Glenn Slater Lyricist

Total Page:16

File Type:pdf, Size:1020Kb

Glenn Slater Lyricist GLENN SLATER LYRICIST AWARDS DAYTIME EMMY AWARD WINNER (2020) TANGLED: THE SERIES Outstanding Original Song in a Children’s, Young Adult or Animated Program ANNIE AWARD NOMINATION (2019) TANGLED: THE SERIES Outstanding Achievement for Music in an Animated Television/Broadcast Production PRIMETIME EMMY AWARD NOMINATION (2016) GALAVANT Outstanding Original Music and Lyrics for Song “A New Season” TONY AWARD NOMINATION (2016) SCHOOL OF ROCK Best Original Score Written for Theatre HOLLYWOOD MUSIC IN MEDIA AWARD SAUSAGE PARTY NOMINATION (HMMA) (2016) Best Original Song – Animated Film for Song “The Great Beyond” PRIMETIME EMMY AWARD NOMINATION (2013) THE NEIGHBORS Outstanding Original Music and Lyrics for Song “More of Less The Kind of Thing You May or May Not Possibly See on Broadway” GRAMMY AWARD WINNER (2012) TANGLED Best Song Written Specifically for a Motion Picture for Song “I See the Light” GRAMMY AWARD WINNER (2012) TANGLED Best Song Written for Visual Media for Song “I See the Light” GOLDEN GLOBE NOMINATION (2011) TANGLED Best Original Song for Song “I See the Light” TONY AWARD NOMINATION (2011) SISTER ACT Best Original Score Written for Theatre WORLD SOUNDTRACK AWARD NOMINATION (2011) TANGLED Best Original Song Written for a Film for Song “I See the Light” ASCAP FILM AND TELEVISION MUSIC AWARD TANGLED WINNER (2011) Top Box Office Films 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Slater Page 1 of 4 GLENN SLATER LYRICIST AWARDS (continued) GRAMMY AWARD NOMINATION (2009) THE LITTLE MERMAID Best Musical Show Album TONY AWARD NOMINATION (2008) THE LITTLE MERMAID Best Original Score Written for Theatre MOTION PICTURES UGLY DOLLS Kelly Asbury, dir. STX HOLMES & WATSON Etan Cohen, dir. Columbia Pictures RALPH BREAKS THE INTERNET Phil Johnston & Rich Moore, Disney dirs.. SCHOOL OF ROCK (Composer) John Bateman, dir. Cool Bananas SAUSAGE PARTY Greg Tiernan & Conrad Vernon, Annapurna Pictures dirs.. LOVE NEVER DIES Brett Sullivan & Simon Phillips, Omniverse Vision dirs.. TANGLED Nathan Greno & Byron Howard Disney dirs.. HOME ON THE RANGE Will Finn & John Sanford, dirs.. Disney 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Slater Page 2 of 4 GLENN SLATER LYRICIST TELEVISION CENTRAL PARK Loren Bouchard, Josh Apple TV+ Gad, Nora Smith, creators THE LITTLE MERMAID LIVE! Hamish Hamilton, Ron ABC Clements & John Musker, dirs.. AMERICAN HOUSEWIFE Sarah Dunn, creator ABC TANGLED: THE SERIES Shane Prigmore & Chris Disney Channel Sonnenburg, creators TANGLED: BEFORE EVER AFTER Tom Caulfield & Stephen Disney Channel Sandoval, dirs.. GALAVANT Dan Fogelman, creator ABC GOOD MORNING AMERICA Roone Arledge, William F. ABC Baker, & Donald L. Perris THE GALAVANT SHOWCASE Dan Fogelman, creator ABC THE NEIGHBORS Dan Fogelman, creator ABC THE 66TH ANNUAL TONY AWARDS Glenn Weiss, dir. CBS THE 65TH ANNUAL TONY AWARDS Glenn Weiss, dir. CBS THE 83rd ANNUAL ACADEMY AWARDS Don Mischer & Troy Miller, ABC dirs.. THE 68TH ANNUAL GOLDEN GLOBE AWARDS Louis J. Horvitz, dir. NBC 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Slater Page 3 of 4 GLENN SLATER LYRICIST TELEVISION (continued) DANCING ON ICE Maria Knibbs, prod. Granada Television THE SOUTH BANK SHOW Susan Shaw, prod. Bravo! THE PAUL O’ GRADY SHOW Grace Stevens, prod. Granada Television STAGE A BRONX TALE THE MUSICAL SCHOOL OF ROCK – THE MUSICAL LEAP OF FAITH SISTER ACT THE LITTLE MERMAID A CLASS ACT 3349 Cahuenga Blvd. West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 Slater Page 4 of 4 .
