of martyrdom. When the exhibition, “Murder and the Making of a Saint,” opened in May, as England’s coronavirus lockdown was relaxed, the curators said they hoped to depict Becket’s journey from a humble clerk to one of Europe’s most popular miracle-working saints. Three months on, after attracting record crowds for the 850th anniversary of his death, many are struck by the exhibition’s warm evocation of the country’s Catholic past and dramatic reconstruction of the centrality of church and faith. “There’s no doubt the anti-Catholicism long embedded here is dissipating now, enabling a more sympathetic understanding of the past, which cultural events like this can subtly reflect,” Father Timothy Byron, a historian, told Catholic News Service. “There are issues surrounding our religious and cultural identity and how we evaluate our history and a better climate now for debating the place of our Catholic and Protestant traditions.” Born in London, Becket studied in France and Italy, rising to become a senior lay office-holder at Canterbury for Archbishop Theobald of Bec. In 1155, he was appointed chancellor to King Henry II, responsible for royal revenues, becoming a close and trusted confidant; just seven years later, after Archbishop Theobald’s death, the king named him archbishop of Canterbury.
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