Jackson Pollock's Mural

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JACKSON POLLOCK’S MURAL 1. Jackson Pollock American, 1912–1956 Mural, 1943 Oil and casein on canvas University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6 Reproduced with permission from The University of Iowa L.2012.35 Jackson Pollock 2. 3. Jackson Pollock American, 1912–1956 American, 1912–1956 Mural (detail), 1943 Mural (detail), 1943 Oil and casein on canvas Oil and casein on canvas University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6 Reproduced with permission from The University of Iowa Reproduced with permission from The University of Iowa L.2012.35 L.2012.35 The J. Paul Getty Trust 1200 Getty Center Drive, Suite 403 Tel 310 440 7360 www.getty.edu Communications Department Los Angeles, CA 90049-1681 Fax 310 440 7722 4. Jackson Pollock’s painting Mural arrives at the Getty for conservation 5. Getty Conservation Institute Head of Science Tom Learner and as conservators look on. scientist Alan Phenix discuss the conservation of Mural. University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art, Gift of Peggy Guggenheim, Reproduced with permission from The University of Iowa 1959.6. Reproduced with permission from The University of Iowa Photo: © 2013 J. Paul Getty Trust Photo: © J. Paul Getty Trust.Photo: © 2013 J. Paul Getty Trust 6. Conservators at the J. Paul Getty Museum, gently cleans Jackson 7. Conservator at the J. Paul Getty Museum, gently cleans Jackson Pollock’s painting Mural. Pollock’s painting Mural. Photo: © 2013 J. Paul Getty Trust Photo: © 2013 J. Paul Getty Trust 8. Laura Rivers, associate conservator at the J. Paul Getty Museum, 9. Head of Painting Conservation Yvonne Szafran at the J. Paul Getty gently cleans Jackson Pollock’s painting Mural. Museum considers Jackson Pollock’s painting Mural. Photo: © 2013 J. Paul Getty Trust Photo: © 2013 J. Paul Getty Trust 10. Jackson Pollock at the Schardts’ house, Truro, Massachusetts, 1944 11. Mural at Vogue Studios Photograph by Bernard Schardt. Pollock-Krasner House and Study Photo: Herbert Matter Center, East Hampton, New York. Gift of Jeffrey Potter. Image © Estate of Herbert Matter. Courtesy of Department of Special Collections and University Archives, Stanford University Libraries. 12. Jackson Pollock with the canvas for his mural, 1943 13. Peggy Guggenheim and Jackson Pollock in front of Pollock’s Mural Photograph by Bernard Schardt. Pollock-Krasner House and Study (1943) in the first-floor entrance hall of Guggenheim’s residence, Center, East Hampton, New York. Gift of Jeffrey Potter. 155 East Sixty-first Street, New York, ca. 1946. Other work shown: unidentified David Hare sculpture (partially visible, foreground)., ca. 1946 Photo: George Karger, courtesy Solomon R. Guggenheim Museum Archives, New York.

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Peggy Guggenheim @ Ordovas
PEGGY GUGGENHEIM @ ORDOVAS Peggy Guggenheim (1898-1979) is probably best known for her Venice collection, but the American born socialite turned art collector actually first exhibited her pieces in London and New York before settling in Italy. In fact, she even established a gallery in Britain, Guggenheim Jeune, which ran between 1938 and 1939, and which is now the subject of a new exhibition Peggy Guggenheim and London at Ordovas in Mayfair. Herbert Read and Peggy Guggenheim in her London gallery, circa 1939 © IMEC, Fonds MCC, Dist. RMN-Grand Palais/Gisele Freund © ARS, NY and DACS, London 2019 Located at 30 Cork Street, the location of Guggenheim’s London outfit is still a hub of contemporary art today and is just around the corner from the exhibition that is now commemorating its existence on Savile Row. Open between January 1938 and June 1939, Guggenheim Jeune exhibited the work of Jean Cocteau, Pablo Picasso, Salvador Dali, Henry Moore, Rene Magritte and Max Ernst against many others. The first ever artwork she acquired was a sculpture by Jean (Hans) Arp, Tete et coquille (1933), who featured in a quarter of all exhibitions in London. And, it is the work of Arp, along with Yves Tanguy – the artist behind the gallery’s most successful exhibition, Exhibition of Paintings by Yves Tanguy (6-16 July 1938) – whose work is on display at Ordovas today, 80 years after Guggenheim Jeune’s closure. Installation shot of Peggy Guggenheim and London at Ordovas, London, 2019. Photo: Andrew Smart The name – Guggenheim Jeune – was the idea of Guggenheim’s friend Winifred Henderson and it associates itself with both Guggenheim as the younger of two Guggenheim art giants (the elder being her uncle Solomon), as well as comparing itself to Bernheim Jeune, the leading Parisian gallery at the time.
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modern painters modernpaintersAPRIL 2019 PHILIPP THE COLORS OF ZEN: A CONVERSATION WITH HSIAO CHIN FÜRHOFER EXPLAINS HIS INSPIRATION TOP 10 ART BOOKS KIM CHONG HAK: THE KOREAN VAN GOGH BLOUINARTINFO.COM APRIL APRIL BLOUINARTINFO.COM + TOP 10: CONTEMPORARY POETS TO READ IN 2019 2019 04_MP_COVER.indd 1 19/03/19 3:56 PM 04_MP_The nature ofArp_Live text-78-87.indd 78 © 2019 ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/VG BILD-KUNST, BONN / © JEAN ARP, BY SIAE 2019. PHOTO: KATHERINE DU TIEL/SFMOMA 19/03/19 4:59PM Jean (Hans) Arp, “Objects Arranged according to the Laws of Chance III,” 1931, oil on wood, 10 1/8 x 11 3/8 x 2 3/8 in., San Francisco Museum of Modern Art. THE NATURE OF ARP THE SCULPTOR REFUSED TO BE CATEGORIZED, AS AN ARTIST OR AS A HUMAN BEING, MAKING A RETROSPECTIVE AT THE GUGGENHEIM IN VENICE A PECULIAR CHALLENGE TO CURATE BY SARAH MOROZ BLOUINARTINFO.COM APRIL 2019 MODERN PAINTERS 79 04_MP_The nature of Arp_Live text-78-87.indd 79 19/03/19 4:59 PM pursue this matter without affiliations with Constructivism and knowing where I’m going,” Surrealism, 1930s-era sinuous sculptures, Jean Arp once said of his collaborative works with Sophie Taeuber- intuitive approach. “This is Arp (his wife, and an artist in her own the mystery: my hands talk right) and the work made from the après- “to themselves.I The dialogue is established guerre period up until his death in 1966. between the plaster and them as if I am Two Project Rooms adjacent to the absent, as if I am not necessary.
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