Recommended publications
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 05-03 School of Rock Cover - Retro.indd 1 4/6/18 5:03 PM HOLLYWOOD PANTAGES THEATRE ANDREW LLOYD WEBBER THE REALLY USEFUL GROUP WARNER MUSIC GROUP & ACCESS INDUSTRIES THE SHUBERT ORGANIZATION AND NEDERLANDER PRESENTATIONS, INC. PRESENT BASED ON THE PARAMOUNT MOVIE WRITTEN BY MIKE WHITE BOOK BY LYRICS BY NEW MUSIC BY JULIAN FELLOWES GLENN SLATER ANDREW LLOYD WEBBER WITH ROB COLLETTI LEXIE DORSETT SHARP MATT BITTNER EMILY BORROMEO MERRITT DAVID JANES OLIVIA BUCKNOR GRIER BURKE JOHN CAMPIONE PATRICK CLANTON CHRISTOPHER DeANGELIS KRISTIAN ESPIRITU MELANIE EVANS RAYNA FARR LIAM FENNECKEN BELLA FRAKER KARA HALLER CARSON HODGES ELYSIA JORDAN JACK SUAREZ KIMMEL DEIDRE LANG ALYSSA EMILY MARVIN SINCLAIR MITCHELL THEO MITCHELL-PENNER VINCENT MOLDEN GILBERTO MORETTI-HAMILTON JAMESON MOSS IARA NEMIROVSKY TIM SHEA THEODORA SILVERMAN JESSE SPARKS CAMERON TRUEBLOOD GABRIELLA UHL HERNANDO UMANA HUXLEY WESTEMEIER SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN HAIR DESIGN ANNA LOUIZOS NATASHA KATZ MICK POTTER JOSH MARQUETTE ASSOCIATE DIRECTOR ASSOCIATE CHOREOGRAPHER CASTING DAVID RUTTURA PATRICK O’NEILL TARA RUBIN CASTING MERRI SUGARMAN, CSA MUSIC SUPERVISOR MUSIC COORDINATOR MUSIC DIRECTOR PRODUCTION STAGE MANAGER JOHN RIGBY TALITHA FEHR MARTYN AXE LARRY SMIGLEWSKI GENERAL MANAGER TOUR BOOKING AGENCY TOUR MARKETING & PRESS PRODUCTION MANAGER TROIKA ENTERTAINMENT THE BOOKING GROUP ALLIED TOURING TROIKA ENTERTAINMENT BRIAN SCHRADER LAURA DIELI ORCHESTRATIONS BY EXECUTIVE PRODUCERS ANDREW LLOYD WEBBER BESPOKE THEATRICALS & MADELEINE LLOYD WEBBER CHOREOGRAPHED BY JOANN M. HUNTER DIRECTED BY LAURENCE CONNOR 2 4 PLAYBILL School of Rock_master.indd 2 4/6/18 4:58 PM CAST (in order of appearance) Dewey .......................................................................................................................................ROB COLLETTI Dewey (at certain performances) ............................................................................
