Danny Elfman

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Danny Elfman TIM BURTON (y III) Tanto era el afán de Burton por evitar los efectos or su trabajo en Sleepy Hollow los eje­ especiales que decidió entrenar cuarenta ardillas cutivos de la Twentieth Century Fox no durante cinco meses para que hicieran la escena de dudaron en elegir a Burton para que la sala de nueces (en la que pelan nueces y atacan dirigiera la película El planeta de los a Veruca y a su padre). La última fase la escena se P simios (Planet of the Apes, 2001). El director completó con imágenes de ordenador pero en los aceptó a condición de su completa libertad para primeros planos y en las acciones principales las modificar la versión original, empeñado en algo ardillas son reales. mucho más personal y contemporáneo. Sin em­ Charlie y la fábrica de chocolate se convirtió en el bargo dirigirla fue complicado, ya que disponía gran éxito del verano de 2005 (solo en dos sema­ de un presupuesto muy limitado y un plan de nas recaudó 114.000.000 $ en Estados Unidos), rodaje de ochenta días. Los monos de Burton Big Fish se estrenó en 2004 y significó el reen­ junto a La novia cadáver. debían ser un ochenta por ciento monos y un cuentro de Burton consigo mismo, con su estilo Ésta última nos recuerda a Pesadilla antes de Na­ COMPOSITOR: veinte por ciento humanos; por eso hubo que y con su público; además dio rienda suelta a su vidad, ya que también incluye canciones y núme­ enseñar a sus actores a comportarse como simios creatividad y pudo expresar lo que sentía, ya ros musicales, compuestos por Danny Elfmann, y DANNY ELFMAN en una Escuela de Monos especialmente creada que había perdido a su padre y en la historia se además en ésta utiliza también la técnica stop­ para ellos. Además, en un principio se habló de trata este tema. motion. La implicación de Burton sin embargo fue crear los simios con CGI (imágenes generadas Burton se separó nuevamente y se mudó a Lon­ aquí mayor. ¿La razón? El merchandising. Hay Se ha convertido en uno de los más por ordenador), pero Burton insistió en utilizar dres con su nueva pareja, Helena Bonham Car­ que tener en cuenta que Tim Burton no posee los admirados compositores de los últi- actores y maquillaje. ter. Aquí es donde dirigió Charlie y la fábrica derechos de explotación de Pesadilla antes de mos años gracias a la frescura, origi- La película se estrenó el 27 de julio de 2001 de chocolate (Charlie and the Chocolate Facto­ Navidad, y por lo tanto no recibe un céntimo de nalidad, ironía y sorprendente uso de ry, 2005) y el filme animado La novia cadáver (después de cosechar un nuevo éxito con seis los productos relacionados con el filme. la música para la pantalla. Le gusta el cortos exclusivos para Internet protagonizados (Corpse Bride, 2005), que se encuentran entre La novia cadáver requirió más de 35 decorados lo mejor de la filmografía del director. Rodó diferentes y jornadas de doce a catorce horas de uso de las grandes orquestas junto a por Stainboy, el Chico Mancha, uno de los perso­ voces corales, tanto de niños como najes de su libro La melancólica muerte del Chi­ ambas películas al mismo tiempo, lo que obligó duración. a Depp a compaginar su trabajo durante el ro­ Estos dos últimos filmes acabaron con la duda de de adultos. co Ostra, que es un superhéroe cuyo poder se En 1985 Tim Burton, un prometedor basa en dejar un rastro asqueroso allí donde va) y daje de Charlie y la fábrica de chocolate con que El planeta de los simios había terminado con fue una de las películas más vistas del año y una las sesiones de grabación de La novia cadáver. toda la inspiración de Burton. y joven director de cine que hace su de las más rentables para la Fox. Burton contó con la ayuda de Mike Johnson, Su última película, Sweeney Todd, se estrenó el 21 primera película, quiere que Danny Sin embargo Burton considera, al igual que la que se hizo cargo de la codirección. de diciembre de 2007 en EEUU y tuvo una gran Elfman componga la banda sonora. crítica especializada, que esta película está llena Esta es la cuarta vez que Burton y Depp traba­ acogida entre el público. Los protagonistas son los A partir de este momento ambos de efectos especiales, y que por lo tanto carece jan juntos, y al contrario que en las anteriores, ya veteranos Johnny Depp y Elena Bonham Car­ autores inician una larga amistad que de la originalidad de sus otros filmes. en las que el director tuvo que pelear con los ter. dará lugar a una de las colaboraciones Burton sentía que tenía que elegir entre su liber­ ejecutivos para que Depp se hiciera con el pa­ Además colaborará con la Disney para dirigir más largas y fructíferas de la historia pel protagonista, en esta ocasión todos pensa­ dos películas: una adaptación de Alicia en el país tad creadora o servir a los grandes ejecutivos. Se del cine, con la única excepción de decidió finalmente a realizar el cine que más le ron que era la elección ideal. de las maravillas y una extensión de su corto Uno de los desafíos de Charlie y la fábrica de Frankenweenie. Ed Word, compuesta por Howard gustaba, el suyo. Así, se propuso dirigir un nuevo Shore, y Sweeney Todd, con libreto de proyecto: la adaptación cinematográfica de la chocolate era el rodaje y planificación de las escenas protagonizadas por los diminutos Oom­ Marcos Marcos Arza: Tim Burton. Ed. Cátedra Stephen Sondheim. Hoy día es difícil novela del escritor Daniel Wallace, Big Fish. La Hilario J. Rodríguez: Tim Burton. Ed. JC música, compuesta por Danny Elfman una vez pa­Loompas. Deep Roy, un actor enano que ya pensar en una película de Tim Burton había trabajado anteriormente con Burton en El Panadero/Parra: Tim Burton, diario de un soñador. Ed. sin la música de Elfman. más, fue nominada en los Oscar de 2004. Jaguar planeta de los simios y en Big Fish, es el actor Mark Salisbury: Tim Burton por Tim Burton. Ed. Alba Es el compositor de obras como que da vida a los 165 trabajadores que aparecen Pesadilla antes de Navidad, La novia en este filme; para ello el minúsculo actor fue cadáver, El planeta de los simios, Eduardo clonado digitalmente en escenas en las que Manostijeras…. incluso llega a interactuar consigo mismo. También es el compositor de la ban- Para esta película Burton quería utilizar decora­ dos reales y evitar en lo posible los efectos da sonora de Los Simpsons, Men in especiales y las imágenes generadas por orde­ Black, Spiderman, Hulk, The Family nador. El mayor decorado era el río de chocola­ Man… te, que ocupó el descomunal estudio 007 de Pinewood. http://es.wikipedia.org/wiki/Danny_Elfman" .
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