    [Show full text]
  • Sam Scalamoni Director Resume 2020 Word
    S A M S C A L A M O N I – Director www.samscalamoni.com [email protected] MUSICALS Elf the Musical 1st National Tour 2012-2018 NETworks Presentations Noel 1st National Tour 2018 VenuWorks Theatrical The Elf on a Shelf; A Christmas Musical 1st National Tour 2019 Mills Entertainment Nickelodeon’s Storytime Live! 1st National Tour Broadway Across America The Gazillion Bubble Show 1st National Tour Jon Platt-Fan Yang Disney’s Beauty and the Beast Ogunquit Playhouse North Carolina Theatre Lyric Theatre of Oklahoma Murder for Two Wellfleet Harbor Actors Theatre Les Miserables Cortland Repertory Theatre Mulan Jr. Original workshop Disney Theatrical/MTI Leap of Faith Original workshops Richard Frankel Productions Alan Menken/Glenn Slater Sense & Sensibility Original workshops Playwrights Horizons Shakespeare & Company Mary Poppins Woodstock Playhouse Barnum Skyline Theatre Company Evita Skyline Theatre Company Dreamgirls Skyline Theatre Company At the Back of the North Wind Original workshops The Village Theatre The National Arts Club Treaty 321 NYC Fringe Festival The Lucille Lortel Theatre The New Picasso Original workshop New World Stages La Cage aux Folles The Hackmatack Playhouse Phantom The Hackmatack Playhouse Jesus Christ Superstar The Hackmatack Playhouse All Shook Up Texas Family Musicals S A M S C A L A M O N I – Director www.samscalamoni.com [email protected] PLAYS The Unexpected Guest Cortland Repertory Theatre Our Town Skyline Theatre Company Proof Skyline Theatre Company Driving Miss Daisy Skyline Theatre Company
    [Show full text]
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Spatial Design Principles in Digital Animation
    Copyright by Laura Beth Albright 2009 ABSTRACT The visual design phase in computer-animated film production includes all decisions that affect the visual look and emotional tone of the film. Within this domain is a set of choices that must be made by the designer which influence the viewer's perception of the film’s space, defined in this paper as “spatial design.” The concept of spatial design is particularly relevant in digital animation (also known as 3D or CG animation), as its production process relies on a virtual 3D environment during the generative phase but renders 2D images as a final product. Reference for spatial design decisions is found in principles of various visual arts disciplines, and this thesis seeks to organize and apply these principles specifically to digital animation production. This paper establishes a context for this study by first analyzing several short animated films that draw attention to spatial design principles by presenting the film space non-traditionally. A literature search of graphic design and cinematography principles yields a proposed toolbox of spatial design principles. Two short animated films are produced in which the story and style objectives of each film are examined, and a custom subset of tools is selected and applied based on those objectives. Finally, the use of these principles is evaluated within the context of the films produced. The two films produced have opposite stylistic objectives, and thus show two different viewpoints of applying the toolbox. Taken ii together, the two films demonstrate application and analysis of the toolbox principles, approached from opposing sides of the same system.
    [Show full text]
  • Micdi Productions, Inc
    MICDI PRODUCTIONS, INC. CALIFORNIA STATE CORPORATION SIGNATORY OF I.A.T.S.E. MEMBER OF LOCAL 700 EDITOR’S GUILD [email protected] PHONE 818-563-3400 FAX 818-563-3800 MICDI PRODUCTIONS, INC. MICDI Productions is an award-winning, cutting-edge music editoriaL company and is home to a famiLy of taLented music editors, assistants, and support staff. Formed in 1987, MICDI holds among its credits many of film and television’s biggest hits and emerging favorites. We pride ourselves as creative colLaborators and host a Long and storied list of fiLmmakers, producers, composers, and music supervisors as our partners. We are adept in providing high-quaLity music editoriaL services for many media formats including broadcast television, feature fiLms, streaming, and new media. The MICDI faciLity is equipped with state-of-the-art technology including on-site ProtooLs editoriaL suites, mobiLe ProtooLs editoriaL systems, a fulLy networked faciLity and their very own high-speed server to secureLy transfer media fiLes with productions anywhere around the world. To colLaborate with remote productions and clienteLe, MICDI is equipped with remote playback systems such as Source Live and Source Connect, as welL as their very own hardware QVidium media streaming system. AdditionaLLy, our editors have access to a vast and exclusive fiLm & television score library containing many thousands of titLes, avaiLable only to MICDI. Being centraLLy located to aLL major studios in the greater Los Angeles area, our Burbank faciLity hosts amenities including a fulLy-stocked hospitaLity kitchen, runner & client services personnel, a conference room and electric vehicle charging stations. We look forward to Learning more about your project.
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • Susannah Buxton - Costume Designer
    SUSANNAH BUXTON - COSTUME DESIGNER THE TIME OF THEIR LIVES Director: Roger Goldby. Producer: Sarah Sulick. Starring: Joan Collins and Pauline Collins. Bright Pictures. POLDARK (Series 2) Directors: Charles Palmer and Will Sinclair. Producer: Margaret Mitchell. Starring: Aiden Turner and Eleanor Tomlinson. Mammoth Screen. LA TRAVIATA AND THE WOMEN OF LONDON Director: Tim Kirby. Producer: Tim Kirby. Starring: Gabriela Istoc, Edgaras Montvidas and Stephen Gadd. Reef Television. GALAVANT Directors: Chris Koch, John Fortenberry and James Griffiths. Producers: Chris Koch and Helen Flint. Executive Producer: Dan Fogelman. Starring: Timothy Omundson, Joshua Sasse, Mallory Jansen, Karen David Hugh Bonneville, Ricky Gervais, Rutger Hauer and Vinnie Jones. ABC Studios. LORD LUCAN Director: Adrian Shergold. Producer: Chris Clough. Starring: Christopher Ecclestone, Michael Gambon, Anna Walton and Rory Kinnear. ITV. BURTON & TAYLOR Director: Richard Laxton. Producer: Lachlan MacKinnon. Starring: Helena Bonham-Carter and Dominic West. BBC. RTS CRAFT AND DESIGN AWARD 2013 – Best Costume Design. 4929 Wilshire Blvd., Ste. 259 Los Angeles, CA 90010 ph 323.782.1854 fx 323.345.5690 [email protected] DOWNTON ABBEY (Series I, Series II, Christmas Special) Directors: Brian Percival, Brian Kelly and Ben Bolt. Series Producer: Liz Trubridge. Executive Producer: Gareth Neame. Starring Hugh Bonneville, Jim Carter, Brendan Coyle, Michelle Dockery, Joanne Froggatt, Phyllis Logan, Maggie Smith and Elizabeth McGovern. Carnival Film & Television. EMMY Nomination 2012 – Outstanding Costumes for a Series. BAFTA Nomination 2012 – Best Costume Design. COSTUME DESIGNERS GUILD (USA) AWARD 2012 – Outstanding Made for TV Movie or MiniSeries. EMMY AWARD 2011 – Outstanding Costume Design. (Series 1). Emmy Award 2011 – Outstanding Mini-Series. Golden Globe Award 2012 – Best Mini Series or Motion Picture made for TV.
    [Show full text]
  • Based on the Hit Film, This Hilarious New Musical Follows Dewey Finn, A
    Based on the hit film, this hilarious new musical follows Dewey Finn, a wannabe rock star posing as a substitute teacher who turns a class of straight-A students into a guitar-shredding, bass-slapping, mind-blowing rock band. This high-octane smash features 14 new songs from Andrew Lloyd Webber, all the original songs from the movie and musical theater’s first-ever kids rock band playing their instruments live on stage. LOCAL DETAILS: Venue: Fox Cities Performing Arts Center – Thrivent Financial Hall Dates: April 24-29, 2018 Times: Tuesday through Friday at 7:30 p.m. Saturday at 2 p.m. and 7:30 p.m. Sunday at 1 p.m. and 6:30 p.m. TICKET INFORMATION: Tickets for School of Rock are available now to Season Ticket Holders of the Kimberly-Clark Broadway Across America - Fox Cities Series. Groups of 10 or more are also on sale now. Individual tickets will go on sale to the public approximately eight to twelve weeks before opening night. FACTS: The musical is based on the 2003 film starring Jack Black. The music is composed by Andrew Lloyd Webber, who has written more than 20 musicals including Phantom of the Opera, Jesus Christ Superstar, Joseph…Dreamcoat and Cats. Opened on Broadway in December of 2015 and will begin its national tour in the fall of 2017. CREATIVE TEAM: Music – Andrew Lloyd Webber Lyrics – Glenn Slater Book – Julian Fellowes Director – Laurence Connor Choreographer – JoAnn M. Hunter Costume Design – Anna Louizos Set Design – Anna Louizos Lighting Design – Natasha Katz Sound Design – Mick Potter ### .
    [Show full text]
  • To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
    To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation.
    [Show full text]
  • Hollywood Theology: the Commodification of Religion in Twentieth-Century Films Author(S): Jeffery A
    Center for the Study of Religion and American Culture Hollywood Theology: The Commodification of Religion in Twentieth-Century Films Author(s): Jeffery A. Smith Reviewed work(s): Source: Religion and American Culture: A Journal of Interpretation, Vol. 11, No. 2 (Summer 2001), pp. 191-231 Published by: University of California Press on behalf of the Center for the Study of Religion and American Culture Stable URL: http://www.jstor.org/stable/10.1525/rac.2001.11.2.191 . Accessed: 29/01/2013 11:41 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and Center for the Study of Religion and American Culture are collaborating with JSTOR to digitize, preserve and extend access to Religion and American Culture: A Journal of Interpretation. http://www.jstor.org This content downloaded on Tue, 29 Jan 2013 11:41:14 AM All use subject to JSTOR Terms and Conditions Hollywood Theology: The Commodication of Religion in Twentieth-Century Films Jeffery A. Smith A motion picture is a product formed by the intricate inter- play of lm industry forces and cultural expectations. Hollywood must attract audiences and audiences crave gratication or, perhaps, edication.
    [Show full text]
  • Return of The
    Return of the Mac Lucas Till stars in the reboot of “MacGyver,” premiering September 23, on CBS. FALL 2016 FALL “Conviction” ABC Mon., Oct. 3, 10 p.m. PLUG IN TO Right after finishing her two-season run as “Marvel’s Agent Carter,” Hayley Atwell – again sporting a flawless THESE FALL PREMIERES American accent for a British actress – BY JAY BOBBIN returns to ABC as a smart but wayward lawyer and member of a former first family who avoids doing jail time by joining a district attorney (“CSI: NY” alum Eddie Cahill) in his crusade to overturn apparent wrongful convictions … and possibly set things straight with her relatives in the process. “American Housewife” ABC Tues., Oct. 11, 8:30 p.m. Following several seasons of lending reliable support to the stars of “Mike & Molly,” Katy Mixon gets the “Designated Survivor” ABC showcase role in this sitcom, which Wed., Sept. 21, 10 p.m. originally was titled “The Second Fattest If Kiefer Sutherland wanted an effective series follow-up to “24,” he’s found it, based Housewife in Westport” – indicating on the riveting early footage of this drama. The show takes its title from the term used that her character isn’t in step with the for the member of a presidential cabinet who stays behind during the State of the Connecticut town’s largely “perfect” Union Address, should anything happen to the others … and it does here, making female residents, but the sweetly candid Sutherland’s Secretary of Housing and Urban Development the new and immediate wife and mom is boldly content to have chief executive.
    [Show full text]
  • Sunday Morning Grid 12/4/11 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 12/4/11 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Danger Horseland The NFL Today (N) Å Football Raiders at Miami Dolphins. From Sun Life Stadium in Miami. (N) Å 4 NBC News Å Meet the Press (N) Å Conference Willa’s Wild Skiing Swimming Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week-Amanpour News (N) Å News (N) Å Jack Hanna Ocean Mys. Explore Culture 9 KCAL Tomorrow’s Kingdom K. Shook Joel Osteen Prince Mike Webb Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday FOX NFL Sunday (N) Football Denver Broncos at Minnesota Vikings. (N) Å 13 MyNet Paid Program Best Buys Paid Program Best of L.A. Paid Program Bee Season ›› (2005) 18 KSCI Paid Program Church Paid Program Hecho en Guatemala Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Classic Gospel Special: Tent Revival Home Prohibition Groups push to outlaw alcohol. Å 28 KCET Cons. Wubbulous Busytown Peep Pancakes Pufnstuf Lidsville Place, Own Roadtrip Chefs Field Pépin Venetia 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Ministry Campmeeting 34 KMEX Paid Program Muchachitas Como Tu Al Punto (N) República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J.
    [Show full text]